Hymnspiration Workbook
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& 34 Œœ˙˙ Œœ ˙ ˙Œœœœ Œ Œ Œ Œœœœœ Œœœœœ Œœ ? 34 Œ Œ ˙ ˙Œœ ˙ #Œœ˙˙Œœ ˙Œ Œœœœœœ
Se, dagen gryr och mörkret flyr 1 Jublande = 88-100 q [] œ 3 ˙ œ œ œ œ œ Œ œ œ & 4œœ ˙ œ ˙ œ œ œ œ œ œ œ œ 1. Se, da - gen gryr och mörk - ret flyr. Si - ons ba - 2. Nu töck - nen, vil - lo - lä - rors hägn, sking-ras för 3. Gud å - ter ta - lat till vår jord: San - ning - en œ ˙ œ 3 œ ˙ #œœ ˙ œ ˙ œ œ œ ? 4 œ ˙ œ œ œ Œ j j œ. œ œ Œ ∑∑ & ˙ œ œ ˙œ . œ #œœ ˙ ner nu veck - las ut! En lju - sets dag för san - nings kla - ra ljus. Guds ord, lik - som ett up - pen - ba - rad är. Allt folk skall hö - ra ˙ œ œ ˙ ˙ œ ˙ œ ˙ œ ? ˙ œ ˙ œ œ œ œ œ j j ∑ œ. œ œ. œ & Ó œœ œ . œ œ œ ˙ œ œ œ . œ œ œ värl - den gryr; en lju - sets dag för värl - den him - melskt regn, Guds ord, lik - som ett him - melskt Her - rens ord. Allt folk skall hö - ra Her - rens œ œ œ #œ œ ˙ ∑∑∑ ? ˙ Œ [] ˙ œ œ œ œ œ œ œ ˙ œ ˙ & ˙ œ ˙ œ œ œ œ ˙ œ ˙ gryr; min själ, din tack - sam - het ut - gjut! regn, milt fal - ler ö - ver jor - dens grus. ord. O Si - on, gläd dig, lov hem - bär! ˙ œ œ œ œ ˙ œ ˙ œ œ ˙ œ # œ ˙ œ ? Ó ˙ ˙ Text: Parley P. Pratt, 1807–1857 Jesaja 60:1–3 Musik: George Careless, 1839–1932 3 Nephi 16:7–20 2 Den himmelska elden Jublande = 96-112 q [] j bb 4 ˙ œ œ ˙ œ œ ˙ œ & 4 œ ˙ œ œ ˙ œ œ ˙ œ œ œœ. -
Remembering Reinhard Bonnke: P.10 He Plundered Hell and Populated Heaven! 12-14 MARCH 2020 |KCM.ORG.AU/SLPC20
MAR 2020 KCM.ORG.AU/MAGAZINE TM Remembering Reinhard Bonnke: P.10 He Plundered Hell and Populated Heaven! PATSY CAMENETI PATSY TERRI COPELAND PEARSONS TERRI COPELAND GEORGE PEARSONS MARGARET COURT BRISBANE - SpiritPRAYER CONFERENCELed 2020 12-14 MARCH 2020 | KCM.ORG.AU/SLPC20 VOL. 48 : No 3 : IN PRINT SINCE ’73 INSIDE MARCH Ever 4 Increasing Impact Gloria and I consider by Kenneth Copeland partnership a very Our impact for God sacred thing and are should always be convinced that the principles of partnership increasing so that are key to victory people can see Jesus in in these last days. us. For that to happen, we must continue to develop and practice the Partnership fundamentals of faith. can change your life! Remembering 10 Reinhard Bonnke: He Plundered Hell Visit or call to and Populated find out how! Heaven! kcm.org.au/partner At 10 years old, Reinhard Bonnke already knew he 1300 730 433 wanted to be a missionary (within Australia) or to Africa. His passion and +617 3343 7777 determination led him NZ 0800 903 100 to become one of the greatest soul winners of all time. The World 16 Is Waiting by Melanie Hemry After graduating from Rhema and working full time as a pastor for 24 years, Becky Haas felt she’d never made the impact for God’s kingdom that she was PATSY CAMENETI PATSY TERRI COPELAND PEARSONS TERRI COPELAND GEORGE PEARSONS MARGARET COURT P.10 called to make. In February 1984, Keeping Your Kenneth Copeland 22 FOCUS by Terri Savelle Foy prophesied that Reinhard God has an assignment Bonnke would one day preach that only you can fulfill. -
AC/DC BONFIRE 01 Jailbreak 02 It's a Long Way to the Top 03 She's Got
AC/DC AEROSMITH BONFIRE PANDORA’S BOX DISC II 01 Toys in the Attic 01 Jailbreak 02 Round and Round 02 It’s a Long Way to the Top 03 Krawhitham 03 She’s Got the Jack 04 You See Me Crying 04 Live Wire 05 Sweet Emotion 05 T.N.T. 06 No More No More 07 Walk This Way 06 Let There Be Rock 08 I Wanna Know Why 07 Problem Child 09 Big 10” Record 08 Rocker 10 Rats in the Cellar 09 Whole Lotta Rosie 11 Last Child 10 What’s Next to the Moon? 12 All Your Love 13 Soul Saver 11 Highway to Hell 14 Nobody’s Fault 12 Girls Got Rhythm 15 Lick and a Promise 13 Walk All Over You 16 Adam’s Apple 14 Shot Down in Flames 17 Draw the Line 15 Dirty Deeds Done Dirt Cheap 18 Critical Mass 16 Ride On AEROSMITH PANDORA’S BOX DISC III AC/DC 01 Kings and Queens BACK IN BLACK 02 Milk Cow Blues 01 Hells Bells 03 I Live in Connecticut 02 Shoot to Thrill 04 Three Mile Smile 05 Let It Slide 03 What Do You Do For Money Honey? 06 Cheesecake 04 Given the Dog a Bone 07 Bone to Bone (Coney Island White Fish) 05 Let Me Put My Love Into You 08 No Surprize 06 Back in Black 09 Come Together 07 You Shook Me All Night Long 10 Downtown Charlie 11 Sharpshooter 08 Have a Drink On Me 12 Shithouse Shuffle 09 Shake a Leg 13 South Station Blues 10 Rock and Roll Ain’t Noise Pollution 14 Riff and Roll 15 Jailbait AEROSMITH 16 Major Barbara 17 Chip Away the Stone PANDORA’S BOX DISC I 18 Helter Skelter 01 When I Needed You 19 Back in the Saddle 02 Make It 03 Movin’ Out AEROSMITH 04 One Way Street PANDORA’S BOX BONUS CD 05 On the Road Again 01 Woman of the World 06 Mama Kin 02 Lord of the Thighs 07 Same Old Song and Dance 03 Sick As a Dog 08 Train ‘Kept a Rollin’ 04 Big Ten Inch 09 Seasons of Wither 05 Kings and Queens 10 Write Me a Letter 06 Remember (Walking in the Sand) 11 Dream On 07 Lightning Strikes 12 Pandora’s Box 08 Let the Music Do the Talking 13 Rattlesnake Shake 09 My Face Your Face 14 Walkin’ the Dog 10 Sheila 15 Lord of the Thighs 11 St. -
Diving Lessons 2017 Lent De
Diving Lessons 2017 Lent Devotional Christina Villa, ed. The Stillspeaking Writers’ Group is composed of United Church of Christ ministers and authors who collaborate on resources for people in the church, outside the church, and not so sure about the church. Their motto: “Hear - ing God where you live (and other surprising places).” Stillspeaking. It’s the shorter form of “God is still speaking,” a campaign by the United Church of Christ (UCC) to remind us that God still has a lot more to say. Since 2004, Stillspeaking has worked with thousands of UCC churches and individuals across the country to make religion relevant and to extend an extravagant welcome to al l — because no matter who you are or where you are on life’s journey, you’re welcome here, at the United Church of Christ. The Stillspeaking Writers’ Group United Church of Christ 700 Prospect Avenue Cleveland, OH 44115 Our cover and title are inspired by Philippians 2:5-11: “Let the same mind be in you that was in Christ Jesus, who, though he was in the form of God, did not regard equality with God as something to be exploited, but emptied himself, taking the form of a slave, being born in human likeness. And being found in human form, he humbled himself and became obedient to the point of death — even death on a cross.” Lent can be a time to think about Christ diving down into human life, into service and sacrifice. How did he do it? What lessons can we learn from it? Diving Lessons 2017 Lent Devotional THE STILLSPEAKING WRITERS ’ GROUP Hearing God where you live (and other surprising places) Christina Villa, ed. -
Mclean Location, Location, Location News, Page 3
McLean Location, Location, Location News, Page 3 Patrons of the Star Nut Gourmet enjoy a morning on the Classifieds, Page 13 Classifieds, patio. The Star Nut was in danger of being forced to move, ❖ but due to community support looks to be staying put. Sports, Page 16 ❖ Calendar, Page 10 ❖ Burglar Hits The Area News, Page 4 Opinion, Page 8 Browsing Through Old Tomes News, Page 3 Requested in home 9-23-10 home in Requested Time sensitive material. sensitive Time Attention Postmaster: Attention PERMIT #322 PERMIT Easton, MD Easton, PAID U.S. Postage U.S. PRSRT STD PRSRT Photo by Alex McVeigh/The Connection by Alex McVeigh/The Photo www.ConnectionNewspapers.comSeptember 22-28, 2010 ❖ Volume XXIV, Number 38 online atMcLean www.connectionnewspapers.com Connection ❖ September 22-28, 2010 ❖ 1 WHAT ARE OVER 1,000 PEOPLE SMILING ABOUT? Over the last 10 years, Dr. Wayne Myles, DDS has created over 1,000 healthy new smiles for people just like you who have walked around with broken, worn, dark, unhealthy or just unsightly teeth. All of them regretted having waited as long as they did to undergo this amazing transformation. They have renewed health, self image and confidence. What is holding YOU back? With extended financing options, it truly is an affordable reality that you deserve. Whether it is for personal or professional reasons, don’t wait any longer. CALL NOW for your FREE consultation AND photo imaging to see what a new smile can look like on YOU (reg. $286). For those that have anxiety about dental procedures, you can opt for sedation for FREE (reg. -
Nun Danket Alle Gott
Eberhard Koch Nun danket alle Gott Kirchenlieder und ihre Geschichte Inhalt 9 Vorwort 13 Ach wie flüchtig, ach wie nichtig A Michael Franck 17 Aus meines Herzens Grunde Gewidmet meiner Frau Georg Niege 22 Aus tiefer Not schrei ich zu dir Martin Luther 28 Befiehl du deine Wege B Paul Gerhardt 34 Bewahre uns, Gott Anders Ruuth 38 Breit aus die sanften Flügel Carolina Wilhelmina Sandell-Berg 42 Brich an, du schönes Morgenlicht Johann Rist 47 Brich herein, süßer Schein Marie Schmalenbach 52 Das Jahr geht hin, nun segne du D Arno Pötzsch 57 Das Jahr geht still zu Ende Eleonore Fürstin von Reuß 62 Der Bräut’gam kommt Johanna Meyer 67 Der Mond ist aufgegangen Matthias Claudius 75 Der Tag, mein Gott, ist nun vergangen John Ellerton Abkürzungen 79 Die Kirche ist gegründet allein auf Jesum Christ GB: Gesangbuch der Neuapostolischen Kirche, erschienen 2004. Anna Thekla von Wehling 83 Die Nacht ist vorgedrungen CB: Chorbuch für den gottesdienstlichen Gebrauch Jochen Klepper der Neuapostolischen Kirche, erschienen 2013. 89 Dies ist der Tag, den Gott gemacht JLB: Jugendliederbuch „Dich loben wir“, erschienen 2009. Christian Fürchtegott Gellert EG: Evangelisches Gesangbuch der deutschsprachigen evangelischen Gemein- 93 Du großer Gott den in Deutschland, Elsass-Lothringen, Österreich und Luxemburg, Carl Boberg zwischen 1993 und 1996 eingeführt. Die Lieder aus dem Evangelischen 97 Du kannst nicht tiefer fallen Gesangbuch (EG), auf die in diesem Buch verwiesen wird, sind dem Arno Pötzsch Stammteil dieses Gesangbuches entnommen. Einige wenige finden sich 101 Ein feste Burg ist unser Gott E im sogenannten Regionalteil Württemberg wieder. Martin Luther GL: Gebet- und Gesangbuch der katholischen Bistümer in Deutschland, 106 Es kommt ein Schiff geladen Österreich und Südtirol, zwischen 2013 und 2014 eingeführt. -
Jak Powstawa³y Pieœni Ze „Œpiewnika Pielgrzyma” Weÿmij, Jezu, ¿Ycie Me, W Rêce Twe Oddajê Je…
Jak powstawa³y pieœni ze „Œpiewnika Pielgrzyma” WeŸmij, Jezu, ¿ycie me, w rêce Twe oddajê je… Praca zbiorowa pod redakcj¹ Andrzeja Byrta Zebrane materia³y s¹ pochodzenia amerykañskiego, szkockiego, angielskiego, szwedzkiego, holenderskiego, francuskiego, szwajcarskiego, niemieckiego, czeskiego, slowackiego, polskiego i rosyjskiego. 3 Przedmowa Jest interesuj¹ce, w jakich okolicznoœciach i w jakich warunkach powstawa³y pieœni, które przetrwa³y stulecia, pieœni, które do dzisiaj s¹ u¿ywane podczas zgromadzeñ wiernych w wielu zborach. Od czego zale¿a³a ich popularnoœæ? Podobnie jak powstawa³y ksiêgi Biblii, które pod natchnieniem Ducha Œwiêtego pisali œwiêci Bo¿y ludzie, w taki sposób powstawa³y te¿ pieœni Œpiewnika Pielgrzyma. Zanim pieœñ ujrza³a œwiat³o dzienne - musia³ byæ cz³owiek, przez którego mog³o siê to zrealizowaæ. Bóg potrzebuje cz³owieka jako narzêdzia, którym móg³by siê pos³u¿yæ, ku Jego czci. S³owa pieœni czêsto s¹ Bo¿ym objawieniem w sytuacji trudnej, w sytuacji bez wyjœcia, w jak¹ cz³owiek zabrn¹³, i z której z Bo¿¹ pomoc¹ wybrn¹³. Wtedy rodz¹ siê s³owa podziêki dla Boga, ubrane w melodiê - powstaje pieœñ, która rzucona na papier nabiera dalszego znaczenia. Autorzy takich wydarzeñ nie pozostawiali swoich prze¿yæ dla siebie, lecz podawali je innym dalej dla zachêty. Biografie pokazuj¹, ¿e owi ludzie nie tylko doznawali rozwi¹zania problemu i pocieszenia, ale ¿e wartoœæ duchowa zawarta w pieœniach niesie siê jak na falach eteru do ludzi znajduj¹cych siê w ró¿nych trudnych sytuacjach ¿yciowych z pociech¹, radoœci¹, nadziej¹ itd. Weseli siê kto? Niech œpiewa pieœni.(Jak 5,13) Jest prawd¹, ¿e ka¿da generacja ma swoje ulubione pieœni, ale wiele z nich z biegiem lat posz³o ju¿ w zapomnienie. -
This Book Is Not for Sale
This book is not for sale This book is not for sale END TIME ALARM CLOCK Awakening the Bride Of Messiah Ninah Anethea Ezemson This book is not for sale This book is not for sale This book is not for sale End Time Alarm Clock: Awakening The Bride Of Messiah Copyright @2020 by Ninah Anethea Ezemson Email: [email protected] Website: https://endtimealarmclock.com/ End Time Alarm Clock: Awakening The Bride Of Messiah ISBN: 978-1-71683-497-4 This publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without prior permission of the author with the sole condition that it will not be sold or altered. This book is not for sale SPECIAL THANKS Special thanks to my dear Father (YHWH) that has activated all my spiritual senses. 1. Sight: HE opened my eyes and gave me a vision for my life. 2. Hearing: HE opened my ears so that I can hear HIS voice clearly and follow HIS instructions. 3. Smell: HE gave me a sense of smell to be able to discern between right and wrong and to be able to sneeze out any wrong association that may be on a mission to suffocate my destiny. 4. Taste: “Taste and see that YHWH is good.” I have had a personal encounter with HIM and I know that HE is good. HE touched my tongue so that I can use it speak life and not death. 5. Touch: HE has begun to use the work of my hands to touch other people. -
The BG News November 4, 1999
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 11-4-1999 The BG News November 4, 1999 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News November 4, 1999" (1999). BG News (Student Newspaper). 6559. https://scholarworks.bgsu.edu/bg-news/6559 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. OPINION NOW 9 WORLD NEWS 4 SPORTS 6 i Columnist Jud Laipply 1 ■ Toledo Museum of ■ U.S. Justice Department files suit BG running back advocates thinking critically Art exhibits quilts that against electric companies in Joe Alls has been a about lite in order to live it. display history from Midwest and East Coast that are bright spot for the o as early as 1800. violating environmental laws. Falcons this season. Weather Today: Thursday sunny November 4. 1999 High 53. Low 38 Volume 87 & Issue 51 The BGA doily independent News student press Local video Parental notification attempts to curb promotes current problem with binge drinking diversity By BRANDI BARHITE Excessive drinking on campus attention is needed or the stu- the 988 alcohol violations. est in the education and wel- awareness The BG News was a major motivator for the dent demonstrates reckless dis- Parental concern was also a fare of their children and notifi- The University is enact- decision, according to Jill Carr, regard for one's safety or oth- reason behind the policy cation, at the appropriate time, By GRETA HALE ing their right to notify associate dean of students. -
Artist Song Album Blue Collar Down to the Line Four Wheel Drive
Artist Song Album (BTO) Bachman-Turner Overdrive Blue Collar Best Of BTO (BTO) Bachman-Turner Overdrive Down To The Line Best Of BTO (BTO) Bachman-Turner Overdrive Four Wheel Drive Best Of BTO (BTO) Bachman-Turner Overdrive Free Wheelin' Best Of BTO (BTO) Bachman-Turner Overdrive Gimme Your Money Please Best Of BTO (BTO) Bachman-Turner Overdrive Hey You Best Of BTO (BTO) Bachman-Turner Overdrive Let It Ride Best Of BTO (BTO) Bachman-Turner Overdrive Lookin' Out For #1 Best Of BTO (BTO) Bachman-Turner Overdrive Roll On Down The Highway Best Of BTO (BTO) Bachman-Turner Overdrive Take It Like A Man Best Of BTO (BTO) Bachman-Turner Overdrive Takin' Care Of Business Best Of BTO (BTO) Bachman-Turner Overdrive You Ain't Seen Nothing Yet Best Of BTO (BTO) Bachman-Turner Overdrive Takin' Care Of Business Hits of 1974 (BTO) Bachman-Turner Overdrive You Ain't Seen Nothin' Yet Hits of 1974 (ELO) Electric Light Orchestra Can't Get It Out Of My Head Greatest Hits of ELO (ELO) Electric Light Orchestra Evil Woman Greatest Hits of ELO (ELO) Electric Light Orchestra Livin' Thing Greatest Hits of ELO (ELO) Electric Light Orchestra Ma-Ma-Ma Belle Greatest Hits of ELO (ELO) Electric Light Orchestra Mr. Blue Sky Greatest Hits of ELO (ELO) Electric Light Orchestra Rockaria Greatest Hits of ELO (ELO) Electric Light Orchestra Showdown Greatest Hits of ELO (ELO) Electric Light Orchestra Strange Magic Greatest Hits of ELO (ELO) Electric Light Orchestra Sweet Talkin' Woman Greatest Hits of ELO (ELO) Electric Light Orchestra Telephone Line Greatest Hits of ELO (ELO) Electric Light Orchestra Turn To Stone Greatest Hits of ELO (ELO) Electric Light Orchestra Can't Get It Out Of My Head Greatest Hits of ELO (ELO) Electric Light Orchestra Evil Woman Greatest Hits of ELO (ELO) Electric Light Orchestra Livin' Thing Greatest Hits of ELO (ELO) Electric Light Orchestra Ma-Ma-Ma Belle Greatest Hits of ELO (ELO) Electric Light Orchestra Mr. -
The American Association of Immunologists Oral History Project
The American Association of Immunologists Oral History Project Transcript Irving L. Weissman, M.D. January 21, 2013 Stanford, CA Interview conducted by Brien Williams, Ph.D. Transcription: TechniType Transcripts Transcript copy editors: John S. Emrich and Elizabeth R. Walsh Final edit by: John S. Emrich © 2013 The American Association of Immunologists, Inc. Publicly released transcripts of The American Association of Immunologists, Inc. (AAI) Oral History Project are freely available for non-commercial use according to the Fair Use provisions of the United States Copyright Code and International Copyright Law. Advance written permission is required for reproduction, redistribution, and extensive quotation or excerpting. Permission requests should be made to: The American Association of Immunologists, 9650 Rockville Pike, Bethesda, MD 20814-3994. To cite an interview, please use the following general format: [Name of interviewee], interview by [name of interviewer], [date], The American Association of Immunologists Oral History Project. http://www.aai.org/OHP (accessed [date]). Williams: This is an interview with Dr. Irving Weissman for The American Association of Immunologists Centennial Oral History Project. Dr. Weissman is professor of pathology and developmental biology at the Stanford University School of Medicine and professor of biology at the School of Humanities and Sciences at Stanford University. He is also director of both the Stanford Institute for Stem Cell Biology and Regenerative Medicine and the Stanford Ludwig Center for Stem Cell Research. Dr. Weissman was president of the American Association of Immunologists from ’94 to ’95 and served as an AAI Council member from 1989 to ’94. We are in Dr. Weissman’s office at Stanford University. -
Late Style, Disability, and the Temporality of Illness in Popular Music
UNIVERSITY OF CALIFORNIA Los Angeles Singing at Death’s Door: Late Style, Disability, and the Temporality of Illness in Popular Music A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Tiffany Naiman 2017 © Copyright by Tiffany Naiman 2017 ABSTRACT OF THE DISSERTATION Singing at Death’s Door: Late Style, Disability, and the Temporality of Illness in Popular Music by Tiffany Naiman Doctor of Philosophy in Musicology University of California, Los Angeles, 2017 Professor Robert W. Fink, Co-Chair Professor Raymond L. Knapp, Co-Chair This dissertation investigates musical expressions of temporal alterities in works created by popular music artists, identifying their aesthetic responses as their bodies become ill, disabled, and they become more aware of mortality. I propose a critical, hermeneutic, and theoretical method drawn from Edward Said’s appropriation of Adorno’s expression “late style” that I have designated ill style, a form of creativity within a temporality of illness. Late style is discernable in works produced, paradigmatically, at the end of one’s career in “old age,” but late style may also be understood as an influence on artistic output at any stage of life if the subject is experiencing untimeliness and a disruption in access to the communal understanding of futurity and time, a possible consequence of factors other than age. I contend that late style, accelerated by illness, disrupts Western cultural attempts at ignoring precarious and finite nature of existence; the resulting expressions of lateness ask audiences to do the same. I offer a way in which to think more critically about what scholars consider late style, how it functions in popular ii music studies and society, and how it intersects with the fields of disability, gender, queer, and critical race studies, and the social sciences.