Adriana Suarez

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Adriana Suarez Adriana Suarez’s dance career started in New York City, where she performed as a guest artist following her training at School of American Ballet. She was quickly spotted by Bruce Marks and invited to join the Boston Ballet in 1989. She became a principal ballerina in 1994 and has performed the lead role in a wide range of classical ballets, such as Swan Lake, Sleeping Beauty, Le Corsaire, Giselle, Romeo and Juliet, and The Nutcracker. Her contemporary repertoire includes the leading role in numerous works by George Balanchine, including Tchaikovsky Pas de Deux, Terpsichore in Apollo, and Serenade. Suarez has had the pleasure of working closely with such renowned choreographers as Bill T. Jones, Mark Morris, William Forsythe, and Nacho Duato. She has performed the roles of Tatiana in John Cranko's Onegin and Kate in The Taming of the Shrew and has created roles for Christopher Wheeldon's Firebird and Twyla Tharp's Waterbaby Bagatelles. Suarez created many roles for Daniel Pelzig while he was a resident choreographer at Boston Ballet. She has appeared as a guest artist in South America and Asia. In 1997, she took a leave of absence to join Oper Leipzig Ballett in Germany as a principal ballerina under the direction of Proffesor Uwe Scholz, where she performed the classics as well as many of his works. Upon returning to Boston Ballet, she continued to broaden her repertoire and teaching skills. Suarez joined the Boston Conservatory at Berklee in 2005 and is an associate professor of dance, specializing in advanced ballet, pointe technique, Gyrokinesis®, and classical and contemporary repertoire. She has also served as rehearsal director for resident choreographers and was co-artistic director of Boston Conservatory's Summer Dance Intensive with Gianni Di Marco from 2011 to 2014. Her teaching experience includes Boston Ballet, Alvin Ailey School and Company, Harvard University, Ballet Hispanico, Brookline Ballet School, University of South Carolina, Green Street Studios, Festival Ballet of Rhode Island, and Regional Dance America. .

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IN the WINGS 8 P.M
IN THE WINGS 8 p.m. Thursday, Feb. 28 8 p.m. Friday, March 1 2 & 8 p.m. Saturday, March 2 DANCE Choreographers’ Showcase SERIES PRESENTS Deirdre Carberry, director Experience the next wave of emerging choreographers as CCM dance majors take the stage with exciting and diverse new works. These choreographers have cast CCM dance majors to tell their stories through classical, modern and contemporary genres. Location: Patricia Corbett Theater Admission: FREE _____ CCM BALLET ENSEMBLE 8 p.m. Thursday, April 18 8 p.m. Friday, April 19 PRESENTS: 2 & 8 p.m. Saturday, April 20 Spring Dance Concert With Chamber Choir and Chamber Players Jiang Qi, director CCM faculty present new works this spring! Deirdre Carberry choreographs “Kitri’s Wedding” from the full-length ballet Don FALL DANCE Quixote (Act III), which was originally choreographed by Petipa in 1869 and will include the infamous bravura wedding Grand Pas de Deux. Created with a National Endowment for the Arts Choreography CONCERT Fellowship, Michael Tevlin’s “…And Ye Shall Be as Gods…” depicts the story of Adam and Eve, danced to Igor Stravinsky’s Serenade in A for piano with original scenic design by C.D. Higgins. In addition, Judith MICHAEL TEVLIN, director Mikita will choreograph a modern piece, featuring the CCM Chamber Choir. Finally, the Chamber Players will accompany Jiang Qi’s exciting new work. Location: Patricia Corbett Theater Tickets: $15 general admission, $10 non-UC students, UC students FREE. Friday, November 30, 2012, 8:00 p.m. Saturday, December 1, 2:00 and 8:00 p.m. Sunday, December 2, 2:00 p.m.
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4XJG R 7'1985 Sheila L
ORGANIZATIONAL CONFLICT: IN A PERFORMING ARTS ORGANIZATION by Sheila L. Strain-Bell B.S., Guilford College (1982) Submitted to the Department of Urban Studies and Planning in Partial Fulfillment of the Requirements of the Degree of Master in City Planning June 1985 at the Massachusetts Institute of Technology 1985 Signature of Authorc Deparient of Urban Studies and PJanning Certified by Professor Donald Schon Thesis Supervisor Accepted by professor Phillip Clay Vf Head, M.C.P. Committee AF TECHNOLOGY 4XJG r 7'1985 Sheila L. Strain-Bell 1985 ii ORGANIZATIONAL CONFLICT IN A PERFORMING ARTS ORGANIZATION by Sheila L. Strain-Bell Submitted to the Department of Urban Studies and Planning on May 28, 1985 in partial fulfillment of the requirements for the Degree of Master in City Planning ABSTRACT A qualitative research study was carried out to explore problems of organizational conflict. The conditions and processes of organizational conflict, issues of substantive organizational conflict, and organizational learning or failure to learn were investigated. A variation of intensive interviewing, semi-structured, was used to obtain primary information on organizational events at the Boston Ballet, a nonprofit performing arts organization made up of a ballet school and a ballet company. Six organizational members occupying different positions from the art, teaching, and administrative staffs were interviewed. Five of the six had been interviewed ten months earlier in 1984. There were four telephone interviews, two were follow-up and two were conducted with former organization members. On average, interviews lasted two hours. A tape recorder was used during face-to-face interviews. Thirty-one questions were formulated to focus on substantive issues of organizational conflict.
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Ballet West Student In-Theater Presentations
Ballet West for Children Presents Ballet and The Sleeping Beauty Dancers: Soloist Katie Critchlow, First Soloist Sayaka Ohtaki, Principal Artist Emily Adams, First Soloist Katlyn Addison, Demi-Soloist Lindsay Bond Photo by Beau Pearson Music: Peter Ilyich Tchaikovsky Adapted from Original Choreography: Marius Petipa Photo: Quinn Farley Costumes: David Heuvel Dear Dance enthusiast, Ballet West is pleased that you are viewing a Ballet West for Children Presentation as a virtual learning experience. Enclosed you will find the following information concerning this performance: 1. Letter from Artistic Director, Adam Sklute. 2. Letter to the parent/guardian of the students who will be viewing. 3. Specific Information on this Performance, including information on the ballet, music, choreography, follow-up projects and other pertinent material has also been compiled for the teacher's information. 4. We report to the Utah State Board of Education each year on our educational programs, and need your help. Usually, we gather information from teachers as to how the student reacted and what they may have learned from their experience. We’d love to hear from you by filling out our short Survey Monkey listed on our virtual learning page. We don’t have a way to track who and how many people are taking advantage of this opportunity and this will help us to know how we’re doing. You can always email me directly. Thank you very much for your interest in the educational programs of Ballet West. Please call if I may provide any additional information or assistance to you and your school. I can be reached at 801-869-6911 or by email at [email protected].
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Showcase-2021-Playbill.Pdf
Presents Summer Celebration! Featuring The Fairy Doll Directed by Stephanie Heston & Alexander Smirnov Funded in part through the Kansas Creative Arts Industries Commission, in partnership with the National Endowment for the Arts -Act 1- Florence Music: Pytor Tchaikovsky Choreography: Marcus Oatis Costumes: provided by Kansas City Ballet Featuring: Summer Intensive Group A Choreography Class Demonstration Choreography by and Featuring: Summer Intensive Group B Jazz Class Demonstration Choreography: Erinn Bird Featuring: Summer Intensive Groups C & D Pilates Class Demonstration Choreography: Amy Reazin Featuring: Beginning Summer Intensive Dancers Young Dancer Demonstrations Choreography: Erinn Bird ‘Small World’ Featuring: Fairy Doll Ballet Camps (ages 3-4) ‘Music Box’ Featuring: Fairy Doll Ballet Camps (ages 5-6) Repertory Class Demonstration ‘Paquita’ World Premiere April 1, 1846 Paris Opera Ballet Music: Edouard Deldevez & Ludwig Minkus Original Choreography: Joseph Mazilier Re-staged by Stephanie Heston and Alexander Smirnov Featuring: Summer Intensive Groups A, B, C, D -Intermission- -Act 2- The Fairy Doll Music: Josef Bayer Staged by: Stephanie Heston and Alexander Smirnov Light Design: Erica Maholmes SCENE ONE A bustling toy shop enjoys brisk trade during the daytime. Shop Keepers Claire Edmonds and Aiyanna Graham Shop Owner Alexander Smirnov First Family Erinn Bird and Jason Schone with Crosby Beyer, Scarlett Gann, Elizaveta Smirnov, JT Terry Second Family Josie Werts and Rory Pischer with Burhan Khmous, Isabelle Robinson French
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Perm Ballet Notes.Indd
CAL PERFORMANCES PRESENTS PROGRAM Th ursday, April , , pm Th ursday, April , , pm Friday, April , , pm Friday, April , , pm Saturday, April , , pm Saturday, April , , pm Sunday, April , , pm Sunday, April , , pm Zellerbach Hall Zellerbach Hall Tchaikovsky Perm Tchaikovsky Perm Ballet & Orchestra Ballet & Orchestra Swan Lake Swan Lake A Ballet in Th ree Acts A Ballet in Th ree Acts Music by Pyotr Ilyich Tchaikovsky Production conceived and directed by Natalia Makarova Music Pyotr Ilyich Tchaikovsky Choreography Natalia Makarova (after Marius Petipa and Lev Ivanov) Artistic Director of the Th eatre George Isaakyan Artistic Director of the Ballet Natalia Akhmarova Principal Conductor Valery Platonov Principal Guest Conductor Robert Cole Additional Choreography Sir Frederick Ashton Set Design Peter Farmer Production conceived and directed by Natalia Makarova Costume Design Galina Solovyeva George Isaakyan, Artistic Director of the Th eatre Production Coordinator Dina Makaroff Natalia Akhmarova, Artistic Director of the Ballet Production Assistant Olga Evreinoff Valery Platonov, Principal Conductor Robert Cole, Principal Guest Conductor Lighting Sergei Martynov Ballet Coaches Th is performance is made possible, in part, by the National Endowment for the Arts and by the Vodafone-US Foundation. Rimma Shlyamova, Valentina Baikova, Olga Lukina, Olga Salimbaeva Cal Performances thanks our Centennial Season Sponsor, Wells Fargo. Ballet Manager Vitaly Dubrovin 4 CAL PERFORMANCES CAL PERFORMANCES 5 CAST SYNOPSIS Odette/Odile Elena Kulagina (April ) frightened, Odette tells the Prince the story of her Natalia Moiseeva (April , , ) plight. Th e spell that keeps them swans by day and maidens at night can only be broken if a man who Prince Siegfried Sergei Mershin (April , , ) has never loved before swears eternal fi delity to Alexey Tyukov (April ) her.
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Ballet West Student In-Theater Presentations Presents Fairy Tale Theatre
Ballet West Student In-Theater Presentations Presents Fairy Tale Theatre Photo: Beau Pearson Dancers: Janae Korte and David Huffmire Aladdina Dear Dance enthusiast, Ballet West is pleased that you are viewing a Ballet West’s Student In-Theatre Presentation as a virtual learning experience. Enclosed you will find the following information concerning this performance: 1. Letter from Artistic Director, Adam Sklute. 2. Letter to the parent/guardian of the students who will be viewing. 3. Specific Information on this Performance, including information on the ballet, music, choreography, follow-up projects and other pertinent material has also been compiled for the teacher's information. 4. We report to the Utah State Board of Education each year on our educational programs, and need your help. Usually, we gather information from teachers as to how the student reacted and what they may have learned from their experience. We’d love to hear from you by filling out our short Survey Monkey listed on our virtual learning page. We don’t have a way to track who and how many people are taking advantage of this opportunity and this will help us to know how we’re doing. You can always email me directly. Thank you very much for your interest in the educational programs of Ballet West. Please call if I may provide any additional information or assistance to you and your school. I can be reached at 801-869-6911 or by email at [email protected]. Sincerely, Peter Christie Director of Educational Programs Enclosures Dear Teachers and Administrators, It is with pleasure that I write to tell you of Ballet West’s Student In-Theatre Presentations which are offered to you free of charge through the combined efforts of Ballet West and your State Board of Education through the POPS program.
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Giselle Media Kit
FOR IMMEDIATE RELEASE September 15, 2014 Contact: Erika Overturff (Founder and Artistic Director), (402) 541-6946 Print-quality photos are available for download here. BALLET NEBRASKA OPENS SEASON 5 WITH LANDMARK ‘GISELLE’ OMAHA -- Ballet Nebraska will open its ﬁfth anniversary season October 4 at Omaha’s Orpheum Theater with Giselle — a landmark ballet of the Romantic Era that is both a poignant love story and a chilling tale of vengeful ghosts, artistic director Erika Overturff said.! “Giselle helped put ballet at the center of the Romantic movement," Overturff said. "When it premiered at the Paris Opéra in 1841, it showed what could be accomplished when a dramatist, a choreographer, a dancer and a composer worked together as a tight-knit creative team. It demonstrated to everyone, inside the dance world and out, the power of integrating art forms into a work of total theater.”! Overturff summarized the plot: Act I introduces Giselle, a charming peasant girl being courted by a handsome neighbor — who actually is a nobleman in disguise, and is already engaged to an aristocrat. When Giselle’s jealous ex-boyfriend reveals the deception, the shock is too much for her; she collapses mentally and dies of a sudden heart seizure. But that’s only the beginning of the story. In Act II, Giselle’s spirit rises from her grave and faces a choice: to forgive her betrayer, or to join the Wilis — beautiful but deadly ghosts who haunt the forest — to hunt him down and take her revenge.! “Giselle is a dream role for a ballerina,” Overturff said.
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1971.Swanlake.Pdf
1 I UNIVERSITY TH EATRE presents ;I John F. Kennedy Theatre l April 23, 25, 28, 30, May 2, 1971 lll SWAN LAKE with The l!niversity Dance T heatre The l 1niven-ity Symphony Orchestra and g~l appearances by .. Terence Knapp Petgy Anne Siegmund Mo.~sic by Peter J. Tcbaikovsky Orchestra Conducted by LaVar Krantz Choreography by Yasuki Sasa Scenic and Costume Design by Richard Muon (Act II after Marius Petipa and Lev Ivanov) Lighting Design by Philip Heron ..;;;;,. jt~ Ono/o/tNt r "Yu~a "' fz!'~e. • /.1, ue~ IVJIJ,.Cl' o/ c/aiiJtco/ / a/kl. iJ Ma th ~ oJJ t lk t(,_J'A J'f'N' wt""" , , ,/f ' atJit>N.J "~~ o.r fi AoJ lu, u. tAt! '*',.au. r /aY'" ~ l'ai~Atu/ eo• . ~,,.,,., r t(,. INJI/el - t/el!/. ,,. iJ a Wblf'*Y'I ~ ll'ee&k,(' "" AoutJ '""" .14 "" ~'"""'or t'l u. A"'su•tui' .~ u•t"Mitl"" "~' Aoue tfu,. ~ tJ.J.~tlt uutAbNI' tAr ooJ.11..1/4, u . ,.,./ r~< tANiltaJ/,. "/'de Mfi"J' .f/,.,{,, t(,.(' "'"")' '""" '"•~'-•17 oee/0..,,,./ la/k,,.a .!1:,., ·~ ,_ ,k , • ..,./ .9fe,.uul 9 a#fJtJKI J!,uu .,#'.,(" ""'~ea • uy wttA _, J'~ ~"""" w,/1 /e Jal'uqllllj' ~~ ,.~.,)'-' .fa,. ~~7 ,1"·~'~1r A•t•Ufj' "·~~" du IJIH trAIIOf' ..~,,IJ ,U . .. ,./ t(,. "'~Mk#O t~ A> .lAai e ,. wttAJ'IJ.M «~ ''''"''':)'· • CAST ACT I Prince Siegfried .............................................................................................................................................. BRllCE ~1ARKS The Queen . ..... .. ................................................................................................................ Peggy Anne Siejtmund • Wolfganf!', the Prince's tutor ......................................................................................................................... .. Anton Haas Renno. the Prince's friend .......................... .................. ... ...... .............. ... .... ........ Carl Wolz Friends .......................... Takeo Miji, Phillip llcemoto, Kosta, Dan Malone)', Joseph C. Olkovsky.
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Red White & Blues
N.,,..11.1. ,I i 410= / T.rfs, DoC-7Q, BROOKLYN ACADEMY OF MUSIC Harvey Lichtenstein, President & Executive Producer presents in the BAM Opera House January 16 - 21, 23 - 28 at 8pm January 21 & 28 at 2pm TWYLA THARP RED WHITE & BLUES NEW WORKS Twyla Tharp Stacy Caddell Melinda DeChiazza Petter Jacobsson Shawn Mahoney David Porter John Selya Shawn Stevens There will be one intermission. Leon Wieseltier, Musical Advisor and General Counsel r. Susan Scannella, Assistant to Ms. Tharp Jennifer Kelley, Production Coordinator Sanja Kabalin, Stage Manager 4 Major support has been provided, in part, by Hachette Filipacchi Magazines. Additional support has been provided, in part, by The Harkness Foundations for Dance and Mary Livingston Griggs and Mary Griggs Burke Foundation. The dancers would like to thank the following people: Richard Aliq-Bicoy, Joan Bingham, Antoinette Bradlee, Marcia McGee Carter, Caroline & Paul Cronson, George Dant, Katherine Fitzhugh & John Martin, Jesse Frohman, Suzanne & Leonard Garment, Sue Landini, Michael Lewis, Bruce Marks, Kevin McKenzie, Larry McMurtry, Naima Prevots, Sheldon Schwartz BAM wishes to express its appreciation to Theatre Development Fund for its support of this season. TWYLA THARP (Choreographer/ Baryshnikov by Tharp which won Director) has excited audiences two Emmy awards as well as the worldwide for nearly 30 years. In Director's Guild of America Award addition to more than 70 works for Outstanding Directorial created for the Twyla Tharp Dance Achievement. Recipient of numer- Company from 1965 to 1987, she ous awards and foundation grants, created Deuce Coupe and As Time Ms. Tharp also received a 1992 Goes By for The Joffrey Ballet; MacArthur Fellowship.
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Momentum Media
FOR IMMEDIATE RELEASE October 1, 2012 Contact: Erika Overturff, (402) 541-6946 High-resolution photo download: http://smu.gs/P3p5rz BALLET NEBRASKA’S ‘MOMENTUM’ SHOWCASES CONTEMPORARY BALLET OMAHA — Contemporary ballets – those created by currently-active, present-day choreographers – will be in the spotlight October 19 and 21 when Ballet Nebraska presents Momentum, its season-opening production at Joslyn Art Museum’s Witherspoon Concert Hall. “Presenting an all-contemporary program for Momentum gives our audience an exciting way to see the range of today’s ballet vocabulary,” Overturff said. “The styles range from symbolic and abstract to theatrical and playful, and the choreographic techniques range from classical pointe work to intensely athletic jazz moves. “Also, the Joslyn is hosting a major exhibit of contemporary prints at the same time – providing an interesting chance to look for wider connections among contemporary artists working in different fields,” Overturff said. Joslyn’s exhibit Under Pressure: Contemporary Prints from the Collections of Jordan D. Schnitzer and His Family Foundation, will be on view during Momentum and continues through January 6, 2013. On the Momentum program will be: • Sadako, a premiere by Ballet Nebraska ballet master Matthew Carter inspired by the true story of a Japanese girl revered as a symbol of peace; • Six or Seven Studies for Sanfona de Boca, an abstract yet playful 2006 work by Brazilian guest choreographer Armando Duarte, set to the complex rhythms of Brazilian harmonica music; • Sweet and Low-Down, a premiere by Erika Overturff that pays tribute to the music of George Gershwin; • Signs of Life, a 2012 ballet by Matthew Carter that explores the patterns underlying daily activity; • Scattered Memories, an intense and daringly athletic 2012 duet by guest choreographer Natasha Overturff of Chicago’s Giordano II jazz company; • Cycle, an emotional solo that marks the Ballet Nebraska choreographic debut of company dancer Natasha Grimm; • Tropico, Erika Overturff’s 2008 celebration of calypso and tropical rhythms.
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September 19, 2019 Kansas City Ballet Announces Promotions, New
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Mikko Nissinen Meredith Max Hodges Artistic Director Executive Director Hart Artistic Director’S Chair
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