Showcase-2021-Playbill.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Showcase-2021-Playbill.Pdf Presents Summer Celebration! Featuring The Fairy Doll Directed by Stephanie Heston & Alexander Smirnov Funded in part through the Kansas Creative Arts Industries Commission, in partnership with the National Endowment for the Arts -Act 1- Florence Music: Pytor Tchaikovsky Choreography: Marcus Oatis Costumes: provided by Kansas City Ballet Featuring: Summer Intensive Group A Choreography Class Demonstration Choreography by and Featuring: Summer Intensive Group B Jazz Class Demonstration Choreography: Erinn Bird Featuring: Summer Intensive Groups C & D Pilates Class Demonstration Choreography: Amy Reazin Featuring: Beginning Summer Intensive Dancers Young Dancer Demonstrations Choreography: Erinn Bird ‘Small World’ Featuring: Fairy Doll Ballet Camps (ages 3-4) ‘Music Box’ Featuring: Fairy Doll Ballet Camps (ages 5-6) Repertory Class Demonstration ‘Paquita’ World Premiere April 1, 1846 Paris Opera Ballet Music: Edouard Deldevez & Ludwig Minkus Original Choreography: Joseph Mazilier Re-staged by Stephanie Heston and Alexander Smirnov Featuring: Summer Intensive Groups A, B, C, D -Intermission- -Act 2- The Fairy Doll Music: Josef Bayer Staged by: Stephanie Heston and Alexander Smirnov Light Design: Erica Maholmes SCENE ONE A bustling toy shop enjoys brisk trade during the daytime. Shop Keepers Claire Edmonds and Aiyanna Graham Shop Owner Alexander Smirnov First Family Erinn Bird and Jason Schone with Crosby Beyer, Scarlett Gann, Elizaveta Smirnov, JT Terry Second Family Josie Werts and Rory Pischer with Burhan Khmous, Isabelle Robinson French Doll Joann Smith Highlander Doll Eliza Barton Baby Doll Sophia Harrison Spanish Doll Stephanie Hartz Pierrot Clowns Jibran Khmous and Sufian Khmous Fairy Doll Lilia Potter SCENE TWO After business hours, the toy shop magically comes to life. Fashion Dolls Isela Barron-Tinajero, Kaylee Gray, Malaika Njuki, Kyla Potter, Sydney Thomann, Bridget Thompson, Brylee Underwood Russian Doll Ashtyn Parcaro Drummer Doll Natalia Buono Flute Dolls Allison Appuhn, Julia Therese Boac, Sydnie Cragg, Angelic Jeaneth Hernandez , Stazi Johnston, Jentry Mader, Kaylee Petty, Grace Reece, Vaughn Rice, Bella Smith, Evelyn Svaty, Nora Wilk Russian Corps de Ballet: Scarlett Blick, Mariah Carter-Williams, Hannah Clinger, Sophie Land, Isabella Pischer, Spanish Corps de Ballet: Kiera Cooper, Fiona Martin, Aidan McDonald-Stauffer, Brenna McDonald-Stauffer, Braelynn Underwood French Corps de Ballet: Caitlin Schone, Autumn Stevens, Neva Thompson, Angelina Warren, Luci White Fairy Doll Pas de Trois: Lilia Potter, Jibran Khmous, Sufian Khmous Finale Entire Cast ********* Summer Celebration proceeds benefit Kansas Ballet’s Dream Big programming, serving area youth in partnership with the Boys and Girls Clubs of Topeka, Kansas Children’s Discovery Center, Topeka Zoo & Conservation Center, USD 501 and many other organizations throughout Shawnee County and Northeast Kansas. -Act 2- Featured Guest Artist Marcus Oatis, Choreographer Mr. Oatis began his dance education with the summer program Ailey Camp and his music education under the tutelage of his grandfather Sylvester Heath. These experiences afforded Mr. Oatis the opportunity to study at additional programs to include Smith Sisters Dance Studio, The Center Dance, Kansas City Ballet, the Ailey School, and Paseo Academy of the Fine and Performing Arts. Mr. Oatis would later graduate from the University of Nebraska-Lincoln as a scholarship student with a degree in Music Performance. In 2008, Mr. Oatis joined the Kansas City Ballet as a professional ballet dancer under the direction of William Whitener. Mr. Oatis was able to perform works by esteemed choreographers such as Val Caniparoli, Bruce Marks, Peter MarHns, Robert Hill, Ib Anderson, George Balanchine, Twyla Tharp, and Yuri Possokhov. Mr. Oatis’ most notable roles were as the Russian in Todd Bolender’s The Nutcracker, Jessica Lang’s Splendid Isolations III, the Moor in Jose Limon’s The Moor’s Pavane, Jerome Robbins Afternoon of a Faun, and Balanchine’s Serenade. Mr. Oatis has also performed with the Owen/Cox Dance Group, Arcanium Dance Project, and Central Dance Theatre. ********* Kansas Ballet Board of Directors Robin Wolgast, Chair Jennifer Goetz Bill Tregemba, Treasurer Stephanie Heston Angela Smith, Secretary Catherine Parcaro Alexander Smirnov Special thanks to… Summer Celebration partners:Topeka Performing Arts Center and Alpha Media. Kansas Ballet Fundraising Committee: Catherine Parcaro (chair), Melissa McDonald, Hilary Thompson and Stacey Stevens Summer Ballet Stars outreach programming was funded in part through the City of Topeka’s TopArts Grant program administered by ARTSConnect. ********* Save the Date! Kansas Ballet’s 2021 Nutcracker Ballet featuring the Topeka Symphony Orchestra and professional guest stars will be Saturday, December 18 and Sunday, December 19 at the Topeka Performing Arts Center. Open auditions will take place at Kansas Ballet Academy in September. .
Recommended publications
  • SWAN LAKE Dear Educators in the Winter Show of Oregon Ballet Theatre’S Student Performance Series (SPS) Students Will Be Treated to an Excerpt from Swan Lake
    STUDENT PERFORMANCE SERIES STUDY GUIDE / Feburary 21, 2013 / Keller Auditorium / Noon - 1:00 pm, doors open at 11:30am SWAN LAKE Dear Educators In the winter show of Oregon Ballet Theatre’s Student Performance Series (SPS) students will be treated to an excerpt from Swan Lake. It is a quintessential ballet based on a heart-wrenching fable of true love heroically won and tragically Photo by Joni Kabana by Photo squandered. With virtuoso solos and an achingly beautiful score, it is emblematic of the opulent grandeur of the greatest of all 19th-Century story ballets. This study guide is designed to help teachers prepare students for their trip to the theatre where they will see Swan Lake Act III. In this Study Guide we will: • Provide the entire synopsis for Christopher Stowell’sSwan Lake, consider some of the stories that inspired the ballet, Principal Dancer Yuka Iino and Guest Artist Ruben Martin in Christopher and touch on its history Stowell’s Swan Lake. Photo by Blaine Truitt Covert. • Look closely at Act III • Learn some facts about the music for Swan Lake • Consider the way great dances are passed on to future generations and compare that to how students come to know other great works of art or literature • Describe some ballet vocabulary, steps and choreographic elements seen in Swan Lake • Include internet links to articles and video that will enhance learning At the theatre: • While seating takes place, the audience will enjoy a “behind the scenes” look at the scenic transformation of the stage • Oregon Ballet Theatre will perform Act III from Christopher Stowell’s Swan Lake where Odile’s evil double tricks the Prince into breaking his vow of love for the Swan Queen.
    [Show full text]
  • QCF Examinations Information, Rules & Regulations
    Specifications for qualifications regulated in England, Wales and Northern Ireland incorporating information, rules and regulations about examinations, class awards, solo performance awards, presentation classes and demonstration classes This document is valid from 1 July 2018 1 The Royal Academy of Dance (RAD) is an international teacher education and awarding organisation for dance. Established in 1920 as the Association of Operatic Dancing of Great Britain, it was granted a Royal Charter in 1936 and renamed the Royal Academy of Dancing. In 1999 it became the Royal Academy of Dance. Vision Leading the world in dance education and training, the Royal Academy of Dance is recognised internationally for the highest standards of teaching and learning. As the professional membership body for dance teachers it inspires and empowers dance teachers and students, members, and staff to make innovative, artistic and lasting contributions to dance and dance education throughout the world. Mission To promote and enhance knowledge, understanding and practice of dance internationally by educating and training teachers and students and by providing examinations to reward achievement, so preserving the rich, artistic and educational value of dance for future generations. We will: communicate openly collaborate within and beyond the organisation act with integrity and professionalism deliver quality and excellence celebrate diversity and work inclusively act as advocates for dance. Examinations Department Royal Academy of Dance 36 Battersea Square London SW11 3RA Tel +44 (0)20 7326 8000 exams@rad.org.uk www.rad/org.uk/examinations © Royal Academy of Dance 2017 ROYAL ACADEMY OF DANCE, RAD, and SILVER SWANS are registered trademarks® of the Royal Academy of Dance in a number of jurisdictions.
    [Show full text]
  • RUSSIAN NATIONAL BALLET SWAN LAKE: Wednesday, January 22, 2020; 7:30 Pm the SLEEPING BEAUTY: Thursday, January 23, 2020; 2 & 7:30 Pm Media Sponsor
    RUSSIAN NATIONAL BALLET SWAN LAKE: Wednesday, January 22, 2020; 7:30 pm Media Sponsor THE SLEEPING BEAUTY: Thursday, January 23, 2020; 2 & 7:30 pm A Columbia Artists Production Direct from Moscow, Russia RUSSIAN NATIONAL BALLET COMPANY OF 50 Artistic Director: Elena Radchenko Company Biography The Russian National Ballet Theatre was founded in Moscow during the transitional period of Perestroika in the late 1980s, when many of the great dancers and choreographers of the Soviet Union’s ballet institutions were exercising their new- found creative freedom by starting new, vibrant companies dedicated not only to the timeless tradition of classical Russian Ballet but to invigorate this tradition as the Russians began to accept new developments in the dance from around the world. The company, then titled the Soviet National Ballet, was founded by and incorporated graduates from the great Russian choreographic schools of Moscow, St. Petersburg and Perm. The principal dancers SWAN LAKE Photo: Alexander Daev of the company came from the upper ranks of the great ballet companies and academies of Russia, and the companies of Riga, Kiev and even Warsaw. Today, the Russian National Ballet Theatre SWAN LAKE is its own institution, with over 50 dancers of singular instruction and vast experience, many of whom have been with the company Full-length Ballet in Four Acts since its inception. Music by Pyotr Ilyich Tchaikovsky Choreography by Marius Petipa, Lev Ivanov and Yuri Grigorovich In 1994, the legendary Bolshoi principal dancer Elena Radchenko Restaging by Elena Radchenko, assistant Alexander Daev was selected by Presidential decree to assume the first permanent Synopsis by Vladimir Begichev and Vasily Geltser artistic directorship of the company.
    [Show full text]
  • IN the WINGS 8 P.M
    IN THE WINGS 8 p.m. Thursday, Feb. 28 8 p.m. Friday, March 1 2 & 8 p.m. Saturday, March 2 DANCE Choreographers’ Showcase SERIES PRESENTS Deirdre Carberry, director Experience the next wave of emerging choreographers as CCM dance majors take the stage with exciting and diverse new works. These choreographers have cast CCM dance majors to tell their stories through classical, modern and contemporary genres. Location: Patricia Corbett Theater Admission: FREE _____ CCM BALLET ENSEMBLE 8 p.m. Thursday, April 18 8 p.m. Friday, April 19 PRESENTS: 2 & 8 p.m. Saturday, April 20 Spring Dance Concert With Chamber Choir and Chamber Players Jiang Qi, director CCM faculty present new works this spring! Deirdre Carberry choreographs “Kitri’s Wedding” from the full-length ballet Don FALL DANCE Quixote (Act III), which was originally choreographed by Petipa in 1869 and will include the infamous bravura wedding Grand Pas de Deux. Created with a National Endowment for the Arts Choreography CONCERT Fellowship, Michael Tevlin’s “…And Ye Shall Be as Gods…” depicts the story of Adam and Eve, danced to Igor Stravinsky’s Serenade in A for piano with original scenic design by C.D. Higgins. In addition, Judith MICHAEL TEVLIN, director Mikita will choreograph a modern piece, featuring the CCM Chamber Choir. Finally, the Chamber Players will accompany Jiang Qi’s exciting new work. Location: Patricia Corbett Theater Tickets: $15 general admission, $10 non-UC students, UC students FREE. Friday, November 30, 2012, 8:00 p.m. Saturday, December 1, 2:00 and 8:00 p.m. Sunday, December 2, 2:00 p.m.
    [Show full text]
  • Spotlight Ballet Rules* Ballet Students Who Will Be Attending a Dance
    Spotlight Ballet Rules* Ballet students who will be attending a dance program away from home and outside of Southern California during the Spotlight year and whose parent(s) still live in Southern California may participate in Spotlight as long as they attend auditions, rehearsal and final performance if advancing to Grand Finale Performance. Proof of study will be required from dance program. You may not be an apprentice or full time member of a professional ballet company and participate in Spotlight. What’s required of me for my Ballet Preliminary 1 video audition? All students begin with a Preliminary 1 video audition. Those scoring highest will advance to Preliminary 2 live auditions in February 2019. Those scoring highest after Preliminary 2 will advance to the Semifinals Please record yourself performing one solo from the required list below If selected to advance to Preliminary 2, you will perform two solos for your live audition. You can change your variations if you advance to Preliminary 2 In choosing a variation for your video recording, we encourage you to choose a solo that best reflects your current stage of technical and artistic abilities. It is not necessary to perform an Etoile or Principal variation if you are not quite ready to tackle it. Choose a solo variation that best fits where you are in your studies and allows you to shine! Some examples of soloist variations that might be good choices are: Princess Florine from The Sleeping Beauty Act lll or any of The Sleeping Beauty fairies, the Peasant pas de deux from Giselle (Act I) or Cupid from Paquita, Friends of Kitri from Don Quixote (Act I), Fairy Doll, Harlequinade, Odalisques from Le Corsaire (Act I), Flames of Paris or the pas de trois from Swan Lake (Act I).
    [Show full text]
  • 4XJG R 7'1985 Sheila L
    ORGANIZATIONAL CONFLICT: IN A PERFORMING ARTS ORGANIZATION by Sheila L. Strain-Bell B.S., Guilford College (1982) Submitted to the Department of Urban Studies and Planning in Partial Fulfillment of the Requirements of the Degree of Master in City Planning June 1985 at the Massachusetts Institute of Technology 1985 Signature of Authorc Deparient of Urban Studies and PJanning Certified by Professor Donald Schon Thesis Supervisor Accepted by professor Phillip Clay Vf Head, M.C.P. Committee AF TECHNOLOGY 4XJG r 7'1985 Sheila L. Strain-Bell 1985 ii ORGANIZATIONAL CONFLICT IN A PERFORMING ARTS ORGANIZATION by Sheila L. Strain-Bell Submitted to the Department of Urban Studies and Planning on May 28, 1985 in partial fulfillment of the requirements for the Degree of Master in City Planning ABSTRACT A qualitative research study was carried out to explore problems of organizational conflict. The conditions and processes of organizational conflict, issues of substantive organizational conflict, and organizational learning or failure to learn were investigated. A variation of intensive interviewing, semi-structured, was used to obtain primary information on organizational events at the Boston Ballet, a nonprofit performing arts organization made up of a ballet school and a ballet company. Six organizational members occupying different positions from the art, teaching, and administrative staffs were interviewed. Five of the six had been interviewed ten months earlier in 1984. There were four telephone interviews, two were follow-up and two were conducted with former organization members. On average, interviews lasted two hours. A tape recorder was used during face-to-face interviews. Thirty-one questions were formulated to focus on substantive issues of organizational conflict.
    [Show full text]
  • Dictionary of Classical Ballet Terminology Free
    FREE DICTIONARY OF CLASSICAL BALLET TERMINOLOGY PDF Rhonda Ryman | 100 pages | 14 Jun 2007 | Royal Academy of Dance | 9781904386872 | English | London, United Kingdom Ballet Terms A To Z - Dictionary of basic Ballet moves In ballet, there are several terms that are used. Dictionary of Classical Ballet Terminology can be easy for a beginner to feel lost with all of the terminology! These movements are typically done after warmup and closer toward the last part of class to avoid injury, and to maximize a dancers range while warmed up. Abstract ballet are ballets without a plot unlike the Nutcracker, Swan Lake, etc. Most often, contemporary ballets are considered abstract ballets. Arabesque is a position in ballet where the body is supported on a single leg, while the other leg is extended directly behind the body with a straight knee. There are several different versions of arabesque such as first, second, and third arabesque. They can also be done at different heights or with a straight leg or in plie. The basics being that the two legs join together in the air. An attitude is a position where the dancers stands on one leg with the other lifted, either in the front, or back. The leg that is in the air is usually slightly bent at the knee, creating an approximate degree angle. En avant refers to moving towards the front. En avant is not an actual step or position in ballet, but is used in conjunction with other terms, such as tendu en Dictionary of Classical Ballet Terminology. Adagio refers to slow movements in ballet.
    [Show full text]
  • Swan Lake 2021 Cast List
    Long Beach Ballet’s SWAN LAKE 2021 Cast Cast A performance ...... Saturday, June 12th – 2:00 p.m. Cast B performance ...... Sunday, June 13th – 2:00 p.m. Cast AB ......................... Both performances A Abigail Adolph Neopolitan Dance A Ayumi Aguirre Bassallo Mazurka Dance AB Sumi Akin Hungarian Dance AB Erica Alfaro Palace Jester B Kennedy Allen Neopolitan Dance A Imani Amyson Russian Dance B Leigh Anderson Russian Dance A Astrid Angulo Russian Dance AB Ella Ruby Arko Palace Waltz A Melia Armenta Neopolitan Dance B Elizabeth Ashley Mazurka Dance A Samantha Bayudan Mazurka Dance AB Kennedy Beach Palace Herald AB Nadia Benjamin Spansh Dance AB Nikki Boggs Hungarian Dance AB Artemis BrodakSilva Palace Jester A Alesi Brown Young Hungarian Czardas B Natalie Brunt Neopolitan Dance B Nia Brunt Russian Dance AB Lily Bumacod‐Weismuller Palace Herald AB Autumn Bumacod‐Weismuller Palace Herald A Maeve Callahan Russian Dance AB Rachel Camerino Young Russian Dance AB Nicole Capcha Palace Waltz AB Camila Carrillo Palace Jester B Kaytlan Carvajal Russian Dance B Sophia Casillas Mazurka Dance AB Joaquin Chavez Mazurka Boy B Arianna Cisneros Young Hungarian Czardas AB Juliana Colorado Spansh Dance AB Marisa Conneally Hungarian Dance AB Valentina Crain Spansh Dance AB Makena Crawshaw Young Russian Dance AB Olivia Cullado Palace Jester A Audrey Culligan Mazurka Dance A Olivia Dailey Young Hungarian Czardas AB Isabella Dee Young Russian Dance AB Samantha Dege Hungarian Dance AB Aundenet Diress Hungarian Dance AB Hadley Duzan Spansh Dance A Michelle
    [Show full text]
  • Rebecca King
    Rebecca King First Soloist of the Finnish National Ballet Born in Baltimore, Maryland, she trained from 2001 to 2006 with Olga Toziakova at Ballet Studio No 7 in Columbia. While still a student, she competed at the International Ballet Competition in Varna, Bulgaria, was a finalist in the Youth America Grand Prix and won the Grand Prix at the International Ballet Competition in Artek, Russia. In 2006 she became a soloist with the Ukrainian National Ballet, where she performed in the Pas de trois and Big Swans in Tchaikovsky’s Swan Lake, in the role of Ingrid in Peer Gynt and in the Pas de Action and Pas de trois in La Bayadere. In the 2008/09 season Rebecca King joined the Prague State Opera as a demi- soloist and a year later was named a soloist. She appeared in Pas de Trois in Swan Lake, in the titular role of Cinderella and as Anastasia in the ballet Sleeping Beauty – The Czar’s Last Daughter (Youri Vamos). She dazzled in the double role of Odette/Odile in Swan Lake and as Myrtha in Giselle. In the 2011/12 season she was been engaged at the Czech National Theatre, portraying Odette/Odile in Swan Lake (Kenneth Greve), Clara and the Christmas Fairy The Nutcracker – A Christmas Carol (Youri Vamos), Aurora in Sleeping Beauty (Javier Torres), Gamzatti in La Bayadere (Javier Torres) and the Pas de Deux from Le Corsaire in a mixed bill. She has also danced in the duet “Blushing” (Peter Quant), the duet Empty Title (Petr Zuska), part of the mixed bill Le sacre du printemps, in William Forsythe’s “In the Middle Somewhat Elevated”(Woman No.
    [Show full text]
  • Ballet West Student In-Theater Presentations
    Ballet West for Children Presents Ballet and The Sleeping Beauty Dancers: Soloist Katie Critchlow, First Soloist Sayaka Ohtaki, Principal Artist Emily Adams, First Soloist Katlyn Addison, Demi-Soloist Lindsay Bond Photo by Beau Pearson Music: Peter Ilyich Tchaikovsky Adapted from Original Choreography: Marius Petipa Photo: Quinn Farley Costumes: David Heuvel Dear Dance enthusiast, Ballet West is pleased that you are viewing a Ballet West for Children Presentation as a virtual learning experience. Enclosed you will find the following information concerning this performance: 1. Letter from Artistic Director, Adam Sklute. 2. Letter to the parent/guardian of the students who will be viewing. 3. Specific Information on this Performance, including information on the ballet, music, choreography, follow-up projects and other pertinent material has also been compiled for the teacher's information. 4. We report to the Utah State Board of Education each year on our educational programs, and need your help. Usually, we gather information from teachers as to how the student reacted and what they may have learned from their experience. We’d love to hear from you by filling out our short Survey Monkey listed on our virtual learning page. We don’t have a way to track who and how many people are taking advantage of this opportunity and this will help us to know how we’re doing. You can always email me directly. Thank you very much for your interest in the educational programs of Ballet West. Please call if I may provide any additional information or assistance to you and your school. I can be reached at 801-869-6911 or by email at pchristie@balletwest.org.
    [Show full text]
  • East by Northeast the Kingdom of the Shades (From Act II of “La Bayadère”) Choreography by Marius Petipa Music by Ludwig Minkus Staged by Glenda Lucena
    2013/2014 La Bayadère Act II | Airs | Donizetti Variations Photo by Paul B. Goode, courtesy of the Paul Taylor Dance Company East by Spring Ballet Northeast Seven Hundred Fourth Program of the 2013-14 Season _______________________ Indiana University Ballet Theater presents Spring Ballet: East by Northeast The Kingdom of the Shades (from Act II of “La Bayadère”) Choreography by Marius Petipa Music by Ludwig Minkus Staged by Glenda Lucena Donizetti Variations Choreography by George Balanchine Music by Gaetano Donizetti Staged by Sandra Jennings Airs Choreography by Paul Taylor Music by George Frideric Handel Staged by Constance Dinapoli Michael Vernon, Artistic Director, IU Ballet Theater Stuart Chafetz, Conductor Patrick Mero, Lighting Design _________________ Musical Arts Center Friday Evening, March Twenty-Eighth, Eight O’Clock Saturday Afternoon, March Twenty-Ninth, Two O’Clock Saturday Evening, March Twenty-Ninth, Eight O’Clock music.indiana.edu The Kingdom of the Shades (from Act II of “La Bayadère”) Choreography by Marius Petipa Staged by Glenda Lucena Music by Ludwig Minkus Orchestration by John Lanchbery* Lighting Re-created by Patrick Mero Glenda Lucena, Ballet Mistress Violette Verdy, Principals Coach Guoping Wang, Ballet Master Phillip Broomhead, Guest Coach Premiere: February 4, 1877 | Imperial Ballet, Bolshoi Kamenny Theatre, St. Petersburg Grand Pas de Deux Nikiya, a temple dancer . Alexandra Hartnett Solor, a warrior. Matthew Rusk Pas de Trois (3/28 and 3/29 mat.) First Solo. Katie Zimmerman Second Solo . Laura Whitby Third
    [Show full text]
  • Leon Levy BAM Digital Archive
    YN BALLET COMPANY, "Divertissement", "Spring Concerto", #58 Pas de Trois "The Nutcracker" Apr. 28,1962,2:30 p.m. ~ 17 _ .... "' T H E B R 0 0 K L Y N I N S T I T U TE :·:P. l mill 0 F ARTS AND SCIENCES FRANCIS T. CHRISTY, President &f '"' wttl'lOo •••'ll·••?.,_,..,lt BROOKLYN ACADEMY OF MUSIC WILLIAM B. HEwsoN, Chairman, Governing Committee WM, M c KF.LVY MARTI:", Director ALAN BANKS ARTISTIC DIRECTOR MEMBERS OF THE COMPANY BINNIE WEINER MARIA GRANDY PATRICIA SA VQIA....___._ __ GEORGE MAMALES GENE WILKES -- Sylvia Bonney Carolyn Clair Colleen Dolp Harriet Kane Barbara Lev Yvonne McDowell Helen Maher Barbara Maier Bryna Marcus Jeannette Maroules Lucinda Ransom Carol Ruggiero Gretchen Schumacher Sarah Wisdom Alan Cerf Dick Foose Ricardo Villa Orlando Zavarce Ballet Mistress: PATRICIA SA VOlA At the Steinways: MAYNE MILLER and LELAN PARROTT THE MUSIC HALL-SATURDAY AFTERNOON, APRIL 28, 1962, 2:30P.M. ------------------------- FIRE NOTICE : The exit inclicute<l by a red light THE NUTCRACKER DIVERTISSEMENT and ~ iJ.Cn nc&.rt!~t. tu the :,cut you oecu1•Y is the 2nd Act Choreography by ALAN BANKS Music by JACQUES !BERT •horte>~t route tu the •to~:t•l. In the I!Vl'nt ur fire Staged after the original by MICHEL KATCHAROFF Costumes designed and executed by ANN KEELY plelise do not run - WALK '1'.() THAT EXIT. EDWARD .fo'. CAVANAGH, JR .. Music by PETER I. TCHAIKOVSKY Costumes by KA THE BERL INTRODUCTION Fir·e Commissioner Mayne Miller and Lelan Parrott· In the late 19th Century, Tchsikovsky was commissioned to write It is ur~:ent for the comf(•rt and snfety of nil that the music for a new ballet for the St.
    [Show full text]