DOCSLIB.ORG

EXTRACTS Premiere Et Seconde Arabesque

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
EXTRACTS Premiere Et Seconde Arabesque EXTRACTS Premiere et Seconde Arabesque www.youtube.com search : Marianela Nunez – Lilac Fairy Variation Developpes en tournant en dehors sur les pointes www.youtube.com search : Carnaval de Venecia Pas de Deux Series of Coupe renverse www.youtube.com search: Marianela Nunez Myrtha and the Willes Counter #: 5:00 Chasse, temps leve, pas de bourree, grand jete en tournant www.youtube.com search : le spectre de la rose – Manuel Legris and Claude de Vilpian Jete en avant in 2nd arabesque with grand jete en tournant www.youtube.com search : Chopiniana Kirov Ballet ¼ Counter #: 3:30 Brise dessus, pas de bourree dessous, brise dessus, pas de bourree dessous, 3 brises dessus, pas de bourree dessous www.youtube.com search : Le Corsaire – Pas de Trois Counter # : 2 :52 Ballotte en avant, en arriere, etc. www.youtube.com search : Giselle.KB.1983 Counter # : 10 :24 Double Rond de jambe saute en dehors, pose en avant www.youtube.com search : Symphonic Variations (part 1 of 3) McRae, Marquez, Bonell2.m4v counter #: 4:44 Developpe croisee avec releve, glissade, entrechat six de cote www.youtube.com search : Giselle.KB.1983 counter # : 1 :23 :03 Demi-contretemps, entrechat six de cote www.youtube.com search : Giselle (Fracci-Bruhn, ABT 1969) 6 of 9 counter #: 5:03 and 6:42 Pas de bourree, pose, fouette to arabesque, tombe, pas de chat www.youtube.com search : Prince Seigfried and Odile’s Coda (Act 3) in Swan Lake counter #: 1:09 Douze ballonnes piques, tombe, pas de bourree, huit emboites, etc. www.youtube.com search : carnaval de Venecia Pas de Deux A variation of the step. Jete, re;eve, pose [or tombe] coupe, 5 times with ending www.youtube.com search: Pad de deux from “Le Corsaire” (Nureyev and Fonteyn) counter # : 5 :39 Brise dessus, cabriole fermee, entrechat quatre, entrechat quatre, entrechat trois, brise vole en avant, cabriole fouette, jete battu, cabriole derriere fermee www.youtube.com search : Marijn Rademaker as James in La Sylphide @ Stuttgard Ballet counter #: 0:36 Coupe sauté, ballonne, jete en tournant, pose, jete, pose, jete www.youtube.com search : Paquita Ballet 2/4 counter # : 8 :54 Temps leve, chasse en arriere (twice), temps leve pose (twice), jete elance etc. www.youtube.com search : Les Patineurs Joffrey Ballet counter # : 10 :18 and 13 :38 and 14 :22 Chasse, quatre temps leve en 4me arabesque (en tournant), deux tours en dedans www.youtube.com search : Buber & Watanabe Flower Festival in Genzano IBC 2006 counter #: 8:33 Series of releves in 1st arabesque traveling en arriere www.youtube.com search: 1958 Part 3 of 3 Kirov Mariinski Les Sylphides counter #: 1:25 Fouette turns www.youtube.com search: Prince Seigfried & Odile’s Coda (Act 3) in Swan Lake search: Viegnsay Valdes in Black Swan Coda Bourree couru, degage, petit battement, degage, etc. www.youtube.com search: Paquita Ballet ¼ counter # : 5 :50 Several Cecchetti elements throughout www.youtube.com search : Carnaval de Venecia Pas de Deux .
Load more

Recommended publications
  • SWAN LAKE Dear Educators in the Winter Show of Oregon Ballet Theatre’S Student Performance Series (SPS) Students Will Be Treated to an Excerpt from Swan Lake
    STUDENT PERFORMANCE SERIES STUDY GUIDE / Feburary 21, 2013 / Keller Auditorium / Noon - 1:00 pm, doors open at 11:30am SWAN LAKE Dear Educators In the winter show of Oregon Ballet Theatre’s Student Performance Series (SPS) students will be treated to an excerpt from Swan Lake. It is a quintessential ballet based on a heart-wrenching fable of true love heroically won and tragically Photo by Joni Kabana by Photo squandered. With virtuoso solos and an achingly beautiful score, it is emblematic of the opulent grandeur of the greatest of all 19th-Century story ballets. This study guide is designed to help teachers prepare students for their trip to the theatre where they will see Swan Lake Act III. In this Study Guide we will: • Provide the entire synopsis for Christopher Stowell’sSwan Lake, consider some of the stories that inspired the ballet, Principal Dancer Yuka Iino and Guest Artist Ruben Martin in Christopher and touch on its history Stowell’s Swan Lake. Photo by Blaine Truitt Covert. • Look closely at Act III • Learn some facts about the music for Swan Lake • Consider the way great dances are passed on to future generations and compare that to how students come to know other great works of art or literature • Describe some ballet vocabulary, steps and choreographic elements seen in Swan Lake • Include internet links to articles and video that will enhance learning At the theatre: • While seating takes place, the audience will enjoy a “behind the scenes” look at the scenic transformation of the stage • Oregon Ballet Theatre will perform Act III from Christopher Stowell’s Swan Lake where Odile’s evil double tricks the Prince into breaking his vow of love for the Swan Queen.
    [Show full text]
  • QCF Examinations Information, Rules & Regulations
    Specifications for qualifications regulated in England, Wales and Northern Ireland incorporating information, rules and regulations about examinations, class awards, solo performance awards, presentation classes and demonstration classes This document is valid from 1 July 2018 1 The Royal Academy of Dance (RAD) is an international teacher education and awarding organisation for dance. Established in 1920 as the Association of Operatic Dancing of Great Britain, it was granted a Royal Charter in 1936 and renamed the Royal Academy of Dancing. In 1999 it became the Royal Academy of Dance. Vision Leading the world in dance education and training, the Royal Academy of Dance is recognised internationally for the highest standards of teaching and learning. As the professional membership body for dance teachers it inspires and empowers dance teachers and students, members, and staff to make innovative, artistic and lasting contributions to dance and dance education throughout the world. Mission To promote and enhance knowledge, understanding and practice of dance internationally by educating and training teachers and students and by providing examinations to reward achievement, so preserving the rich, artistic and educational value of dance for future generations. We will: communicate openly collaborate within and beyond the organisation act with integrity and professionalism deliver quality and excellence celebrate diversity and work inclusively act as advocates for dance. Examinations Department Royal Academy of Dance 36 Battersea Square London SW11 3RA Tel +44 (0)20 7326 8000 [email protected] www.rad/org.uk/examinations © Royal Academy of Dance 2017 ROYAL ACADEMY OF DANCE, RAD, and SILVER SWANS are registered trademarks® of the Royal Academy of Dance in a number of jurisdictions.
    [Show full text]
  • RUSSIAN NATIONAL BALLET SWAN LAKE: Wednesday, January 22, 2020; 7:30 Pm the SLEEPING BEAUTY: Thursday, January 23, 2020; 2 & 7:30 Pm Media Sponsor
    RUSSIAN NATIONAL BALLET SWAN LAKE: Wednesday, January 22, 2020; 7:30 pm Media Sponsor THE SLEEPING BEAUTY: Thursday, January 23, 2020; 2 & 7:30 pm A Columbia Artists Production Direct from Moscow, Russia RUSSIAN NATIONAL BALLET COMPANY OF 50 Artistic Director: Elena Radchenko Company Biography The Russian National Ballet Theatre was founded in Moscow during the transitional period of Perestroika in the late 1980s, when many of the great dancers and choreographers of the Soviet Union’s ballet institutions were exercising their new- found creative freedom by starting new, vibrant companies dedicated not only to the timeless tradition of classical Russian Ballet but to invigorate this tradition as the Russians began to accept new developments in the dance from around the world. The company, then titled the Soviet National Ballet, was founded by and incorporated graduates from the great Russian choreographic schools of Moscow, St. Petersburg and Perm. The principal dancers SWAN LAKE Photo: Alexander Daev of the company came from the upper ranks of the great ballet companies and academies of Russia, and the companies of Riga, Kiev and even Warsaw. Today, the Russian National Ballet Theatre SWAN LAKE is its own institution, with over 50 dancers of singular instruction and vast experience, many of whom have been with the company Full-length Ballet in Four Acts since its inception. Music by Pyotr Ilyich Tchaikovsky Choreography by Marius Petipa, Lev Ivanov and Yuri Grigorovich In 1994, the legendary Bolshoi principal dancer Elena Radchenko Restaging by Elena Radchenko, assistant Alexander Daev was selected by Presidential decree to assume the first permanent Synopsis by Vladimir Begichev and Vasily Geltser artistic directorship of the company.
    [Show full text]
  • Bolshoi Theater
    FOR IMMEDIATE RELEASE Contact: Dick Caples Tel: 212.221.7909 E-mail: [email protected] Lar Lubovitch awarded the 20th annual prize for best choreography by the Prix Benois de la Danse at the Bolshoi Theater. He is the first head of an American dance company ever to be so honored. New York, NY, May 23, 2012 – Last night at the Bolshoi Theater in Moscow, Lar Lubovitch was awarded the 20th annual prize for best choreography by the Prix Benois de la Danse. Lubovitch is the first head of an American dance company ever presented with the award. He was honored for his creation of Crisis Variations, which premiered at the Baryshnikov Arts Center in New York City on November 9, 2011. The work, for seven dancers, is set to a commissioned score by composer Yevgeniy Sharlat, and the score was performed live at its premiere by the ensemble Le Train Bleu, under the direction of conductor Ransom Wilson. To celebrate the occasion, the Lar Lubovitch Dance Company performed the duet from Meadow for the audience of 2,500 at the Bolshoi. The dancers in the duet were Katarzyna Skarpetowska and Brian McGinnis. The laureates for best choreography over the previous 19 years include: John Neumeier, Jiri Kylian, Roland Petit, Angelin Preljocaj, Nacho Duato, Alexei Ratmansky, Boris Eifman, Wayne McGregor, Sidi Larbi Cherkaoui, and Jorma Elo. Other star performers and important international figures from the world of dance received prizes at this year’s award ceremony. In addition to the award for choreography given to Lubovitch, the winners in other categories were: For the best performance by a ballerina: Alina Cojocaru for the role of Julie in “Liliom” at the Hamburg Ballet.
    [Show full text]
  • Spotlight Ballet Rules* Ballet Students Who Will Be Attending a Dance
    Spotlight Ballet Rules* Ballet students who will be attending a dance program away from home and outside of Southern California during the Spotlight year and whose parent(s) still live in Southern California may participate in Spotlight as long as they attend auditions, rehearsal and final performance if advancing to Grand Finale Performance. Proof of study will be required from dance program. You may not be an apprentice or full time member of a professional ballet company and participate in Spotlight. What’s required of me for my Ballet Preliminary 1 video audition? All students begin with a Preliminary 1 video audition. Those scoring highest will advance to Preliminary 2 live auditions in February 2019. Those scoring highest after Preliminary 2 will advance to the Semifinals Please record yourself performing one solo from the required list below If selected to advance to Preliminary 2, you will perform two solos for your live audition. You can change your variations if you advance to Preliminary 2 In choosing a variation for your video recording, we encourage you to choose a solo that best reflects your current stage of technical and artistic abilities. It is not necessary to perform an Etoile or Principal variation if you are not quite ready to tackle it. Choose a solo variation that best fits where you are in your studies and allows you to shine! Some examples of soloist variations that might be good choices are: Princess Florine from The Sleeping Beauty Act lll or any of The Sleeping Beauty fairies, the Peasant pas de deux from Giselle (Act I) or Cupid from Paquita, Friends of Kitri from Don Quixote (Act I), Fairy Doll, Harlequinade, Odalisques from Le Corsaire (Act I), Flames of Paris or the pas de trois from Swan Lake (Act I).
    [Show full text]
  • Atheneum Nantucket Dance Festival
    NANTUCKET ATHENEUM DANCE FESTIVAL 2011 Featuring stars of New York City Ballet & Paris Opera Ballet Benjamin Millepied Artistic Director Dorothée Gilbert Teresa Reichlen Amar Ramasar Sterling Hyltin Tyler Angle Daniel Ulbricht Maria Kowroski Alessio Carbone Ana Sofia Scheller Sean Suozzi Chase Finlay Georgina Pazcoguin Ashley Laracey Justin Peck Troy Schumacher Musicians Cenovia Cummins Katy Luo Gillian Gallagher Naho Tsutsui Parrini Maria Bella Jeffers Brooke Quiggins Saulnier Cover: Photo of Benjamin Millepied by Paul Kolnik 1 Welcometo the Nantucket Atheneum Dance Festival! For 177 years the Nantucket Atheneum has enriched our island community through top quality library services and programs. This year the library served more than 200,000 adults, teens and children year round with free access to over 1.4 million books, CDs, and DVDs, reference and information services and a wide range of cultural and educational programs. In keeping with its long-standing tradition of educational and cultural programming, the Nantucket Atheneum is very excited to present a multifaceted dance experience on Nantucket for the fourth straight summer. This year’s performances feature the world’s best dancers from New York City Ballet and Paris Opera Ballet under the brilliant artistic direction of Benjamin Millepied. In addition to live music for two of the pieces in the program, this year’s program includes an exciting world premier by Justin Peck of the New York City Ballet. The festival this week has offered a sparkling array of free community events including two dance-related book author/illustrator talks, Frederick Wiseman’s film La Danse, Children’s Workshop, Lecture Demonstration and two youth master dance classes.
    [Show full text]
  • Dictionary of Classical Ballet Terminology Free
    FREE DICTIONARY OF CLASSICAL BALLET TERMINOLOGY PDF Rhonda Ryman | 100 pages | 14 Jun 2007 | Royal Academy of Dance | 9781904386872 | English | London, United Kingdom Ballet Terms A To Z - Dictionary of basic Ballet moves In ballet, there are several terms that are used. Dictionary of Classical Ballet Terminology can be easy for a beginner to feel lost with all of the terminology! These movements are typically done after warmup and closer toward the last part of class to avoid injury, and to maximize a dancers range while warmed up. Abstract ballet are ballets without a plot unlike the Nutcracker, Swan Lake, etc. Most often, contemporary ballets are considered abstract ballets. Arabesque is a position in ballet where the body is supported on a single leg, while the other leg is extended directly behind the body with a straight knee. There are several different versions of arabesque such as first, second, and third arabesque. They can also be done at different heights or with a straight leg or in plie. The basics being that the two legs join together in the air. An attitude is a position where the dancers stands on one leg with the other lifted, either in the front, or back. The leg that is in the air is usually slightly bent at the knee, creating an approximate degree angle. En avant refers to moving towards the front. En avant is not an actual step or position in ballet, but is used in conjunction with other terms, such as tendu en Dictionary of Classical Ballet Terminology. Adagio refers to slow movements in ballet.
    [Show full text]
  • Swan Lake 2021 Cast List
    Long Beach Ballet’s SWAN LAKE 2021 Cast Cast A performance ...... Saturday, June 12th – 2:00 p.m. Cast B performance ...... Sunday, June 13th – 2:00 p.m. Cast AB ......................... Both performances A Abigail Adolph Neopolitan Dance A Ayumi Aguirre Bassallo Mazurka Dance AB Sumi Akin Hungarian Dance AB Erica Alfaro Palace Jester B Kennedy Allen Neopolitan Dance A Imani Amyson Russian Dance B Leigh Anderson Russian Dance A Astrid Angulo Russian Dance AB Ella Ruby Arko Palace Waltz A Melia Armenta Neopolitan Dance B Elizabeth Ashley Mazurka Dance A Samantha Bayudan Mazurka Dance AB Kennedy Beach Palace Herald AB Nadia Benjamin Spansh Dance AB Nikki Boggs Hungarian Dance AB Artemis BrodakSilva Palace Jester A Alesi Brown Young Hungarian Czardas B Natalie Brunt Neopolitan Dance B Nia Brunt Russian Dance AB Lily Bumacod‐Weismuller Palace Herald AB Autumn Bumacod‐Weismuller Palace Herald A Maeve Callahan Russian Dance AB Rachel Camerino Young Russian Dance AB Nicole Capcha Palace Waltz AB Camila Carrillo Palace Jester B Kaytlan Carvajal Russian Dance B Sophia Casillas Mazurka Dance AB Joaquin Chavez Mazurka Boy B Arianna Cisneros Young Hungarian Czardas AB Juliana Colorado Spansh Dance AB Marisa Conneally Hungarian Dance AB Valentina Crain Spansh Dance AB Makena Crawshaw Young Russian Dance AB Olivia Cullado Palace Jester A Audrey Culligan Mazurka Dance A Olivia Dailey Young Hungarian Czardas AB Isabella Dee Young Russian Dance AB Samantha Dege Hungarian Dance AB Aundenet Diress Hungarian Dance AB Hadley Duzan Spansh Dance A Michelle
    [Show full text]
  • News from the Jerome Robbins Foundation Vol
    NEWS FROM THE JEROME ROBBINS FOUNDATION VOL. 6, NO. 1 (2019) The Jerome Robbins Dance Division: 75 Years of Innovation and Advocacy for Dance by Arlene Yu, Collections Manager, Jerome Robbins Dance Division Scenario for Salvatore Taglioni's Atlanta ed Ippomene in Balli di Salvatore Taglioni, 1814–65. Isadora Duncan, 1915–18. Photo by Arnold Genthe. Black Fiddler: Prejudice and the Negro, aired on ABC-TV on August 7, 1969. New York Public Library for the Performing Arts, Jerome Robbins Dance Division, “backstage.” With this issue, we celebrate the 75th anniversary of the Jerome Robbins History Dance Division of the New York Public Library for the Performing Arts. In 1944, an enterprising young librarian at The New York Public Library named One of New York City’s great cultural treasures, it is the largest and Genevieve Oswald was asked to manage a small collection of dance materials most diverse dance archive in the world. It offers the public free access in the Music Division. By 1947, her title had officially changed to Curator and the to dance history through its letters, manuscripts, books, periodicals, Jerome Robbins Dance Division, known simply as the Dance Collection for many prints, photographs, videos, films, oral history recordings, programs and years, has since grown to include tens of thousands of books; tens of thousands clippings. It offers a wide variety of programs and exhibitions through- of reels of moving image materials, original performance documentations, audio, out the year. Additionally, through its Dance Education Coordinator, it and oral histories; hundreds of thousands of loose photographs and negatives; reaches many in public and private schools and the branch libraries.
    [Show full text]
  • Rebecca King
    Rebecca King First Soloist of the Finnish National Ballet Born in Baltimore, Maryland, she trained from 2001 to 2006 with Olga Toziakova at Ballet Studio No 7 in Columbia. While still a student, she competed at the International Ballet Competition in Varna, Bulgaria, was a finalist in the Youth America Grand Prix and won the Grand Prix at the International Ballet Competition in Artek, Russia. In 2006 she became a soloist with the Ukrainian National Ballet, where she performed in the Pas de trois and Big Swans in Tchaikovsky’s Swan Lake, in the role of Ingrid in Peer Gynt and in the Pas de Action and Pas de trois in La Bayadere. In the 2008/09 season Rebecca King joined the Prague State Opera as a demi- soloist and a year later was named a soloist. She appeared in Pas de Trois in Swan Lake, in the titular role of Cinderella and as Anastasia in the ballet Sleeping Beauty – The Czar’s Last Daughter (Youri Vamos). She dazzled in the double role of Odette/Odile in Swan Lake and as Myrtha in Giselle. In the 2011/12 season she was been engaged at the Czech National Theatre, portraying Odette/Odile in Swan Lake (Kenneth Greve), Clara and the Christmas Fairy The Nutcracker – A Christmas Carol (Youri Vamos), Aurora in Sleeping Beauty (Javier Torres), Gamzatti in La Bayadere (Javier Torres) and the Pas de Deux from Le Corsaire in a mixed bill. She has also danced in the duet “Blushing” (Peter Quant), the duet Empty Title (Petr Zuska), part of the mixed bill Le sacre du printemps, in William Forsythe’s “In the Middle Somewhat Elevated”(Woman No.
    [Show full text]
  • Ballet West Student In-Theater Presentations
    Ballet West for Children Presents Ballet and The Sleeping Beauty Dancers: Soloist Katie Critchlow, First Soloist Sayaka Ohtaki, Principal Artist Emily Adams, First Soloist Katlyn Addison, Demi-Soloist Lindsay Bond Photo by Beau Pearson Music: Peter Ilyich Tchaikovsky Adapted from Original Choreography: Marius Petipa Photo: Quinn Farley Costumes: David Heuvel Dear Dance enthusiast, Ballet West is pleased that you are viewing a Ballet West for Children Presentation as a virtual learning experience. Enclosed you will find the following information concerning this performance: 1. Letter from Artistic Director, Adam Sklute. 2. Letter to the parent/guardian of the students who will be viewing. 3. Specific Information on this Performance, including information on the ballet, music, choreography, follow-up projects and other pertinent material has also been compiled for the teacher's information. 4. We report to the Utah State Board of Education each year on our educational programs, and need your help. Usually, we gather information from teachers as to how the student reacted and what they may have learned from their experience. We’d love to hear from you by filling out our short Survey Monkey listed on our virtual learning page. We don’t have a way to track who and how many people are taking advantage of this opportunity and this will help us to know how we’re doing. You can always email me directly. Thank you very much for your interest in the educational programs of Ballet West. Please call if I may provide any additional information or assistance to you and your school. I can be reached at 801-869-6911 or by email at [email protected].
    [Show full text]
  • Showcase-2021-Playbill.Pdf
    Presents Summer Celebration! Featuring The Fairy Doll Directed by Stephanie Heston & Alexander Smirnov Funded in part through the Kansas Creative Arts Industries Commission, in partnership with the National Endowment for the Arts -Act 1- Florence Music: Pytor Tchaikovsky Choreography: Marcus Oatis Costumes: provided by Kansas City Ballet Featuring: Summer Intensive Group A Choreography Class Demonstration Choreography by and Featuring: Summer Intensive Group B Jazz Class Demonstration Choreography: Erinn Bird Featuring: Summer Intensive Groups C & D Pilates Class Demonstration Choreography: Amy Reazin Featuring: Beginning Summer Intensive Dancers Young Dancer Demonstrations Choreography: Erinn Bird ‘Small World’ Featuring: Fairy Doll Ballet Camps (ages 3-4) ‘Music Box’ Featuring: Fairy Doll Ballet Camps (ages 5-6) Repertory Class Demonstration ‘Paquita’ World Premiere April 1, 1846 Paris Opera Ballet Music: Edouard Deldevez & Ludwig Minkus Original Choreography: Joseph Mazilier Re-staged by Stephanie Heston and Alexander Smirnov Featuring: Summer Intensive Groups A, B, C, D -Intermission- -Act 2- The Fairy Doll Music: Josef Bayer Staged by: Stephanie Heston and Alexander Smirnov Light Design: Erica Maholmes SCENE ONE A bustling toy shop enjoys brisk trade during the daytime. Shop Keepers Claire Edmonds and Aiyanna Graham Shop Owner Alexander Smirnov First Family Erinn Bird and Jason Schone with Crosby Beyer, Scarlett Gann, Elizaveta Smirnov, JT Terry Second Family Josie Werts and Rory Pischer with Burhan Khmous, Isabelle Robinson French
    [Show full text]