Ad Pages Template
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Toledo's New Clinic Senior Night Win an Artist's
Tragic Coincidence as Randle Couple Hurt After Tree Falls on Car / Main 4 $1 Toledo’s New Clinic Valley View Prepares to Build Facility Near Its Aging Building / Main 3 Midweek Edition Thursday, Jan. 31, 2013 Reaching 110,000 Readers in Print and Online — www.chronline.com Dog Gone Winlock Down to One Cop After Two Officers and Drug Dog Leave Senior Police Department in January Night Win Beavers Cut Down Net on Home Court After Clinching League Title / Sports An Artist’s Pete Caster / [email protected] Winlock police oicer Steve Miller Eye shares a moment with Misha, the department’s 4 1/2-year-old Belgian Chehalis Woman Who malinois, in November, two months before the pair left the city for the Up- Never Though She Could per Skagit tribal police. Their departure means the Egg City is down to one Create Jewelry Is Now a police oicer, Chief Terry Williams, al- though interviews are underway for a Sought-After Teacher / second beat cop. See Main 14 Life: A&E The Chronicle, Serving The Greater Weather Teacher of Distinction Deaths Lewis County Area Since 1889 TONIGHT: Low 40 White Pass Wangen, Douglas Dwight, 69, Follow Us on Twitter TOMORROW: High 50 Centralia @chronline Mostly Cloudy, Chance Teacher Is a Ford, Louise Helen, 93, Centralia of Showers Statewide Grove, Donna Lee, 68, Centralia Find Us on Facebook see details on page Main 2 Leader Burnham, Dayton Andrew, 93, www.facebook.com/ Chehalis thecentraliachronicle Weather picture by for Math Reed, Betty Gertrude, 88, Morton Amerika Jone, Grand Instruction Crask, Russell D., 80, Mossyrock Mound Elementary, Swalberg, Lerean Joan, 74, Randle / Main 6 Dave Goodwin 3rd Grade recognized with teaching fellowship CH486297cz.cg Main 2 The Chronicle, Centralia/Chehalis, Wash., Thursday, Jan. -
This Transcript Was Exported on Dec 07, 2019 - View Latest Version Here
This transcript was exported on Dec 07, 2019 - view latest version here. Daniel: Hello, I'm Daniel Zomparelli, and I'm afraid of everything and I want to know what scares you, so I've invited people to tell me what they're afraid of. Then I talked with experts to dig a little deeper and get tips on how to deal. This is I'm Afraid That. Daniel: Cockroaches are disgusting. The worst incident I had with the cockroach was while on a family vacation at what I think was Sesame Street Themed Resort. My siblings and I got wasted at their fake nightclub that had an occupancy of about eight people, after too many vodka sodas I passed out. My sister told me later that I forced them at 2:00 AM to get me a grilled cheese. When it finally arrived, I refused to eat it. The next morning I woke up trying to piece together the night before when I was about to walk to the bathroom to shower a giant cockroach fell out of the air conditioner right on top of my head, into my hair. This is all to say that I am very afraid of family vacations now. Someone who is deeply afraid of cockroaches is Nailed It! Nicole Byer. We you talk with her about her deep fear of the bug and then we also talk with cockroach expert, Dr. Phillip G Koehler to learn more about the notorious pest. So we've got a special guest co-host today. Gabe: That's right. -
Dissertação Mariana Clara
Mariana Clara de Andrade MEDIDAS COMERCIAIS AMBIENTAIS COM EFEITOS EXTRATERRITORIAIS: ESTUDO CONFORME O DIREITO INTERNACIONAL GERAL E O REGIME JURÍDICO DA ORGANIZAÇÃO MUNDIAL DO COMÉRCIO Dissertação submetida ao Programa de Pós-Graduação da Universidade Federal de Santa Catarina para a obtenção do Grau de Mestre em Direito e Relações Internacionais Orientador: Prof. Arno Dal Ri Júnior, Ph.D Coorientador: Prof. Dr. Paulo Potiara de Alcântara Veloso Florianópolis 2017 Para Lucas e Maia, na esperança de que essas linhas ajudem, ainda que timidamente, a construir-lhes um futuro mais sustentável AGRADECIMENTOS Como é o caso em boa parte dos agradecimentos dos trabalhos de conclusão de curso, ainda que não necessariamente adotando essa metodologia expressamente, tentei dividir meu apreço em dois grupos de pessoas: aqueles que contribuíram majoritariamente para o meu desenvolvimento acadêmico, e aqueles que contribuíram majoritariamente para a minha sanidade mental. Percebi claramente, contudo, que a fronteira entre esses dois grupos não é, absolutamente, impermeável, de modo que o que se tem é um constante exercício extrajurisdicional da competência (primária) de cada uma dessas pessoas. Em primeiro lugar, teoricamente no primeiro grupo, mas provando que no fundo o que se tem é uma grande cross-fertilization de contribuições, meus pais, acadêmicos sem cujo apoio e amor eu não teria chegado até aqui, e sem cuja influência eu certamente não teria desenvolvido o pensamento crítico que tento esboçar nas linhas deste trabalho. Pela amizade incondicional, fundamental nessa jornada, agradeço às minhas queridas Diana, Helena, Isabela, Naiana, Nicole e Priscila, que redefiniram meu conceito de amizade e cuja companhia me faz falta todo dia. -
The Apology | the B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero Scene & Heard
November-December 2017 VOL. 32 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 6 IN THIS ISSUE One Week and a Day | Poverty, Inc. | The Apology | The B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero scene & heard BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Learn more about Baker & Taylor’s Scene & Heard team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications Experience KNOWLEDGEABLE Baker & Taylor is the Full-time staff of A/V catalogers, most experienced in the backed by their MLS degree and more than 43 years of media cataloging business; selling A/V expertise products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review One Week and a Day and target houses that are likely to be empty while mourners are out. Eyal also goes to the HHH1/2 hospice where Ronnie died (and retrieves his Oscilloscope, 98 min., in Hebrew w/English son’s medical marijuana, prompting a later subtitles, not rated, DVD: scene in which he struggles to roll a joint for Publisher/Editor: Randy Pitman $34.99, Blu-ray: $39.99 the first time in his life), gets into a conflict Associate Editor: Jazza Williams-Wood Wr i t e r- d i r e c t o r with a taxi driver, and tries (unsuccessfully) to hide in the bushes when his neighbors show Editorial Assistant: Christopher Pitman Asaph Polonsky’s One Week and a Day is a up with a salad. -
Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background -
Meet the New Applause Staff Pg. 4 Poems by Creative Writers Published in Rattle Magazine Pg
Applause Volume 18, Number 1 School of the Arts, North Charleston, SC October 2016 soa-applause.com Meet the new Applause staff pg. 4 Poems by Creative Writers published in Rattle magazine pg. 8 New SOA Pegasus search pg. 7 Get to know some of SOA’s newest students pg. 10 Former Vocal major Ava Hill talks TV, SOA and success pg. 13 Fisher vs. Fischer advises a questioning student pg. 23 Page 2 Patrons September 2016 PEARL RUBY Madeline Burt Faith Durinsky Rhoda Ascanio Madalyn Stisner Alan Brehm Naja Aleem Shivani Pandey Mark Lazzaro Piper Reinwald AMETHYST TOPAZ Kristina Kerr Jackson McQueeney Susanne Drennan Debbie Benson Britany Gionoukos Sylvia Edwards Tracy Castle Rae Kinlaw Bryan Fisher Bethany Crawford Matt Masse Dr. Mark Teseniar John Cusatis Olive Rentz Jennifer Graham Chase Godwin GARNET LouLou Harowsky Christine Bednarczyk Diane Hansford Katie Sommons Debbie Dekle Edward Hethington Bailey Southard Robin Grieg Brett Johnsen Jalaya Dargan F. Rutledge Hammes Jakob Lazzaro Cheyenne Koth Jamar Simmons Beth Webb Hart Beth Lasley Emma Morrison Heath Orvin Robert Perrineau Nyla Dixon Bill Smyth Eyamba Williams Juna Arnold Collin Anderson TURQUOISE Jackson Bryant River Abedon Basil Kerr Claire Cauthen Melanie Burbage Kirk Lindgren Kaitlyn Peterson Graham Crolley Susan Mears Ellie Garner Reese Fischer Robert Miller Ella Grace Michael W. Fitzgerald Michael Morelli Katlynn Ishler Elly Hall Joseph Naas Braelyn Wasserman Tyler Herrman Kiran Narsla Sophia McCormick Paige Horschel Amanda Nelson Adam Mairle Ronald Jenkins Kathryn Owensby Max Gair Suzanne Jackson Susanne Reed Helena Upshaw Brennan K. Betty Sharpe Dhruu Muhherja John White Katie Bevers Max von Asten Porter Moore Skylar Moore Thank you, Applause patrons for your Sterling Moore generosity! Juliette Cain If you would like to become a patron, please e-mail Caroline Dukes [email protected] Gus Holloway Kyle Wells September 2016 News Page 3 Letter from the Editors Dear readers, Applause Well, here we are again. -
Japan Booth : Palais 01 - Booth 23.01 INTRODUCTION Japan Booth Is Organized by JETRO / UNIJAPAN with the Support from Agency for Cultural Affairs (Goverment of Japan)
JA P A N BOOTH 2 O 1 6 i n C A N N E S M a y 1 1 - 2 O, 2 O 1 6 Japan Booth : Palais 01 - Booth 23.01 INTRODUCTION Japan Booth is Organized by JETRO / UNIJAPAN with the support from Agency for Cultural Affairs (Goverment of Japan). JETRO, or the Japan External Trade Organization, is a government-related organization that works to promote mutual trade and investment between Japan and the rest of the world. Originally established in 1958 to promote Japanese exports abroad, JETRO’s core focus in the 21st century has shifted toward promoting foreign direct investment into Japan and helping small to medium-sized Japanese firms maximize their global business potential. UNIJAPAN is a non-profit organization established in 1957 by the Japanese film industry under the auspice of the Government of Japan for the purpose of promoting Japanese cinema abroad. Initially named “Association for the Diffusion of Japanese Film Abroad” (UniJapan Film), in 2005 it joined hands with the organizer of Tokyo International Film Festival (TIFF), to form a combined, new organization. CONTENTS 1 Asmik Ace, Inc. 2 augment5 Inc. 3 CREi Inc. 4 Digital Frontier, Inc. 5 Gold View Co., Ltd 6 Hakuhodo DY music & pictures Inc. (former SHOWGATE Inc.) 7 nondelaico 8 Open Sesame Co., Ltd. 9 POLYGONMAGIC Inc. 10 Production I.G 1 1 SDP, Inc. 12 STUDIO4˚C Co., Ltd. 13 STUDIO WAVE INC. 14 TOHOKUSHINSHA FILM CORPORATION 15 Tokyo New Cinema, Inc. 16 TSUBURAYA PRODUCTIONS CO., LTD. 17 Village INC. CATEGORY …Action …Drama …Comedy …Horror / Suspense …Documentary …Animation …Other SCREENING SCHEDULE Title Day / Starting Time / Length of the Film / Place Asmik Ace, Inc. -
Cover 3 1.Indd
Interface A journal for and about social movements VOL 3 ISSUE 1: REPRESSION & MOVEMENTS Interface: a journal for and about social movements Contents Volume 3 (1): i - iv (May 2011) Interface volume 3 issue 1 Repression and social movements Interface: a journal for and about social movements Volume 3 issue 1 (May 2011) ISSN 2009 – 2431 Table of contents (pp. i – iv) Editorial Cristina Flesher Fominaya and Lesley Wood, Repression and social movements (pp. 1 – 11) Articles: repression and social movements Peter Ullrich and Gina Rosa Wollinger, A surveillance studies perspective on protest policing: the case of video surveillance of demonstrations in Germany (P) (pp. 12- 38) Liz Thompson and Ben Rosenzweig, Public policy is class war pursued by other means: struggle and restructuring as international education economy (P) (pp. 39 - 80) Kristian Williams, The other side of the COIN: counter-insurgency and community policing (P) (pp. 81 - 117) Fernanda Maria Vieira and J. Flávio Ferreira, “Não somos chilenos, somos mapuches!”: as vozes do passado no presente da luta mapuche por seu território (P) (pp. 118 - 144) Roy Krøvel, From indios to indígenas: Guerrilla perspectives on indigenous peoples and repression in Mexico, Guatemala and Nicaragua (P) (pp. 145 – 171) i Interface: a journal for and about social movements Contents Volume 3 (1): i - iv (May 2011) Action / practice notes and event analysis Musab Younis, British tuition fee protest, November 9, 2010, London (event analysis, pp. 172 - 181) Dino Jimbi, Campanha “Não partam a minha casa” (action note, pp. 182 - 184) Mac Scott, G20 mobilizing in Toronto and community organizing: opportunities created and lessons learned (action note, pp. -
October 2016
The Bijou Film Board is a student-run UI organization dedicated to the exhibition FilmScene Staff of American independent, foreign and classic cinema. Established in 1972, the Joe Tiefenthaler, Executive Director Bijou Film Board assists FilmScene with program curation and operations. Andy Brodie, Program Director Andrew Sherburne, Associate Director THE Free Mondays! UI students admitted FREE to the last showing of any new release film every Monday. Emily Salmonson, ROOFTOP Director of Operations SERIES AFTER HOURS Late-night cult classics FILM FORUM Special screenings of acclaimed and Ross Meyer, Head Projectionist and fan favorites. Saturdays at 11pm. provocative films followed by discussion. Tuesdays at 6pm. and Facilities Manager presented by Aaron Holmgren, Shift Supervisor THE WAILING Dominick Schults, Projection and (2016) Dir. Hong-jin Facilities Assistant Na. The arrival of a SAT, 10/1 SAT, 10/9 TUE, 10/11 mysterious stranger TUE, 10/25 Wendy DeCora, Britt Fowler, Emma in a quiet rural village Husar, Ben Johnson, Sara Lettieri, causes suspicion. BEFORE THE FLOOD THE LISTENERS Carol McCarthy, Brad Pollpeter SOUTH PARK: BIGGER, (2016) Dir. Fisher Stevens. (2016) Dir. Bob Hurst. Spencer Williams, Theater Staff LONGER & UNCUT (1999) THE GREASY UN ambassador Leonardo Empathetic volunteers Cara Anthony, Tyler Hudson, Dir. Trey Parker. R-rated film STRANGLER DiCaprio campaigns to learn to answer suicide (2016) Dir. Jim Hosking. Jack Tieszen Sarah Ulanowicz, corrupts the boys and the rooftop. 10/8 SAT, raise global awareness hotlines. DIALOGUE to Drafthouse Films about climate change. follow with director Hurst. Projectionists presents an outlandish 10/16 ready-made cult classic. HORIZONS Stamp your passport for a cinematic world Board of Directors tour. -
BELONG+12+WEB+Opt.Pdf
Our Mission Belong Magazine is designed to celebrate the art and community of blogging, social media and entrepreneurship. In all that we do, our mission is to inspire women to use their passions for a purpose in creating and sharing authentic words, images, ideas and experiences virtually and off-line and to be life-giving and encouraging to others. It is our desire for women to know that they are enough, their voice matters, and that they have a place. They belong. YOU BELONG. JOIN THE CONVERSATION! TYPE DESIGN BY JEN WAGNER WWW.BELONG-MAG.COM @BELONGMAG 12 05 FROM THE DESK OF THE EDITOR 06 FEATURED FINDS 08 DESIGN SECRETS FROM THE PROS less is more 10 10 DO'S AND DONT'S FOR WEBSITE DESIGN FROM THE DESK OF THE EDITOR 14 HOW TO DESIGN THE PERFECT 9-GRID 16 HOW A COLLABORATIVE DESIGN PROCESS Exacto knives and glue. The old school “cut and paste” CAN MAKE YOU A BETTER CREATIVE method. That’s where my graphic design journey began. Though we don’t have to contend with sharp blades 22 DESIGNING YOUR BUSINESS ON PURPOSE anymore (says the girl who had to have several stitches after slicing off a piece of her index finger), basic design principles remain constant. 24 DIY WEBSITE REFRESH IN A WEEKEND Among my favorite principles is white space--“areas of a design void of text or graphics”--hence, the centerfold of “less is more” for this design issue. Whether it’s graphic 26 DESIGNING YOUR IDEAL LIFE design, home design or simply designing your own life, white space couldn’t be more essential. -
Cablefax Dailytm Tuesday — August 2, 2016 What the Industry Reads First Volume 27 / No
www.cablefaxdaily.com, Published by Access Intelligence, LLC, Tel: 301-354-2101 CFX TECH – Page 4 4 Pages Today Cablefax DailyTM Tuesday — August 2, 2016 What the Industry Reads First Volume 27 / No. 147 TCA Update: Critics Focus on Diversity, Women The cable-centric portion of TCA began on Fri, and the critics didn’t waste any time putting ethnic/gender diversity and treatment of female characters front and center. Perhaps setting the tone was an executive session over the weekend with new HBO pres, programming Casey Bloys, whose first TCA since taking over for departing Michael Lombardo involved tough questions about HBO’s new series “Westworld” (premieres Oct 2) in which a woman is dragged off presumably to be raped in the 1st ep’s opening sequence. Despite the conceit that she is actually a robot who looks human, it spurred questions similar to those raised last year over a rape scene in the net’s “Game of Thrones.” Bloys said violence on those shows is “pretty extreme on all fronts” and “spread equally” across both genders. Critics also pointed out that the net’s “The Night Of” also centers on a brutalized female victim. After critics persisted, Bloys did say that HBO isn’t tone deaf on the issue. “To your larger point of is it something we think about, yeah. I think the criticism is valid,” he said. “So I think it’s something that people take into account.” The racial issue has also permeated TCA, with critics pointing out that HBO’s new comedy “Vice Principals” pits two white men against a black woman whose job they covet. -
Dissertação De Doutorado
José Carlos da Silva França In situ, ex situ: O virtual como elemento-chave entre o objeto de arte e seus usuários Programa de Pós-Graduação Interunidades em Estética e História da Arte São Paulo, 2018 José Carlos da Silva França In situ, ex situ: O virtual como elemento-chave entre o objeto de arte e seus usuários Trabalho apresentado ao Programa de Pós-Graduação Interunidades em Estética e História da Arte (PGEHA) da Universidade de São Paulo como requisito para a obtenção do título de Doutor em Artes na Área de Con- centração Estética e História da Arte Universidade de São Paulo Orientador: Profa. Dra. Lisbeth Rebollo Gonçalves Programa de Pós-Graduação Interunidades em Estética e História da Arte São Paulo Julho de 2018 Autorizo a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa, desde que citada a fonte. Catalogação na Publicação Serviço de Biblioteca e Documentação Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo França, José Carlos da Silva F814i In situ, ex situ: O virtual como elemento-chave entre o objeto de arte e seus usuários / José Carlos da Silva França ; orientador Profa. Dra. Lisbeth Rebollo Gonçalves. - São Paulo, 2018. 387 f. Tese (Doutorado)- Programa de Pós-Graduação Interunidades em Estética e História da Arte da Universidade de São Paulo. Área de concentração: Estética e História da Arte. 1. Arte. 2. Museologia. 3. História da Arte. 4. Tecnologia. I. Gonçalves, Profa. Dra. Lisbeth Rebollo , orient. II. Título. Nome: FRANÇA, José Carlos da Silva.