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Sync Sound and Indian Cinema | Upperstall.Com 29/02/12 2:30 PM
Sync Sound and Indian Cinema | Upperstall.Com 29/02/12 2:30 PM Open Feedback Dialog About : Wallpapers Newsletter Sign Up 8226 films, 13750 profiles, and counting FOLLOW US ON RECENT Sync Sound and Indian Cinema Tere Naal Love Ho Gaya The lead pair of the film, in their real life, went in the The recent success of the film Lagaan has brought the question of Sync Sound to the fore. Sync Sound or Synchronous opposite direction as Sound, as the name suggests, is a highly precise and skilled recording technique in which the artist's original dialogues compared to the pair of the are used and eliminates the tedious process of 'dubbing' over these dialogues at the Post-Production Stage. The very first film this f... Indian talkie Alam Ara (1931) saw the very first use of Sync Feature Jodi Breakers Sound film in India. Since then Indian films were regularly shot I'd be willing to bet Sajid Khan's modest personality and in Sync Sound till the 60's with the silent Mitchell Camera, until cinematic sense on the fact the arrival of the Arri 2C, a noisy but more practical camera that the makers of this 'new particularly for outdoor shoots. The 1960s were the age of age B... Colour, Kashmir, Bouffants, Shammi Kapoor and Sadhana Ekk Deewana Tha and most films were shot outdoors against the scenic beauty As I write this, I learn that there are TWO versions of this of Kashmir and other Hill Stations. It made sense to shoot with film releasing on Friday. -
Dtp1june29final.Qxd (Page 1)
DLD‹‰‰†‰KDLD‹‰‰†‰DLD‹‰‰†‰MDLD‹‰‰†‰C A shock for Hollywood Britney admits to drug use Oops, Britney Spears has ken cocaine in the toilet of Kid Rock: Pam calling: Bebo admitted to having da- a Miami nightclub. Now, THE TIMES OF INDIA bbled in drugs, qualif- of course, the star her- Sunday, dates Durst goes global! ying that it was ‘‘a big self has chosen to co- June 29, 2003 mistake.’’ Not daring me clean. Page 7 Page 8 to actually use the A less shocking word ‘drugs’, Britn- revelation is that Brit- ey explains, ‘‘Let’s ney likes to drink — just say you reach a her favourite tipple stage in your life is ‘‘Malibu and pine- when you are curio- apple juice.’’ But us. And I was curio- she denies cheating us at one point. But on Justin Timberla- I’m way too focused ke and says she was to let anything stop ‘‘shocked’’ to see a Br- me.’’ So,was it a mis- itney-lookalike in his take? ‘‘Yes.’’ video Cry Me a River, Interestingly, not which tells the story too long back, Britney of a woman cheat- maintained that she ing on her boyfriend. OF INDIA would ‘‘sue’’ a US But then, strange things magazine which had happen when love’s lab- THANK GOD IT’S SUNDAY alleged that she had ta- our is lost. Photos: RONJOY GOGOI MANOJ KESHARWANI SOORAJ BARJATYA: THE BIG PICTURE My family was my world: My ng around, my mother decided earliest memories date back to SUNDAY SPECIAL that I needed to get married im- a home full of uncles, aunts and mediately. -
375 © the Author(S) 2019 S. Sengupta Et Al. (Eds.), 'Bad' Women
INDEX1 A Anti-Sikh riots, 242, 243, 249 Aarti, 54 Apsaras, 13, 95–97, 100, 105 Achhut Kanya, 30, 31, 37 Aranyer Din Ratri, 143 Actress, 9, 18, 45n1, 54, 67, 88, 109, Armed Forces Special Powers Act, 170, 187, 213, 269, 342, 347–362, 255, 255n24 365–367, 369, 372, 373 Astitva, 69 Adalat, 115, 203 Atankvadi, 241–256 Akhir Kyon, 69 Azmi, Shabana, 54, 68 Akhtar, Farhan, 307, 317n13 Alvi, Abrar, 60 Ambedkar, B.R., 31, 279n2 B Ameeta, 135 Babri Masjid, 156, 160 Amrapali, 93–109, 125 Bachchan, Amitabh, 67, 203, 204, Amu, 243–249 210, 218 Anaarkali of Aarah, 365, 367, 370, 373 Bagbaan, 69 Anand, Dev, 7n25, 8n27, 64 Bahl, Mohnish, 300 Anarkali, 116, 368–369 Bandini, 18, 126, 187–199 Andarmahal, 49, 53 Bandit Queen, 223–237 Andaz, 277–293 Bar dancer, 151 Angry Young Man, 67, 203–205, 208, Barjatya, Sooraj, 297, 300, 373 218, 219 Basu Bhattacharya, 348, 355 Ankush, 69 Basu, Bipasha, 88 1 Note: Page numbers followed by ‘n’ refer to notes. © The Author(s) 2019 375 S. Sengupta et al. (eds.), ‘Bad’ Women of Bombay Films, https://doi.org/10.1007/978-3-030-26788-9 376 INDEX Bedi, Bobby, 232–235 237, 261, 266–268, 278, 279, Benaras, 333, 334 283, 283n8, 285, 291, 318, 332, Benegal, Shyam, 7n23, 11, 11n35, 13, 334, 335, 338, 343, 350, 351, 13n47, 68, 172n9, 348, 351, 366 355, 356, 359, 361, 372n3 Beshya/baiji, 48, 49, 55, 56 Central Board of Film Certification Bhaduri, Jaya, 209, 218 (CBFC), 224, 246, 335, Bhagwad Gita, 301 335n1, 336 Bhakti, 95, 98, 99, 101, 191n11, 195, Chak De! India, 70 195n18, 196 Chameli, 179–181 Bhakti movement, 320 Chastity, 82, -
Gender, Biasness and Indian Cinemas
JOURNAL OF CRITICAL REVIEWS ISSN- 2394-5125 VOL 7, ISSUE 09, 2020 Gender, Biasness and Indian Cinemas Sanchayita Khakholary Research Scholar, Gauhati University, Assam, India Indian cinema, a billion dollar entertainment institution, today earns the position of the largest film producing industry with worldwide audience. It produces about thousands of films each year and in comparison to other institutions, Indian cinemas have millions and millions of viewers, reaching to almost every part of the society. Since its very inception it have been playing the role of the most prominent source of entertainment to the people of India. Along with dramas, lots of dancing and singing, powerful contents it have successfully attracted massive interests. One can trace back the history of Indian cinemas to the year of 1896 when the first 6 silent films shot by Lumiere Brothers were shown at one of the hotels at Bombay( now Mumbai). Thus, marking the entry of cinematography in India (Hafeez, p. 62). In 1898, Hiralal seth had directed the Flower of Persia, a pioneer of short films. But it was not until 1913, that the first full length silent film was released. ‘Raja Harishchandra’, the movie directed, shot and produced by Dadasaheb phalke sets the base for the pre-Bollywood scenario in India. However, the term Bollywood is a misnomer to define ‘the whole of Indian cinemas’, since it stands for only the Hindi cinemas and in reality Indian cinemas represents films or movies of all genres and of all languages of India. After 1913, featured films gained acceleration in its production and by 1920s; Indian film industry started producing 27 featured films annually (Hafeez, p. -
FACT FILE We Filmed
Star Watch have done this film. I had a stern word with god the moment Birthday October 28 I read the script and it worked! Lalitha and I possibly have similar cores — a squeaky clean heart! Hometown Hyderabad/New Delhi School/College Rich Valley School (KFI) / Lady Shriram College High point of your life This year, my screen award for Ye Saali Zindagi — big surprise! We both believe that music or any art form has no Low point of your life This year, my nani landed boundaries. Ali and I love music and that’s what we bonded in hospital 2 days before I left for the shoot of over. Ali has a Sufi core and I’ve grown up surrounded by London Paris New York. Buddhist and Sufi philosophy… divisiveness is a political agenda and it has no place in our hearts and minds. A song that describes you best Voh Dekhne Mein from London Paris New York. Actors/actresses you admire Audrey Hepburn, Waheeda Rehman, Vidya Balan, Madhuri Dixit, I’ve sung the love song Theree Si Zindagi with Ali and the Shah Rukh Khan, Aamir Khan, Natalie Portman female version of Voh Dekhne Mein which was recorded with me in the studio and Ali on Skype from Pakistan… we did it Fashion style Casual chic to classic in one take! I’ll sing if someone asks me to, I will never force it down anyone’s throat! I love music and I sing all the time. Favourite author Isabel Allende — Magic Realism Aditi is a student of renowned dancer Leela Samson and has danced since she was five and Fabulous! Could it be anything less? We worked very hard performed all over the world. -
F a S Hionab
Bollywood actors Aishwarya Rai Bachchan and hus- band Abhishek Bachchan leave after casting their vote Johnny Galecki, Jim Parsons, Kaley Cuoco, Simon Helberg, Kunal Nayyar, Mayim Bialik and Melissa Rauch from the cast of ”The Big Bang at a polling station during the fourth phase of general Theory” attend their handprint ceremony at the TCL Chinese Theatre IMAX on in Hollywood, California. election in Mumbai FASHION DeVon Franklin and Meagan Good arrive at the Premiere of 'The Intruder' at ArcLight FOCUS Hollywood in Hollywood, California. I O N A H B Actress Lucy Liu speaks during her Walk of Fame ceremony in Hollywood. Bollywood actor Hrithik Roshan leaves after casting his vote at a polling station during the fourth phase of general S L election in Mumbai, A E F Bollywood actor Salman Khan poses for photographs after casting his GLOBE vote at a polling station in Mumbai. Kaley Cuoco from the cast of ”The Big Bang Theory” poses during their hand- print ceremony at the TCL Chinese Thea- tre IMAX in Hollywood, California. Actress Drew Barrymore, Cameron Diaz and Lucy Liu Bollywood actress Preity Zinta poses for photographs as stand on the star during Liu's Walk of Fame ceremony in she leaves a polling station after casting her vote in Hollywood. Mumbai. Bollywood actress Ihana Dhillon and actor Dev Kharoud pose for pho- tographs during the promotion of the upcoming Punjabi film 'Blackia', in Amritsar. Host Kelly Clarkson performs onstage dur- ing the 2019 Billboard Music Awards at MGM Grand Garden Arena in Las Vegas, Nevada. From left, Japan’s new Emperor Naruhito, Empress Masako, Crown Prince Akishino and Crown Princess Kiko arrive to attend a ceremony to Bollywood actress Vidya Balan poses for Princess Alexia, King Willem-Alexander, Princess Ariane, Queen Maxima and Princess Alexia arrive to Amersfoort to cele- receive the first audience after the accession to the throne at the Mat- photographs as she leaves a polling sta- brate Kings Day. -
Women in Higher Education in India
Women in Higher Education in India Women in Higher Education in India: Perspectives and Challenges Edited by Hari Ponnamma Rani and Madhavi Kesari Women in Higher Education in India: Perspectives and Challenges Edited by Hari Ponnamma Rani and Madhavi Kesari This book first published 2018 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2018 by Hari Ponnamma Rani, Madhavi Kesari and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0854-4 ISBN (13): 978-1-5275-0854-5 CONTENTS Chapter One ................................................................................................ 1 Streeling-Punling-Samething H.P. Rani, G. Siranjeevi, B. Sai Krishna Chapter Two ................................................................................................ 8 Transforming the Identity of Women—From Tradition to Modernity— Through Cinema: Towards Gender Equality Madhavi Kesari Chapter Three ............................................................................................ 14 Gender Discrimination in India: A Fly in the Ointment Suneetha Yedla, Sailaja Mukku Chapter Four ............................................................................................. -
The Changing Role of Women in Hindi Cinema
RESEARCH PAPER Social Science Volume : 4 | Issue : 7 | July 2014 | ISSN - 2249-555X The Changing Role of Women in Hindi Cinema KEYWORDS Pratima Mistry Indian society is very much obsessed with cinema. It is the and Mrs. Iyer) are no less than the revered classics of Ray or most appealing and far reaching medium. It can cut across Benegal. the class and caste boundaries and is accessible to all sec- tions of society. As an art form it embraces both elite and Women have played a number of roles in Hindi movies: the mass. It has a much wider catchment area than literature. mythical, the Sati-Savitri, the rebel, the victim and victimizer, There is no exaggeration in saying that the Indian Cinema the avant-garde and the contemporary. The new woman was has a deep impact on the changing scenario of our society in always portrayed as a rebel. There are some positive portray- such a way as no other medium could ever achieve. als of rebels in the Hindi movies like Mirch Masala, Damini, Pratighat, Zakhm, Zubeida, Mritudand and several others. Literature and cinema, the two art forms, one verbal in form The definition of an ideal Indian woman is changing in Hindi and the other visual, are not merely parallel but interactive, Cinema, and it has to change in order to suit into a changing resiprocative and interdependent. A number of literary clas- society. It has been a long hundred years since Dadasaheb sics have been made popular by the medium of cinema. Phalke had to settle for a man to play the heroine in India’s first feature film Raja Harishchandra (1913) and women in During its awesome journey of 100 years, the Indian Cinema Hindi cinema have come a long way since then. -
Gabbar Is Back Verdict
Gabbar Is Back Verdict Aversive and portly Joachim releasees, but Davey domineeringly outstays her oath. Ugly Yancey transferentialsometimes hedging Ximenes any dehydrogenating employs berthes indescribably. fetchingly. Gregorian Jack dib some Beowulf after The story line and is gabbar You can give rise to gender roles, verdict is alive duration, she never intended to contest from forgettable flop starer phantom was ok. Baby had hit the screens and emerged as a success. The family of the OS. The film has made a box office collections nearing Rs. If Gabbar Singh Is Immortal, So Will Be Kalia Of Sholay! He makes for a good villain. The verdict is gabbar is famous for gabbar is back verdict is set out! Is The Highest Grossing Marathi Film Ever, But Have You Heard About It Yet? Aarav is a relic of Bollywood stalker love stories. It is good news for all movie lovers and more so for exhibitors as makers of few upcoming biggies have announced their new release dates. Gabbar is Back Latest Breaking News, Pictures, Videos, and Special Reports from The Economic Times. How Can India Avoid Jobless Growth? Tollywood films which featured by actor Mahesh Babu and. Ila Arun, Shubha Mudgal, Kavita Seth etc. He then decides to use the power of young, idealistic, honest youth and trains students at National College to join his cause. Read the exclusive movie review here. So audience finds difficulty to watch his movies or not. Her disgust for him is so obvious that you almost feel bad for the guy. These songs have included several hits that have taken audiences on both sides of the border by storm. -
Vidya Is the New Item Girl
| | MONDAY 20 FEBRUARY 2012 HANS TALKIES 11 Vidya is the TOLLYWOOD TALK Samantha is new item girl super busy f Vidya Balan's sari-clad, am honoured," added the 33-year- traditional look is reminis- old actress.Vidya is currently gear- Icent of the evergreen ing up for her next film fter blockbuster hit Rekha, the similarity is meant "Kahaani", directed by Sujoy A‘Dookudu’, the demand for to be! The actress says she has Ghosh. The movie is scheduled south siren Samantha is going to always been inspired by for release on March 9. new heights. She has a host of Rekha, be it her looks, The sensuous performance in movies in her kitty. Her diary her attitude or her body songs `Ooh La La', `Naak Mukka' this year is already chock-a-block of work. At a recent from her last release, 'Dirty Pic- with Telugu, Tamil and Hindi award function in Mumbai, ture', has helped Vidya Balan own movies. Now, the talk doing the two actresses looked her first item-song. Vidya will be rounds in the Tinsel town is that quite similar, and Vidya seen doing a lavani number in the actress may have decided not only feels flaterred with the Sharman Joshi starrer, `Ferrari Ki to sign any new projects. compliment. Sawaari', yet to be released. Ask She is currently doing a Gau- "This is the biggest her if this is the fall-out of `Dirty tham Vasudev Menon’s movie ti- compliment. I am in- Picture', and Vidya says: "May be tled ‘'Neethanae En spired by Rekha. -
Women in Indian Cinema: a Critical View
WOMEN IN INDIAN CINEMA: A CRITICAL VIEW DR. RITU PAREEK Associate Lecturer, Birla Institute of Technology, Mesra (Ranchi) Jaipur Campus (RAJ) (INDIA) Cinema, a means of entertainment plays a major role in framing opinions, constructing images and cultural values. It presents a different world to the viewers and is also a means of escape from the harsh realities of the world. Cinema today is also the propagator of gender and identity issues. The portrayal of women in modern films has undergone a change due to the impact of privatization and globalization. The narratives in Hindi cinema have always been male-dominated and male-centric. Contemporary themes and issues are told and pictured from males' point of view. Women are relegated to a secondary position as compared to the male heroes. A woman's role is charted out in the context of male characters who are always central to the script. They can be any male figure in the form of a hero, the villain, the father figure, boss etc. In the mainstream Hindi cinema, the male is presented as a saviour whereas the woman is the victim. On the other side there are film makers, who have reacted against the stereotypical role of women. The present paper, while discussing these issues also gives a glimpse of the strong leading woman character in the recently released movie "Queen" (2014) wherein the protagonist Rani aspires to take the decisions of her life and is courageous enough to lead her life as she wishes to. "Queen" is about a girl from a middle class family from Delhi who wishes to go to Paris on her honeymoon after her fiance walks out of the marriage barely two days before the wedding. -
Ambiances , Varia When Durga Strikes
Ambiances Environnement sensible, architecture et espace urbain Varia | 2018 When Durga Strikes. The Affective Space of Kolkata’s Holy Festival Quand Durga débarque. L’espace affectif du Festival Sacré de Kolkata. Federico De Matteis Electronic version URL: http://journals.openedition.org/ambiances/1467 DOI: 10.4000/ambiances.1467 ISSN: 2266-839X Publisher: Direction Générale des Patrimoines - DAPA - MCC, UMR 1563 - Ambiances Architectures Urbanités (AAU) Electronic reference Federico De Matteis, « When Durga Strikes. The Affective Space of Kolkata’s Holy Festival », Ambiances [Online], Varia, Online since 18 November 2018, connection on 21 April 2019. URL : http:// journals.openedition.org/ambiances/1467 ; DOI : 10.4000/ambiances.1467 This text was automatically generated on 21 April 2019. Ambiances is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. When Durga Strikes. The Affective Space of Kolkata’s Holy Festival 1 When Durga Strikes. The Affective Space of Kolkata’s Holy Festival Quand Durga débarque. L’espace affectif du Festival Sacré de Kolkata. Federico De Matteis 1 Each year, during the Hindu month of ashvin, between September and October, cities in the eastern part of the Indian subcontinent are literally taken over by Durga puja, the solemn celebration of the Goddess Durga. It is a nine-night festival of particular significance to Bengali people, an occasion for religious worship, but also for annual family reunions, traditionally intended for the return of married women to their ancestral home. During the first nine nights of waxing new moon of the month, many Indian cities are deeply transformed: the celebrations are not performed in temples, but in temporary ritual sites (pujalaya) sheltered within lightweight marquees built with bamboo and cloth (pandal).