Gender, Biasness and Indian Cinemas
JOURNAL OF CRITICAL REVIEWS ISSN- 2394-5125 VOL 7, ISSUE 09, 2020 Gender, Biasness and Indian Cinemas Sanchayita Khakholary Research Scholar, Gauhati University, Assam, India Indian cinema, a billion dollar entertainment institution, today earns the position of the largest film producing industry with worldwide audience. It produces about thousands of films each year and in comparison to other institutions, Indian cinemas have millions and millions of viewers, reaching to almost every part of the society. Since its very inception it have been playing the role of the most prominent source of entertainment to the people of India. Along with dramas, lots of dancing and singing, powerful contents it have successfully attracted massive interests. One can trace back the history of Indian cinemas to the year of 1896 when the first 6 silent films shot by Lumiere Brothers were shown at one of the hotels at Bombay( now Mumbai). Thus, marking the entry of cinematography in India (Hafeez, p. 62). In 1898, Hiralal seth had directed the Flower of Persia, a pioneer of short films. But it was not until 1913, that the first full length silent film was released. ‘Raja Harishchandra’, the movie directed, shot and produced by Dadasaheb phalke sets the base for the pre-Bollywood scenario in India. However, the term Bollywood is a misnomer to define ‘the whole of Indian cinemas’, since it stands for only the Hindi cinemas and in reality Indian cinemas represents films or movies of all genres and of all languages of India. After 1913, featured films gained acceleration in its production and by 1920s; Indian film industry started producing 27 featured films annually (Hafeez, p.
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