RFID Case Studies View Online

Total Page:16

File Type:pdf, Size:1020Kb

RFID Case Studies View Online RFID case studies view online COACHELLA Coachella Valley Music and Arts Festival - 2011 The client The Coachella Valley Music and Arts Festival (commonly known as Coachella) is an annual three-day music and arts festival, founded by Paul Tollett, organized by Goldenvoice (a subsidiary of AEG Live) and held at the Empire Polo Club in Indio, California, in the Inland Empire’s Coachella Valley. The event features many genres of music, including rock, indie, hip hop and electronic music as well as large sculptural art. The event has several stages-tents that have been constructed throughout the grounds, with each playing live music continuously for the duration of the festival. The main stages are: Coachella Stage, Outdoor Theatre, Gobi Tent, Mojave Tent, and the Sahara Tent (2006 and 2011 also saw the addition of a smaller Oasis Dome). The project Coachella organisers sought an access control solution that would prevent the re-sale of tickets, drastically reduce pass-backs and give event managers greater control over the admission of their guests. ID&C collaborated with RFID system provider Intellitix to offer Coachella a contactless access solution based around RFID-enabled wristbands. The wristbands contained microchips which linked to a database of ticket information, validating fans upon entry and replacing the need for paper-based tickets. The custom wristbands, coupled with an RFID SmartCard gave organisers with a robust solution which provided the desired level of admis- sion control, completely eradicated touting and dramatically reduced pass- backs. The product ID&C created a bespoke RFID tag that integrated with its popular festival RFID SmartCard wristband, creating the now commonly seen RFID cloth wristbands. Coachella wristband artwork unavailable ID&C Ltd | Unit 1 - 2 Decimus Park | Kingstanding Way | Tunbridge Wells | Kent | UK +44 (0) 1892 548 364 | [email protected] | www.idcband.co.uk RFID case studies view online Lollapalooza - 2011 & 2012 The client Lollapalooza is an annual music festival featuring popular alternative rock, heavy metal, punk rock and hip hop bands, dance and comedy performances, and craft booths. It has also provided a platform for non-profit and political groups. Lollapalooza is staged in Grant Park, Chicago, Illinois. The project ID&C worked with promoter C3 Presents to provide over 130,000 RFID wristbands to the public for access control at the event. Working with Front Gate Tickets and RFID technology specialist, Intellitix, ID&C provided RFID SmartCards on its patented Smartlock® Fabrikband™. C3 Presents Head of Ticketing, Maura Gibson said, “ID&C delivered an impressive RFID cloth wristband for my 3-day U.S festivals (Lollapalooza and Austin City Limits Music Festival), cuffing over 200,000 fans and crew stylishly and comfortably. Through, sweat, wind and rain the locking clasps (Smartlock®) and RFID saddles (RFID SmartCards) worked flawlessly and securely. ID&C’s interactions with me regarding design, production, and overseas delivery were prompt and informative. I felt as if I was their only client and they handled my last minute requests like a champ. I would certainly recommend ID&C to other festivals and concert promoters throughout the world.” The product ID&C supplied its RFID SmartCard fabric wristbands which features an integrated RFID microchip on a custom printed tag. RFID SmartCard ID&C Ltd | Unit 1 - 2 Decimus Park | Kingstanding Way | Tunbridge Wells | Kent | UK +44 (0) 1892 548 364 | [email protected] | www.idcband.co.uk RFID case studies view online Austin City Limits - 2011 & 2012 The client The Austin City Limits (ACL) Music Festival is an annual three-day American music festival that takes place in Austin, Texas at the city’s central public park, Zilker Park. Each year, in addition to food & art, most from local vendors, ACL Festival brings together more than 130 acts from all over the world to play rock, indie, country, folk, electronic and more on eight stages. Over 70,000 fans attend the festival each day. The project After the success of Lollapalooza in August 2011, ID&C worked again with promoter, C3 Presents, to provide over 120,000 RFID wristbands to the Austin City Limits Music Festival. As before, ID&C worked with Front Gate Tickets and RFID technology provider Intellitix to provide our RFID SmartCard with Smartlock® Fabrikband™ product to the event. The wristbands were used for access control and sent out in advance as tickets to the event. The product ID&C supplied its RFID SmartCard fabric wristbands which features an integrated RFID microchip on a custom printed tag. ID&C Ltd | Unit 1 - 2 Decimus Park | Kingstanding Way | Tunbridge Wells | Kent | UK +44 (0) 1892 548 364 | [email protected] | www.idcband.co.uk RFID case studies view online UEFA Champions League Final - 2011 The client The 2011 UEFA Champions League Final was a football match played on 28 May 2011 at Wembley Stadium in London that decided the winner of the 2010–11 season of the UEFA Champions League. The winners received the European Champion Clubs’ Cup (the European Cup). The 2011 final was the culmination of the 56th season of the tournament, and the 19th in the Champions League era. The project ID&C was an integral part of the project team to deliver a cashless system using wristbands at this famous event and venue. Working with MasterCard, Quantum Card Services (QCS) and Intelligent Venue Systems (IVS), ID&C developed a completely bespoke and unique wristband to be distributed to all the VIPs attending MasterCard hospitality in the Bobby Moore Suite. The product ID&C supplied a custom made RFID fob integrated on a re-useable woven wristband. The fob featured a custom printed domed sticker, providing a branding area for MasterCard. RFID SmartTag ID&C Ltd | Unit 1 - 2 Decimus Park | Kingstanding Way | Tunbridge Wells | Kent | UK +44 (0) 1892 548 364 | [email protected] | www.idcband.co.uk RFID case studies view online 1st cashless festival in UK Isle of Wight Festival - 2011 & 2012 The client The Isle of Wight Festival is a music festival which takes place every year on the Isle of Wight in England. It was originally held from 1968 to 1970. The 1970 event was by far the largest and most famous of these early festivals and the unexpectedly high attendance levels led, in 1971, to Parliament passing the “Isle of Wight Act” preventing gatherings of more than 5,000 people on the island without a special licence. The project 10,000 Vodafone customers were chosen to use new radio frequency technology (RFID) wristbands to make cashless transactions for food and drinks throughout the site. They were attached to the Isle Of Wight Festival entry wristbands and could be loaded with funds from the wristband holder’s debit card. The wristbands could be used to purchase food and drink through the festival site, with a maximum transaction spend of £20. Customers also had the option to subscribe for an ‘auto top up’ function which re-loaded the wristband to an amount specified by the user once the remaining balaence had reached £20. A maximum of 3 reloads were allowed per day with an overall maximum load of £200 per day. This signified a completely cashless experience. The product RFID SmartTag ID&C supplied a custom made RFID fob integrated on a re-useable woven wristband. The fob featured a custom printed domed sticker, providing a branding area for Vodafone. ID&C Ltd | Unit 1 - 2 Decimus Park | Kingstanding Way | Tunbridge Wells | Kent | UK +44 (0) 1892 548 364 | [email protected] | www.idcband.co.uk RFID case studies view online Moogfest - 2011 The client Moogfest is an annual two or three-day electronic music festival that takes place in Asheville, North Carolina, United States towards the end of October. The festival is held in Asheville because it is the city where Robert Arthur “Bob” Moog, the inventor of the Moog synthesizer and founding father of electronic music, spent the last thirty years of his life. It is said that Moogfest is put on to honour the creativity and inventiveness that Bob Moog had spread throughout the course of his life. Since Moogfest is an urban music festival, taking place in downtown Asheville, it is spread out across multiple venues. The project ID&C were approached by promoter AC Entertainment to provide cloth based RFID wristbands to Moogfest. It was the first time the promoter had using a product like this to manage its access control. ID&C provided the RFID smartcard with the Smartlock® Fabrikband™. The RFID Access Control system was provided by Intellitix The product ID&C supplied its RFID SmartCard fabric wristbands which features an integrated RFID microchip on a custom printed tag. RFID SmartCard ID&C Ltd | Unit 1 - 2 Decimus Park | Kingstanding Way | Tunbridge Wells | Kent | UK +44 (0) 1892 548 364 | [email protected] | www.idcband.co.uk RFID case studies view online 1st US festival to use RFID wristbands for social media integration Bonnaroo - 2012 The client The Bonnaroo Music and Arts Festival is an annual four-day music festival created and produced by Superfly Presents and AC Entertainment, held at Great Stage Park on a 700-acre (2.8 km²) farm in Manchester, Tennessee, USA. It hosted its eleventh annual event June 7–10, 2012. The main attractions of the festival are the multiple stages of live music, featuring a diverse array of musical styles including indie rock, world music, hip hop, jazz, americana, bluegrass, country music, folk, gospel, reggae, electronica, and other alternative music. The project ID&C worked with promoter AC Entertainment and SuperFly on their flagship festival, Bonnaroo. ID&C provided the Tennessee festival with over 135,000 RFID wristbands fitted with ID&C’s SmartCard and patented Smartlock® locking system.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • 2011 Annual Report
    232265_BNY_LiveNation_AR_CVR.indd 1 4/13/12 8:12 PM UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2011, OR ! TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-32601 LIVE NATION ENTERTAINMENT, INC. (Exact name of registrant as specified in its charter) Delaware 20-3247759 (State of Incorporation) (I.R.S. Employer Identification No.) 9348 Civic Center Drive Beverly Hills, CA 90210 (Address of principal executive offices, including zip code) (310) 867-7000 (Registrant’s telephone number, including area code) Securities registered pursuant to Section 12(b) of the Act: Title of Each Class Name of Each Exchange on which Registered Common Stock, $.01 Par Value per Share; New York Stock Exchange Preferred Stock Purchase Rights Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ! No Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. ! Yes No Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and 2) has been subject to such filing requirements for the past 90 days.
    [Show full text]
  • ANDERTON Music Festival Capitalism
    1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667).
    [Show full text]
  • The U2 360- Degree Tour and Its Implications on the Concert Industry
    THE BIGGEST SHOW ON EARTH: The U2 360- Degree Tour and its implications on the Concert Industry An Undergraduate Honors Thesis by Daniel Dicker Senior V449 Professor Monika Herzig April 2011 Abstract The rock band U2 is currently touring stadiums and arenas across the globe in what is, by all accounts, the most ambitious and expensive concert tour and stage design in the history of the live music business. U2’s 360-Degree Tour, produced and marketed by Live Nation Entertainment, is projected to become the top-grossing tour of all time when it concludes in July of 2011. This is due to a number of different factors that this thesis will examine: the stature of the band, the stature of the ticket-seller and concert-producer, the ambitious and attendance- boosting design of the stage, the relatively-low ticket price when compared with the ticket prices of other tours and the scope of the concert's production, and the resiliency of ticket sales despite a poor economy. After investigating these aspects of the tour, this thesis will determine that this concert endeavor will become a new model for arena level touring and analyze the factors for success. Introduction The concert industry handbook is being rewritten by U2 - a band that has released blockbuster albums and embarked on sell-out concert tours for over three decades - and the largest concert promotion company in the world, Live Nation. This thesis is an examination of how these and other forces have aligned to produce and execute the most impressive concert production and single-most successful concert tour in history.
    [Show full text]
  • Parliamentary Debates (Hansard)
    Monday Volume 585 8 September 2014 No. 34 HOUSE OF COMMONS OFFICIAL REPORT PARLIAMENTARY DEBATES (HANSARD) Monday 8 September 2014 £5·00 © Parliamentary Copyright House of Commons 2014 This publication may be reproduced under the terms of the Open Parliament licence, which is published at www.parliament.uk/site-information/copyright/. 633 8 SEPTEMBER 2014 634 The Parliamentary Under-Secretary of State for House of Commons Communities and Local Government (Penny Mordaunt): Since taking office I have had several meetings with the Monday 8 September 2014 Fire Brigades Union, the Retained Firefighters Union, the Fire Officers Association and the women’s committee of the FBU. Further meetings are in the diary. It is only The House met at half-past Two o’clock through such discussions that we will bring the dispute to an end. PRAYERS Jim Fitzpatrick: I welcome the Minister to her post, although I notice that she failed to answer the question— [MR SPEAKER in the Chair] that is a great start to her ministerial career. The Minister has made positive comments during her BUSINESS BEFORE QUESTIONS visits to fire stations throughout the country. The Government commissioned the Williams review on the DEATH OF A MEMBER impact of medical retirements for firefighters aged between 50 and 60, and especially the impact on women. Do the Mr Speaker: It is with great sadness that I have to Government accept the need for minimum fitness standards? announce the sudden death of our colleague Jim Dobbin, Member of Parliament for Heywood and Middleton, while on a Council of Europe trip to Poland.
    [Show full text]
  • AXS TV Schedule for Mon. August 3, 2020 to Sun. August 9, 2020
    AXS TV Schedule for Mon. August 3, 2020 to Sun. August 9, 2020 Monday August 3, 2020 7:30 PM ET / 4:30 PM PT 8:00 AM ET / 5:00 AM PT Rock Legends TrunkFest with Eddie Trunk Cream - Fronted by Eric Clapton, Cream was the prototypical power trio, playing a mix of blues, Sturgis Motorycycle Rally - Eddie heads to South Dakota for the Sturgis Motorcycle Rally at the rock and psychedelia while focusing on chunky riffs and fiery guitar solos. In a mere three years, Buffalo Chip. Special guests George Thorogood and Jesse James Dupree join Eddie as he explores the band sold 15 million records, played to SRO crowds throughout the U.S. and Europe, and one of America’s largest gatherings of motorcycle enthusiasts. redefined the instrumentalist’s role in rock. 8:30 AM ET / 5:30 AM PT Premiere Rock & Roll Road Trip With Sammy Hagar 8:00 PM ET / 5:00 PM PT Mardi Gras - The “Red Rocker,” Sammy Hagar, heads to one of the biggest parties of the year, At Home and Social Mardi Gras. Join Sammy Hagar as he takes to the streets of New Orleans, checks out the Nuno Bettencourt & Friends - At Home and Social presents exclusive live performances, along world-famous floats, performs with Trombone Shorty, and hangs out with celebrity chef Emeril with intimate interviews, fun celebrity lifestyle pieces and insightful behind-the-scenes anec- Lagasse. dotes from our favorite music artists. 9:00 AM ET / 6:00 AM PT Premiere The Big Interview Special Edition 9:00 PM ET / 6:00 PM PT Keith Urban - Dan catches up with country music superstar Keith Urban on his “Ripcord” tour.
    [Show full text]
  • View Annual Report
    Full Year 2013 Results - Record Performance • Concert Attendance Up 19% - Total Ticketmaster 400 Million Fans Delivering Over $17 Billion GTV • 900 Million Fans Visit Ticketmaster, Creating User Database of 250 Million Fan Preferences • Revenue Up 11% to $6.5 Billion • AOI Increased 10% to $505 Million • Moved to Profitability in Operating Income off $140 Million • Reported Net Income Improved by $120 Million TO OUR STOCKHOLDERS: 2013 Results We had a record year in 2013 and are well positioned for continued growth in 2014 and beyond. During 2013, we further grew our unmatched concerts global fan base by 10 million fans, attracting almost 60 million fans to our concerts. This tremendous growth fueled our sponsorship and ticketing businesses with Ticketmaster managing nearly 4400 million total tickets in 2013. Combined, we delivered a record year for revenue, AOI and free cash flow. Our results demonstrate the effectiveness of our business model, establishing Live Nation as what we believe to be the number one player in each of our businesses, with concerts driving our flywheel, which is then monetized across our high margin on-site, sponsorship and ticketing businesses. Strong Fan Demand for Live Events We continue to see the tremendous power of live events, with strong global consumer demand. Research shows that live events are a high priority for discretionary spending, and over 80% of our fans surveyed indicate that they plan on attending the same or more events in 2014 as in 2013. Another sign of the strength of our business is that 85% of Live Nation’s fan growth came organically, from our promoting more shows in amphitheaters, arenas and stadiums; from launching new festivals; and from establishing operatioons in new markets.
    [Show full text]
  • University of Southern Queensland Behavioural Risk At
    University of Southern Queensland Behavioural risk at outdoor music festivals Aldo Salvatore Raineri Doctoral Thesis Submitted in partial fulfilment of the requirements for the Degree of Doctor of Professional Studies at the University of Southern Queensland Volume I April 2015 Supervisor: Prof Glen Postle ii Certification of Dissertation I certify that the ideas, experimental work, results, analyses and conclusions reported in this dissertation are entirely my own effort, except where otherwise acknowledged. I also certify that the work is original and has not been previously submitted for any other award, except where otherwise acknowledged. …………………………………………………. ………………….. Signature of candidate Date Endorsement ………………………………………………….. …………………… Signature of Supervisor Date iii Acknowledgements “One’s destination is never a place, but a new way of seeing things.” Henry Miller (1891 – 1980) An outcome such as this dissertation is never the sole result of individual endeavour, but is rather accomplished through the cumulative influences of many experiences and colleagues, acquaintances and individuals who pass through our lives. While these are too numerous to list (or even remember for that matter) in this instance, I would nonetheless like to acknowledge and thank everyone who has traversed my life path over the years, for without them I would not be who I am today. There are, however, a number of people who deserve singling out for special mention. Firstly I would like to thank Dr Malcolm Cathcart. It was Malcolm who suggested I embark on doctoral study and introduced me to the Professional Studies Program at the University of Southern Queensland. It was also Malcolm’s encouragement that “sold” me on my ability to undertake doctoral work.
    [Show full text]
  • Using Green Man Festival As a Case Study
    An Investigation to identify how festivals promotional techniques have developed over the years – using Green Man Festival as a case study Victoria Curran BA (hons) Events Management Cardiff Metropolitan University April 2018 i Declaration “I declare that this Dissertation has not already been accepted in substance for any degree and is not concurrently submitted in candidature for any degree. It is the result of my own independent research except where otherwise stated.” Name: Victoria Curran Signed: ii Abstract This research study was carried out in order to explore the different methods of marketing that Green Man Festival utilises, to discover how successful they are, and whether they have changed and developed throughout the years. The study intended to critically review the literature surrounding festivals and festival marketing theories, in order to provide conclusions supported by theory when evaluating the effectiveness of the promotional strategies. It aimed to discover how modern or digital marketing affected Green Man’s promotional techniques, to assess any identified promotional techniques and identify any connections with marketing theory, to investigate how they promote the festival towards their target market, and to finally provide recommendations for futuristic methods of promotion. The dissertation was presented coherently, consisting of five chapters. The first chapter was the introduction, providing a basic insight into the topics involved. The second contains a critical literature review where key themes were identified; the third chapter discussed the methodology used whilst the fourth chapter presents the results that were discovered, providing an analysis and discussion. The final chapter summarises the study, giving recommendations and identifying any limitations of the study.
    [Show full text]
  • Going Public: How the Government Assumed the Authority to Prosecute in the Southern United States
    University of North Dakota UND Scholarly Commons Theses and Dissertations Theses, Dissertations, and Senior Projects January 2016 Going Public: How The Government Assumed The Authority To Prosecute In The outheS rn United States Jason Twede Follow this and additional works at: https://commons.und.edu/theses Recommended Citation Twede, Jason, "Going Public: How The Government Assumed The Authority To Prosecute In The outheS rn United States" (2016). Theses and Dissertations. 1975. https://commons.und.edu/theses/1975 This Dissertation is brought to you for free and open access by the Theses, Dissertations, and Senior Projects at UND Scholarly Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UND Scholarly Commons. For more information, please contact [email protected]. GOING PUBLIC: HOW THE GOVERNMENT ASSUMED THE AUTHORITY TO PROSECUTE IN THE SOUTHERN UNITED STATES by Jason Allan Twede Bachelor of Arts, Weber State University, 2003 Juris Doctor, Thomas M. Cooley Law School, 2006 A Dissertation Submitted to the Graduate Faculty of the University of North Dakota in partial fulfillment of the requirements for the degree of Doctor of Philosophy Grand Forks, North Dakota May 2016 PERMISSION Title Going Public: How the Government Assumed the Authority to Prosecute in the Southern United States Department Criminal Justice Degree Doctor of Philosophy In presenting this dissertation in partial fulfillment of the requirements for a graduate degree from the University of North Dakota, I agree that the library of this University shall make it freely available for inspection. I further agree that permission for extensive copying for scholarly purposes may be granted by the professor who supervised my dissertation work or, in his absence, by the Chairperson of the department or the dean of the School of Graduate Studies.
    [Show full text]
  • Sponsorship Packages
    SPONSORSHIP PACKAGES 6 DECEMBER - TROXY, LONDON WWW.FESTIVALAWARDS.COM Annual Celebration of the UK Festival Industry THE EVENT An awards ceremony that will leave UK festival organisers feeling celebrated, indulged and inspired. A highlight of the UK Festivals Calendar, the UKFA was founded in 2002 and is now celebrating its 15th year. With over 650 festival organisers, music agents and trade suppliers in attendance, the evening brings together the UK Festival scene’s key players for a night of entertainment, networking, street food, innovative cocktails and an exclusive after party – all held at the historic Troxy in London. Recognising the festival industries’ brightest and best, previous award winners include Michael Eavis (Glastonbury Festival), Peter Gabriel (WOMAD), Download Festival, Latitude and TRNSMT. We look forward to celebrating 2018’s triumphs with this year proving to be bigger and better than ever. THE BENEFITS The Awards offer sponsors the opportunity to network with the UK’s leading festival influencers and gain extensive exposure: EXCLUSIVE NETWORKING OPPORTUNITIES With the UK festival industry’s key players in attendance, the Awards offers unparalleled opportunity to network and engage one-on-one with decision makers. POSITION YOUR BRAND IN FRONT OF THE UK’S TOP FESTIVAL ORGANISERS Last year’s shortlisted festivals are the most influential, established and recognisable in the country. The UK’s greatest influencers will be attending the event and sponsors will have the opportunity to showcase products and services to a broad prospect base. UK FESTIVAL AWARDS 2017 SPONSORS & SUPPORTERS SPONSORSHIP OPPORTUNITIES HEADLINE PARTNER SPONSORSHIP Bespoke Sponsor Packages £20,000 If you are looking for a more unique package, contact us for The Headline Partner package is designed to offer your brand details about bespoke sponsorship packages.
    [Show full text]
  • Makara and the Mountain Dragon Companion
    Makara and the Mountain Dragon A Companion Pack for Teachers & Support Staff Contents This booklet is designed to give you some background information about the production and how it was devised along with some suggestions for further classroom work. You will also find information on the courses that Bamboozle runs to share its methodology and creative approach with schools. The Bamboozle Approach .......................................................................................................... 3 Some of the Techniques at Work in the Show .......................................................................... 3 Makara and the Mountain Dragon – The Journey ..................................................................... 4 Engaging the Senses ................................................................................................................... 6 Ideas for Further Exploration ..................................................................................................... 7 Activities for the Classroom ....................................................................................................... 8 Tips for Getting the Most out of Your Sessions ....................................................................... 11 Where Makara and the Mountain Dragon Began ................................................................... 12 The Music of Makara and the Mountain Dragon .................................................................... 12 The Touring Company .............................................................................................................
    [Show full text]