DOCSLIB.ORG

Force of Nature

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Force of Nature Force of Nature Stanley Moodrow, #2 by Stephen Solomita, 1943– Published: 1989 J J J J J I I I I I Table of Contents Dedication Transcription & Chapter 1 … thru … Chapter 32 Acknowledgements * * * * * This is a work of fiction despite the existence of a real New York City and a real NYPD. Example: the northern boundary of the real 7th precinct in real New York City is Houston Street. The northern boundary of the 7th Precinct in this novel is 14th Street. A word to the wiseguy. J J J J J I I I I I For Ethan and Judy. Obviously. Transcription POLICE DEPARTMENT: CITY OF NEW YORK TAPE TRANSCRIPTION LABEL PD641-447 (4/85) tape# 4377 case# MC201 loc 7th Pct tape date 8/9/90 trans, date 8/9/90 transcribed by A. Pulliam sig. civ. emp. # 901-22-3345 badge # xxxxxxxx pers: Pet. Paul Kirkpatrick Pet. Charles O’Neill ADA Leonora Higgins Angel Rodriguez cross reference Major Cases 201 DET. O’NEILL: (faint) one, two, three, four. DET. KIRKPATRICK: (faint) Turn up the volume, asshole. DET. O’NEILL: one, two, three, four. L. HIGGINS: That’s fine, Detective. DET. O’NEILL: Date is August 9, 1987. Time is 9:35 AM. Place is Bellevue Hospital, prison ward. Police personnel: Detective Charles O’Neill. Detective Paul Kirkpatrick. Assistant District Attorney Leonora Higgins. Angel Rodriguez, prisoner. Case number is MC201. Tape number is 4377. Okay, Miss Higgins. He’s all yours. L. HIGGINS: Mr. Rodriguez? A. RODRIGUEZ: Yes? L. HIGGINS: Mr. Rodriguez, do you understand that you have the right to have a lawyer present during this interview? A. RODRIGUEZ: Cut the bullshit, lady. Just do the fucking thing, awright? DET. KIRKPATRICK: Watch your mouth. A. RODRIGUEZ: Fuck you, too, man. DET. KIRKPATRICK: Okay, be a smartass, Angel. You got the upper hand right now, but in a couple weeks you’re gonna be out on the street. Then your ass is mine. L. HIGGINS: For Christ sake, Kirkpatrick, let’s just get through the damn interview. Without the macho . DET. KIRKPATRICK: (Pause. Laughter. Unintelligible.) Sorry, Miss Higgins. You go ahead and do your thing. L. HIGGINS: Angel, I have to explain your rights before we can do the interview. And you have to answer out loud so the tape recorder can pick up your response. Even if you already know your rights. If you don’t answer, which is also your right, you will have to remain in custody until or unless you can make bail. Comprendo? A. RODRIGUEZ: Sure. The beautiful way you say it, even a spic like me could understand. L. HIGGINS: I’m glad to hear that. Now, do you wish to have a lawyer present during this interview? A. RODRIGUEZ: Ain’t you a lawyer? L. HIGGINS: Goddamn you, Rodriguez, if you don’t get your act together in ten seconds, I’ll walk out of here and let you rot. I mean right now. Do you understand that? A. RODRIGUEZ: I understand that if I name the scumbag who blew away your policeman and that reporter on Delancey Street three days ago, you ain’t gonna send me away for the hits you found on me. L. HIGGINS: That’s right, Angel. But in addition to the information (in fact, before I can ask you even one question about that night) you have to say the magic words. Now, do you wish to have an attorney, at no cost to yourself, to represent you while we conduct this interview? A. RODRIGUEZ: No. L. HIGGINS: Are you giving this information of your own free will? A. RODRIGUEZ: Yes. L. HIGGINS: Do you understand that the information you give here is an admission of guilt and in the event you refuse to testify against the man who committed these homicides, this interview could be used against you in a court of law? A. RODRIGUEZ: Say what? L. HIGGINS: It’s simple, Angel. You’re going to tell us who killed your pals on Delancey Street a few days ago. If we locate the man or men responsible, you’re going to identify him in a court of law. If you change your mind, this tape we’re making will be the same as a confession that, number one, you were at the scene to sell drugs. Number two, you were in possession of a substantial amount of a controlled substance. Number three, you are guilty of several C felonies, each punishable by a prison term, third offense, of fifteen years to life. Now, do you understand? Do you want a lawyer present during this interview? A. RODRIGUEZ: No lawyer, lady. Shit, you gonna find out sooner or later who’s doin’ all the shootin’ down there. Besides, I already talked to a lawyer and he says if I don’t do this, I’m dead, so like I don’t have no fucking choice. But I do got one question for you? L. HIGGINS: Shoot. A. RODRIGUEZ: Just for your fucking tape recorder, answer me this: if I agree to give you the name of the dude what blew them people away, you ain’t gonna charge me with none of them crimes you named? That’s the deal we made just for the fucking record? L. HIGGINS: That’s the deal, (pause) He’s all yours. DET. O’NEILL: Okay, Angel, why don’t you start it up from just before you went down to the bridge. We’ll ask questions as you go along. A. RODRIGUEZ: I live in the projects on 4100 Columbia Street with my brother and his wife. On August 6, I got up for dinner about seven o’clock like always, then went out to do business. I was sellin’ hits and the main place for hits is by the bridge on Columbia Street which is half a block from my house. The spot opens up after the car wash closes about 8:30. L. HIGGINS: What are hits? A. RODRIGUEZ: Shit, lady… DET. O’NEILL: Just tell her, Angel. A. RODRIGUEZ: Hits are like ups and downs, awright? (pause) Two pills, man, and they go up and down. L. HIGGINS: What’s in them? A. RODRIGUEZ: How am I supposed to know that? I ain’t no damn chemist and I don’t know nothin’ about what’s in the hit. Alls I know is they get you colossal fucked up and people buy ’em. I’m a businessman. What else do I gotta know? DET. KIRKPATRICK: Ain’t you read the reports, Miss? It’s in the goddamn reports. (Unintelligible ) DET. O’NEILL: And our time ain’t valuable? L. HIGGINS: I apologize, Detective. I haven’t studied Rodriguez’ arrest reports. Our main concern, in this case, is homicide, not narcotics. But I should have studied the reports. I concede that. Somehow I never anticipated dealing with an unknown narcotic. DET. O’NEILL: Unknown? Hits have been on the street for more than a year. The ‘up’ half is crank, Methedrine, and the ‘down’ half is Dilaudid, oxycodone, even codeine. Looks like the chemist’s got supply troubles on the downside. Right now, hits sell for ten bucks and they’re real popular with the white kids who drive in from the boonies. See, you can’t shoot hits, so the kids don’t have to feel like they’re chickenshit about needles. By the way, hits are a narc’s dream. Two controlled substances for the price of one. We catch ’em with hits, we charge ’em with two felonies. L. HIGGINS: Very interesting. Hits? Who would have dreamed it. Angel, you can proceed. A. RODRIGUEZ: First I meet my main man, Pincho Correa and we stroll down to the bridge. There’s all businesses under the bridge during the day. There’s even garbage men on the other side where they fix the trucks. But at night the white people go home and leave us to ourselves. It’s hot like a motherfucker that night, so we buy some beers at the bodega on the other side of Delancey Street, then dig in by the bridge to wait for the guinea to fall by with the hits. The delivery man’s name is Little Ugly. That’s so we can tell him from his muscle which we call Big Ugly. Both the dudes are Italians and they drop off every night around nine and pick up the leftovers and their piece of the action around two on weeknights, four on Friday and Saturday. This works out good for us two ways. One, we don’t gotta carry money or hits with us during the day. Two, we got Italians protectin’ us, so most times the bad boys leave us be. That’s probly why I wasn’t prepared for no action that night even though I shoulda seen what was comin’ down. Nine o’clock the man drives up in his midnight blue Seville and me and Pincho get inside. We’re jus’ goin’ round the block so’s we can count the hits. Sposed ta be four hundred in the sack, but it comes up short. Comes up three nine eight. Now the Uglys is definitely bad people, but Pincho don’t know no fear. Pincho say, “Yo, man, you short two hits.” Little Ugly say, “Be cool, brother. I got this Chinese bitch on East Broadway loves hits. Gets her pussy wet. Take it off the top.” Pincho don’t say no more cause even if he got heart, he ain’t crazy.
Load more

Recommended publications
  • The Project Gutenberg Ebook of Youth Challenges, by Clarence B Kelland
    The Project Gutenberg EBook of Youth Challenges, by Clarence B Kelland Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: Youth Challenges Author: Clarence B Kelland Release Date: May, 2004 [EBook #5797] [Yes, we are more than one year ahead of schedule] [This file was first posted on September 2, 2002] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK YOUTH CHALLENGES *** Produced by Charles Franks and the Online Distributed Proofreading Team. Youth Challenges By CLARENCE BUDINGTON KELLAND AUTHOR OF "The Little Moment of Happiness," "The High Flyers," "Sudden Jim," "The Source," "The Hidden Spring," etc. CHAPTER I Bonbright Foote VI arose and stood behind the long table which served him as a desk and extended his hand across it.
    [Show full text]
  • Bbwcesro! Kr/ C*
    'Vttijl <<^ BBwCESro! k R/ c* 8REHB •* '1 i' 1 ft^'r Hi _ Sft" 63* Scanned from the collections of The Library of Congress AUDIO-VISUAL CONSERVATION CONGRESS at The LIBRARY of u»i Packard Campus Conservation for Audio Visual www.loc.gov/avconservation Reading Room Motion Picture and Television www.loc.gov/rr/mopic Center Recorded Sound Reference www.loc.gov/rr/record Vol. XX. (JkaS? leMOtf ttffitXT* No. 1 / I?|?Ci jbf3 c "HERE THEY ARE! I'VE ROOKED 'EM!" t"| HATS the way to talk to your people as soon as you sign your contracts for the new 3 " {Pictures (Nationally Advertised) Let everybody in your town know what's coming to your theater next season. Advertise the stars, adver- of tise the plays. Tie up with the immense campaign neitional advertising. Use the trade marks. Your whole community is asking: "Where can we " see Paramount and Artcraft pictures ? Stand up and shout the glad news— fit HERE THEY ARE!" PLATERS-LASKY CORPORATION h&MOUS .JESSEl.lASKYMh.P^.CECILB.DEMILLEa>Kftr?Me™i J ADOLPllZtU<ORi'rM rNIW YORKy jadLdUJULcfggg ZEESS <w CHICAGO July 6, 19 18 — L. icturcs Another story of dramat- ic and emotional intensity which will win new thousands of admirers for the ablest young emotional star of the screen Sflorious Jldveniure By Edith Barnard Delano Directed by Hobart Henley This production is announced as "the story of every girl's dream and one girl's triumph. A drama of love's conflict with man's selfishness." The kind of story that Mae Marsh's own tremendous public selects for her to play in.
    [Show full text]
  • Lost Silent Feature Films
    List of 7200 Lost U.S. Silent Feature Films 1912-29 (last updated 11/16/16) Please note that this compilation is a work in progress, and updates will be posted here regularly. Each listing contains a hyperlink to its entry in our searchable database which features additional information on each title. The database lists approximately 11,000 silent features of four reels or more, and includes both lost films – 7200 as identified here – and approximately 3800 surviving titles of one reel or more. A film in which only a fragment, trailer, outtakes or stills survive is listed as a lost film, however “incomplete” films in which at least one full reel survives are not listed as lost. Please direct any questions or report any errors/suggested changes to Steve Leggett at [email protected] $1,000 Reward (1923) Adam And Evil (1927) $30,000 (1920) Adele (1919) $5,000 Reward (1918) Adopted Son, The (1917) $5,000,000 Counterfeiting Plot, The (1914) Adorable Deceiver , The (1926) 1915 World's Championship Series (1915) Adorable Savage, The (1920) 2 Girls Wanted (1927) Adventure In Hearts, An (1919) 23 1/2 Hours' Leave (1919) Adventure Shop, The (1919) 30 Below Zero (1926) Adventure (1925) 39 East (1920) Adventurer, The (1917) 40-Horse Hawkins (1924) Adventurer, The (1920) 40th Door, The (1924) Adventurer, The (1928) 45 Calibre War (1929) Adventures Of A Boy Scout, The (1915) 813 (1920) Adventures Of Buffalo Bill, The (1917) Abandonment, The (1916) Adventures Of Carol, The (1917) Abie's Imported Bride (1925) Adventures Of Kathlyn, The (1916) Ableminded Lady,
    [Show full text]
  • American Cinematographer (1922)
    — — Announcement We TAKE great pride in announcing the fact that each day finds us doing something new—doing something no other laboratory has done before—improving upon old processes, perfecting new ones and above all, actually giving our clientele the utmost perfection in laboratory work. OlJR Experimental Laboratory, maintained solely for your benefit, is prepared at all times to assist you in the solution of many difficult problems and its co-operation is offered you gratis. W HEN we say that every department of our laboratory is in charge of an expert we are not merely "stating" something because it seems the customary thing to do. We say it because it is true and invite your thorough investigation. What do you think about this? Is IT worth your while to try a laboratory that not only has high ideals of workmanship, but inflexibly maintains them? The Kosmos Laboratories are under the personal supervision of Doctor Elmore R. Walters. Kosmos Film Laboratories llllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll lllll II I II II I I I.IIIIIIIIIIIIIIIIIIIHIIIIIIIIIIIIIIIIIIIIII1IIIIIIIIIIIIIIIII»^ DEVELOPING — PRINTING — TITLES Specializing in Color Work SINGLE, DOUBLE and TRIPLE TONES 22 Different Tints 4811 FOUNTAIN AVENUE Phone Hollywood 3266 Los Angeles, Cal. Vol. 2 February 1, 1922 No. 26 The American Cinematographer The Voice of the Motion Picture Cameramen of America; the men who make the pictures SILAS E. SNYDER, Editor Associate Editors—ALVIN WYCKOFF, H. LYMAN BROENING, KARL BROWN, PHILIP H. WHITMAN An educational and instructive publication espousing progress and art in motion picture pho- tography while fostering the industry We cordially invite news articles along instructive and constructive lines of motion picture photography from our members and directors active in the motion picture industry.
    [Show full text]
  • Pakistan's Rebels
    "M ttgic-Valley^srH oine^N ^l]^^ TWIN FALLS, IDAHO, SUNDAY, MARCH 28, 1971 VOL. 6/NO. 299 TWENTY CENTS Trucks SAIGON (UPI)-Hundreds of U.S. warplanes, including B52 loom bombers, ripped Laotian jun- -gles Saturday in steppedmp— WASHINGTON(UPI)-Labor raids ^gainst near-record C!om- W ' Secretary James D. Hodgson munlst truck traffic rushing said Saturday that “ con­ supplle's through the Ho Chi straints” was a better term Minh Trail. than “ controls” for the ma- Military sources- reported g chinery President Nixon wUl 1,200-1,500 North Vietnamese establish to curb wage and vehicles moving over the roads price Increases in the construc- every day in both directlonsJn l i o n industry.' a Hanoi move to make up for Apparently seeking to soften heavy losses Infiicted by South his announcement Friday—in Vietnamese forces in their ^«i^ich he referred to wagei>rice recently ended offensive against “ controls”—Hodgson said Nix­ the supply trail. on’s attempt to “ bring substan­ In Saigon, U.S. headquarters tial stability to the inflation- announc«l three U.S. Army ridden construction'industry” battalions totaling about '2,SCO would rely primarily on cooper­ men began stwdowns S a tu r ^ ation and self-regulation by in preparation for return to the unions and contractors.. United States under President tiut Hodgson conceded that Nixon’s withdrawal program. the government would enforce U.S. sources said the successes its new criteria for reasonable of the Laos offensive would wage and cost increases by IUYL.I«^ILSEN speed U.S. troop withdrawals.
    [Show full text]
  • Culture and Politics in a New York Metropolitan Community
    Suburban Landscapes Creating the North American Landscape Gregory Conniff Edward K. Muller David Schuyler Consulting Editors George F. Thompson Series Founder and Director Published in Cooperation with the Center for American Places, Santa Fe, New Mexico, and Harrisonburg, Virginia Suburban Landscapes Culture and Politics in a New York Metropolitan Community Paul H. Mattingly The Johns Hopkins University Press Baltimore & London This book was brought to publication with the assistance of a Research/Publication grant from the New Jersey Historical Commission, a division of Cultural Affairs in the Department of State. ∫ 2001 The Johns Hopkins University Press All rights reserved. Published 2001 Printed in the United States of America on acid-free paper 9 8 7 6 5 4 3 2 1 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu Library of Congress Cataloging-in-Publication Data Mattingly, Paul H. Suburban landscapes : culture and politics in a New York metropolitan community / Paul H. Mattingly. p. cm. — (Creating the North American landscape) ‘‘Published in Cooperation with the Center for American Places.’’ Includes bibliographical references and index. ISBN 0-8018-6680-4 (hardcover : alk. paper) 1. Suburbs—New Jersey—Leonia—History. 2. City planning—New Jersey—Leonia—History. 3. Landscape changes—New Jersey—Leonia—History. 4. Leonia (N.J.)—History. 5. Leonia (N.J.)—Politics and government. 6. Leonia (N.J.)—Social life and customs. I. Center for American Places. II. Title. III. Series. HT352.U62 N55 2001 307.76%09749%21—dc21 2001000676 A catalog record for this book is available from the British Library.
    [Show full text]
  • The Crimson Tide, by Robert W
    1 CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XX The Crimson Tide, by Robert W. Chambers 2 CHAPTER XXI CHAPTER XXII CHAPTER XXIII CHAPTER XXIV CHAPTER XXV The Crimson Tide, by Robert W. Chambers The Project Gutenberg EBook of The Crimson Tide, by Robert W. Chambers This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Crimson Tide Author: Robert W. Chambers Illustrator: A. I. Keller Release Date: September 1, 2009 [EBook #29880] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE CRIMSON TIDE *** Produced by Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net The Crimson Tide, by Robert W. Chambers 3 [Illustration: "I HATE IT AS YOU HATED THE BEASTS WHO SLEW YOUR FRIEND"] THE CRIMSON TIDE A NOVEL By ROBERT W. CHAMBERS Author of "The Moonlit Way," "The Laughing Girl," "The Restless Sex," etc. WITH FRONTISPIECE BY A. I. KELLER A. L. BURT COMPANY Publishers--New York Published by arrangement with D. Appleton and Company COPYRIGHT, 1919, BY ROBERT W. CHAMBERS Copyright, 1919, by The International Magazine Company PRINTED IN THE UNITED STATES OF AMERICA To MARGARET ILLINGTON BOWES AND EDWARD J.
    [Show full text]
  • Estancia News-Herald, 10-03-1918 J
    University of New Mexico UNM Digital Repository Estancia News, 1904-1921 New Mexico Historical Newspapers 10-3-1918 Estancia News-Herald, 10-03-1918 J. A. Constant Follow this and additional works at: https://digitalrepository.unm.edu/estancia_news Recommended Citation Constant, J. A.. "Estancia News-Herald, 10-03-1918." (1918). https://digitalrepository.unm.edu/estancia_news/342 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Estancia News, 1904-1921 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. ESTANCIA NEWS-HERAL- D Newi BBtablihedl904 Estancia, Torrance County, New Mexico, Thursday, October 3, 1918 Volume XIV No. 50 Boralcl Eítabiinhod 1808 SOLDIER LETTER IN MEMORIAM I IpK'Wh'n Aug. 21, 1918. Out of God's eternity, you rcw STRATEGY Estancia News-Heral- Out of regions unknown, com Estancia, N. Mex. Comes the stir of soft white wings Dear Sir. Coming to choose His own. I wish to thank you for the pa The Republican management per your kindness to send it The sun shines out for a moment, and Shows young in New Mexico reminds one forc to me while in the states. I ap- a life sweet with ibly of the methods of Kaiser preciated very much. love, it But shows an angel come to take Bill and his bunch. T am now over in France, far They first started a "peace of- deep sea. But it, across the blue I God's ' fensive' ' with Mr.
    [Show full text]
  • The Prairie Wife
    The Prairie Wife I stooped over the trap-door and lifted it up. "Get down there quick!" -- Page 109, The Prairie Wife. THE PRAIRIE WIFE By ARTHUR STRINGER With Frontispiece in Color by H . T . D U N N A. L. BURT COMPANY PUBLISHERS - - NEW YORK PUBLISHED BY ARRANGEMENT WITH THE BOBBS, MERRILL COMPANY COPYRIGHT 1915 THE CURTIS PUBLISHING COMPANY COPYRIGHT 1915 THE BOBBS-MERRILL COMPANY TO VAN WHO KNOWS AND LOVES THE WEST AS WE LOVE HIM! Contents Thursday the Nineteenth 1 Saturday the Twenty-first 16 Monday the Twenty-third 33 Wednesday the Twenty-fifth 41 Thursday the Twenty-sixth 48 Saturday the Twenty-eighth 57 Wednesday the First 61 Thursday the Second 64 Friday the Third 67 Saturday the Fourth 68 Monday the Sixth 73 Wednesday the Eighth 80 Saturday the Tenth 88 Sunday the Eleventh 91 Monday the Twelfth 93 Sunday the Eighteenth 101 Monday the Nineteenth 103 Tuesday the Twentieth 105 Thursday the Twenty-second 115 Saturday the Twenty-fourth 119 Tuesday the Twenty-seventh 128 Thursday the Twenty-ninth 133 Friday the Fifth 136 Sunday the Seventh 137 Tuesday the Ninth 138 Saturday the Twenty-first 142 Sunday the Twenty-ninth 150 Monday the Seventh 152 Friday the Eleventh 153 Sunday the Thirteenth 155 Wednesday the Sixteenth 156 Sunday the Twentieth 157 Sunday the Twenty-seventh 158 Wednesday the Thirtieth 159 Thursday the Thirty-first 160 Sunday the Third 167 Thursday the Seventh 171 Saturday the Ninth 172 Monday the Eleventh 175 Tuesday the Nineteenth 182 Sunday the Thirty-first 186 Tuesday the Ninth 188 Wednesday the Seventeenth 189 Thursday
    [Show full text]
  • List of 7200 Lost US Silent Feature Films 1912-29
    List of 7200 Lost U.S. Silent Feature Films 1912-29 (last updated 12/29/16) Please note that this compilation is a work in progress, and updates will be posted here regularly. Each listing contains a hyperlink to its entry in our searchable database which features additional information on each title. The database lists approximately 11,000 silent features of four reels or more, and includes both lost films – approximately 7200 as identified here – and approximately 3800 surviving titles of one reel or more. A film in which only a fragment, trailer, outtakes or stills survive is listed as a lost film, however “incomplete” films in which at least one full reel survives are not listed as lost. Please direct any questions or report any errors/suggested changes to Steve Leggett at [email protected] $1,000 Reward (1923) Adam And Evil (1927) $30,000 (1920) Adele (1919) $5,000 Reward (1918) Adopted Son, The (1917) $5,000,000 Counterfeiting Plot, The (1914) Adorable Deceiver , The (1926) 1915 World's Championship Series (1915) Adorable Savage, The (1920) 2 Girls Wanted (1927) Adventure In Hearts, An (1919) 23 1/2 Hours' Leave (1919) Adventure Shop, The (1919) 30 Below Zero (1926) Adventure (1925) 39 East (1920) Adventurer, The (1917) 40-Horse Hawkins (1924) Adventurer, The (1920) 40th Door, The (1924) Adventurer, The (1928) 45 Calibre War (1929) Adventures Of A Boy Scout, The (1915) 813 (1920) Adventures Of Buffalo Bill, The (1917) Abandonment, The (1916) Adventures Of Carol, The (1917) Abie's Imported Bride (1925) Adventures Of Kathlyn, The (1916)
    [Show full text]
  • Current As of 10.23.2019 7,200 Lost U.S. Silent Feature Films (1912-29) National Film Preservation Board (October 2019) • This
    1 Current as of 10.23.2019 2 7,200 Lost U.S. Silent Feature Films (1912-29) 3 National Film Preservation Board (October 2019) 4 5 • This compilation is a definite work-in-progress. Updated versions of this list will 6 be posted periodically at this location. 7 • Feature film means 4 reels or more in length 8 • Each title contains a hypertext link to its entry in our silent film database. There 9 you can find additional information on each title, including studio. 10 • In cases where only a fragment from one reel, trailer, outtakes or stills survive, 11 that film is included in this list as a lost film. 12 • “Incomplete” films are not included here. These comprise cases where a full reel 13 or more survives but not the whole set of reels. 14 • Our searchable database consists of approximately 11,000 titles, the 7200+ in 15 this list of “lost” titles as well as the 3800 or so titles surviving as incomplete or 16 complete. The full database may be searched at: 17 http://memory.loc.gov/diglib/ihas/html/silentfilms/silentfilms-home.html 18 • Please direct any questions or report any errors/suggested changes to Steve 19 Leggett at [email protected] 20 21 • Some recent “finds” now removed from this list: Devil’s Claim (1920), 22 Foreman of the Bar-Z Ranch (1915), Secrets of the Night (1924), Sinews of 23 Steel (1927), Broadway Billy (1926), Broadway Gold (1923), Dancer and the 24 King (1914), Dark Angel (1925), Double-Fisted (1925), Earth Woman (1926), 25 Man-Made Women/Woman (1928), Eye of Envy (1917), Between Dangers 26 (1927), Pursued (1925), On-the-Square Girl (1917), Two Lovers (1928), 27 Win(k)some Widow (1914), Clear the Decks (1917), Grim Game (1917), The 28 Noose (1928), In Slumberland (1917) 29 30 31 $1,000 Reward (1923), Charles R.
    [Show full text]
  • On Location in Santa Cruz County by Ann Young
    On Location in Santa Cruz County By Ann Young Introduction Bibliography Chronological List 1911-1920 – 1921-1930 – 1931-1940 – 1941-1950 – 1951-1960 1961-1970 – 1971-1980 – 1981-1990 – 1991-1998 Alphabetical List A-F – G-L – M-R – S-Z Photographs List Sources The content of this article is the responsibility of the individual author. Copyright 1998 Santa Cruz Public Libraries. It is the library’s intent to provide accurate information, however, it is not possible for the library to completely verify the accuracy of all information. If you believe that factual statements in a local history article are incorrect and can provide documentation, please contact the library. 1 Introduction “On Location in Santa Cruz County” is an extensive list of films shot entirely or partially in Santa Cruz County, California. The time period covered is 1911 through June, 1998. There are two lists, one in alphabetical order by the film title and the other in chronological order. The period between 1911 and 1930 was the most active for local filming. "She could hear the hoof-beats of the Sheriff's posse in the valley. One minute more might be too late." Advertisement for "Broken Chains," The Surf, March 10, 1923 "…by 1922 Hollywood's share of American production stood at 84 percent, with 12 percent remaining in New York and 4 percent filming elsewhere....But what of that 4 percent produced outside either Hollywood or New York? With 748 features released in 1922, this suggests that some 30 feature pictures (and a proportionate number of shorts) were filmed elsewhere.
    [Show full text]