Analysis of Discovery Communications' Brand Positioning
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AT a GLANCE As Reported May 5, 2015
AT A GLANCE As Reported May 5, 2015 BILLION MILLION AVERAGE CUMULATIVE INTERNATIONAL MILLION GLOBAL HD MARKETS NUMBER WORLDWIDE DISCOVERY CHANNEL OF CHANNELS IN MONTHLY SUBSCRIBERS SUBSCRIBERS 220 COUNTRIES STREAMS ONLINE 2.9 457 191 10 AND TERRITORIES 300 OWNERSHIP U.S. NETWORKS (MILLIONS) INTERNATIONAL NETWORKS (MILLIONS) Discovery Communications is publicly traded on Nasdaq under the symbols: DISCA, DISCB and DISCK. Subscribers Subscribers Discovery Channel ...........................................................96 Discovery Channel ........................................................361 TLC ......................................................................................94 NEW Animal Planet ..............................................................304 Animal Planet ...................................................................94 TLC ................................................................................. 302 Investigation Discovery ..................................................86 OWN: Oprah Winfrey Network .......................................82 Eurosport ...................................................................... 130 Science Channel ............................................................... 75 Investigation Discovery/ID Xtra ................................108 Discovery Family Channel ..............................................69 Switchover Media .......................................................... 101 In March, Discovery completed an acquisition of a Velocity ...............................................................................63 -
John Hendricks, Founder of Discovery Communications, and Alan Mulally, CEO of Ford Motor Company, to Receive Prestigious Edison Achievement Award
John Hendricks, Founder of Discovery Communications, and Alan Mulally, CEO of Ford Motor Company, To Receive Prestigious Edison Achievement Award Chicago, IL – October 19 – The Edison Awards, recognized as one of America’s leading innovation awards, today announced that John Hendricks, Founder and Chairman of Discovery Communications, and Alan Mulally, President and CEO of Ford Motor Company, will be awarded the prestigious Edison Achievement Award® on April 5, 2011 in New York City. The distinction honors leaders who have made a significant and lasting contribution to innovation, marketing and human-centered design throughout their careers. "More than 25 years ago, Discovery Channel was launched with the mission of satisfying curiosity through high quality nonfiction programming that inspires creativity, exploration and innovation," said John Hendricks. "It is an honor to have our work recognized with an Edison Achievement Award that highlights and values the meaningful and positive contributions that corporations can bring to the marketplace through their own curiosity and innovation." As the founder and Chairman of Discovery Communications, John Hendricks created the Discovery Channel in 1985 as the first cable network in the U.S. designed to provide high quality documentary programming enabling people to explore their world and satisfy their curiosity. John has been the driving force behind its dramatic growth to reach a current total of 170 countries and territories with more than 1.5 billion cumulative subscribers. Discovery’s stable of companies now encompasses more than 100 networks representing 27 entertainment brands, including Science Channel, TLC, Animal Planet, The Hub and forthcoming OWN: The Oprah Winfrey Network. -
Id Addicts: Discovery’S Latest Generation of Global Superfans
A Quarterly Publication of Discovery Communications Volume 9, Number 1, May 2016 ID ADDICTS: DISCOVERY’S LATEST GENERATION OF GLOBAL SUPERFANS 03 05 10 Ad Sales Delivers During Upfront Season Q&A with Group President Henry Schleiff Discovery Supports World Wildlife Day A MESSAGE FROM SAY YES TO THE PROM CELEBRATES DAVID ZASLAV FIFTH ANNIVERSARY WITH MOST IMPACTFUL INITIATIVE TO DATE TLC and Discovery LifeWorks & Inclusion’s 2016 SAY YES TO THE PROM event touched the lives of more than 300 deserving high school Our key strategic priority remains investing • Web-native content aggregated under students with a tour that traveled to New York City, Miami, Los Angeles, in content that people love on a global two key brands: Seeker and SourceFed. scale. In the first quarter, we delivered on With a talented lineup of personalities Dallas, and Silver Spring, MD throughout March, April and May. National that priority with brand strength and solid and diverse topics, Discovery Digital partners including AT&T, Sherri Hill, JCPenney and People Magazine, viewership worldwide. Looking ahead, we Networks is reaching younger audiences among other premier lifestyle brands, as well as new elements are evolving our brands and offerings in a and boasts more than 300 million including the addition of young men to the tour, helped to make this world with 7 billion screens, with our clear streams each month. year’s initiative the most impactful to date. Selected participants were commitment to reach more viewers across able to choose from thousands of donated prom dresses and tuxedos as well as accessories and shoes, and were treated to hair, • Discovery VR, which recently won a more screens than ever before with our makeup, and personalized style sessions with star of TLC’s SAY YES TO THE DRESS: ATLANTA Monte Durham at each event. -
Pay-TV Programmers & Channel Distributors
#GreatJobs C NTENT page 5 www.contentasia.tv l www.contentasiasummit.com Asia-Pacific sports Game over: StarHub replaces Discovery rights up 22% to 7 new channels standby for July rollout in Singapore US$5b in 2018 Digital rights driving inflation, value peaks everywhere except India Demand for digital rights will push the value of sports rights in the Asia-Pacific region (excluding China) up 22% this year to a record US$5 billion, Media Partners Asia (MPA) says in its new re- port, Asia Pacific Sports In The Age of GoneGone Streaming. “While sports remains the last bastion for pay-TV operators com- bating subscriber churn, OTT delivery is becoming the main driver of rights infla- tion, opening up fresh opportunities for rights-holders while adding new layers of complexity to negotiations and deals,” the report says. The full story is on page 7 Screen grab of Discovery’s dedicated campaign site, keepdiscovery.sg CJ E&M ramps up While Singapore crowds spent the week- StarHub is extending bill rebates to edu- Turkish film biz end staring at a giant #keepdiscovery cation and lifestyle customers and is also Korean remakes follow video display on Orchard Road, StarHub offering a free preview of 30 channel to 25 local titles was putting the finishing touches to its 15 July. brand new seven-channel pack includ- StarHub’s decision not to cave to Dis- ing, perhaps ironically, the three-year-old covery’s rumoured US$11-million demands Korea’s CJ E&M is ramping up its Turkish CuriosityStream HD channel launched by raised questions over what rival platform operations, adding 25 local titles to its Discovery founder John Hendricks. -
Atti Parlamentari
Camera dei Deputati — 689 — Senato della Repubblica XVII LEGISLATURA — DISEGNI DI LEGGE E RELAZIONI — DOCUMENTI — DOC. XV N. 114 Mappa dell’offerta editoriale Digitale terrestre e Satellitare Web (www.rai.tv) 32 37 32 32 37 32 33 33 37 (a) (a) 34 34 24 (a) 34 34 37 34 34 (a) 34 (a) 34 35 (a) 35 35 35 35 35 35 35 35 37 37 22 Euro News (a) Tali canali su digitale satellitare sono visibili solo mediante la piattaforma Tivù Sat. Camera dei Deputati — 690 — Senato della Repubblica XVII LEGISLATURA — DISEGNI DI LEGGE E RELAZIONI — DOCUMENTI — DOC. XV N. 114 (b) Radio Informazione (c) Offerta internazionale 43 36 22 43 36 22 Euro News 43 36 Internet 44 37 23 44 37 23 44 37 44 37 Cinema Radio su Web (www.rai.tv) 43 38 43 43 Editoria 43 52 44 44 44 44 (b) I canali radio sono fruibili anche tramite digitale terrestre e satellitare. (c) L’informazione televisiva e radiofonica è disponibile su tutte le piattaforme trasmissive. Camera dei Deputati — 691 — Senato della Repubblica XVII LEGISLATURA — DISEGNI DI LEGGE E RELAZIONI — DOCUMENTI — DOC. XV N. 114 Area editoriale TV 28 Performance 36 Testate 32 Canali generalisti 36 Tg1 36 Tg2 32 Rai 1 36 Tg3 32 Rai 2 37 TGR 32 Rai 3 37 Rai Parlamento 37 Televideo 34 Canali specializzati 37 RaiNews 37 Rai Sport 34 Rai 4 34 Rai 5 38 Generi e Supporto TV 34 Rai Premium 34 Rai Movie 38 Rai Cinema 35 Rai YoYo 38 Rai Fiction 35 Rai Gulp 39 Rai Teche 35 Rai Educational 35 Rai Storia 35 Rai Scuola PAGINA BIANCA Camera dei Deputati — 693 — Senato della Repubblica XVII LEGISLATURA — DISEGNI DI LEGGE E RELAZIONI — DOCUMENTI — DOC. -
Media Pluralism Monitor 2016 Monitoring Risks for Media Pluralism in the EU and Beyond Country Report: Italy
Media Pluralism Monitor 2016 Monitoring Risks for Media Pluralism in the EU and Beyond Country report: Italy Written by Elda Brogi Centre for Media Pluralism and Media Freedom TABLE OF CONTENT 1. About the Project 1 2. Introduction 2 3. Results from the data collection: assessment of the risks to media pluralism 3 3.1. Basic Protection (32% - low risk) 4 3.2. Market Plurality (43% - medium risk) 5 3.3. Political Independence (51% - medium risk) 7 3.4 Social Inclusiveness (56% ‒ medium risk) 8 4. Conclusions 10 References 11 Annexe 1. Country Team 11 Annexe 2. Group of Expert 11 1. ABOUT THE PROJECT 1.1 OVERVIEW OF THE PROJECT The Media Pluralism Monitor (MPM) is a research tool that was designed to identify potential risks to media pluralism in the Member States of the European Union. This narrative report has been produced within the framework of the first pan-European implementation of the MPM, carried out in 2016. The implementation was conducted in 28 EU Member States, Montenegro and Turkey, with the support of a grant awarded by the European Union to the Centre for Media Pluralism and Media Freedom (CMPF) at the European University Institute. 1.2 METHODOLOGICAL NOTE The research was based on a standardized questionnaire and apposite guidelines that were developed by the CMPF. The data collection for Italy was carried out centrally by the CMPF team. To ensure accurate and reliable findings, a group of national experts reviewed the answers to particularly evaluative questions (see Annex 2 for the list of experts). Risks to media pluralism are examined in four main thematic areas, which represent the main areas of risk for media pluralism and media freedom: Basic Protection, Market Plurality, Political Independence and Social Inclusiveness. -
Japan RIPE Paper 8.24.2014
RIPE Conference, Tokyo Japan “The Export of US Infotainment: The Death of International Public Service Television” (Working Version) *** Dr. Jane Shattuc, Emerson College Boston, MA USA August 16, 2014 The role of a responsible public service broadcaster to make the "good,” popular, NOT making the "popular," good. from: joseph martin Posted on: Feb 18, 2013 at 18:37 IST The Hindu Business Line I. Introduction: What is the unstated line that public service networks will not cross when attempting to compete with commercial networks in terms of popular culture? This debate is often framed around documentary and the term “infotainment”—a value-laden term that cuts off any positive possibility of using popular culture as an effective tool for public service. What exactly does this mean? Working with concepts drawn from cultural studies specifically the work of Pierre Bourdieu, I will provide a discourse analysis of how popular culture and the fear of infotainment has been historically understood in the construction of three diverse public television networks. The paper chronicles how American commercial information networks have cannibalized the genres of public television and made them more popular. It provides an analysis of the BBC’s successful embrace of popular culture in its programming. The paper concludes with a discussion of Doordarshan’s unsuccessful history as an education arm of the state and its failure to embrace popular culture. Ultimately, we should rethink public broadcasting’s adversion to popular culture and consider its appeal as an agency of not only entertainment but also education. All three—American Public Broadcasting Service, British Broadcasting Corporation and Indian Doordarshan—are foundationally different. -
Filed By: AT&T Inc. Commission File No.: 001-08610
Filed by: AT&T Inc. Commission File No.: 001-08610 Pursuant to Rule 425 under the Securities Act of 1933 Subject Company: Discovery, Inc. (Commission File No.: 001-34177) The following communications were made by AT&T Inc. and Discovery, Inc. to the public on May 17, 2021: AT&T Discovery Inc. Virtual Press Conference Mon, 5/17 7:31AM Beionny Mickles, Moderator And now I’d like to hand it over to John. Please go ahead. John Stankey Thank you everyone. Thank you for joining us. I know we have you out early. As you saw this morning, we’ve announced our intent to unite WarnerMedia and Discovery to bring together their complementary strengths to create a new company with a solidified position in global direct to consumer. We’re excited about this opportunity for what it creates for WarnerMedia and Discovery and what it also does for AT&T, our customers, employees and our shareholders. David and I want to spend the most of our time today answering your questions. Before we start, I’ll take, make a few brief comments about why we’re doing this, why we’re doing this now. Let me start by saying the Warner media team has done a phenomenal job and coming together over the past couple of years. Today’s deal is possible only because of what they’ve achieved together. Second, it’s important to keep in mind we’ve also already demonstrated healthy returns on our investment in WarnerMedia including the cash generated from the business since it was acquired. -
Contatti Netti Mensili 2013
Totale emittenti: 182 CONTATTI NETTI MENSILI 2013 EMITTENTE REGIONI GEN FEB MAR APR MAG GIU LUG AGO SETT OTT NOV DIC ANNO RAI 1 55,062,166 54,704,263 53,920,313 53,838,278 54,229,758 54,051,043 52,829,658 47,949,804 51,167,411 52,236,434 51,057,465 51,738,969 RAI 2 53,781,025 52,520,025 52,583,971 52,610,410 53,410,285 51,597,792 50,748,338 45,424,263 49,271,060 51,054,001 49,671,964 50,623,333 RAI 3 52,174,718 51,696,089 51,227,127 51,487,123 52,414,273 50,624,765 49,070,149 44,091,960 47,732,962 49,735,274 48,206,401 49,051,120 CANALE 5 53,884,592 53,458,326 53,079,926 53,149,876 53,805,021 52,266,252 51,948,203 46,916,170 50,021,140 52,239,895 51,001,520 51,468,994 ITALIA 1 52,645,669 52,093,699 51,721,005 51,529,967 52,677,405 51,528,392 50,456,735 45,709,420 49,356,445 51,432,414 50,108,748 51,073,901 RETE 4 49,910,153 48,838,118 48,512,644 48,425,233 49,402,163 47,857,984 47,195,878 42,045,055 45,402,457 47,782,567 46,062,038 46,519,185 LA SETTE 45,103,744 43,804,638 42,218,131 42,521,516 43,647,072 41,848,536 41,189,570 35,173,325 37,738,968 41,479,809 38,762,937 40,220,534 ODEON 24 LOCALE 1,530,606 1,135,735 1,266,682 ODEON 24 NAZIONALE 1,336,311 1,471,580 1,383,297 ODEON 24 TOTALE 2,604,491 2,284,668 2,323,057 CANALE ITALIA 83 4,801,854 3,820,454 4,031,840 3,779,543 4,487,039 3,843,150 4,187,325 3,557,784 3,578,543 4,269,204 3,532,443 3,672,745 7 GOLD LOCALE 12,276,250 12,065,378 11,370,188 11,246,582 12,085,347 9,383,198 9,938,594 9,771,243 10,773,972 12,364,539 11,086,980 11,707,026 7 GOLD TOTALE 12,276,250 12,065,378 11,370,188 -
Annex 7 the Future of Public Service Broadcasting a Deliberative
The future of Public Service Broadcasting A deliberative research report for Ofcom prepared by Opinion Leader August 2008 Contents Page 1. Executive summary 3 2. Introduction 8 2.1 Background to the research 8 2.2 Aims and objectives of the research 9 2.3 The approach 10 2.4 Notes to reading this report 15 3. Main findings 16 3.1 Initial views of PSB and reactions to the reasons for change 16 3.2 How participants evaluate the models 22 3.3 Responses to the models 29 3.3.1 Summary of responses 29 3.3.2 Responses to ‘do nothing’ 35 3.3.3 Responses to Model 1: Evolution 39 3.3.4 Responses to Model 2: BBC only 44 3.3.5 Responses to Model 3: BBC and Channel 4 48 3.3.6 Responses to Model 4: BBC plus competitive funding 53 3.4 Suggested alternative models 58 3.5 Final model selection 60 3.6 Views of the funding options 63 4. Summary 72 5. Appendices 74 Opinion Leader 2 1. Executive summary 1.1 Introduction Ofcom is the independent regulator for the television, radio and telecommunications industries. Ofcom has a duty to assess the designated public service broadcasters1 (PSBs), taken together, in terms of their delivery of the public service purposes set out in the 2003 Communications Act and to make recommendations with a view to maintaining and strengthening the quality of public service broadcasting in the future. As part of this duty, Ofcom is in the process of undertaking its second Public Service Broadcasting (PSB) Review which is due to complete in early 20092. -
Must-Carry Rules, and Access to Free-DTT
Access to TV platforms: must-carry rules, and access to free-DTT European Audiovisual Observatory for the European Commission - DG COMM Deirdre Kevin and Agnes Schneeberger European Audiovisual Observatory December 2015 1 | Page Table of Contents Introduction and context of study 7 Executive Summary 9 1 Must-carry 14 1.1 Universal Services Directive 14 1.2 Platforms referred to in must-carry rules 16 1.3 Must-carry channels and services 19 1.4 Other content access rules 28 1.5 Issues of cost in relation to must-carry 30 2 Digital Terrestrial Television 34 2.1 DTT licensing and obstacles to access 34 2.2 Public service broadcasters MUXs 37 2.3 Must-carry rules and digital terrestrial television 37 2.4 DTT across Europe 38 2.5 Channels on Free DTT services 45 Recent legal developments 50 Country Reports 52 3 AL - ALBANIA 53 3.1 Must-carry rules 53 3.2 Other access rules 54 3.3 DTT networks and platform operators 54 3.4 Summary and conclusion 54 4 AT – AUSTRIA 55 4.1 Must-carry rules 55 4.2 Other access rules 58 4.3 Access to free DTT 59 4.4 Conclusion and summary 60 5 BA – BOSNIA AND HERZEGOVINA 61 5.1 Must-carry rules 61 5.2 Other access rules 62 5.3 DTT development 62 5.4 Summary and conclusion 62 6 BE – BELGIUM 63 6.1 Must-carry rules 63 6.2 Other access rules 70 6.3 Access to free DTT 72 6.4 Conclusion and summary 73 7 BG – BULGARIA 75 2 | Page 7.1 Must-carry rules 75 7.2 Must offer 75 7.3 Access to free DTT 76 7.4 Summary and conclusion 76 8 CH – SWITZERLAND 77 8.1 Must-carry rules 77 8.2 Other access rules 79 8.3 Access to free DTT -
DISCOVERY ACQUISISCE SWITCHOVER MEDIA Nasce Il Terzo Editore Televisivo Italiano Per Audience Share Complessiva
DISCOVERY ACQUISISCE SWITCHOVER MEDIA Nasce il terzo editore televisivo italiano per audience share complessiva Milano, 14 gennaio 2013 –Discovery ha acquisito il 100% di Switchover Media, l’editore televisivo italiano proprietario di quattro canali televisivi gratuiti (GIALLO, FOCUS, K2 e FRISBEE) e di un canale a pagamento (GXT). Con questa operazione, Discovery diventa il terzo editore televisivo italiano in termini di audience share complessiva. “L’Italia è uno dei mercati principali per Discovery e la chiave del nostro successo negli ultimi due anni è stata lo sviluppo di una strategia di canali free a fronte della grande crescita del digitale terrestre free in Italia” ha affermato Dee Forbes, Presidente e Managing Director di Discovery Networks Western Europe. “L’acquisizione di Switchover Media amplia ulteriormente la nostra presenza nel digitale terrestre free e diversifica il nostro portafoglio, che oggi include anche una programmazione dedicata al target kids e una dedicata alle serie crime, che tanto successo hanno avuto sia in termini di pubblico, che di raccolta pubblicitaria”. Francesco Nespega, fondatore ed ex azionista di controllo di Switchover Media ha dichiarato: “Negli ultimi tre anni ho avuto il piacere e l’onore di guidare un team straordinario, che con passione e competenza è riuscito a sfruttare le nuove opportunità offerte dal digitale terrestre per sviluppare canali free. Sono certo che un leader internazionale del mercato media quale è Discovery, con i suoi contenuti e risorse, sarà in grado di accrescere ulteriormente il potenziale dei canali che abbiamo ideato e realizzato”. Con l’acquisizione di Switchover Media, che ha sede a Roma, Discovery giunge a gestire in Italia sei canali free e sei a pagamento.