Minutes the Philadelphia Art Commission
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The First Design for Fairmount Park
The First Design for Fairmount Park AIRMOUNT PARK IN PHILADELPHIA is one of the great urban parks of America, its importance in landscape history exceeded only by FNew York’s Central Park. Its name derives from the “Faire Mount” shown on William Penn’s plan of 1682, where the Philadelphia Museum of Art now perches, and where the gridded Quaker city suddenly gives way to an undulating scenery of river and park. Measuring over 3,900 acres, it is one of the world’s largest municipal parks. Nonetheless, for all its national importance, the origin of the park, its philosophical founda- tions, and its authorship have been misunderstood in the literature.1 About the principal dates there is no dispute: in 1812–15 a municipal waterworks was built on the banks of the Schuylkill, the site of which soon became a popular resort location and a subject of picturesque paintings; in 1843 the city began to acquire tracts of land along the river to safeguard the water supply; in 1859 the city held a competition for the design of a picturesque park; finally, in 1867, the Fairmount Park Commission was established to oversee a much larger park, whose layout was eventually entrusted to the German landscape architect Hermann J. Schwarzmann. This is the version rehearsed in all modern accounts of the park. All texts agree that 1867 marks the origin of the park, in conception and execution. They depict the pre–Civil War events as abortive and inconclusive; in particular, they dismiss the 1859 competition. According to George B. Tatum, writing in 1961, a series of “plans were prepared,” I am indebted to five generous colleagues who read this manuscript and contributed suggestions: Therese O’Malley of CASVA; Sheafe Satterthwaite and E. -
"Citizens in the Making": Black Philadelphians, the Republican Party and Urban Reform, 1885-1913
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 "Citizens In The Making": Black Philadelphians, The Republican Party And Urban Reform, 1885-1913 Julie Davidow University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the United States History Commons Recommended Citation Davidow, Julie, ""Citizens In The Making": Black Philadelphians, The Republican Party And Urban Reform, 1885-1913" (2017). Publicly Accessible Penn Dissertations. 2247. https://repository.upenn.edu/edissertations/2247 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2247 For more information, please contact [email protected]. "Citizens In The Making": Black Philadelphians, The Republican Party And Urban Reform, 1885-1913 Abstract “Citizens in the Making” broadens the scope of historical treatments of black politics at the end of the nineteenth century by shifting the focus of electoral battles away from the South, where states wrote disfranchisement into their constitutions. Philadelphia offers a municipal-level perspective on the relationship between African Americans, the Republican Party, and political and social reformers, but the implications of this study reach beyond one city to shed light on a nationwide effort to degrade and diminish black citizenship. I argue that black citizenship was constructed as alien and foreign in the urban North in the last decades of the nineteenth century and that this process operated in tension with and undermined the efforts of black Philadelphians to gain traction on their exercise of the franchise. For black Philadelphians at the end of the nineteenth century, the franchise did not seem doomed or secure anywhere in the nation. -
Philadelphia City Guide
Philadelphia City Guide Page | 1 Philadelphia Rocky statue outside the Philadelphia Museum of Art Philadelphia located in southeastern Pennsylvania, on the southern fringe of the mid-Atlantic region, is the fourth-largest urban area in the United States and the country's fifth-largest city. Often referred to as "Philly," the official city boundaries are actually quite large—what started as a much smaller city began annexing the surrounding districts and suburbs in the mid-19th century, and Philadelphia the city is now coterminous with Philadelphia the county. Altogether, Philadelphia's metropolitan area encompasses a total twelve counties in Pennsylvania, New Jersey and Delaware. Districts As a result of Philadelphia's size, there are very large residential districts most visitors will never see. On the other hand, you could roam for miles, see distinct changes in atmosphere, architecture, and demographics, and still be within the city. For most tourists, the landing point will be in Center City, the "downtown" section of Philadelphia. It is bounded by South St. to the south, the Delaware River to the east, the Schuylkill River to the west, and Vine St. to the north. The 2005 Center City population, at nearly 100,000, makes it one of the most populated central business districts in the U.S, just behind New York City. Other popular districts to visit are Old City, West Philly, and South Philly. In the recent years, Northern Liberties (in the North region) has been gaining traction as a hip, trendy place. Page | 2 Center City East Philadelphia's beautiful City Hall, the Convention Center, Chinatown, Washington Square West, the gay-friendly Gayborhood, and the Broad Street Arts Corridor. -
N E W S R E L E a S E
N E W S R E L E A S E FOR IMMEDIATE RELEASE DATE: July 19, 2016 Kensho Watanabe Appointed Assistant Conductor of The Philadelphia Orchestra Aram Demirjian to lead select Family and School Concerts in 2016-17 Season (Philadelphia, July 19, 2016)—Kensho Watanabe has been named assistant conductor of The Philadelphia Orchestra, beginning in the 2016-17 season, succeeding Lio Kuokman, whose term ends at the end of the 2015-16 season. The two-year appointment includes conducting select concerts, participating in residency, touring, and educational activities, and serving as a cover conductor. The assistant conductor position also provides assistance to Music Director Yannick Nézet-Séguin on artistic matters in preparation for and during rehearsals, as well as assisting visiting guest conductors. Watanabe joins the distinguished conducting roster of The Philadelphia Orchestra, including Principal Guest Conductor Stéphane Denève and Conductor-in-Residence Cristian Măcelaru. “The Philadelphia Orchestra is proud to support and develop the best conducting talent, providing a broad array of artistic experiences and community engagement opportunities,” said Orchestra President and CEO Allison Vulgamore. “We have full confidence that Kensho will flourish in this role and contribute meaningfully to the music and culture of Philadelphia.” “Kensho Watanabe's appointment is the result of a highly involved audition process both on and off the podium with the musicians of The Philadelphia Orchestra, and we are delighted to work with him in his role as assistant conductor,” said Yumi Kendall, Orchestra assistant principal cello and the chair of the Musicians’ Artistic Committee. “His sincere sense of personal and musical growth aligns with how we identify as a group of artists, and we look forward to our collaborations ahead. -
PHILADELPHIA WOMEN and the PUBLIC SPHERE, 1760S-1840S
“THE YOUNG WOMEN HERE ENJOY A LIBERTY”: PHILADELPHIA WOMEN AND THE PUBLIC SPHERE, 1760s-1840s By KATHARINE DIANE LEE A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in History Written under the direction of Nancy Hewitt and Paul G. E. Clemens And approved by _______________________________________ _______________________________________ _______________________________________ _______________________________________ New Brunswick, New Jersey May 2016 ABSTRACT OF THE DISSERTATION “The Young women here enjoy a liberty”: Philadelphia Women and the Public Sphere, 1760s-1840s by KATHARINE DIANE LEE Dissertation Director: Nancy Hewitt This dissertation examines women’s access to and participation in the community life of Philadelphia in the decades surrounding the American Revolution. It argues against the application of separate spheres to late-colonial and early national Philadelphia and proposes that women were heavily integrated into nearly all aspects of the city’s public life. Women from diverse backgrounds were actively involved in commerce, politics, protest, intellectual and legal debates, social institutions, wartime developments, educational advancements, and benevolent causes. They saw themselves and were viewed by their peers as valuable members of a vibrant and complex city life. If we put aside assumptions about women’s limited relationship to the public sphere, we find a society in which women took advantage of a multitude of opportunities for participation and self-expression. This project also examines the disparity between the image of the ideal housewife and the lived experience of the majority of female Philadelphians. Idealized descriptions of Revolutionary women present a far more sheltered range of options than those taken advantage of by most actual women. -
Philadelphia Topics
Encyclopedia of Greater Philadelphia Philadelphia Topics Work in Progress, April 16, 2009 This document is a topical survey of publications and public history work in and about Philadelphia. So far, the survey includes books, articles, and dissertations with the keyword “Philadelphia” listed in the database America: History and Life (1998-2008) and web sites of historic places linked to gophila.com. This is not a table of contents for the encyclopedia, but a tool for identifying topics of interest and other topics that need greater attention. This project is shared with organizations and the public in keeping with the Encyclopedia of Greater Philadelphia’s commitment to return benefits to the community. Comments and suggestions are welcome. The survey is available in the form of an Excel database on the web site: http://www.philadelphiaencyclopedia.org Funded by the University of Pennsylvania Press with further support from student assistants at Villanova and St. Joseph’s Universities. Bibliographers: Hillary S. Kativa, Claire Bohall, and Tory O. Harrington Metropolitan Keywords Author or Web Site Sponsor Citation Associated Dates Connections Abele, Julian Tifft, Susan E. "Out of the Shadows." Smithsonian 35 (2005): 100‐106. 1906‐1950 "The First Protest against Slavery in America: Germantown, April 18, 1688." Journal of the Lancaster County Historical Society Abolitionism Abel, Michael 107 (2005): 188‐193. 1688‐1750 Germantown But One Race: The Life of Richard Purvis. Albany: State Univ. of Abolitionism Bacon, Margaret Hope New York Press, 2007. 1810‐1898 In the Shadow of the Civil War: Passmore William and the Brandt, Nat and Brandt, Yanna Rescue of Jane Johnson . -
LDEI PARTNERS (As of 6.15.09) SCHEDULE
LDEI PRESIDENT'S WELCOME Bienvenue à Philadelphie! It’s time for Dames and guests to capture the spirit of Colonial America in the city where the Declaration of Independence was ratified - Philadelphia! We promise to uphold those historic American ideals and generate new ones during four full days packed with a mixture of the past, present and future. Experience the international flavors of Philadelphia with tours of Chinatown, the Japanese House and Garden, and Reading Terminal Market where you will taste and smell a whole world of spices and herbs. Inspiring, world-class education, cultural enrichment and learning experiences fulfill every taste and interest. Global flavors from India, America, France, England, Italy and Mexico are a few of the authentic menus pro- vided during our Dine Around of sister Dame restaurants. The Conference Committee, along with support from the Philadelphia Chapter and LDEI Board of Directors, has worked as a team to provide a bounty of rich, educa- tional programs along with a diverse selection of historic tours. Walk the cobble- stone streets, discover a new fusion of international flavors, and embrace the art, architecture, and museums that honor our American heritage. DIO Register today and schedule your flight to Philadelphia. You will want to be a part U ST of this deliciously awesome event as the Dames make history by returning to the city that hosted the first LDEI Conference in 1984. See you in Philly! PHOTOGRAPHY Warmest regards, RNOLD A ID V A D Suzanne Brown LDEI HOST CHAPTER WELCOME It is truly a pleasure to welcome everyone to our city and to a conference that is professionally enriching, exciting and meaningful. -
Pennsylvania Magazine of HISTORY and BIOGRAPHY
THE Pennsylvania Magazine OF HISTORY AND BIOGRAPHY Introduction The State as a Work ofArt: Design, Technology, and Social Reform, 1876-1917 Patricia Likos Ricci, Guest Editor* A HUNDRED YEARS AGO, work began on a new capitol building for the State of Pennsylvania in Harrisburg. At the same time, the new City Hall of Phiadelphia, begun 1*n 1871, was finally com- pleted. Colossal monuments to civic pride, they testify to a culture that believed in the power of art to shape the state. The statue of William Penn on the tower of City Hall, presiding over the city he founded, and the Spirit of Commonwealth still perched on the Capitol of the state she inspired, are * I am indebted to Ian M. G. Quimby, Sharon Ann Holt, James E. Wheatley, George E. Thomas, Ingrid Steffensen, Mark Taylor, Domeric Vitiello, the Capitol Preservation Committee, Philadelphia Museum of Art, Woodmere Art Museum, Beyer Stained Glass, and Gabriel R. Ricci for their assis- tance with this issue. THE PENNSYLVANIA MAGAZINE OF HmsToRY AND BIOGRAPHY Vol. CXXV, No. 2 (April 2002) PATRICIA LIKOS RICCI perpetual reminders of the reciprocity of political and aesthetic values. For- tunately, they are not the only survivors of an optimistic era that built with posterity in mind. The preservation of the architectural masterpieces dis- cussed in this issue have made it possible for us to revisit them more than a century later. The concept of the state as a work of art was characteristic of the civic renascence that took place between the Centennial Exhibition in Philadel- phia in 1876 and America's entry into World War I in 1917. -
History, Heritage, and Hearsay: a Children's Guide to Ethnic South and Southwest Philadelphia
DOCUMENT RESUME ED 209 140 SO 013 690 AUTHOR D'Amico, Joseph J.; Newcombe, Ellen TITLE History, Heritage, and Hearsay: A Children's Guide to Ethnic South and Southwest Philadelphia. INSTITUTION Research for Better Schools, Inc., Philadelphia, Pa. SPONS AGENCY Office of Elementary and Secondary Education (ED), Washington, D.C. Ethnic Heritage Studies Program. PUB DATE 81 GRANT G008004740 NOTE 146p.: For a related document, see SO 013 689. EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS Blacks; Elementary Education; *Ethnic Groups; *,Ethnic Studies; Italian Americans; Jews; Learning Activities; *Local History; *Multicultural Education; Oral History: Polish Americans; Reading Materials; Resource Materials IDENTIFIERS Ethnic Heritage Studies Program; Irish Americans; *Pennsylvania (Philadelphia) ABSTRACT This guide for elementary students will help them learn about five of South and Southwest Philadelphia's ethnicgroups and examine their own ethnic heritage. These groupsare: Afro Americans, Irish Americans, Italian Americans, Jewish Americans, and Polish knericans. The guide has different sections. "Hearsay" sections contain Aort stories based on facts and interviews.By reading these stories students learn a little about the aistory and heritage of eacb ethnic group. "History at a Glance" sections contain brief historical descriptions of each, ethnic group. "History". sections tell about the culture'of each ethnic group. Students learn about what makes each ethnic group unique and special. "Learning Activities" help students find out more about theirown ethnic group, neighborhood, and family. Students keep a diary, makeposters, play the ethnic name baseball game, trace the ethnic history of their neighborhood, conduct oral history interviews, and cook ethnic food. (Author/BM) *********************************************************************** Reproductions supplied by EDRS are the best that can be 'made from the original document. -
Philadelphia Office of the Inspector General Annual Report 2012
Philadelphia Office of the Inspector General Annual Report 2012 Michael A. Nutter, Mayor of Philadelphia Amy L. Kurland, Inspector General Photo: Photo: C. Yeager PHILADELPHIA OFFICE OF THE INSPECTOR GENERAL OUR MISSION The mission of the Office of the Inspector General is to boost public confidence in City government by rooting out corruption, fraud, misconduct, waste and mismanagement. A watchdog for City taxpayers, the OIG has authority under the Philadelphia Home Rule Charter to conduct investigations of all departments, agencies, commissions and boards under the Mayor’s jurisdiction. The office also investigates individuals or companies doing business with the City or receiving City funding. Its investigative expertise is available to any City agency in need of assistance. An operationally independent office, the OIG conducts both criminal and administrative investigations. It has the power to issue subpoenas; to examine all City documents, contracts and monetary expenditures made from the City treasury; and to demand testimony from City employees. The office works with federal, state and local law enforcement when conducting criminal investigations and serious integrity-related complaints of fraud, abuse and corruption. The office conducts these investigations either in response to a complaint or on the Inspector General’s own initiative to detect misconduct, inefficiency and waste within the programs and operations of City government. ANNUAL REPORT 2012 TABLE OF CONTENTS Message from the Mayor 1 Message from the Inspector General 2 The Year in Numbers 3-4 Toward a More Ethical Government 5 Power in Numbers 6 Rooting Out Fraud and Corruption 7-12 Compliance Matters 13-18 Protecting Taxpayer Money 19 Changing the Culture 20-24 Note: This report was produced in accordance with Executive Order No. -
A Performance Genealogy of the Philadelphia Mummers Parade Corey Elizabeth Leighton Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2009 Strutting it up through histories: a performance genealogy of the Philadelphia Mummers Parade Corey Elizabeth Leighton Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Leighton, Corey Elizabeth, "Strutting it up through histories: a performance genealogy of the Philadelphia Mummers Parade" (2009). LSU Doctoral Dissertations. 1760. https://digitalcommons.lsu.edu/gradschool_dissertations/1760 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. STRUTTING IT UP THROUGH HISTORIES: A PERFORMANCE GENEALOGY OF THE PHILADELPHIA MUMMERS PARADE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor in Philosophy in The Department of Communication Studies By Corey Elizabeth Leighton B.A., San Francisco State University, 2002 M.A., California State University, Los Angeles, 2005 May 2009 ACKNOWLEDGMENTS Thank you first and foremost to my advisor, Michael Bowman, without whom this would never have happened. Your playful honesty -
Art and Environmental Embodiment in Early National Philadelphia
THE OPULENT CITY AND THE SYLVAN STATE: ART AND ENVIRONMENTAL EMBODIMENT IN EARLY NATIONAL PHILADELPHIA A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Laura Turner Igoe August 2014 Examining Committee Members: Ashley West, Advisory Chair, Art History, Temple University Therese Dolan, Art History, Temple University Andrew Isenberg, History, Temple University Alan C. Braddock, Art History and American Studies, The College of William & Mary Wendy Bellion, External Member, Art History, University of Delaware © Copyright 2014 by Laura Turner Igoe All Rights Reserved ii ABSTRACT This dissertation investigates the ways in which Philadelphia artists and architects visualized, comprehended, and reformed the city’s rapidly changing urban environment in the early republic, prior to the modern articulation of “ecology” as a scientific concept by late nineteenth-century naturalists such as Ernst Haeckel. I consider a variety of different media—including popular depictions and manifestations of Penn’s Treaty Elm, fireplace and stove models by Charles Willson Peale, architectural designs for the Philadelphia Waterworks by Benjamin Henry Latrobe, and a self-portrait bust by the sculptor William Rush—in order to demonstrate that the human body served as a powerful creative metaphor in Philadelphia circa 1800, not only for understanding and representing natural processes in political or aesthetic terms, but also for framing critical public discourse about the city’s actual environmental conditions. Specifically, I reveal how this metaphorical framework produced a variety of effects in art and architecture of the period, sometimes facilitating and at other times obscuring an understanding about the natural world as an arena of dynamic transformation.