50 a Requiem for Postmodernism

Total Page:16

File Type:pdf, Size:1020Kb

50 a Requiem for Postmodernism A Requiem for Postmodernism— Whither Now? James Parker, III James Parker, III has been Profes- The Certain Doom of “neoconservatives” (see further below). sor and Associate Dean of Worldview Postmodernism Second, the simple reason why and Culture at The Southern Baptist Postmodernism is highly overrated.1 postmodernism’s days are numbered is Theological Seminary since 1999. He While one theologian after another is that it commits epistemological suicide. has been on the faculty of several insti- rushing to turn out books and articles Postmodernism holds to the premise that tutions including Criswell College, Dal- about some aspect or implication about truth is a “social construct” and “truth” is las Baptist University, Eastern Baptist “the end of modernism” and “the impli- whatever your colleagues let you get by Theological Seminary, and Southeast- cations of postmodernism,” I assert that with.4 If that is the case, then postmodern ern Baptist Theological Seminary. He is postmodernism is overrated and predict thought is also just another social con- the Director of The Trinity Institute, a that it will come to a certain and perhaps struct and has neither universal nor nor- Christian study center and think tank soon demise, or at least will be relegated mative force. Therefore there is no reason that specializes in reaching those in the to the realm of “curious but passé.” that I or anyone else should be compelled academic world, and he also serves as First of all, modernism (which holds to let it be a normative criterion to shape the editor of FOUNDATIONS, a journal that reason is autonomous and that sci- and determine my beliefs. And if one takes for theological students. entific truth is normative and universal, their idea of “the hermeneutics of suspi- and which propounds amelioristic opti- cion” seriously, then there is every reason mism and proud confidence in technologi- to believe that their whole academic cal fixes), while not the only worldview, exercise is simply a thinly veiled disguise is still alive and well at the educational to get political power over anyone who and cultural shaping institutions of west- holds a view different than their own.5 ern Europe and North America. In speak- Particularly since they have shown their ing recently with graduate students at two hand, I will not be taken in by their major Ivy League research universities in verbal con game. Most simply stated, North America, the Ph.D. students said postmodernism is guilty of being self- that while one did certainly find post- referentially absurd. When one has given modern thought on the campuses up the idea of normative, universal and (particularly in English and related absolute truth, there is no reason whatso- departments), the intellectual culture of ever to take what they say as true (par- the university was still predominantly ticularly since they have conceded up modern.2 They frankly said that they front that “truth” does not even exist). basically ignored postmodernism.3 One There have been several excellent only has to skim the university press critiques of postmodern thought from an catalogues to find out that modernism is evangelical Christian and solid philo- alive and well. Ironically Foucault, sophical perspective.6 This paper will Derrida, and other French postmodernist not add to those critiques. It commends thinkers have been passé in France for a those who have resisted reshaping theol- good while, substituted by a generation ogy to conform to yet another outside of younger scholars one can only call philosophical influence. The study of his- 50 torical theology is often a study of how postmodernism (including some evan- theology has been shaped and conformed gelicals), one would get the impression (if to alien ideologies and philosophies that one did not know better) that reason, have had the effect of neutering the basic along with its attendant inferences of the content of historic orthodox Christian the- reality of objective truth and the legiti- ology. Sometimes Christian thought needs macy of a rational defense of the faith, is to challenge and contest philosophy, not the illegitimate child of the Enlighten- conform to its demands. Process theology ment. Several have indeed suggested the is a perfect example of a philosophy to abandonment of apologetics and the natu- which theology has been conformed. ral theology project. While most evan- Let’s take process theology as an gelicals enamoured with postmodernism example. Here is a philosophy that rarely say that they do not want to give up the lives in philosophy departments, except “metanarrative” truth claims of the Chris- as a relic in the history of philosophy tian faith, they do think that a rational division, since its credibility as a philo- defense of the faith is not a legitimate area sophical system has been fundamentally to which Christians should give attention. rejected. Yet it lives on as a parasite in the- What the church needs, it is said, is not ology departments. The same may well apologetics or the rational defense of the be the destiny for “postmodern thought.” faith,9 but a loving and caring Christian Solid work has demonstrated the defi- community (for that is a postmodern ciency of the thought of those evangelicals priority). No doubt it is of the highest all too ready to reshape doctrine and their priority for the church to be a caring and agenda to conform to some of the major loving body (this is not just postmodern; tenets of postmodernism. The common this is simply biblical). One cannot avoid fundamental error of such scholars is in the following embarrassing question, making the false assumption that the however: How do we adjudicate between evangelical scholarly approaches they conflicting truth claims (religious or oth- criticize have “sold out” to modernism.7 erwise)? Moonies or Mormons may well The great irony is that Carl F. H. Henry is have equally caring communities with often singled out as the most egregious Christians. Then what? Like it or not, if example of an evangelical whose system one is going to make a truth claim for the is determined (or undermined?) by mod- Christian faith, reason and the testing of ernism. Henry, in his great six volume truth claims will play a significant role in work God, Revelation and Authority, has the process. been one of the severest critics of the Enlightenment’s view of the sufficiency of The Coming Transmodern Period? autonomous human reason unaided by Since both moderism and postmod- revelation, has fundamentally decried the ernism have been dealt with substantively naïveté of secular humanism’s ameli- and, in this writer’s opinion, adequately, oristic optimism and would categorically the question we shall examine is not from deny that science is savior.8 He also knows whence the culture has come or where it that human reason and the laws of logic is (premodern, modern, postmodern), but were not an invention of the Enlighten- whither shall it go. Paul Vitz has sug- ment. When one reads certain writers on gested that it is time for conferences on 51 “The Death of Postmod-ernism.” He sees virtually every major orchestra in the indicators of a new transition in culture USA),13 are minimalists with an Eastern on the horizon that he calls the coming spiritual bent, there is a virtual wave of transmodern period. By transmodern, he non-pop musicians who are influenced by means “something that transforms mod- explicit classical Trinitarian Theism. This ernism, something that transcends it and is a sign of a change in the wind. moves beyond it. In doing this, it certainly When a classical album rises to Num- does not reject all things modern, and thus ber 6 on the British charts right behind it is far from a reactionary vision of Paul McCartney (Gramophone’s “Best-sell- the future.”10 Trans-modernism would ing CD in 1993”), prompts a review by indeed constitute a rejection of both the Rolling Stone magazine, and is introduced overreaching claims of modernism and into mainstream retailers like Sound the nihilistic absurdity of postmodernism, Warehouse so that the CD is found on the while benefiting from positive contribu- checkout counter in Muleshoe, Texas, tions of both. Is there evidence for “the even the most casual cultural observer birth of this new ideal of hope, of wisdom, begins to notice that there’s a disturbance of virtue and the good, of beauty and har- in the cultural force. Such was the case at mony, … the resurrection of classicism and the 1992 release of Catholic and Polish other pre-modern concepts in the differ- composer Henryk Gorecki’s Third Sym- ent arts and the intellectual life itself”?11 phony. Gorecki has been associated with Indicators of the quiet dawning of this the avant-garde wing of contemporary new vision are discernable from several classical music. The Third Symphony was segments of our culture, including music, composed in 1976 and the title is “Sym- architecture, the visual arts, poetry, litera- phony of Sorrowful Songs.” ture, and the core of intellectual tradition, He grew up in the Polish town of including philosophy and moral theory. Katowice, an unknown town except for While it is too soon to identify a move- its neighbor—Oswiecim, called Auschwitz ment (even as it is difficult to identify a in German. The texts of the three move- postmodern “movement”), there are com- ments that drive the symphony are (1) a mon characteristics and a shared vision lamentation of 15th century monks; (2) a that appears to be emerging at varied, prayer by a teenager imprisoned by the unexpected, and non-coordinated places. Gestapo written on a wall where she tries to find the good out of her dire circum- Transmodernism in Music? stances; and (3) the demanding question In music, an alternative to John Cage’s of a mother who asks, “Why did you kill music of irrationality and chance is my son?” While the work is appropriately appearing: a music that is informed from titled sorrowful, it nevertheless clings to beyond modernistic or postmodern natu- vestiges of hope in the face of despair.
Recommended publications
  • Outsiderism Publication.Pdf
    Cover: Julian Martin, Untitled (Abstracted Animal on Blue), 2010 (detail) Pastel on paper, 15 x 11 1/4 inches OUTSIDERISM By Alex Baker Fleisher/Ollman, Philadelphia OUTSIDERISM explores the various manifestations of so-called outsider art in a contemporary context, examining the frameworks we use as both viewers and artists in making sense of the impulses responsible for a wide range of creativity. Outsider, self-taught, disabled, visionary, obsessive, art as therapy, vernacular: these are some of the categories we utilize, fraught as they might be, to sort out a vast array of work which stands in relief to the offerings made by artists who are more easily assimilated within mainstream contemporary art. Thus, Outsiderism is both the title of this exhibition, and a more general term that I am proposing to describe the current zeal in which the contemporary art field has made outsider art the focus of investigation. Outsiderism features work by artists with developmental disabilities and behavioral health issues from studio programs in Melbourne, Australia (Arts Project Australia) and Wilmington, Delaware (The Creative Vision Factory); Harrell Fletcher and Chris Johanson’s video collaboration with David Jarvey, an artist with Down’s Syndrome; drawings of protest and political allegories by Michael Patterson-Carver, an itinerant artist and activist; paintings and prints by Paul Laffoley exploring complex theories through diagrams, display charts and geometrically structured compositions in which text and image are woven together; and drawings by Gregory Blackstock that catalogue and classify objects and ideas important to the artist from foreign alphabets and speed boats to flags and fireworks.
    [Show full text]
  • On Various Faces of Postmodernist Philosophical Thinking
    DIALOGUE AND HUMANISM No. 4/1993 Stefan Morawski ON VARIOUS FACES OF POSTMODERNIST PHILOSOPHICAL THINKING 1. HOW TO DEAL WITH THE CONCEPT «POSTMODERNISM»? In the present text I wish to share my remarks primarily concerning postmodemism in its philosophical variation, yet it is unthinkable to cut oneself off from its two other — sociocultural and artistic — mutations. It is especially the sociocultural mutation that seems to me a cornerstone for the proper understanding of what the philosophical postmodernism is about. My first reflection concerns the legitimacy of the term and of the concept which —I surmise — refers one to the postmodemism as captioned by the sociologists of culture who describe the particular configuration of things and of qualities appropriate to them, that has crystallized itself in the social processes since the end of the 1970's. This reflection is, among others, imposed by these philosophers who are considered (and who consider themselves) as champions of postmodern- ism, for example J. F. Lyotard, U. Eco, W. Welsch; they hold that the concept of "postmodernism" is not to be literally understood: this is no successive phase in the aftermath of desiccation of modernist ways of thinking and behavior but merely a new manner of comprehending the world within the still living organism. Can the problem of the meaning of the "post-" prefix be solved — and then, how? Will it suffice to juxtapose the philosophical thought of modernists (which modernists, though? who is to be considered its typical representatives?), or is it necessary to admit the extra-philosophical frame of reference? Another reflection concerns the ancestry of this phenomenon, and its symptoms in philosophical considerations (Nota bene, it concerns both those authors who analyze postmodernism from a critical distance, as well as others who identify themselves with postmodernism).
    [Show full text]
  • Transmodern Reconfigurations of Territoriality
    societies Article Transmodern Reconfigurations of Territoriality, Defense, and Cultural Awareness in Ken MacLeod’s Cosmonaut Keep Jessica Aliaga-Lavrijsen Centro Universitario de la Defensa Zaragoza, Zaragoza 50090, Spain; [email protected] Received: 5 September 2018; Accepted: 17 October 2018; Published: 19 October 2018 Abstract: This paper focuses on the science fiction (SF) novel Cosmonaut Keep (2000)—first in the trilogy Engines of Light, which also includes Dark Light (2001) and Engines of Light (2002)—by the Scottish writer Ken MacLeod, and analyzes from a transmodern perspective some future warfare aspects related to forthcoming technological development, possible reconfigurations of territoriality in an expanding cluster of civilizations travelling and trading across distant solar systems, expanded cultural awareness, and space ecoconsciousness. It is my argument that MacLeod’s novel brings Transmodernism, which is characterized by a “planetary vision” in which human beings sense that we are interdependent, vulnerable, and responsible, into the future. Hereby, MacLeod’s work expands the original conceptualization of the term “Transmodernism” as defined by Rodríguez Magda, and explores possible future outcomes, showing a unique awareness of the fact that technological processes are always linked to political and power-related uses. Keywords: cultural awareness; future warfare; globalization; Fifth-Generation War; intergalactic territoriality; planetary civilizations; SF; space ecoconsciousness; speculative fiction; technological development; transmodernism “Where there is no vision, the people perish.” —Proverbs 29:18 “If these are the early days of a better nation there must be hope, and a hope of peace is as good as any, and far better than a hollow hoarding greed or the dry lies of an aweless god.” —Graydon Saunders 1.
    [Show full text]
  • ICLA 2016 – Abstracts Group Session Panels Content Computational Comparative Literature
    ICLA 2016 – Abstracts Group Session Panels, July 17th, 2016 ICLA 2016 – Abstracts Group Session Panels Content Computational Comparative Literature. Corpus-based Methodologies ................................................. 5 16082 - Assia Djebar et la transgression des limites linguistiques, littéraires et culturelles .................. 7 16284 - Pictures for Everybody! Postcards and Literature/ Bilder für alle! Postkarten und Literatur . 11 16309 - Talking About Literature, Scientifically..................................................................................... 14 16377 - Sprache & Rache ...................................................................................................................... 16 16416 - Translational Literature - Theory, History, Perspectives .......................................................... 18 16445 - Langage scientifique, langage littéraire : quelles médiations ? ............................................... 24 16447 - PANEL Digital Humanities in Comparative Literature, World Literature(s), and Comparative Cultural Studies ..................................................................................................................................... 26 16460 - Kolonialismus, Globalisierung(en) und (Neue) Weltliteratur ................................................... 31 16499 - Science et littérature : une question de langage? ................................................................... 40 16603 - Rhizomorphe Identität? Motivgeschichte und kulturelles Gedächtnis im
    [Show full text]
  • 5 -2 6 91-116 Grußwort Vorwort Dank »Center, What?
    5 -2 6 4 7 -2 6 6 91-116 Grußwort Mikrogeschichten einer MOSCOW, 1913: Preface ex-zentrischen Moderne Microhistories of an 92-101 Kulturstiftung des Bundes Ex-centric Modernism Über das Vorgestern Vorwort 4 8 -5 8 ins Übermorgen. Editor's Preface Neoprimitivismus in der PROLOG Susanne Gaensheimer russischen Avantgarde Paul Klee als Botschaft und From the Day before Yesterday Botschafter. Die Düsseldorfer to the Day after Tomorrow. Dank Klee-Sammlung auf Reisen, Neo-Primitivism in the Russian Acknowledgments Avant-Garde 1966 bis 1985 PROLOGUE »Center, what?« Aage A. Hansen-Löve Paul Klee as Message and Eine Einleitung zum Forschungs­ Messenger: The Düsseldorf Klee und Ausstellungsprojekt Collection on Tour, 1966 to 1985 102-115 MUSEUM GLOBAL Agnieszka Skolimowska “Center, what?” »Long Live the An Introduction to the MUSEUM G LO BAL Beautiful East!« Research and Exhibition Project Niko Pirosmani und die Moskauer Neoprimitivisten Kathrin Besten. Doris Krystof, Isabelle Malz, Maria Müller-Schareck 5 9 -9 0 “Long Live the Beautiful East!" Niko Pirosmani and the Moscow TOKYO, 1910: Neo-Primitivists Nora Lukäcs 2 7 -4 6 60-71 Gedanken zum Schlüsselwörter der Modernität, am Beispiel Konzept einer Transmoderne 117-158 Thoughts on the Concept der Kunst des modernen Japan of Transmodernism SÄO PAULO, 1922: Keywords of Modernity: Christian Kravagna im Dialog The Case of Modern Japanese Art mit den Kuratorinnen der Ausstellung/ 118-126 in conversation with the curators of the exhibition MUSEUM GLOBAL Mizusawa Tsutomu Wilde Zivilisierte/ M i krogeschichten. 7 2 -9 0 Zivilisierte Wilde Die Routen Civilized Savages / des transkulturellen »Ich beabsichtige, meinen Savage Civilized Modernismus eigenen Weg auszubauen«.
    [Show full text]
  • “The Double Bind” of 1989: Reinterpreting Space, Place, and Identity in Postcommunist Women’S Literature
    “THE DOUBLE BIND” OF 1989: REINTERPRETING SPACE, PLACE, AND IDENTITY IN POSTCOMMUNIST WOMEN’S LITERATURE BY JESSICA LYNN WIENHOLD-BROKISH DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature in the Graduate College of the University of Illinois at Urbana-Champaign, 2010 Urbana, Illinois Doctorial Committee: Associate Professor Lilya Kaganovsky, Chair; Director of Research Professor Nancy Blake Professor Harriet Murav Associate Professor Anke Pinkert Abstract This dissertation is a comparative, cross-cultural exploration of identity construction after 1989 as it pertains to narrative setting and the creation of literary place in postcommunist women’s literature. Through spatial analysis the negotiation between the unresolvable bind of a stable national and personal identity and of a flexible transnational identity are discussed. Russian, German, and Croatian writers, specifically Olga Mukhina, Nina Sadur, Monika Maron, Barbara Honigmann, Angela Krauß, Vedrana Rudan, Dubravka Ugrešić, and Slavenka Drakulić, provide the material for an examination of the proliferation of female writers and the potential for recuperative literary techniques after 1989. The project is organized thematically with chapters dedicated to apartments, cities, and foreign lands, focusing on strategies of identity reconstruction after the fall of socialism. ii To My Family, especially Mom, Dad, Jeffrey, and Finnegan iii Table of Contents Chapter One: Introduction: “We are, from this perspective,
    [Show full text]
  • 1 Volume 20 | Number 2
    NEWSLETTERS | The American Philosophical Association APA Newsletters SPRING 2021 VOLUME 20 | NUMBER 2 ASIAN AND ASIAN AMERICAN PHILOSOPHERS AND PHILOSOPHIES FEMINISM AND PHILOSOPHY HISPANIC/LATINO ISSUES IN PHILOSOPHY NATIVE AMERICAN AND INDIGENOUS PHILOSOPHY PHILOSOPHY AND THE BLACK EXPERIENCE TEACHING PHILOSOPHY VOLUME 20 | NUMBER 2 SPRING 2021 © 2021 BY THE AMERICAN PHILOSOPHICAL ASSOCIATION ISSN 2155-9708 Table of Contents Asian and Asian American Philosophers and Ethical Narratives and Oppositional Philosophies ...................................................... 1 Consciousness ......................................................... 67 Editors’ Introduction: Buddhist Modernism and Its What It’s Like to Grow Up Poor, but Fall in Love Discontents ................................................................ 1 with Philosophy: A Notice to the Profession in Case It Forgot ........................................................... 71 Articles ....................................................................... 5 Knowing What to Order at the Conference Précis of Why I Am Not a Buddhist ............................ 5 Dinner ....................................................................... 75 On Pursuing the Dialogue Between Buddhism and Epistemic Shame as a First-Generation Scholar ..... 77 Science in Ways That Distort Neither ........................ 8 Marginal Disclosures: Sisterhood, Standpoint, On Being a Good Friend to Buddhist Philosophy ... 15 Community, and Thriving......................................... 80 Buddhism
    [Show full text]
  • Decolonizing Art Institutions
    Issue 35 / December 2017 Notes on Curating ONCURATING www.oncurating.org Decolonizing Art Institutions Contents Decolonizing Art Institutions 02 78 Public Performance Detox Dance Chasing Colonial Ghosts: by Roma Jam Session art Kollektiv Decolonizing Art Institutions in with participants of the symposium “Post-Apartheid” South Africa Same Mdluli 04 Editorial 82 Dorothee Richter & Ronald Kolb Train to Biennale Michelle Wong 11 Still Here Somehow: Artists and Cultural 87 Activism in Singapore's Renaissance Decolonizing Art Institutes Woon Tien Wei from a Labor Point of View Binna Choi & Yolande van der Heide 24 The Israeli Center for Digital Art 93 Eyal Danon On Cultural Translation Sophie J Williamson 30 What Does the Revolt of Sediments 99 Look Like? Notes on the Archive Thoughts on Curatorial Practices Sabih Ahmed in the Decolonial Turn Ivan Muñiz-Reed 36 Sources, Itineraries, and the Making 106 of a Thicket Decolonising UK World Art Institutions, Raqs Media Collective 1945–1980 Claire Wintle 41 Three Biennials in Asia (2016) 113 Shwetal A. Patel Acknowledging the post_coloniality of Higher Art Education. Considerations 50 from the Swiss perspective On the critical decades and the role of archives Sophie Vögele and Philippe Saner Shwetal Patel in discussion with Shaheen Merali 119 56 How to Be Affected in Postcolonial Cutting and Sharing the “Global Pie”: Public Spaces? Ethnographic Remarks Why History Matters to Discussions on a Multifocal World in the Making … 1 of Contemporary “Global Art” Rohit Jain Claire Farago 129 61 Some Theoretical and Empirical Aspects on Learning from Dhaka the Decolonization of Western Collections Dorothee Richter Marie-Laure Allain Bonilla 72 140 On Blackwomen’s Creativity and the Future Imprint Imperfect: Thoughts, Propositions, Issues Nkule Mabaso 1 Issue 35 / December 2017 Detox Dance Decolonizing Art Institutions Public Performance Detox Dance by Roma Jam Session art Kollektiv with participants of the symposium Detox Dance is a public performance performed in Square Dance manner.
    [Show full text]
  • Interpreting Enrique Dussel's Transmodernity
    Epistemological and Aesthetic Dimensions of Transmodernism: Linda Martín Alcoff’s and Alejandro Vallega’s Readings of Enrique Dussel by Omar Rivera Epistemological and Aesthetic Dimensions of Transmodernism: Linda Martín Alcoff’s and Alejandro Vallega’s Readings of Enrique Dussel [1] by Omar Rivera English Abstract This essay engages Linda Martín Alcoff’s and Alejandro Vallega’s interpretations of Enrique Dussel. It focuses on Martín Alcoff’s political epistemology and Alejandro Vallega’s aesthetics of liberation as furthering aspects of Dussel’s transmodern project. Specifically, these two approaches allow us to understand the epistemological and aesthetic ways in which cultures denied by European modernity are now in the process of constituting a transmodern cultural horizon. The essay ends by calling for a “transmodern aesthetic turn.” Resumen en español Este ensayo estudia cómo Linda Martín Alcoff y Alejandro Vallega interpretan a Enrique Dussel. Nos vamos a enfocar en la epistemología política de Martín Alcoff y en la estética de liberación de Vallega, y mostrar cómo ellos desarrollan aspectos de la transmodernidad de Dussel. Específicamente, estos planteamientos nos ayudarán a entender maneras epistemológicas y estéticas por las cuales culturas negadas por la modernidad Europea están ahora en un proceso de constituir un horizonte cultural transmoderno. El ensayo termina proponiendo un “giro estético transmoderno.” Resumo em português Este ensaio envolve as interpretações de Linda Martín Alcoff e Alejandro Vallega sobre Enrique Dussel. Concentra-se na epistemologia política de Martín Alcoff e na estética da libertação de Alejandro Vallega como aspectos avançados do projeto transmoderno do Dussel. Estas duas abordagens, especificamente, nos permitem compreender as formas epistemológicas e estéticas nas quais as culturas negadas pela modernidade européia estão atualmente no processo de constituir um horizonte cultural transmoderno.
    [Show full text]
  • Anul III NR. 26 24 Pagini Aprilie 2015 Gratuit
    Director: Doru STRÎMBULESCU / Redactor şef: Gheorghe GRIGURCU Anul III m NR. 26 m 24 pagini m aprilie 2015 m Gratuit PAUL GOMA 80 „Consemn X” – moartea se amână până la noi ordine Friedrich von AMERLING Friedrich von a 1 aprilie 1977, când a fost arestat, după câteva luni de „dans cu Securitatea” pe muchia cuțitului, Paul Goma avea 41 de ani. Poate că îi albiseră barba și Lpărul, însă era un bărbat tânăr. Era la vârsta la care colegii săi de generație și de breaslă își dădeau silința să se căpătuiască. Unii dintre ei făcuseră, ca și Goma, pușcărie politică. Ce s-a petrecut între 1 aprilie și 6 mai 1977 (data eliberării din arestul Securității Rahova) se știe și poate fi citit în cele două volume în curs de reeditare,Cu - loarea curcubeului ′77 și Cod „Bărbosul”, la editura Ratio et Revelatio. Ce scria Goma, încă la cald, în 1978, aflat deja în refugiu politic, despre cutremuratul și cutremurătorul an 1977 este confirmat de documentele ajunse până la noi „grație” Securității. Flori BĂLĂNESCU Acest Acest număr cu este ilustrat lucrări de 26 ,,Morala este religia frumosului." NR. 26, aprilie / 2015 CUPRINS: Constantin TRANDAFIR / Despre poezia religioasă, foarte pe scurt / 2 Constantin TRANDAFIR / Despre poezia religioasă, foarte pe scurt Gheorghe GRIGURCU / Pagini de jurnal / 3 oezia religioasă românească are istorie apreciabilă, de la une cu realitatea vocabularului declamativ fie el şi evlavios. Psaltirea pre versuri tocmită a Mitropolitului Dosoftei la Pastorii înseamnă că sunt cei mai mari poeţi (orali) ai omenirii, Barbu CIOCULESCU / Virtute a regilor, răbdarea / 4 Ppoemele profetice ale lui Ion Heliade şi până la poeziile deşi ei n-au idee de ce înseamnă poezia în accepţia ei proprie.
    [Show full text]
  • Burning Man, Transformation, and Heterotopia
    THE POLITICS OF CARNIVAL Ephemeropolis: Burning Man, Transformation, and Heterotopia Graham St John University of Fribourg, Switzerland KEYWORDS ABSTRACT Burning Man Michel Foucault’s concept of heterotopia is adapted to comprehend events with intentional heterotopia transformational agendas. An ephemeral community installed annually in Nevada’s Black festival Rock Desert, Burning Man is an exemplary evental heterotopia. With the shortcomings of the romantic-utopian “transformational festival” label identified, the article considers Black Rock Black Rock City City as a heterogeneous threshold and contested space. This hyperliminal weave is redolent liminality in a complex ethos known as the “Ten Principles.” Informed by Foucault’s ambiguous entry on heteroclite spatialization, the article explores the paradoxical “other space” of Burning Man in which the “default world” is simultaneously neutralized, mirrored, and resisted. If Burning Man is transformative, this is therefore an enigmatic aesthetic. Adapting Foucault’s six “principles of heterotopia” and modulating Victor Turner’s “liminality,” the article navigates the hyperliminal dynamics of Burning Man. In the process, a provisional framework is suggested for the study of transformative events. Journal of Festive Studies, Vol. 2, No. 1, Fall 2020, 289—322. https://doi.org/10.33823/jfs.2020.2.1.48 289 Ephemeropolis: Burning Man, Transformation, and Heterotopia Graham St John 1. “Leave No Trace,” Burning Man Introduction 2019 Survival Guide, https:// survival.burningman.org/leave- no-trace. Otherwise known as Black Rock City (BRC), Burning Man is an epic participatory arts gathering installed annually in Nevada’s remote Black Rock Desert. Claimed as “the largest Leave No Trace 2. Graham St John, “Dramatic event in the world,”1 BRC is the model for a global network of Burning Man Regional Events.
    [Show full text]
  • Und Aus Stel Lungsprojekt MUSEUM GLOBAL 27
    5 – 26 47 – 266 91 – 116 143 – 157 199 – 228 253 – 265 Grußwort Mikrogeschichten einer MOSCOW, 1913: Migration, Exil, Diaspora. BEIRUT, 1948: Die nigerianische Moderne: Preface ex-zentrischen Moderne Lasar Segall als »Ewiger Reflektionen über Microhistories of an 92 – 101 Wanderer« und Grenzgänger 200 – 211 Zeit und Dimension Kulturstiftung des Bundes Ex-centric Modernism der Moderne Nigerian Modernism: Über das Vorgestern Migration, Exile, Diaspora: Transmoderne. Ein erneuter Reflections on Time and Scale Vorwort 48 – 58 ins Übermorgen. Lasar Segall as an “Eternal Blick auf den Modernismus Editor’s Preface Wanderer” and Crossover Artist Ein E-Mail-Gespräch zwischen Neoprimitivismus in der in der arabischen Welt Bea Gassmann de Sousa (London) PROLOG of Modernism und Frank Ugiomoh (Port Harcourt) / Susanne Gaensheimer russischen Avantgarde Transmodernism: An email conversation between Paul Klee als Botschaft und From the Day before Yesterday Melanie Vietmeier A Renewed Outlook on Bea Gassmann de Sousa (London) Modernism in the Arab World and Frank Ugiomoh (Port Harcourt) Dank Botschafter. Die Düsseldorfer to the Day after Tomorrow. Klee-Sammlung auf Reisen, Neo-Primitivism in the Russian Acknowledgments Sam Bardaouil 1966 bis 1985 Avant-Garde »Center, what?« PROLOGUE Aage A. Hansen-Löve 159 – 184 212 – 228 267 – 280 Paul Klee as Message and Eine Einleitung zum Forschungs- Messenger: The Düsseldorf Klee 102 – 115 und Aus stel lungsprojekt Collection on Tour, 1966 to 1985 MEXICO CITY, 1923: »Der Schlüssel zum Werkliste MUSEUM GLOBAL Verständnis der arabischen List of Works Agnieszka Skolimowska 160 – 173 “Center, what?” »Long Live the Moderne liegt in der MUSEUM GLOBAL An Introduction to the Beautiful East!« modernen arabischen Kultur«.
    [Show full text]