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Copyright by Noah Phillips 2012
Copyright By Noah Phillips 2012 Imperialism, Neo-colonialism and International Politics in Aldous Huxley’s Island By Noah Phillips, B.A. A Thesis Submitted to the Department of English California State University Bakersfield In Partial Fulfillment of the Degree of Masters of English Spring 2012 Signature Page Imperialism, Neo-colonialism and International Politics in Aldous Huxley's Island By Noah Phillips This thesis of project has been accepted on behalf of the Department of English by their supervisory committee: ' Dr. Charles C. MacQuarrie Committee Member TABLE OF CONTENTS INTRODUCTION: Imperialism, Neo-colonialism and International Politics in Aldous Huxley’s Island…………………………………………………….…………………4 CHAPTER ONE: A Review of the Scholarship of Island………………………………………………………….7 CHAPTER TWO: International Politics and 20th Century History in Island: A Historicist Approach to Plot and Character………………………………………………..22 CHAPTER THREE: An Application of Dependency Theory and World Systems Analysis to the Political and Economic Arguments of Island………………………………………………………………...43 CHAPTER FOUR: CONCLUSIONS: Aldous Huxley, Political Philosopher, Novelist………………………….61 BIBLIOGRAPHY…………………………………………………………………........67 3 INTRODUCTION Imperialism, Neo-colonialism and International Politics in Aldous Huxley’s Island The purpose of this thesis is to understand and analyze Aldous Huxley’s presentation of neo-colonialism in his utopian novel Island. Particular attention will be given to his portrayal of economic relations between first world powers and the third world in this novel. Furthermore, his fictional rendition of military intervention and foreign policy by the United States and Britain and the role it has played in the developing world during the 20th century will be the central focus of this thesis. Huxley’s claims and critique presented in Island of the process by which first world powers dominate international politics, world markets and peripheral economies through the use of military intervention and foreign policy will be supported by historical accounts. -
Jerom E Meckier CANCER in UTOPIA: POSITIVE and NEGATIVE ELEMENTS in HUXLEY's ISLAND Fur Years Aldous Huxley Regarded Utopians Wi
Jerome Meckier CANCER IN UTOPIA: POSITIVE AND NEGATIVE ELEMENTS IN HUXLEY'S ISLAND Fur years Aldous Huxley regarded utopians with disfavor. Their countries of the mind were compensatory dreams inspired by acute disappointment with reality. "My own feeling, whenever I see a book about the Future," Huxley wrote in Do What Y vu Will," is one of boredom and exasperation. What on earth is the point of troubling one's head with speculations about what men may, but almost certainly will not, be like in A.D. 20,000?" Despite the disclaimer, Huxley could not resist troubling his head about the future. The struggle between utopian and dyst opian elements in his prophecies about the world to come remained a pervasive counterpoint in his thought and art. When Island appeared in 1962, Huxley's version of the earthly paradise received harsh treatment from readers whom Brave New World and Ape and Essence had taught to be sceptical of perfectibilitarians. Yet Island was not just another pious daydream. I have argued previously1 that the novel embodies a collection of the right responses to problems that the brave new world handled badly. But there is even more to the novel than that. Unlike News f rom Nowhere, Looking Backward, and other positive views of the future, Island can be defended as· a reasonably complex novel in which a would-be utopian's attempt at optimism is challenged by the possibility that his characters inhabit a Manichean universe. If evil exists even in the earthly paradise, then utopia as one customarily imagines it is an impossibility, unless one can redefine one's conception of perfection so as to include the negative factors that appear to compromise it. -
An Island Can Be a Sanctuary, a Safe Haven, an Escape from the Larger and Fractious World, a Place for Hopes and Dreams to Be Born
FIFTY YEARS ON: ALDOUS HUXLEY’S ISLAND (1962) RECONSIDERED DAVID GARRETT IZZO Huxley’s last novel is a summation of his vast study in the ways that humanity might use science rather than abuse science and forsake a rabid capitalism for more of a spiritually motivated, semi-socialistic society. Island is Huxley’s device aimed at giving readers a look at a positive utopia, quite a change from the dystopia of Brave New World. The innovation in this novel is in the ideas, rather than in the telling. In its way, Island is a refutation of Brave New World. One must have an overview of Huxley’s idea of mysticism as an island in the mind to fully appreciate the underlying guiding principle of Island, which begins with an intuition that there is an integrated sense of a spiritual unicity and then one seeks the ways to heighten the perception of this intuitive awareness as a basis for expanding human potential. To be capable of love – this is, of course, about two thirds of the battle; the other third is becoming capable of the intelligence that endows the love with effectiveness in an obscure and complicated and largely loveless world. It is not enough merely to know, and it is not enough merely to love; there must be knowledge- love and charity-understanding or pajna-karuna, in the language of Buddhism – wisdom-compassion.1 An island can be a sanctuary, a safe haven, an escape from the larger and fractious world, a place for hopes and dreams to be born. -
From Recreational to Sacramental: Observing Past Entheogenic Practices and Considering Their Potential Application in the Future of Christianity
Digital Commons @ George Fox University Doctor of Ministry Theses and Dissertations 2-2021 From Recreational to Sacramental: Observing Past Entheogenic Practices and Considering Their Potential Application in the Future of Christianity Heath Hollensbe Follow this and additional works at: https://digitalcommons.georgefox.edu/dmin Part of the Christianity Commons GEORGE FOX UNIVERSITY FROM RECREATIONAL TO SACRAMENTAL: OBSERVING PAST ENTHEOGENIC PRACTICES AND CONSIDERING THEIR POTENTIAL APPLICATION IN THE FUTURE OF CHRISTIANITY A DISSERTATION SUBMITTED TO THE FACULTY OF PORTLAND SEMINARY IN CANDIDACY FOR THE DEGREE OF DOCTOR OF MINISTRY BY HEATH HOLLENSBE PORTLAND, OREGON FEBRUARY 2021 Portland Seminary George Fox University Portland, Oregon CERTIFICATE OF APPROVAL ________________________________ DMin Dissertation ________________________________ This is to certify that the DMin Dissertation of Heath Hollensbe has been approved by the Dissertation Committee on February 17, 2021 for the degree of Doctor of Ministry in Semiotics, Church, and Culture. Dissertation Committee: Primary Advisor: Karen Claassen, DMin Secondary Advisor: David McDonald, DMin Lead Mentor: Leonard I. Sweet, PhD Expert Advisor: Karen Claassen, DMin Copyright © 2021 by Heath Hollensbe. All rights reserved. ii Table of Contents GLOSSARY ....................................................................................................................... V ABSTRACT .................................................................................................................... -
Shakespeare and the Perennial Philosophy Aldous Huxley’S Time Must Have a Stop
Shakespeare and the Perennial Philosophy Aldous Huxley’s Time Must Have a Stop Gabe Ricci Aldous Huxley considered Time Must Have A Stop to be his most successful attempt at combining narrative and idea. By the time he had written Time Must Have a Stop (1944), he had had considerable practice at uniting the two efforts. Douglas Dutton asks us to consider the value of dividing Huxley’s literary career into three distinct eras: the satiric novels, the novels of ideas and the final period devoted to mystical writings. 1 But these divisions seem somewhat arbitrary in light of the fact that Huxley seemed to be perennially devoted to hammering out a plausible value system, whatever form his literary creation took. Time Must Have a Stop was a culmination of the mystical and ethical quest he had earlier pursued in Eyeless in Gaza (1936) , and After Many as Summer Dies the Swan (1939) and would return to again in Ape and Essence (1948). Likewise, the circumstances that plague Sebastian Barnack in Time Must Have a Stop also troubled Anthony Beavis in Eyeless in Gaza . Both protagonists suffered socially from not having the proper evening attire. This theme shows Huxley busy with satirizing his social set, and the mystical and ethical urge is well represented in Eyeless in Gaza, After Many a Summer Dies a Swan, Ape and Essence and in particular with Bruno Rontini in Time Must Have a Stop , a character that Sebastian Barnak initially rejects but after his aesthetic development is complete he finds to be the most beloved of figures. -
Madness, Badness, Sadness: Aldous Huxley and the Shifting Shadow of Psychoanalysis
MADNESS, BADNESS, SADNESS: ALDOUS HUXLEY AND THE SHIFTING SHADOW OF PSYCHOANALYSIS by ADAM JAMES SIDAWAY A thesis submitted to The University of Birmingham towards the degree of MASTER OF PHILOSOPHY Department of English College of Arts and Law The University of Birmingham January 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. INFORMATION FOR ABSTRACTING AND INDEXING SERVICES The information on this form will be published. To minimize any risk of inaccuracy, please type your text. Please supply two copies of this abstract page. Full name (surname first): Sidaway, Adam James School/Department: English Full title of thesis/dissertation: Madness, Badness, Sadness: Aldous Huxley and the Shifting Shadow of Psychoanalysis Degree: MPhil (B) Literature and Modernity Date of submission: 31/01/11 Date of award of degree (leave blank): Abstract (not to exceed 200 words - any continuation sheets must contain the author's full name and full title of the thesis/dissertation): The influence of Freud on Huxley’s fiction has been frequently understated in criticism. Examining key periods both in history and in Huxley’s life, this thesis reassesses the long-held critical belief that Freud was frequently dismissed by Huxley as ‘bunk’, instead proposing that psychoanalysis was in fact one of Huxley’s major and most enduring intellectual obsessions. -
The Therapeutic Potential of Psilocybin
molecules Review The Therapeutic Potential of Psilocybin Henry Lowe 1,2,3,4, Ngeh Toyang 2,3 , Blair Steele 1,*, Henkel Valentine 1, Justin Grant 1,5, Amza Ali 1,5, Wilfred Ngwa 6 and Lorenzo Gordon 7 1 Biotech R & D Institute, University of the West Indies, Mona 99999, Jamaica; [email protected] (H.L.); [email protected] (H.V.); [email protected] (J.G.); [email protected] (A.A.) 2 Vilotos Pharmaceuticals Inc., Baltimore, MD 21202, USA; ngeh.toyang@flavocure.com 3 Flavocure Biotech Inc., Baltimore, MD 21202, USA 4 Institute of Human Virology (IHV), University of Maryland School of Medicine, Baltimore, MD 21202, USA 5 The Psyence Group, Toronto, ON M5J 2J1, Canada 6 Brigham and Women’s Hospital, Dana-Farber Cancer Institute, Harvard Medical School, Boston, MA 02215, USA; [email protected] 7 Caribbean School of Medical Sciences, Kingston 99999, Jamaica; [email protected] * Correspondence: [email protected]; Tel.: +876-926-8502 Abstract: The psychedelic effects of some plants and fungi have been known and deliberately ex- ploited by humans for thousands of years. Fungi, particularly mushrooms, are the principal source of naturally occurring psychedelics. The mushroom extract, psilocybin has historically been used as a psychedelic agent for religious and spiritual ceremonies, as well as a therapeutic option for neuropsychiatric conditions. Psychedelic use was largely associated with the “hippie” counterculture movement, which, in turn, resulted in a growing, and still lingering, negative stigmatization for psychedelics. As a result, in 1970, the U.S. government rescheduled psychedelics as Schedule 1 drugs, ultimately ending scientific research on psychedelics. -
The Entheogen Reformation
THE ENTHEOGEN REFORMATION Thomas B. Roberts, Ph.D. DeKalb, IL ABSTRACT: In addition to promising leads for treating PTSD, addictions, depression, and death anxiety, 21st Century research at medical schools finds that with careful screening, insightful attention to the variables of set, setting, and dosage, psychedelic drug administration often facilitates significant spiritual experiences, meaningfulness, altruism, well-being, and similar pro- spiritual effects. This article calls for theologians, professors of religious studies, philosophy, sociology, and psychology to update their courses. It challenges leaders of religious organizations, ‘‘How can your institution incorporate these practices and benefit from them?’’ KEYWORDS: theology, psychedelics, entheogens, history, future, new religious movements, religious studies, mysticism, transcendence What is an entheogen? The Oxford English Dictionary defines it. Entheogen The term entheogen is used for psychedelics that are intentionally used spiritually, that is, they generate (engen) the experience of god (theo) within. Entheogen was listed in the Oxford English Dictionary’s September 2007 release of new words: ‘‘entheogen. noun. a chemical substance, typically of plant origin, that is ingested to produce a nonordinary state of consciousness for religious or spiritual purposes.’’ (Oxford English Dictionary, 2011) The Entheogen Reformation —A Historical Perspective Can current religions benefit from psychedelic entheogens? Yes, but it is a culture- wide, decades-long task. If we recognize that entheogens are part of a process of making sacred experiences, often considered revelatory, available to many people —of democratizing them— we see that we are participating in another case of democratizing religion. Democratizing Text—Around the Year 1500 Around 1500, moveable type and the printing press democratized access to religious texts. -
The Doors of Perception Pdf Aldous Huxley
The doors of perception pdf aldous huxley Continue Half an hour after swallowing the drug I became aware of the slow dance of golden lights... Among the most profound studies of the effects of mind-expanding drugs ever written, here are two complete classic books - Doors of Perception and Heaven and Hell, in which Aldous Huxley, author of the bestselling Brave New World, shows the distant boundaries of the mind and the unmarked realm of human consciousness. This new edition also features an additional essay, Drugs That Shape Men's Minds, which is being included for the first time. Book by Aldous Huxley This article is about the book by Aldous Huxley. For Dave Pike's album, see Doors of Perception (album). Двери восприятия Первое издание (Великобритания)АвторAldous HuxleyCountryUnited KingdomLanguageEnglishSubjectPhilosophypsychologyОпубликовано1954 Чатто и Виндус (Великобритания) Харпер и строка (США) Медиа TypePrint (hardback ) Pages63 (жесткий переплет, первое издание; без сопроводительного эссе 1956 Небеса и ад)ISBN0-06-059518-3OCLC54372147 Дьюи Decimal615/.7883 22LC ClassRM666.P48 H9 92004 Часть серии onPsychedelia искусств Психоделическое искусство Алгоритмическое искусство Cyberdelic Diffraction Fractal искусства жидкого светового шоу ЛСД искусства Пейсли Фосфен Психоделическая музыка Кислота дом Кислота джаз кислота рок кислоты кислоты техно кислоты транса Chillwave Hypnagogic поп Мэдчестер Нео-психоделия Пейот песня P-Funk Психоделический народный Психоделический поп Психоделический рок Психоделический соул Психоделический транс -
Aldous Huxley (1894-1963) 343
The "Cultural Criticism" series consists of three volumes: Classics in Cultural Criticism I: Britain, edited by Bernd-Peter Lange Classics in Cultural Criticism II: USA, edited by Hartmut Heuermann Contemporaries in Cultural Criticism, edited by H. Heuermann and B.-P. Lange Bernd-Peter Lange (ed.) Classics in Cultural Criticism Volume I BRITAIN PETER LANG Frankfurt am Main • Bern • New York • Paris Universitäts- Bibüothek München CIP-Titelaufnahme jer Deutschen Bib iothek Classics in cultural criticism. - Frankfurt am Main ; Bern ; New York ; Paris : Lang. Vol. 1. Britain / Bemd-Peter Lange (ed.). - 1990 ISBN 3-631-42125-7 NE: Lange, Bernd-Peter [Hrsg.] ISBN 3-631-42125-7 ©Verlag Peter Lang GmbH, Frankfurt am Main 1990 All rights reserved. All parts of this publication are protected by copyright. Any utilisation outside the strict limits of the copyright law, without the permission of the publisher, is forbidden and liable to prosecution. This applies in particular to reproductions, translations, microfilming, and storage and processing in electronic retrieval systems. Printed in Germany 1 2 3 4 6 7 Table of Contents Bernd-Peter Lange Preface Michael Gassenmeier Jonathan Swift (1667-1745) 13 Dietmar Schloss Edmund Burke (1729-1797) 51 Ingrid van Rosenberg Mary Wollstonecraft (1759-1797) 83 NigelLeask Samuel Taylor Coleridge (1772-1834) 111 Peter Drexler Thomas Carlyle (1795-1881) 129 Christopher Harvie John Ruskin (1819-1900) 149 Bemd-Peter Lange Matthew Arnold (1822-1888) 169 David Latham William Morris (1834-1896) 193 Felix Semmelroth -
MASTER's THESIS University Microfilms, a XEROX Company
Symbol And Allusion In "Island": An Introduction And Annotated List (Aldous Huxley) Item Type Thesis Authors Vale, Celia Hodges Download date 06/10/2021 17:57:09 Link to Item http://hdl.handle.net/11122/8291 MASTER'S THESIS M-2696 VALE, Celia Hodges, 1942- SYMBOL AND ALLUSION IN ISLAND: AN INTRODUCTION AND ANNOTATED LIST. University of Alaska, M.A., 1971 Language and Literature, modern University Microfilms,A XEROX Com pany, Ann Arbor, Michigan © 1971 CELIA HODGES VALE ALL RIGHTS RESERVED Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. SYMBOL AND ALLUSION IN ISLAND: AN INTRODUCTION AND ANNOTATED LIST A THESIS Presented to the Faculty of the University of Alaska in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS By Celia H. Vale, B.A. College, Alaska May, 1971 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. SYMBOL AND ALLUSION IN ISLAND: AN INTRODUCTION AND ANNOTATED LIST !/ ,• ,.( .f (2 Chairman and Department Head APPROVED: DATE: Dean of the College of Arts * and Letters . _______________________ Vice President for Research and Advanced Study Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ACKNOWLEDGEMENTS I am grateful to Dr. James R. Wilson, who guided me toward the study of allusions and Aldous Huxley. It is through his influence alone that I began the study of Island and ultimately found a new way of looking at reality. I also wish to thank Dr. Robert E. Haines for providing clues that led to the location of several allusions. Reproduced with permission of the copyright owner. -
Aldous Huxley Books Explored in This Project Are All Based in the Contrast of the Utopia and the Dystopia
HUXLEY CLASSICS The three Aldous Huxley books explored in this project are all based in the contrast of the utopia and the dystopia. These dystopias are often expressed in forced comformity. 4 The book covers were all designed with defying conformity in mind. SUMMARY BACKGROUND Aldous Huxley was born into a prominent intel- Brave New World is considered Aldous Huxley’s best lectual family in Godalming, England, in 1894. work. It follows the stories of two men navigating their After a serious illness left him partially blind lives within a utalitarian dystopia. Within this world there as a youth, Huxley abandoned his dreams of is one last “reservation” of savages that have not been becoming a scientist to pursue a literary ca- corrupted by the dystopias use of drugs and sex to con- reer. In 1916 he graduated with honors from trol the populace. One of the men was accidentally aban- Balliol College at Oxford University and pub- doned here and when he is introduced to the dystopian lished a collection of poems. Five years later world (disguised as a utopia) he experiences quite the he published his debut novel Crome Yellow, culture shock. which brought him his first taste of success. Island was Aldous Huxley’s last published work. It ex- I chose his books for this project because of plores the destruction of a utopian Pacific Island. A jour- the similair themes in each novel. I wanted to nalist puposefully shipwrecks himself on the island to present those themes visually and cohesive- gain access to the isolated people in order to exploit them ly between each novel.