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U m b r e l l a By the same author F ICTION The Quantity Theory of Insanity Cock and Bull My Idea of Fun Grey Area Great Apes The Sweet Smell of Psychosis Tough, Tough Toys for Tough, Tough Boys How the Dead Live Dorian Dr Mukti and Other Tales of Woe The Book of Dave The Butt Liver Walking to Hollywood N on- F ICTION Junk Mail Sore Sites Perfidious Man Feeding Frenzy Psychogeography (with Ralph Steadman) Psycho Too (with Ralph Steadman) U m b r e l l a W i l l S e l f First published in Great Britain 2012 Copyright © 2012 by Will Self The moral right of the author has been asserted No part of this book may be used or reproduced in any manner whatever without written permission from the Publishers except in the case of brief quotations embodied in critical articles or reviews ‘Apeman’ by Ray Davies © Copyright 1970 Davray Music Ltd. All rights administered by Sony/ATV Music Publishing. All rights reserved. Used by permission ‘Chirpy Chirpy Cheep Cheep’ (Cassia/Stott) © 1971 Warner Chappell Music Italiana Srl (SIAE). All rights administered by Warner Chappell Overseas Holdings Ltd. All rights reserved ‘Don’t Let It Die’ (Smith) – RAK Publishing Ltd. Licensed courtesy of RAK Publishing Ltd. ‘Sugar Me’ by Barry Green and Lynsey De Paul © Copyright Sony/ATV Music Publishing Ltd. All rights reserved. Used by permission ‘Take Me Back to Dear Old Blighty’ Words and Music by Fred Godfrey, A. J. Mills & Bennett Scott © 1916. Reproduced by permission of EMI Music Publishing Ltd, London W8 5SW Every reasonable effort has been made to trace copyright -
Und Nach Dem Holocaust?
Lea Wohl von Haselberg Und nach dem Holocaust? Jüdische Spielfilmfiguren im (west-)deutschen Film und Fernsehen nach 1945 Neofelis Verlag Die Drucklegung wurde ermöglicht durch die Axel Springer Stiftung, die Ursula Lachnit-Fixson Stiftung und die Ephraim Veitel Stiftung. Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. © 2016 Neofelis Verlag GmbH, Berlin www.neofelis-verlag.de Alle Rechte vorbehalten. Umschlaggestaltung: Marija Skara unter Verwendung von Filmstills aus Zeugin aus der Hölle (Artur Brauner-Archiv im Deutschen Filminstitut – DIF e. V., Frankfurt am Main), Lore (Rohfilm GmbH, Berlin) und Alles auf Zucker! (© Alles auf Zucker! X VERLEIH AG). Lektorat & Satz: Neofelis Verlag (mn/ae) Druck: PRESSEL Digitaler Produktionsdruck, Remshalden Gedruckt auf FSC-zertifiziertem Papier. ISBN (Print): 978-3-943414-60-8 ISBN (PDF): 978-3-943414-81-3 Inhalt Dank ․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․ 11 Einleitung ․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․ 13 I. Jüdische Filmfiguren ․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․ 37 1. Realistische jüdische Figuren ․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․42 2. Stereotype und die Darstellung jüdischer Filmfiguren ․․․․․․․․․․․․․․․․․ 47 2.1 Figurenstereotype ․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․․ 47 2.2 Stereotype als Bilder des Anderen ․․․․․․․․․․․․․․․․․․․․․․․․․․․․․ 51 2.3 -
View List (.Pdf)
Symphony Society of New York Stadium Concert United States Premieres New York Philharmonic Commission as of November 30, 2020 NY PHIL Biennial Members of / musicians from the New York Philharmonic Click to jump to decade 1842-49 | 1850-59 | 1860-69 | 1870-79 | 1880-89 | 1890-99 | 1900-09 | 1910-19 | 1920-29 | 1930-39 1940-49 | 1950-59 | 1960-69 | 1970-79 | 1980-89 | 1990-99 | 2000-09 | 2010-19 | 2020 Composer Work Date Conductor 1842 – 1849 Beethoven Symphony No. 3, Sinfonia Eroica 18-Feb 1843 Hill Beethoven Symphony No. 7 18-Nov 1843 Hill Vieuxtemps Fantasia pour le Violon sur la quatrième corde 18-May 1844 Alpers Lindpaintner War Jubilee Overture 16-Nov 1844 Loder Mendelssohn The Hebrides Overture (Fingal's Cave) 16-Nov 1844 Loder Beethoven Symphony No. 8 16-Nov 1844 Loder Bennett Die Najaden (The Naiades) 1-Mar 1845 Wiegers Mendelssohn Symphony No. 3, Scottish 22-Nov 1845 Loder Mendelssohn Piano Concerto No. 1 17-Jan 1846 Hill Kalliwoda Symphony No. 1 7-Mar 1846 Boucher Furstenau Flute Concerto No. 5 7-Mar 1846 Boucher Donizetti "Tutto or Morte" from Faliero 20-May 1846 Hill Beethoven Symphony No. 9, Choral 20-May 1846 Loder Gade Grand Symphony 2-Dec 1848 Loder Mendelssohn Violin Concerto in E minor 24-Nov 1849 Eisfeld Beethoven Symphony No. 4 24-Nov 1849 Eisfeld 1850 – 1859 Schubert Symphony in C major, Great 11-Jan 1851 Eisfeld R. Schumann Introduction and Allegro appassionato for Piano and 25-Apr 1857 Eisfeld Orchestra Litolff Chant des belges 25-Apr 1857 Eisfeld R. Schumann Overture to the Incidental Music to Byron's Dramatic 21-Nov 1857 Eisfeld Poem, Manfred 1860 - 1869 Brahms Serenade No. -
QNF V5 Proef 4.1 2
no. 5 spring 2001 QUALITY NON-FICTION FROM HOLLAND FOUNDATION FOR THE PRODUCTION Special Issue: AND TRANSLATION OF DUTCH th LITERATURE 20 Century Classics Singel 464 nl6-61017 aw2Amsterdam contained brief biographical sketches of more than 150 tel+631 206620662661 fifteenth and sixteenth-century Dutch and Flemish painters. Three quarters of a century later there fol- fax 6 6 6 6 + 31 20 620 71 79 lowed a most original book by Rembrandt’s pupil [email protected] Samuel van Hoogstraeten, the Inleyding tot de Hooge website www.nlpvf.nl Schoole der Schilderkonst (Introduction to the High School of Painting; 1678). Arnold Houbraken’s De groote schouwburgh der Nederlantsche konstschilders en schilderessen (The Great Theatre of Dutch Painters; 1718- 1721) was a sequel to Mander’s book, as entertaining as Which tradition can be said to lie at the root of the it was informative. With his account of nearly a thou- books we have been presenting as the best Netherlands sand Dutch painters of both sexes he set the tone for non-fiction over the past four years? Everyone knows generations of art collectors. A modern classic in the the historian Johan Huizinga who achieved world history of Dutch art, finally, is Bob Haak’s Hollandse renown with his The Waning of the Middle Ages (1919), schilders in de Gouden Eeuw (Dutch Painters in the but even Huizinga had important predecessors. Golden Age; 1984), a lavishly illustrated book by a lead- From the end of the sixteenth century, Dutchmen could ing connoisseur. be found crossing the oceans. Their travel books con- Erasmus and Spinoza, the most important philosophers veyed a vivid picture of the life of seafarers, but above the Netherlands has produced, admittedly wrote in all they had a lasting influence on the European view of Latin, but left an indelible impression on Dutch litera- the outside world. -
The Development of Free Indirect Constructions in Dutch Novels
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2014 The development of free indirect constructions in Dutch novels Clement, Marja Abstract: Why is the free indirect style such a useful narrative means to portray characters’ minds in fictional texts? This article gives more insight into this phenomenon by analyzing texts fromearlier times. Previous studies state that the free indirect style for the representation of thoughts emerged in Dutch literary prose in the 19th century. However, this article shows that the roots of this technique were already present in 17th century Dutch popular literature novels. The analysis of these novels provides us with more insight into this phenomenon. Before the emergence of free indirect style, the most common form for the representation of a character’s consciousness was direct discourse. The suggestion that the character is ‘thinking out loud’ makes this thought representation unnatural, as emotions and feelings are often pre-verbal and wordless. Free indirect style gives the narrator the possibility to formulate that which the character cannot put into words. The free indirect style allows the author to merge descriptions of events and actions with the character’s inner life, feelings, questions and wishes without a change in the narrative style when it comes to personal pronouns and tense. DOI: https://doi.org/10.1515/jls-2014-0009 Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-105884 Journal Article Published Version Originally published at: Clement, Marja (2014). -
Self Destruction Déjà Vu by Ian Hocking 'Very Cool
Will Self : Great Apes : An interview with spike magazine http://www.spikemagazine.com/0597self.php Author Ads: Self Destruction Déjà Vu by Ian Hocking 'Very cool. A new voice in Search now! British SF.' Chris Mitchell finds out why Will Self doesn't give a monkeys Zoe Strachan: Spin Cycle Search now! "A gripping novel, full of twisted Will Self is the man who brought a whole new meaning pyschology and to the phrase "mile high club". Unless you were in a dark, covert obsessions; both murky and dazzling" - Uncut: apathy-induced coma during the run-up to the general Click here election, (or living in another country), you can't have failed to have seen Self's face plastered over the front 666STITCHES by page of every newspaper thanks to the fact that he RGSneddon A recrudescence of snorted heroin on John Major's election jet. Self was combined fables. Occult promptly sacked from his position at The Observer, was Horror. refused to be allowed anywhere near Tony Blair and became the subject of frothing tabloid editorials for days Great Apes Authors: Advertise your afterwards. (For those of you who want to know more, Will Self book here for $30 a month check out LM's report). Buy new or used at - reach 60,000 readers What's New On Spike: This episode ties in neatly with Self's already well-honed media persona - a Suicide: No former heroin addict, enfant terrible of See all books by Compromise - the London literary scene, the English Will Self at David Nobakht successor to American Gonzo journalist "...does a sterling job of chronicling Hunter S. -
Almost Memories / Almost True Stories
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Flinders Academic Commons Cees Nooteboom, The Foxes Come at Night translated from Dutch by Ina Rilke (Quercus, 2011) Cees Nooteboom belongs to a generation of Dutch writers who were born before the war and with the death earlier this year of Harry Mulisch (The Discovery of Heaven, 1982) Nooteboom is one of the last alive. Unlike Mulisch who wrote relentlessly about the post-war Dutch landscape and whose work is thus closer to Gunther Grass in Germany, Nooteboom is more identifiable with writers such as the much younger Ian Buruma (Murder in Amsterdam, 2006) who, if they write about the Netherlands at all, do so from an outsider/expatriate viewpoint. Like Buruma, Nooteboom is an analytical essayist with an extensive oeuvre of travel writing and commentary about the arts. Nooteboom is unique however in that he is an experimenter and thus is not easily classifiable at all. In The Foxes Come at Night he pushes the boundaries of what we think of as the short story genre to the furthest edges of his imagination. Something else to keep in mind in any consideration of Nooteboom is that his father died in an Allied bombing raid during the war. He has known tragic, inexplicable death from an early age and, like Proust who came to realise that he was the subject of his writing, there is a sense that Nooteboom is studying himself in these stories. A melancholy, the black bile of ancient Greece, pervades all of Nooteboom’s work, an attraction to decay, ennui – the end of things. -
Gino Bartali
There is a wealth of material available covering the many different aspects of the Holocaust, genocide and discrimination. Listed here are a few of the books – including fact, fiction, drama and poetry – that we think are helpful for those interested in finding out more about the issues raised by Holocaust Memorial Day. The majority of these books are available on commonly used bookselling websites – books which are not have contact details for where you can purchase them. The Holocaust & Nazi Persecution A House Next Door to Trauma: Learning from Holocaust Survivors How to Respond to Atrocity – Judith Hassan A Social History of the Third Reich – Richard Grunberger Address Unknown – Kressman Taylor After Daybreak: The Liberation of Belsen 1945 – Ben Shephard After Such Knowledge – Eva Hoffman After the Holocaust: Jewish Survivors in Germany after 1945 – Eva Kolinsky Aimee & Jaguar – Erica Fischer Auschwitz: A History – Sybille Steinbacher Austerlitz – W.G. Sebald British Jewry and the Holocaust – Richard Bolchover By Trust Betrayed: Patients, Physicians and the License to kill in the Children with a Star: Jewish Youth in Nazi Europe – Deborah Dwork Confronting the ‘Good Death’: Nazi Euthanasia on Trial, 1945 – 1953’ – Michael S. Bryan Deaf People in Hitler’s Europe – Donna F. Ryan Disturbance of the Inner Ear – Joyce Hackett Forgotten Crimes: The Holocaust and People with Disabilities – Suzanne Evans www.hmd.org.uk The Holocaust & Nazi Persecution (cont.) From Prejudice to Genocide: Learning about the Holocaust – Carrie Supple Fugitive -
INFORMATION Fssufd SY the Assoaum of JEVUSH REFU^S U OEAT BRITMI
Volume XXXIV No. 5 May 1979 INFORMATION fSSUfD SY THE Assoaum OF JEVUSH REFU^S U OEAT BRITMI %on Larsen peared from the German scene: where and in what personal situation he worked was irrele vant. Even as a fanner he was still a writer. Another recent book on the subject is GERMAN LITERATURE-IN-EXILE Polififc und Literatur im Exil (Christian Ver The Last Chapter? lag, Hamburg) by Alfred Kantorowicz who emigrated to France, fought against Franco in ^ew topics in literary history have been dis- fred Durzak, Bloomington, who is also the Spain, fled to America and retumed, as a Com *^ussed, studied, written about all over the editor of the anthology) the success stories munist of long standing, to East Germany. But *orld as much as that of German Exilliteratur, are also rare, but some of them are quite the GDR tumed out to be the worst "exile" r'er since the buming of the books and the astounding: Vicki Baum, Lion Feuchtwanger, for him, and after a decade of frustration he "**ss exodus of writers from Nazi Gennany. Franz Werfel extended their former mainly left it to settle in the Federal RepubUc. He But the very diversity of attitudes to the German-language readership into a worldwide died in Hamburg two months ago. ^"Dject makes it difficult to define the term one from their American exile; Anna Segher's Kantorowicz starts his work—compiled for , "Winteratur. Does it mean anything produced Das siebte Kreuz achieved a sale of 600,000 the Forschungsstelle fur die Geschichte des J former Gennan writers outside their home- copies in the U.S. -
Martin Amis: for My Money, the BBC Got It Right
Mobile site Sign in Register Text larger · smaller About Us Today's paper Zeitgeist Search Television & radio Search News Sport Comment Culture Business Money Life & style Travel Environment TV Video Community Blogs Jobs Culture Television & radio TV and radio blog Series: Shortcuts Previous | Next | Index Martin Amis: for my Money, the BBC got it (26) right Tweet this (72) Comments (55) Martin Amis on why the BBC dramatisation of his novel Money is great television Martin Amis guardian.co.uk, Tuesday 25 May 2010 20.00 BST Article history larger | smaller Television & radio Television Books Martin Amis Series Shortcuts More features On TV & radio Most viewed Zeitgeist Latest Last 24 hours 'Remarkable': Nick Frost as John Self in the BBC dramatisation of Martin Amis's 1. Friends reunited: novel Money. Photograph: Laurence Cendrowicz/BBC which actors should share a TV screen Watching an adaptation of your novel can be a violent experience: again? seeing your old jokes suddenly thrust at you can be alarming. But I started to enjoy Money very quickly, and then I relaxed. 2. What we'll miss about The Bill It's a voice novel, and they're the hardest to film – you've got to use 3. BBC4 pitches to Mad Men fans with new some voiceover to get the voice. But I think the BBC adaptation was drama Rubicon really pretty close to my voice – just the feel of it, the slightly hysterical 4. TV review: Mistresses and E Numbers: An feel of it, which I like. It's a pity one line wasn't used. -
Postgraduate English: Issue 30
Gleghorn Postgraduate English: Issue 30 Postgraduate English www.dur.ac.uk/postgraduate.english ISSN 1756-9761 Issue 30 March 2015 Editors: Sarah Lohmann and Sreemoyee Roy Chowdhury The Paradox of the Memoir in Will Self’s Walking to Hollywood and W. G. Sebald’s The Rings of Saturn Martin Gleghorn Durham University 1 Gleghorn Postgraduate English: Issue 30 The paradox of the Memoir in Will Self’s Walking to Hollywood and W. G . Sebald’s The Rings of Saturn Martin Gleghorn Durham University Postgraduate English, Issue 30, March 2015 ‘Will what I have written survive beyond the grave? Will there be anyone to comprehend it in a world the very foundations of which are changed?’1 These are the questions posed by the Vicomte de Chateaubriand (1768-1848), whose Mémoires d'Outre- Tombe (or, Memoirs from Beyond the Tomb) are the subject of one of the most telling digressions within W. G. Sebald’s 1995 work The Rings of Saturn. It is a digression that is so telling because it exposes the reader to the innate fallibility and unreliability of the writer, with Sebald’s narrator surmising that: The chronicler, who was present at these events and is once more recalling what he witnessed, inscribes his experiences, in an act of self-mutilation onto his own body. In the writing, he becomes the martyred paradigm of the fate Providence has in store for us, and, though still alive, is already in the tomb that his memoirs represent.’2 Will Self’s pseudo-autobiographical 2010 triptych Walking to Hollywood is a work heavily influenced by Sebald, from the black-and-white photographs that litter the text, to the thematic links between its final tale, ‘Spurn Head’, and The Rings of Saturn. -
A Prisoner's Conviction: Time, Space, and Morality in W.F. Hermans's The
A Prisoner’s Conviction: Time, Space, and Morality in W.F. Hermans’s The Darkroom of Damocles and Harry Mulisch’s The Assault Marc VAN ZOGGEL Huygens Instituut voor Nederlandse Geschiedenis Introduction: Time, Space, and the Prison Narrative In his landmark essay “Forms of Time and of the Chronotope in the Novel” (1938-1939), Russian literary critic Mikhail Bakhtin coined the concept of the ‘chronotope’ (literally, ‘time space’) in order to capture “the intrinsic connectedness of temporal and spatial relationships that are artistically expressed in literature” (Bakhtin 84). The chronotope, in other words, serves to describe the transformation of the physical notions of time and space into the artistic, i.e. literary categories of form and substance: In the literary artistic chronotope, spatial and temporal indicators are fused into one carefully thought-out, concrete whole. Time, as it were, thickens, takes on flesh, becomes artistically visible; likewise, space becomes charged and responsive to the movements of time, plot and history. This intersection of axes and fusion of indicators characterizes the artistic chronotope. (ibid.) Bakhtin envisages the chronotope as a central concept in what he calls the discipline of ‘historical poetics’. For example, in his discussion of ancient Greek romances – semi- historical adventure stories – Bakhtin shows how prison scenes are instrumental in the deceleration and freezing of plot movement: “Captivity and prison presume guarding and isolating the hero in a definite spot in space, impeding his subsequent spatial movement toward his goal, that is, his subsequent pursuits and searches and so forth” (Bakhtin 99; italics in original). The prison thus plays a vital role in the semi-fictional biographies presented in these stories.