Giuseppe Verdi Ernani Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Giuseppe Verdi Ernani mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Ernani Country: US Released: 1998 Style: Romantic, Opera MP3 version RAR size: 1765 mb FLAC version RAR size: 1256 mb WMA version RAR size: 1185 mb Rating: 4.5 Votes: 681 Other Formats: APE DMF DTS MMF AHX ASF ADX Tracklist CD 1 1-1 Introduction 2:33 Act One 1-2 Evviva! Beviamo! Beviam! 2:51 1-3 Mercè, Diletti Amici... Come Rugiada Al Cespite 3:21 1-4 Dell'esilio Nel Dolore 1:58 1-5 Sorta è la Notte 1:52 1-6 Ernani! Ernani, Involami 2:11 1-7 Tutto Sprezzo Che D'Ernani 3:01 1-8 Qui Mi Trasse Amor Possente 1:03 1-9 Da Quel Dì Che T'ho Veduta 3:59 1-10 Tu Se' Ernani! 1:47 1-11 Che Mai Vegg'io!... Infelice! E Tuo Credevi 5:51 1-12 Vedi Come Il Buon Vegliardo 5:11 Act Two 1-13 Esultiamo! Letizia Ne Innondi! 3:11 1-14 Oro, Quant'oro Ogn'avido 2:33 1-15 Tu Perfida 2:32 1-16 No, Vendetta Piu Tremenda 1:03 1-17 Cugino, A Che Munito 3:02 1-18 Lo Vedremo, Veglio Audace 5:03 1-19 Vieni Meco, Sol di Rose 2:32 1-20 A Te... Scegli Seguimi 5:02 CD 2 Act Three 2-1 È Questo Il Loco? 2:55 2-2 Gran Dio! 1:23 2-3 Oh De' Verd'anni Miei 7:03 2-4 Si Ridesti Il Leon di Castiglia 5:11 2-5 Oh Sommo Carlo 3:57 Act Four 2-6 Oh, Come Felici Gioiscon Gli Sposi! 6:07 2-7 Ferma, Crudele, Estinguere 10:08 Credits Baritone Vocals – Franco Ricciardi, Giuseppe Morresi Bass Vocals – Boris Christoff, Peter Glossop Conductor – Gianandrea Gavazzeni Mezzo-soprano Vocals – Mirella Fiorentini Orchestra – Orchestra Sinfonica Di Roma Della RAI Soprano Vocals – Montserrat Caballé Tenor Vocals – Bruno Prevedi Notes Recorded live in 1969 in Milan. Barcode and Other Identifiers Barcode: 723723132727 Related Music albums to Ernani by Giuseppe Verdi Chorus And Orchestra Of La Scala Opera House, Milan Conducted By Tullio Serafin, Norberto Mola - Verdi Choruses Bidú Sayão - Bachiana Brasiliera No. 5 Opera Arias & Brazilian Folksongs Modest Mussorgsky, Paata Burchuladze, Edward Downes, English Concert Orchestra - Boris Godunov - Don Carlos - Macbeth - Simon Boccanegra - Ernani Selma Kurz - Selma Kurz Maria Callas - Maria Callas Singt Arien Von Verdi II Claudia Muzio - Claudia Muzio Sings Maria Callas - Maps Dificil De Encontrar Mirella Freni, Placido Domingo, Renato Bruson, Nicolai Ghiaurov, Riccardo Muti, Giuseppe Verdi - Ernani Giuseppe Verdi Opera Recital By Julia Wiener Chenisheva - Arias From The Operas Of Giuseppe Verdi Verdi - Brani da Ernani.

Copy Link

Recommended publications

Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
[Show full text]
Bellini's Norma
Bellini’s Norma - A discographical survey by Ralph Moore There are around 130 recordings of Norma in the catalogue of which only ten were made in the studio. The penultimate version of those was made as long as thirty-five years ago, then, after a long gap, Cecilia Bartoli made a new recording between 2011 and 2013 which is really hors concours for reasons which I elaborate in my review below. The comparative scarcity of studio accounts is partially explained by the difficulty of casting the eponymous role, which epitomises bel canto style yet also lends itself to verismo interpretation, requiring a vocalist of supreme ability and versatility. Its challenges have thus been essayed by the greatest sopranos in history, beginning with Giuditta Pasta, who created the role of Norma in 1831. Subsequent famous exponents include Maria Malibran, Jenny Lind and Lilli Lehmann in the nineteenth century, through to Claudia Muzio, Rosa Ponselle and Gina Cigna in the first part of the twentieth. Maria Callas, then Joan Sutherland, dominated the role post-war; both performed it frequently and each made two bench-mark studio recordings. Callas in particular is to this day identified with Norma alongside Tosca; she performed it on stage over eighty times and her interpretation casts a long shadow over. Artists since, such as Gencer, Caballé, Scotto, Sills, and, more recently, Sondra Radvanovsky have had success with it, but none has really challenged the supremacy of Callas and Sutherland. Now that the age of expensive studio opera recordings is largely over in favour of recording live or concert performances, and given that there seemed to be little commercial or artistic rationale for producing another recording to challenge those already in the catalogue, the appearance of the new Bartoli recording was a surprise, but it sought to justify its existence via the claim that it authentically reinstates the integrity of Bellini’s original concept in matters such as voice categories, ornamentation and instrumentation.
[Show full text]
Il Trovatore
Synopsis Act I: The Duel Count di Luna is obsessed with Leonora, a young noblewoman in the queen’s service, who does not return his love. Outside the royal residence, his soldiers keep watch at night. They have heard an unknown troubadour serenading Leonora, and the jealous count is determined to capture and punish him. To keep his troops awake, the captain, Ferrando, recounts the terrible story of a gypsy woman who was burned at the stake years ago for bewitching the count’s infant brother. The gypsy’s daughter then took revenge by kidnapping the boy and throwing him into the flames where her mother had died. The charred skeleton of a baby was discovered there, and di Luna’s father died of grief soon after. The gypsy’s daughter disappeared without a trace, but di Luna has sworn to find her. In the palace gardens, Leonora confides in her companion Ines that she is in love with a mysterious man she met before the outbreak of the war and that he is the troubadour who serenades her each night. After they have left, Count di Luna appears, looking for Leonora. When she hears the troubadour’s song in the darkness, Leonora rushes out to greet her beloved but mistakenly embraces di Luna. The troubadour reveals his true identity: He is Manrico, leader of the partisan rebel forces. Furious, the count challenges him to fight to the death. Act II: The Gypsy During the duel, Manrico overpowered the count, but some instinct stopped him from killing his rival. The war has raged on.
[Show full text]
Roger Parker: Curriculum Vitae
1 Roger Parker Publications I Books 1. Giacomo Puccini: La bohème (Cambridge, 1986). With Arthur Groos 2. Studies in Early Verdi (1832-1844) (New York, 1989) 3. Leonora’s Last Act: Essays in Verdian Discourse (Princeton, 1997) 4. “Arpa d’or”: The Verdian Patriotic Chorus (Parma, 1997) 5. Remaking the Song: Operatic Visions and Revisions from Handel to Berio (Berkeley, 2006) 6. New Grove Guide to Verdi and his Operas (Oxford, 2007); revised entries from The New Grove Dictionaries (see VIII/2 and VIII/5 below) 7. Opera’s Last Four Hundred Years (in preparation, to be published by Penguin Books/Norton). With Carolyn Abbate II Books (edited/translated) 1. Gabriele Baldini, The Story of Giuseppe Verdi (Cambridge, 1980); trans. and ed. 2. Reading Opera (Princeton, 1988); ed. with Arthur Groos 3. Analyzing Opera: Verdi and Wagner (Berkeley, 1989); ed. with Carolyn Abbate 4. Pierluigi Petrobelli, Music in the Theater: Essays on Verdi and Other Composers (Princeton, 1994); trans. 5. The Oxford Illustrated History of Opera (Oxford, 1994); translated into German (Stuttgart. 1998), Italian (Milan, 1998), Spanish (Barcelona, 1998), Japanese (Tokyo, 1999); repr. (slightly revised) as The Oxford History of Opera (1996); repr. paperback (2001); ed. 6. Reading Critics Reading: Opera and Ballet Criticism in France from the Revolution to 1848 (Oxford, 2001); ed. with Mary Ann Smart 7. Verdi in Performance (Oxford, 2001); ed. with Alison Latham 8. Pensieri per un maestro: Studi in onore di Pierluigi Petrobelli (Turin, 2002); ed. with Stefano La Via 9. Puccini: Manon Lescaut, special issue of The Opera Quarterly, 24/1-2 (2008); ed.
[Show full text]
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio
[Show full text]
LA GONDOLA DEI FOLLI Vezhdi Rashidov, Ministro Della Cultura Di Bulgaria; Dott
Patrocini Regione del Veneto; Città di Venezia; Ambasciata della Repubblica di Bulgaria in Italia; Ambasciata di Bul- Biblioteca Casanatense Ambasciata di Bulgaria Ambasciata di Bulgaria garia presso la Santa; Consolato Generale della Repubblica di Bulgaria a Milano; Istituto Bulgaro di Cultura in Italia presso la Santa Sede a Roma; Scuola Grande San Giovanni Evangelista di Venezia; FUIS; Texfilart Comitato d’Onore LA CALUNNIA: LA GONDOLA DEI FOLLI Vezhdi Rashidov, Ministro della Cultura di Bulgaria; Dott. Luca Zaia, Presidente della Regione Veneta; Grand Tour contemporaneo da Venezia alla Città Eterna in memoria del basso bulgaro Dott. ssa Paola Mar, Assessore al Turismo e Decentramento della Città di Venezia; S. E. Marin Raykov, Boris Christoff Ambasciatore della Repubblica di Bulgaria in Italia; S. E. Kiril Topalov, Ambasciatore di Bulgaria presso la Santa Sede; Dott. Rossen Roufev, Console Generale della Repubblica di Bulgaria a Milano; Dott. ssa Jana Yakovleva, Direttore dell’Istituto Bulgaro di Cultura a Roma; Dott. Antonio Cecchini, Guardian Grande della Scuola Grande di San Giovanni Evangelista; Prof. N. Antonio Rossi, Presidente FUIS; Tania Kalimerova, Presidente Texfilart Con la collaborazione di Biblioteca Casanatense, Ambasciata della Repubblica di Bulgaria in Italia, Città di Venezia, Istituto Bulgaro di Cultura a Roma, Texfilart Curatore Dott. Gabriele Romeo Organizzazione generale Tania Kalimerova, Texfilart Testi di presentazione S.E. Marin Raykov, Ambasciatore della Repubblica di Bulgaria in Italia, Dott. Gabriele Romeo,
[Show full text]
29 September 2017 Page 1 of 20
Radio 3 Listings for 23 – 29 September 2017 Page 1 of 20 SATURDAY 23 SEPTEMBER 2017 White Mist Patches Polish Radio Choir, uncredited pianist, Marek Kluza (director) SAT 01:00 Through the Night (b0952b1p) Vivaldi's Gloria and Mozart's first Violin Concerto 4:48 AM Jonathan Swain presents a performance from Romanian Radio of Rossini, Gioachino (1792-1868) Vivaldi's Gloria and Mozart's first violin concerto. Introduction and Theme and Variations László Horváth (clarinet), Hungarian Radio Orchestra, Géza 1:01 AM Oberfrank (conductor) Joseph Haydn (1732-1809) Overture to 'L'isola disabitata', Hob.XXVIII:9 5:01 AM Romanian Radio Chamber Orchestra, Gabriel Bebeselea Donizetti, Gaetano (1797-1848) (conductor) Aria 'Quel guardo il cavaliere', Norina's Cavatina from Act 1, scene 2 of "Don Pasquale" 1:09 AM Adriana Marfisi (soprano), Oslo Philharmonic, Nello Santi Wolfgang Amadeus Mozart (1756-1791) (conductor) Violin Concerto No.1 in B flat, K.207 Cristina Anghelescu (violin), Romanian Radio Chamber Orchestra, 5:07 AM Gabriel Bebeselea (conductor) Turina, Joaquín (1882-1949) Rapsodia sinfonica for piano and string orchestra, Op.66 1:30 AM Angela Cheng (piano), Calgary Philharmonic Orchestra, Hans Graf Antonio Vivaldi (1678-1741) (conductor) Gloria in D major, RV.589 Rodica Vica (soprano), Maria Jinga (mezzo-soprano), Romanian 5:16 AM Radio Academic Chorus, Dan Mihai Goia (director), Romanian Vivaldi, Antonio (1678-1741) Radio Chamber Orchestra, Gabriel Bebeselea (conductor) Concerto da camera in C major, RV.87 Camerata Köln 1:58 AM Bach, Johann
[Show full text]
Jessica Pratt
JESSICA PRATT SerenadeVINCENZO SCALERA Serenade from Péchés de vieillesse (?G. Torre) Jules Massenet 1842–1912 Vincenzo Bellini 1801–1835 1 Ouvre tes yeux bleus 2.03 From Sei ariette No.3 from Poème d’Amour (P. Robiquet) 10 No.5 Per pietà, bell’idol mio 2.31 (P. Metastasio) Charles Gounod 1818–1893 11 No.1 Malinconia, ninfa gentile 1.29 2 Sérénade (V. Hugo) 4.07 (I. Pindemonte) Alfred Bachelet 1864–1944 12 La ricordanza (C. Pepoli) 5.25 3 Chère nuit (E. Adenis) 4.38 From Tre ariette (Anon.) Eva Dell’Acqua 1856–1930 13 No.2 Dolente immagine di Fille mia 3.04 4 Villanelle (F. van der Elst) 5.22 14 No.3 Vaga luna che inargenti 2.43 Léo Delibes 1836–1891 Gaetano Donizetti 1797–1848 5 Les Filles de Cadix (A. de Musset) 3.24 15 La zingara (C. Guaita) 3.53 16 Il barcaiolo 2.57 Gioachino Rossini 1792–1868 No.1 from Nuits d’été à Pausilippe 6 La separazione (F. Uccelli) 4.39 (L. Tarantini) 7 Mi lagnerò tacendo 2.32 17 Una lagrima (Preghiera) 4.09 from Péchés de vieillesse (P. Metastasio) from Matinée musicale (Anon.) 8 Addio ai viennesi (Anon.) 4.49 9 La fioraia fiorentina 3.56 62.18 Jessica Pratt soprano Vincenzo Scalera piano 3 Jessica Pratt Hailed by the New York Times as a soprano of ‘gleaming sound, free and easy high notes, agile coloratura runs and lyrical grace’, Jessica Pratt is considered one of today’s foremost interpreters of some of bel canto’s most challenging repertoire.
[Show full text]
Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre
Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) James Cotton Living the Blues James Cotton; Larry McCray; John Primer; Johnny B. Gayden; Brian Jones; Dr. John; Lucky Peterson; Joe Louis Walker 1994 1121-105-242 19 Blues (music) Willie Dixon Willie Dixon; Andy McKaie; Don Snowden 1988 1121-105-249 01 Oversized case; 2 CD box set Blues (music) Cincinnati Blues (1928-1936) Bob Coleman's Cincinnati Jug Band and Associates; Walter Coleman; Bob Coleman no date 1121-105-242 17 Found with CD album in Box #10, Item #28; Case was found separately Blues (music) Willie Dixon, The Big Three Trio Willie Dixon; The Big Three Trio 1990 1121-105-242 18 Blues (music) The Best of Muddy Waters Muddy Waters 1987 1121-105-242 08 Blues (music) The Roots of Robert Johnson Robert Johnson 1990 1121-105-242 07 Blues (music) The Best of Mississippi John Hurt Mississippi John Hurt; Bob Scherl 1987 1121-105-242 06 Blues (music) Bud Powell: Blues for Bouffemont Bud Powell; Alan Bates 1989 1121-105-242 36 Friday, May 11, 2018 Page 1 of 89 Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) Big Bill Broonzy Good Time Tonight Big Bill Broonzy 1990 1121-105-242 04 Blues (music) Bessie Smith The Collection Bessie Smith; John Hammond; Frank Walker 1989 1121-105-242 38 Blues (music) Blind Willie Johnson Praise God I'm Satisfied Blind Willie Johnson 1989 1121-105-242 20 Post-it note was found on the back of this CD case, photocopy made and placed in envelope behind CD.
[Show full text]
OPERA NEWS (Mailto:[email protected]?Subject=Website%20Feedback)
Features May 2013 — Vol. 77, No. 11 (http://www.operanews.org/Opera_News_Magazine/2013/5/May_2013.html) The Lion Speaks For decades, Ferruccio Furlanetto has exemplified the highest performing standard in opera. As he prepares to sing Filippo in Covent Garden's Don Carlo, the Italian bass speaks to BARRY SINGER about maintaining that standard — and where he fears the opera world is heading. Portrait photographed by James Salzano at Maserati of Manhattan, New York City Grooming by Affan Malik / Jacket: Hickey Freeman / Watch: Rolex © James Salzano 2013 View More Images Massenet's Don Quichotte at the Mariinsky with Andrei Serov as Sancho Pança © N. Razina 2013 (http://www.operanews.org/uploadedImages/Opera_News_Magazine/2013/5/Features/LionSpeaksQuichottelg513.jpg) As Thomas Becket in Assassinio nella Cattedrale at La Scala, 2009 Marco Brescia/© Teatro alla Scala 2013 (http://www.operanews.org/uploadedImages/Opera_News_Magazine/2013/5/Features/LionSpeaksAssassiniolg513.jpg) As Thomas Becket in Assassinio nella Cattedrale at La Scala, 2009 Marco Brescia/© Teatro alla Scala 2013 As Fiesco in Simon Boccanegra at Lyric Opera of Chicago, 2012 © Dan Rest 2013 (http://www.operanews.org/uploadedImages/Opera_News_Magazine/2013/5/Features/LionSpeaksInBoccanegralg513.jpg) As Fiesco in Simon Boccanegra at Lyric Opera of Chicago, 2012 © Dan Rest 2013 "I belong to a generation that is almost gone now," says Ferruccio Furlanetto, who turns sixty-four this month. "When we started — when I started — I was in a position to learn daily from these amazing directors, from these amazing conductors. It was splendid. And a young kid could really grow and learn and gain a clear idea of each new role, and that role was then marked forever." Epic vocal brilliance and an eloquent sensitivity to character have marked virtually every role undertaken by this esteemed bass from Sacile, Italy, over a thirty-nine-year professional career.
[Show full text]
Verdi's Simon Boccanegra: a Survey of the Discography
Verdi’s Simon Boccanegra: A survey of the discography by Ralph Moore I think of Simon Boccanegra as something of a connoisseur’s opera, insofar as it surely contains some of Verdi’s most inspired music, yet has from its premiere rightly been criticised for its labyrinthine plot – a caricature of typically operatic complications – and its consequent lack of accessibility for audiences. For that reason, the first version soon fell out of favour after its 1857 premiere, but Verdi, no doubt with justification, thought highly enough of the music to undertake a revision twenty-three years later with the help of Arrigo Boito, and the result, the 1881 version, is the one almost invariably performed today. The most important addition was the Council Chamber Scene; the opera would be much the poorer without it, but Verdi also revised a good deal of the music to render it far more ductile and atmospheric. The opera presents an admixture of personal and political turmoil such as we encounter in other mature operas like Les vêpres siciliennes and Don Carlos, but also capitalises on two archetypal themes very prevalent in Verdi’s operas and to which he frequently returned, both of which prompted the best of his music: the depiction of a loving but tortured father-daughter relationship of the kind we also see in Luisa Miller, Rigoletto and Aida and his concern for statesmanship, as exhibited in the appeals for peace, patriotism and brotherhood, rallying calls stretching right back to his earliest operas, such as Nabucco, I Lombardi, Attila and La battaglia di Legnano.
[Show full text]
Giuseppe Verdi Macbeth (Arien Und Szenen) Mp3, Flac, Wma
Giuseppe Verdi MacBeth (Arien Und Szenen) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: MacBeth (Arien Und Szenen) Country: Germany Released: 1971 MP3 version RAR size: 1786 mb FLAC version RAR size: 1923 mb WMA version RAR size: 1871 mb Rating: 4.3 Votes: 120 Other Formats: VOC AC3 MP2 AA MMF APE MPC Tracklist A1 Nel Di Della Vittoria ... Vieni! T'affreta! Accender Ti Vó A2 Regna Il Sonno Su Tutti... Fatal Mia Donna! Un Murmure A3 La Luce Langue A4 Studia Il Passo, O Mio Figlio... Come Dal Ciel Precipita A5 Che Ti Scosta, O Re Mio Sposo B1 Finchè Appelli, Silenti M'attendete B2 Patria Opressa! B3 O Figli, O Figi Miei!.... Ah La Paterna Mano B4 Vegliamo Invan Due Notti B5 Una Macchia È Qui Tuttora B6 Pietà, Rispetto, Amore B7 Vittoria! Vittoria! Companies, etc. Manufactured By – TELDEC »Telefunken-Decca« Schallplatten GmbH Credits Baritone Vocals – Dietrich Fischer-Dieskau, Peter Marsland Bass Vocals – Nicolai Ghiaurov, Raymond Myers Chorus – Ambrosian Opera Chorus* Chorus Master – John McCarthy Composed By – Giuseppe Verdi Conductor – Lamberto Gardelli Liner Notes – Hans Christoph Worbs Mezzo-soprano Vocals – Helen Lawrence Orchestra – London Philharmonic Orchestra* Soprano Vocals – Andrew Dance, Elena Suliotis*, John Noble Tenor Vocals – Luciano Pavarotti, Ricardo Cassinelli Other versions Category Artist Title (Format) Label Category Country Year Verdi*, Souliotis*, Fischer- Verdi*, Souliotis*, Dieskau*, Pavarotti*, Fischer-Dieskau*, Ghiaurov*, The Ambrosian Pavarotti*, Ghiaurov*, The SET 539 Opera Chorus, London
[Show full text]