Exploring Artificial Intelligence in Selected Science Fictions
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Patient Narratives Within Glasgow's Royal Asylum 1921-1929
Journal of Literature and Science Volume 6, No. 1 (2013) ISSN 1754-646XJournal of Literature and Science 6 (2013) Levene and Siena, “Reporting Dirt and Disease”: 1-17 Hazel Morrison, “Conversing with the Psychiatrist”: 18-37 Conversing with the Psychiatrist: Patient Narratives within Glasgow’s Royal Asylum 1921-1929 Hazel Morrison C. Charlotte Murray ADMITTED: ... ... 1929 FORM: Schizophrenia Episode CAUSE: Personality unhappy domestic life H.P. Neg ... General Behaviour. This is very variable. She slept for an hour and a half following admission. When she began to act at times in a very extraordinary manner; she was noted to speak to herself a great deal. At times she got very impulsive ... When seen during the forenoon ... she lay in bed, her eyes were flashing and she immediately made strange signs. She blew from her mouth and made movements of her arms which seemed to indicate that she was pushing or brushing away the medical officer ... Stream of Activity On going to make the official physical examination I found her in her “high” state. She spoke in a loud declamatory voice ... got very antagonistic and said if I remained where I was she would spit on me. I sat. She spat on me, three times; and then she said something like, “Thank God, Thank God, he does not flinch” and her antagonism seemed to go away very largely; and she allowed the sister to begin to arrange her dress for the physical examination... I then proceeded with the examination; but again she showed momentary flashes of antagonism ... and proceeded to sing aloud “Danny Boy, Danny Boy .. -
Acdsee Proprint
BULK RATE U.S. POSTAGE PAID Permit N9.2419 lPE lPITClHl K.C., Mo. FREE ALL THE MUSE TI:AT FITS THE PITCH ISSUE NO. 10 JULY -AUGUST 1981 LeRoi, John CaIe, Stones, Blues, 3 Friends, Musso. Give the gift of music. OIfCharlie Parleer + PAGE 2 THE PENN:Y PITCH mJTU:li:~u-:~u"nU:lmmr;unmmmrnmmrnmmnunrnnlmnunPlIiunnunr'mlnll1urunnllmn broke. Their studio is above the Tomorrow studio. In conclusion, I l;'lish Wendy luck, because l~l~ lPIITC~1 I don't believe in legislating morals. Peace, love, dope, is from the Sex Machine a.k.a. (Dean, Dean) p.S. Put some more records in the $4.49 RELIGIOUS NAPOLEON group! 4128 BROADWAY KANSAS CITY, MISSOURI 64111 Dear Warren: (Dear Sex Machine: Titles are being added to (816) 561-1580 I recently came across something the $4.49 list each month. And at the Moon I thought you might "Religion light Madness Sale (July 17), these records is excellent stuff keeping common will be $3.99! Also, it's good to learn that people quiet." --Napoleon Bonaparte the spirit of t_he late Chet Huntley still can Editor ..............• Charles Chance, Jr. (1769-1821). Keep up the good work. cup of coffee, even one vibrated Assistant Editors ...•. Rev. Frizzell Howard Drake Jay '"lctHUO':V_L,LJLe Canyon, Texas LOVE FINDS LeROI Contributing Writers and Illustrators: (Dear Mr. Drake: I think Warren would Dear Warren: Milton Morris, Sid Musso, DaVINK, Julia join us in saying, "Religion is like This is really a letter to Donk, Richard Van Cleave, Jim poultry-- you gotta pluck it and fry it LeRoi. -
Biography :: Discography :: Tour History Asadinho
asadinho biography :: discography :: tour history asadinho _releases: over 100,000 units sold across over 150 single releases _labels include: om / drop / global underground / king street / wall of sound / loveslap! / tango / urbantorque / the end / nrk / vizual / loaded / visitor / multiply / wiggle / wrong _remixes include: lana del rey / blaze / mr c / the fog / doc martin / tjr / mateo & matos / swag / galaxy group / spencer grey / harold heath _press features include: mixmag (producer of the year”) / dj (feature) / muzik (feature) / jockeyslut (covermount mix) / the face (“dj to watch”) / m8s (in “best compilations of the year”) / xlr8r (feature) / RA (feature) / future music (covermount tech video) _compilation licenses include: fabric / defected / global underground / kickin’ / om / balance / pagan / hed kandi / cabrio / clubstar selected info & audio links _recent supporters _venues include seth troxler / damian lazarus / maya jane coles / dusky / m.a.n.d.y. fabric (london) / pacha (buenos aires) / stereo (montreal) / folies / maceo plex / mark farina / terry francis / mr. c / laura jones / brett pigales (paris) / d-edge (brazil) / king king (la) / sullivan room (nyc) / end up (sf) / roxy & mecca (prague) / comics & culture beat (bulgar- johnson / heather / dj t / doc martin / aeroplane / bill brewster / chris ia) / maniac love (tokyo) / crystal (istanbul) / the end, the egg, east duckenfield / danny tenaglia / inland knights / fred everything / danny village (london) howells / alex gopher / the glimmers / and more... _gigs audio -
Posthuman Rights: Dimensions of Transhuman Worlds
#EVANS, W.. (2015). Posthuman Rights: Dimensions of Transhuman Worlds. Revista Teknokultura, Vol. 12(2), 373-384. Recibido: 29-04-2015 Open peer review Aceptado: 12-07-2015 http://revistas.ucm.es/index.php/TEKN/pages/view/opr-49072 Posthuman Rights: Dimensions of Transhuman Worlds Derechos posthumanos: Dimensiones de los mundos transhumanos Woody Evans Texas Woman’s University, EEUU [email protected] ABSTRACT There are at least three dimensions to rights. We may have and lack freedom to 1) be, 2) do, and 3) have. These dimensions reformulate Locke’s categories, and are further complicated by placing them within the context of domains such as natural or civil rights. Here the question of the origins of rights is not addressed, but issues concerning how we may contextualize them are discussed. Within the framework developed, this paper makes use of Actor-Network Theory and Enlightenment values to examine the multidimensionality and appropriateness of animal rights and human rights for posthumans. The core position here is that rights may be universal and constant, but they can only be accessed within a matrix of relative cultural dimensions. This will be true for posthumans, and their rights will be relative to human rights and dependent on human and posthuman responsibilities. http://dx.doi.org/10.5209/rev_TK.2015.v12.n2.49072 ISSN: 1549 2230 Revista Teknokultura, (2015), Vol. 12 Núm. 2: 373-384 373 Posthuman Rights: Woody Evans Dimensions of Transhuman Worlds KEYWORDS transhumanism, human rights, natural rights, animal rights, civil rights, technology, political philosophy. RESUMEN Hay por lo menos tres dimensiones de los derechos. -
Humanizing the Posthuman in Powers, Wallace, Gibson And
HUMANIZING THE POSTHUMAN IN POWERS, WALLACE, GIBSON AND DELILLO A dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of the Doctor of Philosophy By Ahmad Ghashmari December 2016 © Copyright All rights reserved Except for previously published materials Dissertation Written by Ahmad Ghashmari B.A., Yarmouk University, 2006 M.A., Yarmouk University, 2009 M.A., University of Akron, 2015 Ph.D., Kent State University, 2016 Approved by Tammy Clewell_______________, Chair, Doctoral Dissertation Committee Robert Trogdon_______________, Members, Doctoral Dissertation Committee Kevin Floyd__________________ Michael Byron________________ Brian Baer___________________ Accepted by Robert Trogdon_______________, Chair, Department of English James L. Blank________________, Dean, College of Arts and Sciences i TABLE OF CONTENTS Acknowledgements ……………………………………………………………………………..……..ii Introduction………………………………………………………………………….…………….….…..1 Chapter 1: Richard Powers’ Galatea 2.2: Love, Companionship and Boundaries between Humans and Machines………………………………..………………....32 Chapter 2: David Foster Wallace’s Infinite Jest: Entertainment Technology and the Reclaiming of the Human………………….………………………………………….60 Chapter 3: William Gibson’s Pattern Recognition: Finding Human Agency in a Commodified Techno-Culture……….……………………………..……………....89 Chapter 4: The Illusion of Transhuman Immortality and the Importance of the Self…………………………..…………………….………….……………………………….122 Conclusion: Towards a New Understanding of Posthumanism………………………….151 Works Cited…………………………………………….……………….………………………………….156 ii ACKNOWLEDGEMENTS I am immensely grateful to my dissertation director, Tammy Clewell, for her encouragement and patience. I would not have been able to complete this study without her guidance, valuable feedback and suggestions. I would also like to thank my dissertation committee members, Dr. Robert Trogdon, Dr. Kevin Floyd and Dr. Michael Byron for their feedback and interesting questions during the defense, the candidacy exams and the prospectus defense. -
Mirrorshade Women: Feminism and Cyberpunk
Mirrorshade Women: Feminism and Cyberpunk at the Turn of the Twenty-first Century Carlen Lavigne McGill University, Montréal Department of Art History and Communication Studies February 2008 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Doctor of Philosophy in Communication Studies © Carlen Lavigne 2008 2 Abstract This study analyzes works of cyberpunk literature written between 1981 and 2005, and positions women’s cyberpunk as part of a larger cultural discussion of feminist issues. It traces the origins of the genre, reviews critical reactions, and subsequently outlines the ways in which women’s cyberpunk altered genre conventions in order to advance specifically feminist points of view. Novels are examined within their historical contexts; their content is compared to broader trends and controversies within contemporary feminism, and their themes are revealed to be visible reflections of feminist discourse at the end of the twentieth century. The study will ultimately make a case for the treatment of feminist cyberpunk as a unique vehicle for the examination of contemporary women’s issues, and for the analysis of feminist science fiction as a complex source of political ideas. Cette étude fait l’analyse d’ouvrages de littérature cyberpunk écrits entre 1981 et 2005, et situe la littérature féminine cyberpunk dans le contexte d’une discussion culturelle plus vaste des questions féministes. Elle établit les origines du genre, analyse les réactions culturelles et, par la suite, donne un aperçu des différentes manières dont la littérature féminine cyberpunk a transformé les usages du genre afin de promouvoir en particulier le point de vue féministe. -
118 Reviews of Books Does, the Book Is a Pleasure. He Roots It in Feminist, Race, and Sf Scholarship, Just As He Grounds Butler
118 Reviews of Books does, the book is a pleasure. He roots it in feminist, race, and sf scholarship, just as he grounds Butler in black American women’s writing traditions and sf tropes. Moreover, he stays focused on his literary argument and doesn’t get lost in the weeds of debates about agency, humanism, and the problematic legacy of the Enlightenment. Ultimately, Of Bodies, Communities, and Voices is indispensable for any Butler scholar, primarily because of the ways he connects so many of her work’s central concerns without reducing its complexity or variety. It will function more as a source of research than pedagogy, except maybe in upper-level classes centered on Butler. I recommend it not only to scholars of Butler but sf in general, especially in terms of afrofuturism, posthumanism, or any of Bast’s focal points (agency, bodies, community, voice). Biopunk SF in Liquid Modernity. Lars Schmeink. Biopunk Dystopias: Genetic Engineering, Society and Science Fiction. Liverpool: Liverpool University Press, 2016. 288 pp. ISBN 978-1-78-138376-6. £75 hc. Reviewed by D. Harlan Wilson Biopunk is among the more recent sf subgenres to emerge from the virtual citadel of 1980s cyberpunk. There have been others—most prominently steampunk, but also splatterpunk, nanopunk, dieselpunk, bugpunk, even elfpunk and monkpunk—but biopunk narratives are perhaps the first truly authentic descendant of the cyberpunks, featuring gritty dystopian settings, beat characters, corporate terrorism, techno-pathology, and body invasion. Instead of hacking computers, however, biopunks hack DNA and operate in worlds where the processes and products of genetic engineering are brought to bear by various forms of mad scientism. -
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity 2 Copyright © Sarah Thornton 1995 The right of Sarah Thornton to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 1995 by Polity Press in association with Blackwell Publishers Ltd. Reprinted 1996, 1997, 2001 Transferred to digital print 2003 Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 1JF, UK All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any 3 form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. ISBN: 978-0-7456-6880-2 (Multi-user ebook) A CIP catalogue record for this book is available from the British Library. Typeset in 10.5 on 12.5 pt Palatino by Best-set Typesetter Ltd, Hong Kong Printed and bound in Great Britain by Marston Lindsay Ross International -
Brain Uploading-Related Group Mind Scenarios
MIRI MACHINE INTELLIGENCE RESEARCH INSTITUTE Coalescing Minds: Brain Uploading-Related Group Mind Scenarios Kaj Sotala University of Helsinki, MIRI Research Associate Harri Valpola Aalto University Abstract We present a hypothetical process of mind coalescence, where artificial connections are created between two or more brains. This might simply allow for an improved formof communication. At the other extreme, it might merge the minds into one in a process that can be thought of as a reverse split-brain operation. We propose that one way mind coalescence might happen is via an exocortex, a prosthetic extension of the biological brain which integrates with the brain as seamlessly as parts of the biological brain in- tegrate with each other. An exocortex may also prove to be the easiest route for mind uploading, as a person’s personality gradually moves away from the aging biological brain and onto the exocortex. Memories might also be copied and shared even without minds being permanently merged. Over time, the borders of personal identity may become loose or even unnecessary. Sotala, Kaj, and Harri Valpola. 2012. “Coalescing Minds: Brain Uploading-Related Group Mind Scenarios.” International Journal of Machine Consciousness 4 (1): 293–312. doi:10.1142/S1793843012400173. This version contains minor changes. Kaj Sotala, Harri Valpola 1. Introduction Mind uploads, or “uploads” for short (also known as brain uploads, whole brain emu- lations, emulations or ems) are hypothetical human minds that have been moved into a digital format and run as software programs on computers. One recent roadmap chart- ing the technological requirements for creating uploads suggests that they may be fea- sible by mid-century (Sandberg and Bostrom 2008). -
Space and the Re-Purposing of Materials and Technology in William Gibson's Neuromancer and Virtual Light Submitted by Grigori
Space and the Re-Purposing of Materials and Technology in William Gibson’s Neuromancer and Virtual Light Submitted by Grigorios Iliopoulos A thesis submitted to the Department of American Literature and Culture, School of English, Faculty of Philosophy of Aristotle University of Thessaloniki, in partial fulfillment of the requirements for the degree of Master of Arts in English and American Studies. Supervisor: Dr. Tatiani Rapatzikou June 2020 Iliopoulos 2 Abstract This thesis explores the relationship between space and technology as well as the re-purposing of tangible and intangible materials in William Gibson’s Neuromancer (1984) and Virtual Light (1993). With attention paid to the importance of the cyberpunk setting. Gibson approaches marginal spaces and the re-purposing that takes place in them. The current thesis particularly focuses on spotting the different kinds of re-purposing the two works bring forward ranging from body alterations to artificial spatial structures, so that the link between space and the malleability of materials can be proven more clearly. This sheds light not only on the fusion and intersection of these two elements but also on the visual intensity of Gibson’s writing style that enables readers to view the multiple re-purposings manifested in thε pages of his two novels much more vividly and effectively. Iliopoulos 3 Keywords: William Gibson, cyberspace, utilization of space, marginal spaces, re-purposing, body alteration, technology Iliopoulos 4 Acknowledgements I would like to thank my supervisor, Dr. Tatiani Rapatzikou, for all her guidance and valuable suggestions throughout the writing of this thesis. I would also like to express my gratitude to my parents for their unconditional support and understanding. -
Table of Contents Vol. 35 No. 3
September 1995 Table of Contents vol. 35 no. 3 M a i n S t o r ie s Locus Looks a t Books 1995 Hugo Awards Winners... 7 - 13- - 21 - 1995 World Fantasy Distillations: Short Fiction Reviews by Gary K. Wolfe: Reviews by Mark R. Kelly: The Time Ships, Stephen Baxter; Bloodchild: Awards Nominations .............. 7 Asimov’s 11/95; F&SF 8/95; Analog 11/95; Inter Novellas and Stories, Octavia E. Butler; How to Lou Aronica Moves to Avon.... 8 zone 7/95; Omni Online 7/95; Omni Online 8/95. Save the World, Charles Sheffield, ed.; To Write Like a Woman: Essays in Feminism and Sci Manchester vs. Savoy: - 17- ence Fiction, Joanna Russ; Superstitious, R.L. The Latest Round..................... 8 Reviews by Russell Letson: Stine; The Horror at Camp Jellyjam, R.L. Stine; Pocket Does McIntyre The Year’s Best Science Fiction, Twelfth An The Dream Cycle of H.P. Lovecraft: Dreams of nual Collection, Gardner Dozois, ed ; Anatomy Terror and Death, H.P. Lovecraft; deadrush, Alternate History...................... 8 of Wonder 4, Neil Barron, ed. Yvonne Navarro; SHORT TAKE: Women of Won Clarion 1995; der - The Classic Years: Science Fiction by Women from the 1940s to the 1970s/The Con Clarion Call 1996 .................... 8 C o m p l ete For t hcoming temporary Years: Science Fiction by Women Inland Files for Bankruptcy ...... 9 from the 1970s to the 1990s, Pamela Sargent, Strange Matter Gets Books Thr ough ed. -25- Goosebumps.............................. 9 June 1996 Reviews by Faren Miller: New BDD Trade Imprint ........... 9 See p age 3 6 Alvin Journeyman, Orson Scott Card; Expira Future Book Sales Bright......... -
And Transhumanism Robert Ranisch & Stefan Lorenz Sorgner Scientific and Technological Advances Have Questioned Predominant Doctrines Concerning the Human Condition
Introducing Post- and Transhumanism Robert Ranisch & Stefan Lorenz Sorgner Scientific and technological advances have questioned predominant doctrines concerning the human condition. Transhumanism and posthumanism are among the most recent and prominent manifestations of this phenomenon. Debates on trans- and posthumanism have not only gained a considerable amount of aca- demic and popular attention recently, but have also created a widespread con- ceptual confusion. This is no surprise, considering their recent dates of origin, their conceptual similarities, and their engagements with similar questions, top- ics, and motifs. Furthermore, trans- as well as posthumanism frequently question their relationship to humanism1 and reconsider what it means to be human. In this regard both movements are streaming beyond humanism. What this means, however, is far from clear and shall be subject of discussion in this volume. In order to make sense of these two approaches and to investigate their inter- relationship, a clarification of these concepts is necessary. As a first approxima- tion, transhumanism can be seen as a stance that affirms the radical transfor- mation of human’s biological capacities and social conditions by means of tech- 1 We will not be able to address the complex histories and varieties of humanism in this chapter. Yet, the following must be noted: The word “humanism” (Humanismus) was coined in 1808 by the German theologian and philosopher Friedrich I. Niethammer in the context of educational curricula, as it is derived from the Latin word humanitas. This word has a variety of meaning but has strongly been identified with the Greek word paideia (παιδεία), e.g., i.) in Cicero’s De Oratore (I, 71) the meaning of the concept hu- manitas corresponds to that of the concept paideia; ii.) in the text Noctes Acticae (XIII, 17) by the Latin author Aulus Gellius, who lived in the 2nd century, an explicit identifi- cation of paideia and humanitas can be found.