MARILLION 04. Dezember 2018 Stuttgart Liederhalle Hegel-Saal

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MARILLION 04. Dezember 2018 Stuttgart Liederhalle Hegel-Saal Theatre-Tour 2018 MARILLION sind ein Kunstwerk, eines der Letzten, die in Hallen in denen andere Bands vergleichbarer Größe nur eine Standard-Rockshow zeigen, ein Feuerwerk aus Sound, Licht & Video abbrennen. Jede Show ist voller Emotionen und etwas Besonderes ! Es gibt nur wenige Band die ein so großes Live Repertoire spontan abrufen und die Setlisten jeden Abend ändern können. MARILLION, eine Band, die sich nach dem Abgang von Fish neu erfunden und ihren neuen Weg mit Steve Hogarth konsequent bis heute fortgesetzt haben. Steve Hogarth, ein Bühnen-Monster, der mit seinem einzigartigem Gesang, seiner Energie und Power jedes Publikum in seinen Bann zieht und mitreißt. Die Band feiert 2018 in dieser Besetzung ihr 30 jähriges Jubiläum und zeigt, dass man abseits der Mainstream-Pfade Jahrzehnte bestehen kann Wer hätte das nach dem Abgang von Fish 1987 gedacht. MARILLION haben in jeder Dekade ein herausragendes Album veröffentlicht. In den 80ern war das „Misplaced Childhood“ in den 90ern „Brave“ im darauffolgenden Jahrzehnt folgte „Marbles“ und in den 2000ern, ihr aktuelles Album „F.E.A.R.“, das von den Kritikern zum besten Prog Album der letzten 20 Jahre gekürt wurde. MARILLION scheinen sich an ihrem kreativen Höhepunkt zu befinden und sind noch hungrig ihre bis zu 17 Minuten langen Songs dem Publikum in einer unglaublichen Perfektion zu präsentieren. Die Band kommt dazu auf der „Theatre Tour 2018“ in die besten Häuser Deutschlands. Das sind die Theater in die dieses Gesamtkunstwerk gehört. marillion.com Video „Living In Fear“ Music Circus Concertbüro – Charlottenplatz 17 – 70173 Stuttgart – www.musiccircus.de Pressekontakt: Tel. 0711 / 62008025 – eMail [email protected] .

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Ewolucja Błazna
Historia Ewolucja błazna Marillion – studyjne albumy ery Fisha (1983-1987) Druga fala, w kontekście trendów wszelakich (może poza drugą falą feminizmu oraz drugą falą ezoteryki), nigdy nie będzie tą pierwszą, więc konserwatyści zawsze ją zdeprecjonują. Marillion – prekursor powrotu rocka progresywnego w latach 80. XX wieku – nie był i nie będzie postrzegany jako jedna z najważniejszych grup tego gatunku. Pod względem popularności nie może się równać z „wielką szóstką” z poprzedzającej dekady – zespołami Pink Floyd, King Crimson, Genesis, Yes, ELP i Jethro Tull. Mimo to warto się pochylić nad twórczością tej szczególnej grupy. Michał Dziadosz 90 Hi•Fi i Muzyka 7-8/16 Historia fanów prozy J.R.R. Od fonograficznych początków do dziś Fish, jako główna postać, góruje nad resztą Tolkiena nazwa na gitarze gra Steve Rothery, na basie – Pete nie tylko wzrostem, ale także poetycką indy- brzmi dziwnie zna- Trewavas, a na instrumentach klawiszowych widualnością. Koledzy z zespołu dotrzymują jomo – Marillion to niemal „Silmarillion”. – Mark Kelly. Od 1984 roku za perkusją za- mu jednak kroku, stwarzając dookoła jego Panowie już we wczesnym etapie działalno- siada Ian Mosley. W 1988 etat wokalisty ob- opowieści niezwykły klimat. Od początku ści zrezygnowali jednak z przedrostka „sil”, jął utalentowany Steve Hogarth. Zmiana na każdy z nich trzyma poziom, może poza gdyż niedaleko od niego do „silly”, a przecież tym stanowisku wciąż budzi kontrowersje grającym na perkusji Mickiem Pointerem. nikt nie chce być postrzegany jako głuptas. i dzieli fanów na zwolenników starego i no- Przez jego problemy z punktualnością sekcja Wczesny etap trwał wystarczająco długo, wego Marillion. rytmiczna nieco pływa, ale w ogólnym roz- by grupa zdążyła się ukształtować i przygo- Dziś jednak nie o konfliktach i sporach, rachunku – nie jest źle.
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Music DVD Review: Steve Hogarth - H - Naked in the Chapel
http://blogcritics.org/music/article/music-dvd-review-steve-hogarth-h/ Music DVD Review: Steve Hogarth - H - Naked in the Chapel For those who are not already in the know, Steve Hogarth -- or "H" as he is known to hardcore fans -- is the lead vocalist for British progressive rock band Marillion. Faced with the rather daunting task of taking over the reins from Marillion's original vocalist -- the highly theatrical Fish -- Hogarth not only rose to it, but actually helped reinvent Marillion in the process. With his far more personally engaging style, Hogarth in fact took Marillion from their one-time status as a sort of baby Peter Gabriel-era Genesis knockoff to a band who has long since re-established a unique identity for themselves with latter day progressive-pop masterpieces like Marbles . The bottom line is that Marillion now enjoys a smaller, but more devoted fan base than they ever did in the Fish days. And those same fans absolutely love them their boy "H". Which is why a concert DVD like H - Naked in the Chapel presents the sort of problem many a lesser band would actually love to have. For those faithful hardcore Marillion fans, it offers a rare and intimate audience -- think VH1's Storytellers series for the best point of reference here -- with the Marillion frontman. It is, in fact, billed as an "intimate evening of music, rock n' roll diaries, lyrics and conversation" with one and the same. On the other hand, for those living outside of that particular universe, H - Naked in the Chapel could well leave you scratching your heads.
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Fish Biog 2018 in September 1988 Edinburgh Born Singer Derek
Fish Biog 2018 In September 1988 Edinburgh born singer Derek William Dick, better known by his stage name ‘Fish’ resigned from his position as lead singer with world renowned progressive rock band ‘Marillion’ in a move that shocked both fans and the music business alike. The band were seemingly at the peak of their powers selling out arenas across Europe and having just released their album ‘Clutching at Straws’ in 1987 to critical acclaim following the multi-platinum 1985 album ’Misplaced Childhood’ they looked like they had the world at their feet. ‘Clutching at Straws’ was seen by many to be their best album yet and offered the beginning of an exciting new creative era for the band. “I adored ‘Clutching’. It was very personal to me and painful both writing and especially recording in the studio where confrontations were regular occurrences. We started writing “songs”, not just “bits” that were joined together. ‘Hotel Hobbies’ was a throwback to ‘Misplaced’ but we broke out on ‘Warm Wet Circles’ into bona fide song writing. ‘Incommunicado’ the band really didn’t like when we put it together. They thought it was too simple, a throwaway ‘jam’ .I loved it, it was plugged into my own influences and I admit very ‘Who’ ‘Quadrophenia’, one of my favourite albums. I loved the energy we created. It to me represented the original ‘Marillion attitude’ we had before we became ‘successful’. The fact they didn’t get turned on by it summed up the differences” Behind the scenes internal conflict continued over musical directions and managerial and business issues simmered.
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Marillion - Somewhere Else - Your London Reviews Page 1 of 2 About | Home | Contact | Join Search
IndieLondon: Marillion - Somewhere Else - Your London Reviews Page 1 of 2 About | Home | Contact | Join Search Going Out Marillion - Somewhere Else Related Links ACCORDING to their PR, Marillion are one of » Film z Music Archives the UK music scene’s “best kept secrets”, z A/V Room » Theatre not to mention “purveyors of soulful, powerful and often deeply moving music”. z IndieLondon Gig » Music Guide » Events It’s a claim that’s hard to justify on the z Singles of the evidence of current album Somewhere Else, Week » Food their 14th studio offering. » Travel z Website Musically accomplished, for sure, the album Review by Jack Foley z Buy it » Tickets is also fairly bland. It may hold some appeal IndieLondon Rating: 2.5 out of 5 for fans of acts such as Embrace or even Staying In Crowded House but for all its endeavour, Somewhere Else lacks any real spark. » A/V Room Marillion are, of course, probably still best known for their ’80s hit Kayleigh when » Books Fish was their lead singer. Jon Bon Jovi Jon Bon Jovi concert » DVD But he left the band in 1988 after four albums and was replaced by Steve Hogarth London Tickets now www.epassage24.de » Competitions who helped to redefine the Marillion sound with the help of long-term band members Steve Rothery (guitar), Mark Kelly (keyboards), Pete Trewavas (bass) » Galleries and Ian Mosley (drums). Shopping They even launched their own record company, marillion.com, in 1999, taking away any of the pressure of record companies. Watch Fish Videos » Features Your Favorite Artists Unfortunately, Somewhere Else isn’t the LP that’s going to catapult them to the On-Demand.
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Marillion goes PHOTO: NIELS VAN IPEREN Somewhere Else It has been nearly a quarter century since Marillion arose at Band considers its chemistry the forefront of progressive rock’s second wave in the early th 1980s. During that span the band gradually adapted to a tighter than ever on 14 changing musical landscape, morphing from prototypical neo- progressive band, replete with references to Peter Gabriel-era studio release Genesis, to crack contemporary rock band. Rock, yes — but still progressive? According to guitarist Steve Rothery, yes, probably, but bassist Pete Trewavas isn’t so sure. By ROSS BOISSONEAU “It’s a rock band,” Trewavas says flatly, before adding, “I’m not even sure it’s a rock band.” “Some people call you progressive,” says Rothery, “but they mean that as an insult, like the worst ‘70s excess or self- indulgent twaddle. The true meaning is it doesn’t have to conform to short-radio format. “You can absorb classical, jazz. It [progressive music] has more meaning than most conventional pop songs. In that regard, yes, we’re a progressive band.” Drummer Ian Mosley is more succinct. “I’ve never really thought about progressive rock, I much prefer to think of music as good or bad – whether it’s long or short,” he says. Not that this discussion settles anything definitively. Marillion long has been considered a standard-bearer among second-generation prog bands, along with outfits such as Pallas and Pendragon, which followed on the heels of Kansas and 42 Progression 51 • Spring/Summer 2007 Rush and the “golden-era” groups who pioneered progressive “We’ve improved as musicians, and I think we’ve learned rock in the ‘70s – the likes of King Crimson, Yes, and Emerson, the craft of writing and arranging,” says Trewavas of the new Lake & Palmer.
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http://www.altatensione.it/marillion.htm MARILLION Abbiamo incontrato a Milano una band in salute, che ha fatto la storia del prog, ma che ora cerca di allontanarsi dal solito "clichè", per approdare ad altri lidi...lontano dalle major e con l'aiuto del web e dei fans. Articolo e reportage di Lory Lorena, foto e filmato di John Lorena. La storia dei Marillion inizia nel 1978, un anno durante il quale la scena musicale internazionale vive una rivoluzione clamorosa, con la nascita di fenomeni effimeri tra i quali spicca il movimento punk. E' il periodo in cui tramonta più o meno definitivamente un particolare discorso musicale intrapreso da diversi anni e denominato "rock progressivo" o, in taluni casi, "rock romantico". Nonostante la confusione e il cambiamento che pervade il panorama internazionale, nasce in Inghilterra un gruppo chiamato Silmarillion, il fondatore di questo nucleo di "avventurieri nostalgici", è Mick Pointer, batterista proveniente da Bicks e attualmente leader del gruppo new-progressive Arena. L'intento iniziale è costituire una band strumentale. Dopo un inizio stentato, Pointer e il bassista Doug Irvine devono già ricominciare a cercare nuovi musicisti, in quanto il chitarrista e il tastierista precedenti decidono di andarsene quasi immediatamente. Ai tanti annunci pubblicati sui comuni giornali musicali risulta particolarmente interessato un certo Steven Thomas Rothery, chitarrista originario dello Yorkshire, nato il 25 novembre 1959 e proveniente da esperienze con i Dark Horse e i Purple Haze. L'arrivo di Rothery, insieme all'ingaggio di tale Brian Jelliman alle tastiere, apporta nuova linfa vitale alla rischiosa attività intrapresa e i quattro decidono di continuare.
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FAME Review: Marillion
Somewhere in London Marillion MDV Entertainment Group - MVDV4766 Available from Marillion's web site . A review written for the Folk & Acoustic Music Exchange by Mark S. Tucker ([email protected] ). The more idiotic of the progressive music critic circle, the oiks you'll find at the Progression and Expose magazines, for instance, refer to this group as 'neoprog', and that's where the great band's troubles all begin: a meaningless attribution indicative of second-rate work endowed by inaesthetic maladepts. Marillion was first deemed, back in 1983, as the second coming of Genesis, especially because of Fish, their powerful lead singer, and his blatant Gabrielesque masquing on-stage. A moody gent, he went off on his own for a string of marvelous solos (and killer "bootlegs"), and in walked a guy, Steve Hogarth, who became prog's Steve Perry, possessed off a voice rarely experienced in the realm. The first two releases, Season's End and Holiday in Eden , were beautiful examples of how well progrock could display intelligence in melody while still rebelling from norms. The Fish Era had greatly reinvigorated the genre but it was time to move on, especially as Marillion was no longer the same band. With Hogarth, a long line of experimentation ensued, blending two lines of convention (prog, mainstream) with subtle innovation, kind of like Saga was also embarked upon but more so, much more so. Despite prophecies of doom from the old hard-liners, Marillion has since done well, thank you very much, though it wasn't easy and didn't require the cracking of the Earth or the raising of Satan for it, as the temper of the previous band might have.
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STEVE HOGARTH of History
DS1ST DS1ST 20 DAILY STAR, Tuesday, October 15, 2019 DAILY STAR, Tuesday, October 15, 2019 21 UK great for giving GUITAR HEROES KEEP THEIR DRIVE DUE TO SUPERFANS AIR CHECK HELL CHARITIES have rated the UK seventh in a global NO NEED survey of generosity. ■ TO FRET: The US was in top spot Steve. Inset, with Marillion 10 PAIRS OF MARILLION ahead of Burma. Ireland NOW ‘90 MINS’ came in fifth place out of bandmates AIRLINE passengers in ■ by IAN FLETCHER the 128 countries polled. Steve Rothery Manchester face the longest worst of the smaller and Pete TICKETS UP FOR GRABS average security queue airports. Trewavas waiting times in the UK. Rory Boland, Which? Green light THE Daily Star has 10 pairs of b) Phillips c) Lloyd door of the venue and Which? found Travel Editor, said: “Never- tickets to give away to the Email your answer, along with winners must bring a copy of Manchester waiting times ending queues through se- for homes Marillion With Friends From your name, address, mobile email confirming they have averaged 16 minutes per curity are a pain, but if you The Orchestra Live tour. number and venue and date won along with ID to collect passenger but one holiday- are left waiting for hours on LIVING near green spaces To be in with a chance of of the gig you’d like to attend on night. maker reported queuing for end you could find your such as parks, allotments, winning, answer this: (see marillion.com/tour for Competition closes at up to 90 minutes.
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