David Schwimmer No Sex Clause
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Syndication's Sitcoms: Engaging Young Adults
Syndication’s Sitcoms: Engaging Young Adults An E-Score Analysis of Awareness and Affinity Among Adults 18-34 March 2007 BEHAVIORAL EMOTIONAL “Engagement happens inside the consumer” Joseph Plummer, Ph.D. Chief Research Officer The ARF Young Adults Have An Emotional Bond With The Stars Of Syndication’s Sitcoms • Personalities connect with their audience • Sitcoms evoke a wide range of emotions • Positive emotions make for positive associations 3 SNTA Partnered With E-Score To Measure Viewers’ Emotional Bonds • 3,000+ celebrity database • 1,100 respondents per celebrity • 46 personality attributes • Conducted weekly • Fielded in 2006 and 2007 • Key engagement attributes • Awareness • Affinity • This Report: A18-34 segment, stars of syndicated sitcoms 4 Syndication’s Off-Network Stars: Beloved Household Names Awareness Personality Index Jennifer A niston 390 Courtney Cox-Arquette 344 Sarah Jessica Parker 339 Lisa Kudrow 311 Ashton Kutcher 297 Debra Messing 294 Bernie Mac 287 Matt LeBlanc 266 Ray Romano 262 Damon Wayans 260 Matthew Perry 255 Dav id Schwimme r 239 Ke ls ey Gr amme r 229 Jim Belushi 223 Wilmer Valderrama 205 Kim Cattrall 197 Megan Mullally 183 Doris Roberts 178 Brad Garrett 175 Peter Boyle 174 Zach Braff 161 Source: E-Poll Market Research E-Score Analysis, 2006, 2007. Eric McCormack 160 Index of Average Female/Male Performer: Awareness, A18-34 Courtney Thorne-Smith 157 Mila Kunis 156 5 Patricia Heaton 153 Measures of Viewer Affinity • Identify with • Trustworthy • Stylish 6 Young Adult Viewers: Identify With Syndication’s Sitcom Stars Ident ify Personality Index Zach Braff 242 Danny Masterson 227 Topher Grace 205 Debra Messing 184 Bernie Mac 174 Matthew Perry 169 Courtney Cox-Arquette 163 Jane Kaczmarek 163 Jim Belushi 161 Peter Boyle 158 Matt LeBlanc 156 Tisha Campbell-Martin 150 Megan Mullally 149 Jennifer Aniston 145 Brad Garrett 140 Ray Romano 137 Laura Prepon 136 Patricia Heaton 131 Source: E-Poll Market Research E-Score Analysis, 2006, 2007. -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
The Secret Mormon Meetings of 1922
University of Nevada, Reno THE SECRET MORMON MEETINGS OF 1922 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History By Shannon Caldwell Montez C. Elizabeth Raymond, Ph.D. / Thesis Advisor December 2019 Copyright by Shannon Caldwell Montez 2019 All Rights Reserved UNIVERSITY OF NEVADA RENO THE GRADUATE SCHOOL We recommend that the thesis prepared under our supervision by SHANNON CALDWELL MONTEZ entitled The Secret Mormon Meetings of 1922 be accepted in partial fulfillment of the requirements for the degree of MASTER OF ARTS C. Elizabeth Raymond, Ph.D., Advisor Cameron B. Strang, Ph.D., Committee Member Greta E. de Jong, Ph.D., Committee Member Erin E. Stiles, Ph.D., Graduate School Representative David W. Zeh, Ph.D., Dean, Graduate School December 2019 i Abstract B. H. Roberts presented information to the leadership of the Church of Jesus Christ of Latter-day Saints in January of 1922 that fundamentally challenged the entire premise of their religious beliefs. New research shows that in addition to church leadership, this information was also presented during the neXt few months to a select group of highly educated Mormon men and women outside of church hierarchy. This group represented many aspects of Mormon belief, different areas of eXpertise, and varying approaches to dealing with challenging information. Their stories create a beautiful tapestry of Mormon life in the transition years from polygamy, frontier life, and resistance to statehood, assimilation, and respectability. A study of the people involved illuminates an important, overlooked, underappreciated, and eXciting period of Mormon history. -
Famous Chicagoans Source: Chicago Municipal Library
DePaul Center for Urban Education Chicago Math Connections This project is funded by the Illinois Board of Higher Education through the Dwight D. Eisenhower Professional Development Program. Teaching/Learning Data Bank Useful information to connect math to science and social studies Topic: Famous Chicagoans Source: Chicago Municipal Library Name Profession Nelson Algren author Joan Allen actor Gillian Anderson actor Lorenz Tate actor Kyle actor Ernie Banks, (former Chicago Cub) baseball Jennifer Beals actor Saul Bellow author Jim Belushi actor Marlon Brando actor Gwendolyn Brooks poet Dick Butkus football-Chicago Bear Harry Caray sports announcer Nat "King" Cole singer Da – Brat singer R – Kelly singer Crucial Conflict singers Twista singer Casper singer Suzanne Douglas Editor Carl Thomas singer Billy Corgan musician Cindy Crawford model Joan Cusack actor John Cusack actor Walt Disney animator Mike Ditka football-former Bear's Coach Theodore Dreiser author Roger Ebert film critic Dennis Farina actor Dennis Franz actor F. Gary Gray directory Bob Green sports writer Buddy Guy blues musician Daryl Hannah actor Anne Heche actor Ernest Hemingway author John Hughes director Jesse Jackson activist Helmut Jahn architect Michael Jordan basketball-Chicago Bulls Ray Kroc founder of McDonald's Irv Kupcinet newspaper columnist Ramsey Lewis jazz musician John Mahoney actor John Malkovich actor David Mamet playwright Joe Mantegna actor Marlee Matlin actor Jenny McCarthy TV personality Laurie Metcalf actor Dermot Muroney actor Bill Murray actor Bob Newhart -
Summer 2019 Calendar of Events
summer 2019 Calendar of events Hans Christian Andersen Music and lyrics by Frank Loesser Book and additional lyrics by Timothy Allen McDonald Directed by Rives Collins In this issue July 13–28 Ethel M. Barber Theater 2 The next big things Machinal by Sophie Treadwell 14 Student comedians keep ’em laughing Directed by Joanie Schultz 20 Comedy in the curriculum October 25–November 10 Josephine Louis Theater 24 Our community 28 Faculty focus Fun Home Book and lyrics by Lisa Kron 32 Alumni achievements Music by Jeanine Tesori Directed by Roger Ellis 36 In memory November 8–24 37 Communicating gratitude Ethel M. Barber Theater Julius Caesar by William Shakespeare Directed by Danielle Roos January 31–February 9 Josephine Louis Theater Information and tickets at communication.northwestern.edu/wirtz The Waa-Mu Show is vying for global design domination. The set design for the 88th annual production, For the Record, called for a massive 11-foot-diameter rotating globe suspended above the stage and wrapped in the masthead of the show’s fictional newspaper, the Chicago Offering. Northwestern’s set, scenery, and paint shops are located in the Virginia Wadsworth Wirtz Center for the Performing Arts, but Waa-Mu is performed in Cahn Auditorium. How to pull off such a planetary transplant? By deflating Earth. The globe began as a plain white (albeit custom-built) inflatable balloon, but after its initial multisection muslin wrap was created (to determine shrinkage), it was deflated, rigged, reinflated, motorized, map-designed, taped for a paint mask, primed, painted, and unpeeled to reveal computer-generated, to-scale continents. -
LIE)ALECTICS and the DISCURSIVE DEQUEERIFICATION of POLITICAL SPACES BASED on RELIGIOUS FREEDOMS: a CRITICAL RHETORICAL ANALYSIS of the MORMON and GAY WEBSITE Myra N
University of New Mexico UNM Digital Repository Communication ETDs Electronic Theses and Dissertations Spring 4-18-2018 (LIE)ALECTICS AND THE DISCURSIVE DEQUEERIFICATION OF POLITICAL SPACES BASED ON RELIGIOUS FREEDOMS: A CRITICAL RHETORICAL ANALYSIS OF THE MORMON AND GAY WEBSITE Myra N. Roberts Follow this and additional works at: https://digitalrepository.unm.edu/cj_etds Part of the Journalism Studies Commons Recommended Citation Roberts, Myra N.. "(LIE)ALECTICS AND THE DISCURSIVE DEQUEERIFICATION OF POLITICAL SPACES BASED ON RELIGIOUS FREEDOMS: A CRITICAL RHETORICAL ANALYSIS OF THE MORMON AND GAY WEBSITE." (2018). https://digitalrepository.unm.edu/cj_etds/109 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Communication ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Myra Nichole Roberts Candidate Communication and Journalism Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Dr. Myra Washington, Co-chair Dr. Mary Jane Collier, Co-chair Dr. Shinsuke Eguchi Dr. Charles E. Morris III (LIE)ALECTICS AND THE DISCURSIVE DEQUEERIFICATION OF POLITICAL SPACES BASED ON RELIGIOUS FREEDOMS: A CRITICAL RHETORICAL ANALYSIS OF THE MORMON AND GAY WEBSITE BY MYRA N. ROBERTS A.A., General Studies, Portland Community College, 2004 B.A., Speech Communication, Oregon State University, -
Experiences of Transgender Latter-Day Saints
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2021-07-29 "It's Like Being Pulled in Two Directions": Experiences of Transgender Latter-day Saints Morgan Monet Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Family, Life Course, and Society Commons BYU ScholarsArchive Citation Monet, Morgan, ""It's Like Being Pulled in Two Directions": Experiences of Transgender Latter-day Saints" (2021). Theses and Dissertations. 9148. https://scholarsarchive.byu.edu/etd/9148 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected]. “It’s Like Being Pulled in Two Directions”: Experiences of Transgender Latter-day Saints Morgan Monet A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Science Quintin Hunt, Chair Alyssa Banford Witting Ashley Larsen Gibby Kayla Mennenga School of Family Life Brigham Young University Copyright © 2021 Morgan Monet All Rights Reserved ABSTRACT “It’s Like Being Pulled in Two Directions”: Experiences of Transgender Latter-day Saints Morgan Monet School of Family Life, Brigham Young University Master of Science This study qualitatively examined the experiences of transgender individuals who also identify as active members of the Church of Jesus Christ of Latter-day Saints (N=10). Researchers took an interpretive phenomenological approach to elicit factors which allow trans Latter-day Saints to hold their apparently conflicting religious and gender identities simultaneously (and the consequences of doing so). -
Fear in the Church of Jesus Christ of Latter-Day Saints and a Pathway to Reconciliation
Fear in The Church of Jesus Christ of Latter-day Saints and a Pathway to Reconciliation Meandering Philosophy and Musings Mingled with Scripture Revision B By Tom Irvine Email: [email protected] July 4, 2020 To fear God is to have absolute reverence and awe for an Almighty God, the Creator of all things. But the fear discussed in this paper is worry and dread over potential loss or calamity. This fear can include angst regarding a pending change, even though that change may be a needed growth opportunity, or otherwise bring blessings. The fear may be deeply rooted in a person’s subconscious due to genetic predispositions or past traumatic experiences. Furthermore, fear can exist on an individual or an institutional basis. The Church of Jesus Christ of Latter-day Saints has accomplished an immeasurable amount of good for innumerable souls by providing a faith community for like-minded people, offering disaster relief to those in distress and in so many other ways. In addition, the LDS Church provides excellent education opportunities through its BYU campuses and the BYU Pathway program. 1 But the Church has traumatized others via certain fear-based policies and unrighteous dominion. Some trauma victims leave the Church and may never return. Others are the “walking wounded” who still participate in Church for social or altruistic reasons even though their bubbles have burst, or their “shelves” have broken. This paper is neither a vindication of the Church nor an expose. Rather it is a paper that wrestles with some real and messy issues with the hopes that some mutual understanding and peaceful reconciliation can be achieved. -
Tulane Alum Directs New Romantic Comedy
Tulane alum directs new romantic comedy Kissing a Fool, a new romantic comedy Ellin, a 1990 graduate of from Doug Ellin, marks both a Tulane, took his degree in I collaboration of old friends and the English and moved to Los , teaming up of a young filmmaker with Angeles to pursue work as a .. J i industry veterans. stand-up comedian. His act earned him the attention of some people at New Line Cinema who assisted Ellin in raising money for a short film. 0 {") One of the actors who 0 auditioned for Ellin was a relative newcomer by the FILE PHOTO ""O name of David Schwimmer. Tulane alum Doug Ellin makes his move into big budget <D The two became friends and films directing Kissing a Fool. 0 collaborated on a series of ""O shorts including The Pitch and The "The film had a solid three million CD Waiter. Both careers began to take off dollar budget and the producers were as Schwimmer landed a role on the very flexible in allowing me to 1. Mr Quintron NBC series Friends and E1lin develop and make the movie I wanted - Satan Is Dead - negotiated a deal with Showtime for to make," said Ellin. "Everybody Bulb one of his short films. Following involved with the making of the film 2. New Orleans Ellin' s 1996 directorial debut in the was so great to work with." Ellin said Klezmer All· low-budget Phat Beach, he was hired he was especially grateful for the Stars by producers Tag Mendillo, Andrew opportunity to work with the award- the Big Kibosh - FILE PHOTO David Schwimmer works with Ellin for a second Form and Rick Lashbrook to help winning editor David Finfer and Shanachie time as Max, a womanizing sportscaster who falls develop and direct Kissing a Fool. -
Lydia Dunford Alder: the Life of the Mormon Poet, Suffragist, and Missionary
Brigham Young University BYU ScholarsArchive Undergraduate Honors Theses 2018-07-05 Lydia Dunford Alder: The Life of the Mormon Poet, Suffragist, and Missionary Sarah Kate Johnson Stanley Follow this and additional works at: https://scholarsarchive.byu.edu/studentpub_uht Part of the Mormon Studies Commons BYU ScholarsArchive Citation Johnson Stanley, Sarah Kate, "Lydia Dunford Alder: The Life of the Mormon Poet, Suffragist, and Missionary" (2018). Undergraduate Honors Theses. 44. https://scholarsarchive.byu.edu/studentpub_uht/44 This Honors Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Honors Thesis LYDIA DUNFORD ALDER: THE LIFE OF THE MORMON POET, SUFFRAGIST, AND MISSIONARY By: Sarah Kate Johnson Stanley Submitted to Brigham Young University in partial fulfillment of graduation requirements for University Honors English Department Brigham Young University August, 2018 Advisor: Leslee Thorne-Murphy Honors Coordinator: John Talbot 1 1 Lydia D. Alder, The Holy Land, (Salt Lake City: Deseret News, 1912): iii. ABSTRACT LYDIA DUNFORD ALDER: THE LIFE OF THE MORMON POET, SUFFRAGIST, AND MISSIONARY Sarah Kate Johnson Stanley English Department Bachelor of Arts This thesis examines the life of Lydia Dunford Alder (1846–1923), who was a prominent but now nearly forgotten early Mormon writer, women’s rights activist, missionary, and leader of various women’s clubs. A respected member of the late- nineteenth– and early-twentieth-century Salt Lake City, Utah, community, Alder was the colleague and friend of various distinguished Mormon leaders. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
8 TV Power Games: Friends and Law & Order
8 TV Power Games: Friends and Law & Order There is no such thing as a one-man show | at least not in television: one feature that all TV shows have in common is the combination of a large number of diverse contributors: producers, scriptwriters, actors, and so on. This is illustrated in Exhibit 8.1, which depicts the links between key contributors to the making and selling of a TV show. Solid lines repre- sent some form of contractual relationship, whereas dashed lines represent non-contractual relationships of relevance for value creation and value distribution. As is the case with movies, pharmaceutical drugs, and other products, the distribution of TV show values is very skewed: many TV shows are worth relatively little, whereas a few shows generate a very high value: For example, at its peak Emmy Award-winning drama ER fetched $13 million per episode.1 How does the value created by successful shows get divided among its various contrib- utors, in particular actors, producers and networks? Who gets the biggest slice of the big pie? In this chapter, I address this question by looking at two opposite extreme cases in terms of relative negotiation power: Law & Order and Friends. Law & Order | and profits The legal drama series Law & Order was first broadcast on NBC on September 13, 1990. (The pilot episode, produced in 1988, was intended for CBS, but the network rejected it, just as Fox did later, in both cases because the show did not feature any \breakout" characters.) By the time the last show aired on May 24, 2010, it was the longest-running crime drama on American prime time TV.