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Tate Report 2010-11: List of Tate Archive Accessions
Tate Report 10–11 Tate Tate Report 10 –11 It is the exceptional generosity and vision If you would like to find out more about Published 2011 by of individuals, corporations and numerous how you can become involved and help order of the Tate Trustees by Tate private foundations and public-sector bodies support Tate, please contact us at: Publishing, a division of Tate Enterprises that has helped Tate to become what it is Ltd, Millbank, London SW1P 4RG today and enabled us to: Development Office www.tate.org.uk/publishing Tate Offer innovative, landmark exhibitions Millbank © Tate 2011 and Collection displays London SW1P 4RG ISBN 978-1-84976-044-7 Tel +44 (0)20 7887 4900 Develop imaginative learning programmes Fax +44 (0)20 7887 8738 A catalogue record for this book is available from the British Library Strengthen and extend the range of our American Patrons of Tate Collection, and conserve and care for it Every effort has been made to locate the 520 West 27 Street Unit 404 copyright owners of images included in New York, NY 10001 Advance innovative scholarship and research this report and to meet their requirements. USA The publishers apologise for any Tel +1 212 643 2818 Ensure that our galleries are accessible and omissions, which they will be pleased Fax +1 212 643 1001 continue to meet the needs of our visitors. to rectify at the earliest opportunity. Or visit us at Produced, written and edited by www.tate.org.uk/support Helen Beeckmans, Oliver Bennett, Lee Cheshire, Ruth Findlay, Masina Frost, Tate Directors serving in 2010-11 Celeste -
The Art of Noise: Conversations with Great Songwriters Online
gt6w1 [Download] The Art of Noise: Conversations with Great Songwriters Online [gt6w1.ebook] The Art of Noise: Conversations with Great Songwriters Pdf Free Daniel Rachel *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook #204410 in Books Rachel Daniel 2014-10-07 2014-10-07Original language:EnglishPDF # 1 9.16 x 1.40 x 6.21l, .0 #File Name: 1250051290528 pagesThe Art of Noise Conversations with Great Songwriters | File size: 29.Mb Daniel Rachel : The Art of Noise: Conversations with Great Songwriters before purchasing it in order to gage whether or not it would be worth my time, and all praised The Art of Noise: Conversations with Great Songwriters: 1 of 1 people found the following review helpful. Inspiration for songwriter's old and new.By F. J. Souder IIIGreat book on songwriters and their methods and writing techniques. If you need some inspiration there's plenty here to read and draw from each interviewee. Good going Daniel.0 of 0 people found the following review helpful. Insight on Every PageBy A.Trendl HungarianBookstore.comAt first I thought Daniel Rachel had written a book all about the avant-garde synthpop group big in the 1980s. While that would no doubt be interesting, this is much more substantial.Essentially, it is a collection of interviews of songwriters as the title implies.Rachel begins each chapter with an essay leading into the interview.Who is interviewed? Mick Jones from the Clash, Annie Lennox, Jimmy Page, Sting, Ian Dury, Robin Gibb, Ray Davies and so on. Each is around 20 pages, give or take, with each Q/A a paragraph or two. -
November 2-5 2017
LITERARY FESTIVAL NOVEMBER 2-5 2017 An International Festival Celebrating Literature, Ideas and Creativity. CHARLESTONTOCHARLESTON.COM FOR TICKETS VISIT CHARLESTONTOCHARLESTON.COM CALL 843.723.9912 1 WELCOME Welcome to an exciting new trans-Atlantic literary festival hosted by two remarkable sites named Charleston. The partnership between two locations with the same name, separated by a vast oceanic expanse, is no mere coincidence. Through the past several centuries, both Charleston, SC and Charleston, Sussex have been home to extraordinary scholars, authors and artists. A collaborative literary festival is a natural and timely expression of their shared legacies. UK © C Luke Charleston, Established in 1748, the Charleston Library Society is the oldest cultural institution in the South and the country’s second oldest circulating library. Boasting four signers of the Declaration of Independence and hosting recent presentations by internationally acclaimed scholars such as David McCullough, Jon Meacham, and Justice Sandra Day O’Connor, its collections and programs reflect the history of intellectual curiosity in America. The Charleston Farmhouse in Sussex, England was home to the A Hesslenberg Charleston © Festival famed Bloomsbury group - influential, forward-looking artists, writers, and thinkers, including Virginia Woolf, John Maynard Keynes, Vanessa Bell, Duncan Grant and frequent guests Benjamin Britten, E.M. Forster and T.S. Eliot. For almost thirty years, Charleston has offered one of the most well-respected literary festivals in Europe, where innovation and inspiration thrive. This year’s Charleston to Charleston Literary Festival inaugurates a partnership dedicated to literature, ideas, and creativity. With venues as historic as the society itself, the new festival will share Charleston’s famed Southern hospitality while offering vibrant insights from contemporary speakers from around the globe. -
Present Bonham-Carter of Yarnbury, B Fowler, L
WEDNESDAY 7 APRIL 2010 ________________ Present Bonham-Carter of Yarnbury, B Fowler, L (Chairman) Gordon of Strathblane, L Howe of Idlicote, B Inglewood, L King of Bridgwater, L Maxton, L McIntosh of Hudnall, B St John of Bletso, L ________________ Witnesses: Mr John Tate, Director of Policy and Strategy, and Mr Peter Salmon, Director of BBC North, BBC, examined. Q1 Chairman: Good morning. Thank you very much for coming in at short notice. You will notice, of course, that this Select Committee is working up to the very last possible moment before Parliament dissolves. What we really want to do is to look at the BBC Strategy Review. Obviously, we cannot do a full report on it before the Election, but it would be a pity if it slipped through unquestioned, and so we would like to explore with you some of the questions which seem to us to be involved. Just set out for me the process. The process, as I understand it, is that the BBC Executive have put forward proposals at the request of the BBC Trust. When did the BBC Trust ask for those proposals, and why? Mr Tate: The process was initiated in June of last year by the Trust requesting proposals from the Executive and it was agreed between the Chairman and the Director General that we would formulate and propose those proposals, which we have done in the form of the Strategy Review. The Charter is very clear that it is the job of the Trust to approve overall the strategy for the BBC and we are, therefore, to propose that strategy as the Executive. -
Berwick Church and the Bloomsbury Murals
Berwick Church and the Bloomsbury Murals: Writing and Research by Students from the University of Sussex Spring 2020 Preface Hope Wolf Berwick and Beyond: Bee Hendry Abstract Forms and International References in Duncan Grant’s Designs for the Church Murals Heartfelt Summer Rupert Tarrant Country and City: Charise Niarchos Mrs Sandilands and the Making of the Berwick Murals A ‘space for us’: Scarlett May Walker Local Communities and their Heritage ‘Be content with the view in front of us’: Grace van der Byl Williams An Installation Designed for St Michael and All Angels Church Preface Hope Wolf This pamphlet was made by third-year students from the School of English at the University of Sussex. They took part in a course called ‘Arts and Community’, the aim of which is to work with cultural organisations in order to bring undergraduate research to an audience outside of the university. The course focuses on a different place and project each year it runs, and in the spring of 2020 students engaged with an initiative, supported by the Heritage Lottery Fund, to conserve the Berwick Church murals. They sought to tell new stories about murals and the Berwick site using archival documents at the Keep (East Sussex Record Office), drafts of the murals at both Charleston and the Towner Gallery, Eastbourne, oral history interviews gathered as part of the HLF project, writing from the fields of literature, art history and geography, and on-site observations of the church and its environs (we walked from Berwick to Charleston Farmhouse via Alciston). The course was linked to the Centre for Modernist Studies research project on Sussex Modernism, and connections were made between other cultural sites in the area, both on and off the map. -
FRANK RAMSEY OUP CORRECTED PROOF – FINAL, 7/1/2020, Spi OUP CORRECTED PROOF – FINAL, 7/1/2020, Spi
OUP CORRECTED PROOF – FINAL, 7/1/2020, SPi FRANK RAMSEY OUP CORRECTED PROOF – FINAL, 7/1/2020, SPi OUP CORRECTED PROOF – FINAL, 7/1/2020, SPi CHERYL MISAK FRANK RAMSEY a sheer excess of powers 1 OUP CORRECTED PROOF – FINAL, 7/1/2020, SPi 3 Great Clarendon Street, Oxford, OXDP, United Kingdom Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries © Cheryl Misak The moral rights of the author have been asserted First Edition published in Impression: All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this work in any other form and you must impose this same condition on any acquirer Published in the United States of America by Oxford University Press Madison Avenue, New York, NY , United States of America British Library Cataloguing in Publication Data Data available Library of Congress Control Number: ISBN –––– Printed and bound in Great Britain by Clays Ltd, Elcograf S.p.A. Links to third party websites are provided by Oxford in good faith and for information only. -
Iiusicweek for Everyone in the Business of Music 16 SEPTEMBER
iiusicweek For Everyone in the Business of Music 16 SEPTEMBER 1995 £3.10 Simply Red the new single 'Fairground' Release date 18th September Formats: 2CDs, Cassette CD1 includes live tracks CD2 includes remixes w thusfcwe For Everyone in the Business of Music 16 SEPTEMBER 1995 THIS WEEK Black retumsto EMI as MD 4 Help wi He says his former colleague was the Warners and am now looking At 33, Black joins a growing list of agamsttjme Clive Black has finally been installed only"When candidate Manchester for his oldjob. United were -------theEMI. challenges Besides, ofJF- my put new r youthfu!industry, managingalongside directors MCA's in Nickthe lOBlur ingas managing weeks of spéculation. director of EMI UK, end- ers,champions, but you they don't tried change to change a winning play- Cecillon adds that I mldn't refuse." Phillips,RCA's Hugh 32, Goldsmith,_35,Epic's Rob Stringer, BMG misic _33, iWadsworth the company he left at the beginning of between' " ' us ays. "The ' ' îtry' Works inhis A&R new will job. be an"I aci division président Jeremy Marsh, 35, 12PRS:agm department,last year following most recently10 years inas itshead A&R of teamBlack again. wf ■ork alongside the tv UKandthekeytothfParlophone to be the signais s been WEA A&R Ton; il b managingand Roger directors Lewis, A&R drivenguy - probablyand becaus tl replacesdirector Jeanfor theFran | areporting daily basis. directly Cecillon to stresses him,"usiness he says.- tlu for Aftera manager two years at Intersong he moved Musicon to h I vacated the positioi will be given a free rein, "My mesf raftBlack of acts was to responsible the label in for his bringing last spell a movingWEA, to EMIwhose in 1984.managing di danceat EMI actUK, Markand at MorrisonWEA, he signedand teennew Moira BeUas says she wishes Black i group Optimystic. -
Tales and Churches and Tales of Churches the First Leg of The
Tales and Churches and Tales of Churches The first leg of the legendary 18-miler ended with Shetland ponies in the village of Firle. The waist-high animals were unendingly friendly in their welcome, ambling over from their grazing spots to willingly be petted. Needless to say, they were an instant hit. “Can we ride them?” I had half-jokingly asked when first told that we would be encountering these cute-tastic creatures. My question had been met with chuckling doubt as to the animals’ ability to hold us, but there is an even more compelling reason not to saddle up one of these little beasts. Shetland folklore, naturally obligated to make mention of the distinctive animals, brings us the njuggle. A folkloric waterhorse inclined to potentially malevolent pranks, the njuggle is a nuisance primarily to millers in its harmlessly playful incarnation, hiding under the mill and interfering with its operation but easily banished with a lump of burning peat. Its more sinister side resembles its Celtic analog, the kelpie. In the form of a splendid Shetland pony, the njuggle wanders about until some unwary weary traveler, perhaps lured by the ill-intent of the creature or perhaps just by unlucky circumstance, mounts its back. With this, the njuggle gallops headlong into the nearest loch, often drowning the hapless traveler who ought to have known better than to accept a ride from a Shetland pony. There were no lochs nearby, only the river Ouse. Either way, it was a less fanciful instinct that kept me off the ponies’ backs; but their deep eyes and calm acquiescence to human overtures of friendship seemed to me a perfect lure. -
Things to Look Out
NATIONAL TRAIL © Property of The Charleston Trust Exploring Bloomsbury Country; the Downs between Rodmell and Berwick Wander the Wide Green Downs Green Wide the Wander The Bloomsbury by the same route. route. same the by meadows to Virginia Woolf’s House at Rodmell. It returns It Rodmell. at House Woolf’s Virginia to meadows Group of artists, Ouse, then follows the riverbank and across the flood the across and riverbank the follows then Ouse, writers, and intellectuals From Southease station this route crosses the River the crosses route this station Southease From included Virginia Woolf, Vanessa Bell, Clive Bell, About 4 miles (6 km), 2 hours 2 km), (6 miles 4 About EM Forster, Duncan A Stroll Stroll A Grant, Lytton Strachey, and the economist John come prepared! prepared! come Maynard-Keynes who especially in rain or low cloud, so cloud, low or rain in especially lived at Tilton. Many of exposed in cold windy weather, windy cold in exposed the Bloomsbury Group of the Downs can be surprisingly be can Downs the of Firle if preferred. if Firle formed a small and appropriate footwear. The tops The footwear. appropriate Station. There is a short cut back to back cut short a is There Station. unique community in can be muddy, so wear so muddy, be can South Downs Way back to Southease to back Way Downs South the Rodmell/Firle area winter parts of all the walks the all of parts winter Downs to Bopeep then follows the follows then Bopeep to Downs between the two world wars - ironically they became longer walks. -
Tate Report 2011–12
Tate Report 11–12 Tate Tate Report 11 – 12 63108_Tate_COVERS-03.09.12.indd 1 06/09/2012 18:21 Gerhard Richter’s 11 Panes [11 Scheiben] 2003 in his exhibition at Tate Modern 63108_Tate_COVERS-03.09.12.indd 2 03/09/2012 23:35 Contents Introduction 02 Collection Developing the collection 10 Caring for the collection 12 Research 14 Acquisition highlights 17 Programme Tate Britain 38 Tate Modern 40 Tate Liverpool 42 Tate St Ives 44 Programme calendar 46 Audiences Engaging audiences 48 Online and media 52 Partnerships across the nation 54 International partnerships 58 Improving Tate People and our environment 60 Funding and trading 62 Building for the future 64 Financial review 66 This report is also available to download inTacita PDF Dean’s and large-print commission versionsfor the Unilever – visit Series, Donations, gifts, legacies and www.tate.org.uk/tatereportFILM, in the Turbine Hall at Tate Modern sponsorships 68 63108_Tate_TEXT-03.09.12.indd 1 04/09/2012 03:19 Introduction Each month, a total of 34,000 people from between values and ideas, artists and around the world use turbinegeneration, movements. Tate opens up that conversation the online learning space created by Tate to as many people as possible. This spirit with the support of Unilever. They represent underpins all of Tate’s activities, from 47 countries and include learners, gallery staff publishing to research. It is the responsibility and teachers, young and old, all questioning, that comes with building and protecting the inquiring and creative. They are part of a nation’s collection and giving as many as community that explores artists’ ideas. -
Grayson Perry
GRAYSON PERRY BIOGRAPHY Born in Chelmsford Lives and works in London EDUCATION Braintree College of Further Education, Art Foundation Course Portsmouth Polytechnic, Fine Art BA AWARDS 2016 RIBA Honorary Fellowship 2015 Chancellor of the University of the Arts, London 2013 Commander of the Order of the British Empire (CBE) 2015 Trustee of the British Museum 2010 Royal Academician, Royal Academy of Arts 2003 Turner Prize SPECIAL PROJECTS 2015 A House for Essex, by FAT Architecture and Grayson Perry, Wrabness, Essex 2014 Grayson Perry: Who are You, Channel 4 Television Series (Bafta Television Specialist Factual award) 2013 Radio 4 Reith Lectures, Grayson Perry: Playing to the Gallery 2012 All in the Best Possible Taste with Grayson Perry, Channel 4 Television Series (Bafta Television Specialist Factual award) SELECTED SOLO EXHIBITIONS 2016 Hold Your Beliefs Lightly, Bonnefantenmuseum, Maastricht, The Netherlands; travelling to ARoS Aarhus Art Museum, Aarhus, Denmark 2015 – 2016 My Pretty Little Art Career, Museum of Contemporary Art, Sydney 2015 Provincial Punk, Turner Contemporary, Margate Small Differences, Pera Museum, Istanbul, Turkey 2014 Who are You?, National Portrait Gallery, London Walthamstow Tapestry, Winchester Discovery Centre 2013 – 2015 The Vanity of Small Differences, (UK Art Fund/British Council National Tour) Sunderland Museum & Winter Gardens, Tyne and Wear; Manchester Art Gallery, Manchester; Birmingham Museum and Art Gallery, Birmingham; Walker Art Gallery, Liverpool; Leeds City Art Gallery, Leeds 2012 The Vanity of -
Performing Shakespeare in the Original Pronunciation Final Submission2.Docx
Performing Shakespeare in the Original Pronunciation David Barrett A submission presented in partial fulfilment of the requirements of the University of South Wales for the degree of Doctor of Philosophy December 2013 1 Contents: Abstract 4 Acknowledgements 6 Chapter 1 Introduction 7 Chapter 2 Original Pronunciation in Context 2.1 Historically Informed Performance 15 2.2 The Shakespearean Voice 90 2.3 Accented Shakespeare 104 Chapter 3 3.1 Shakespearean Original Pronunciation in Performance in the Twentieth and Twenty-First Centuries 123 3.2 Macbeth at the Mermaid Theatre 181 Chapter 4 The Linguistic Context, Phonological Research and Reference 193 Chapter 5 5.1 Transcription Policy 225 5.2 A Comparison of Transcription Styles 276 Chapter 6 Testing the Transcription Policy/ Developing a Method through Workshopping 290 Chapter 7 Conclusion 388 Works Cited 416 2 Textual Note: Unless stated otherwise, all Shakespearean quotes are from: Clark, W.G. and Wright, W.A. (1865) The Works of William Shakespeare (Globe Edition), Cambridge and London: Macmillan. Available at: http://www.opensourceshakespeare.org/views/plays/plays.php (accessed 12.09.210) Macbeth: The complete works of William Shakespeare [electronic resource] Created by Jeremy Hylton; Operated by The Tech., Cambridge, Massachusetts (From Grady Ward’s Moby Shakespeare). Available at: http://shakespeare.mit.edu/macbeth/index.html (accessed 10.08.2011) The Romeo and Juliet Transcription: based on the First Folio (1623) from the Electronic Text Center, University of Virginia Library. Available at: http://web.archive.org/web/20080504221015/http://etext.lib.virginia.e du/toc/modeng/public/ShaRJF.html (accessed 24.06.2010) I share the view of Stephen Orgel, who views the acting text, prepared for performance, as the “authentic text” (2002, 237).