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Home , George Duke, Stanley Clarke, The Stanley Clarke Band

CLARKE/DUKE 4 "BRING IT" Tour

(Note: They would like the 4 to be larger than the rest of the type in the name of the tour)

Clarke teamed up with keyboardist in 1981 to form the Clarke/Duke Project. Together they scored a Top 20 pop hit with the single “Sweet Baby,” In 1981 George Duke and began their official collaboration together with the release of Clarke/Duke Project, which produced the top ten smash hit, “Sweet Baby.” In total they have recorded three . Over the course of their ‐filled and genre‐smashing collaborations, Clarke and Duke have created performances full of fun, energy and exceptional musicianship with a big bottom and keyboard flights of fancy. More of the same fantastic musical roller‐coaster ride is on the way with their new CLARKE/DUKE 4 “BRING IT” Tour.

It has been six years since they last toured together and both are looking forward to the CLARKE/DUKE 4 “BRING IT” Tour. Clarke remarks, “I’m looking forward to these performances, because the most fun I have touring is with George. We have a good time together. We’re both older and more experienced. Our repertoire is more all‐encompassing and much more diverse.”

Duke adds, “Touring with Stanley is always a good thing, because he’s a nut. He’s the younger brother I never had. We each have different perspectives on music, but at the same time a lot of similarities. It’s the diversity of our backgrounds that makes it interesting. My musical background is East Coast and Stanley’s is West Coast. I came from R&B, where Stanley came more from rock.”

The CLARKE/DUKE 4 “BRING IT” Tour should be extra‐special because both Clarke and Duke broke new ground in the movement that spearheaded ‐fusion in the early . Thirty plus years later there is longevity to that movement as shown by the oft‐sold‐out, highly successful world tour in 2010‐2011. It’s an opportunity to be able to go out on tour and perform a style of music that they helped pioneer.

Richard Ginell at Daily Variety commented on their performance at the 2006 Playboy Jazz Festival, “The big crowd‐rouser of the day was the revival of the Stanley Clarke/George Duke Project, part of their first joint tour since 1990. The distance between them in the intervening years seems to have kept their music fresh ‐‐ a solid jazz‐funk chassis powered by Clarke's ground‐breaking, thunder‐fingered technique on his famous brown electric bass and Duke's virtuosity and feeling for funky soul on electric keyboards. They even performed an acoustic duet, which wouldn't have come up in their heyday.”

Reviewer Don Brown, Sr., with JazzInternet.com observed, “To watch these two men try to out duel each other is a treat….Clarke and Duke hit the stage with the power of a tank. They wooed the audience on the first number before things really started cookin'.”

Multi‐Grammy Award winning GEORGE DUKE has worked with a Who’s Who of musical greats, including Cannonball Adderly, , , and Diane Reeves. One of the foremost keyboard pioneers, George helped usher in the 70’s fusion revolution with his work with Jean Luc Ponty and . Through the years, along with his 30 solo projects and busy producing schedule, George has acted as musical director for numerous artists and television specials, including the “” (nine years) and “NBC’s Sunday Night Show.”

STANLEY CLARKE, also a multi‐Grammy Award winner, became the first in history who could double on acoustic and electric bass with equal ferocity and the first bassist ever to headline tours, selling out shows worldwide. A veteran of over 40 albums, he won the 2011 Best Contemporary Jazz Grammy for his album . Clarke co‐founded the seminal fusion group Return to Forever with . He has collaborated with Quincy Jones, , , Paul McCartney and to name a few. An accomplished film and TV composer of over 60 projects, his credits include “Boyz N The Hood,” the Tina Turner biopic “What’s Love Got To Do With It,” “Romeo Must Die” and “The Transporter.” He has garnered three Emmy Nominations and a BMI Award for his scoring.