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Summer 2007 Large, Amiable Englishman Who Amused the World by DAVID MCDONOUGH
The quarterly journal of The Wodehouse Society Volume 28 Number 2 Summer 2007 Large, Amiable Englishman Who Amused the World BY DAVID MCDONOUGH ecently I read that doing crossword puzzles helps to was “sires,” and the answer was “begets.” In Right Ho, R ward off dementia. It’s probably too late for me (I Jeeves (aka Brinkley Manor, 1934), Gussie Fink-Nottle started writing this on my calculator), but I’ve been giving interrogates G. G. Simmons, the prizewinner for Scripture it a shot. Armed with several good erasers, a thesaurus, knowledge at the Market Snodsbury Grammar School and my wife no more than a phone call away, I’ve been presentations. Gussie, fortified by a liberal dose of liquor- doing okay. laced orange juice, is suspicious of Master Simmons’s bona I’ve discovered that some of Wodehouse’s observations fides. on the genre are still in vogue. Although the Egyptian sun god (Ra) rarely rears its sunny head, the flightless “. and how are we to know that this has Australian bird (emu) is still a staple of the old downs and all been open and above board? Let me test you, acrosses. In fact, if you know a few internet terms and G. G. Simmons. Who was What’s-His-Name—the the names of one hockey player (Orr) and one baseball chap who begat Thingummy? Can you answer me player (Ott), you are in pretty good shape to get started. that, Simmons?” I still haven’t come across George Mulliner’s favorite clue, “Sir, no, sir.” though: “a hyphenated word of nine letters, ending in k Gussie turned to the bearded bloke. -
Utopia & Terror in the 20Th Century.Pdf
Utopia and Terror in the 20th Century Part I Professor Vejas Gabriel Liulevicius THE TEACHING COMPANY ® Vejas Gabriel Liulevicius, Ph.D. Associate Professor of History, University of Tennessee Vejas Gabriel Liulevicius was born in Chicago, Illinois. He grew up on Chicago’s Southside in a Lithuanian- American neighborhood and spent some years attending school in Aarhus, Denmark, and Bonn, Germany. He received his B.A. from the University of Chicago. In 1989, he spent the summer in Moscow and Leningrad (today St. Petersburg) in intensive language study in Russian. He earned his Ph.D. from the University of Pennsylvania in European history in 1994, specializing in modern German history. After receiving his doctorate, Professor Liulevicius spent a year as a postdoctoral research fellow at the Hoover Institution on War, Peace, and Revolution at Stanford University in Palo Alto, California. Since 1995, he has been a history professor at the University of Tennessee in Knoxville. He teaches courses on modern German history, Western civilization, Nazi Germany, World War I, war and culture, 20th-century Europe, nationalism, and utopian thought. In 2003, he received the University of Tennessee’s Excellence in Teaching award. Professor Liulevicius’s research focuses on German relations with Eastern Europe in the modern period. His other interests include the utopian tradition and its impact on modern politics, images of the United States abroad, and the history of Lithuania and the Baltic region. He has published numerous articles and his first book, War Land on the Eastern Front: Culture, National Identity and German Occupation in the First World War (2000), published by Cambridge University Press, also appeared in German translation in 2002. -
Wodehouse - UK and US Editions
Wodehouse - UK and US editions UK Title Year E.L US Title Norwegian A Damsel in Distress 1919 x En jomfru i nød A Few Quick Ones 1959 x A Gentleman of Leisure 1910 x The Intrusion of Jimmy A Man of Means (med C. H. Bovill, UK) 1991 x A Pelican at Blandings 1969 x No Nudes is Good Nudes A Prefect's Uncle 1903 x A Prince for Hire 2003 0 A Wodehouse Miscellany (e-bok) 2003 0 Aunts Aren't Gentlemen 1974 x The Cat-nappers Tanter er ikke Gentlemen Bachelors Anonymous 1973 x Anonyme Peppersvenner Barmy in Wonderland 1952 x Angel Cake Big Money 1931 x Penger som gress Bill the Conqueror 1924 x Blandings Castle and Elsewhere 1935 x Blandings Castle Bring on the Girls 1953 x Carry on Jeeves 1925 x Cocktail Time 1958 x Company for Henry 1967 x The Purloined Paperweight Death At the Excelsior and Other Stories (e-bok) 2003 0 Do Butlers Burgle Banks 1968 x Doctor Sally 1932 x Eggs, Beans and Crumpets 1940 x French Leave 1956 x Franskbrød og arme riddere Frozen Assets 1964 x Biffen's Millions Full Moon 1947 x Månelyst på Blandings Galahad at Blandings 1968 x The Binkmanship of Galahad Threepwood Heavy Weather 1933 x Salig i sin tro Hot Water 1932 x Høk over høk Ice in the Bedroom 1961 x The Ice in the Bedroom Gjemt men ikke glemt If I Were You 1931 x Indiscretions of Archie 1921 x Side 1 av 4 / presented by blandings.no Wodehouse - UK and US editions UK Title Year E.L US Title Norwegian Jeeves and the Feudal Spirit 1954 x Bertie Wooster Sees it Through Jeg stoler på Jeeves Jeeves in the Offing 1960 x How Right You Are, Jeeves S.O.S. -
Know Your Audience: Middlebrow Aesthetic and Literary Positioning in the Fiction of P.G
Northumbria Research Link Citation: Einhaus, Ann-Marie (2016) Know Your Audience: Middlebrow aesthetic and literary positioning in the fiction of P.G. Wodehouse. In: Middlebrow Wodehouse: P.G. Wodehouse's Work in Context. Ashgate, Farnham, pp. 16-33. ISBN 9781472454485 Published by: Ashgate URL: This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/25720/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published version of the research, please visit the publisher’s website (a subscription may be required.) PLEASE NOTE: This is the typescript of the published version of ‘Know your audience: Middlebrow aesthetic and literary positioning in the fiction of P.G. -
Autumn-Winter 2002
Beyond Anatole: Dining with Wodehouse b y D a n C o h en FTER stuffing myself to the eyeballs at Thanks eats and drinks so much that about twice a year he has to A giving and still facing several days of cold turkey go to one of the spas to get planed down. and turkey hash, I began to brood upon the subject Bertie himself is a big eater. He starts with tea in of food and eating as they appear in Plums stories and bed— no calories in that—but it is sometimes accom novels. panied by toast. Then there is breakfast, usually eggs and Like me, most of Wodehouse’s characters were bacon, with toast and marmalade. Then there is coffee. hearty eaters. So a good place to start an examination of With cream? We don’t know. There are some variations: food in Wodehouse is with the intriguing little article in he will take kippers, sausages, ham, or kidneys on toast the September issue of Wooster Sauce, the journal of the and mushrooms. UK Wodehouse Society, by James Clayton. The title asks Lunch is usually at the Drones. But it is invariably the question, “Why Isn’t Bertie Fat?” Bertie is consistent preceded by a cocktail or two. In Right Hoy Jeeves, he ly described as being slender, willowy or lissome. No describes having two dry martinis before lunch. I don’t hint of fat. know how many calories there are in a martini, but it’s Can it be heredity? We know nothing of Bertie’s par not a diet drink. -
Wodehouse and the Baroque*1
Connotations Vol. 20.2-3 (2010/2011) Worcestershirewards: Wodehouse and the Baroque*1 LAWRENCE DUGAN I should define as baroque that style which deli- berately exhausts (or tries to exhaust) all its pos- sibilities and which borders on its own parody. (Jorge Luis Borges, The Universal History of Infamy 11) Unfortunately, however, if there was one thing circumstances weren’t, it was different from what they were, and there was no suspicion of a song on the lips. The more I thought of what lay before me at these bally Towers, the bowed- downer did the heart become. (P. G. Wodehouse, The Code of the Woosters 31) A good way to understand the achievement of P. G. Wodehouse is to look closely at the style in which he wrote his Jeeves and Wooster novels, which began in the 1920s, and to realise how different it is from that used in the dozens of other books he wrote, some of them as much admired as the famous master-and-servant stories. Indeed, those other novels and stories, including the Psmith books of the 1910s and the later Blandings Castle series, are useful in showing just how distinct a style it is. It is a unique, vernacular, contorted, slangy idiom which I have labeled baroque because it is in such sharp con- trast to the almost bland classical sentences of the other Wodehouse books. The Merriam Webster’s Collegiate Dictionary describes the ba- roque style as “marked generally by use of complex forms, bold or- *For debates inspired by this article, please check the Connotations website at <http://www.connotations.de/debdugan02023.htm>. -
By Jeeves a Diversionary Entertainment
P lum Lines The quarterly journal of The Wodehouse Society Vol. 17 N o 2 S u m m er 1996 I h i l l I f \ i\ ilSI | PAUL SARGFNT ,„ 1hc highly unlikely even, of the euneelton of ,o„igh,'« f t * . C»>eer, l,y Mr. Wooster, the following emergency entertainment m . performed in its stead. By Jeeves a diversionary entertainment A review by Tony Ring Wodehouse, with some excellent and vibrant songs, also eminently suitable for a life with rep, amateur and school The Special Notice above, copied from the theater program, companies. indicates just how fluffy this ‘Almost Entirely New Musical’ is. First, the theatre. It seats just over 400 in four banks of Many members have sent reviews and comments about this seats, between which the aisles are productively used for popular musical and I can’t begin to print them all. My apolo the introduction o f the deliberately home-made props, gies to all contributors not mentioned here.—OM such as Bertie Wooster’s car, crafted principally out of a sofa and cardboard boxes. Backstage staff are used to h e choice o f B y Jeeves to open the new Stephen bring some o f the props to life, such as the verges on the Joseph Theatre in Scarborough has given us the edge o f the road, replete with hedgehogs, and die com T opportunity to see what can be done by the combinationpany cow has evidently not been struck down with BSE. o f a great popular composer, a top playwright, some ideas The production is well suited to this size o f theatre: it and dialogue from the century’s greatest humorist, a would not sit easily in one of the more spectacular auditoria talented and competent cast, and a friendly new theatre in frequently used for Lloyd Webber productions. -
Something Fresh PDF Book
SOMETHING FRESH PDF, EPUB, EBOOK P. G. Wodehouse | 272 pages | 03 Mar 2005 | Everyman | 9781841591377 | English | London, United Kingdom Something Fresh PDF Book September 5, at AM. Wodehouse isn't as political as Wilde, he isn't quite as scathing in his criticism of society, and he isn't as bitingly funny, but that makes him no less entertaining. Tela editorial algo deslucida. Soft cover. I love Wodehouse but I suppose they do tend to run together a bit. This was Lord Emsworth's sister Lady Ann Warblington, who is mentioned in Something Fresh as subject to headaches and largely confined to her room, never to reappear in a Blandings novel again. It's very kind of you to keep offering me your dead mouse; but honestly, I have no use for it. Then we have Lord Emsworth, a gruff yet lovable but extremely forgetful man, who is liable to steal the silverware from a restaurant as most people would walk off with a cheap ballpoint pen. Details if other :. He thought highly of his mouse and it was beyond him to realize that I did not want it. Throw in all sorts of millionaires and mix-ups, maids and butlers, a loveable, old, potty Earl, and the beginning of the crime wave at Blandings, and you have the makings of either a rollicking musical comedy or a long series of delightful novels. There is even a Wooster lurking about. Tales of St. Of the Blandings Castle characters of note, the Efficient Baxter, secretary to Lord Emsworth more interested in gardening and furniture painting than in his numerous guests , is the one who pushes the story forward, acts as a self appointed crime investigator and is the victim of most of the jokes and pranks, a role that would later be taken by various village policemen. -
Summer 2004 Through the Covers.” Attempted to Get the Committee to Revoke Its Approval “Do You Know What Means? ‘Crack Them Through of the Topic
St. Mike’s, Wodehouse, and Me: The Great Thesis Handicap did my undergraduate work here at St. Michael’s College BY ELLIOTT MILSTEIN from 1971 to 1976. How an American Jew ended up at a Catholic Canadian University is another story. I must Editor’s note: Elliott Milstein was primary perpetrator of and opening say, however, that planning this convention on the speaker at The Wodehouse Society convention held in Toronto last site of my alma mater, not to mention attending my August. This is Part 1 of Elliott’s talk; tune in to the next issue to read daughter’s graduation ceremonies this past June with his exciting conclusion. all its attendant festivities and speeches, has put me in a nostalgic mood, and all of you are about to become the unwitting victims of this mood. I was introduced to P. G. Wodehouse by my father at the tender age of 12. Having announced to him that I had read everything of interest there was to read (I had finished off the Tom Swift series, you understand), I complained bitterly that there was nothing left in life. He handed me his tattered old (first edition, you understand) Nothing But Wodehouse and instructed me to begin at the end with Leave It to Psmith. Now, if this were a fairy tale, I would tell you that from that moment on I never looked back, but I must be totally honest with you. I found it silly. I did not even get through the first chapter, and I returned it to him. -
On the Modern Wodehouse Reader: the Psychology of the Individual by Jenn Scheppers
The quarterly journal of The Wodehouse Society Volume 37 Number 2 Summer 2016 On the Modern Wodehouse Reader: The Psychology of the Individual by Jenn Scheppers It’s all a question of what Jeeves calls the psychology of the individual. Joy in the Morning irst, my thanks to The Wodehouse Society and Four Pseattle hosts for inviting me to speak. I feel incredibly honored and humbled to be in the company of Wodehouse experts. I’m speaking to you as a fellow enthusiast who has been reading and collecting Wodehouse for over twenty years—hardly noteworthy in this company, but something which made me a relative Jenn Scheppers (aka Honoria Glossop aka Mrs. Plum) expert in Australia, where I lived for forty years. Few at the Psmith in Pseattle convention Australians have heard of Wodehouse. Hopefully this is are more immersed in this world than others, so I’d like changing now, with the Everyman editions making his to provide an overview of where you might find the books widely available, but I can count on less than one modern Wodehouse reader online. hand the number of readers of Wodehouse I met while Like Bertie Wooster’s London, the internet provides living there. The first fellow Australian enthusiast I ever us with a plethora of clubs to be joined according to met was Tim Richards—yesterday, here in Seattle. the tastes and psychology of the individual. PGWnet The search for kindred souls influenced my decision and the Blandings Yahoo! group are our most to move to England three years ago, and it has been a distinguished clubs, with quality interiors and first- pleasure to finally meet other Wodehouseans in person. -
CCFB - Cercle De Lecture 2019-2020
CCFB - Cercle de Lecture 2019-2020 SCHEDULE and SELECTED READING LIST: PROPOSED MEETING DATES: Session 1 - Monday 28th October: Americanah by Chimamanda Ngozi Adichie. (Published by Alfred A. Knopf, 2013). 477 pages. ISBN: 978-0-307-96212-6 Session 2 - Monday 16th December: The Runaways by Fatima Bhutto (Published by Viking, 2018). 432 pages. ISBN: 0241346991 (ISBN13: 9780241346990) Session 3 - Monday 3rd February: Good Omens - The Nice & Accurate Prophecies of Agnes Nutter, Witch by Terry Pratchett & Neil Gaiman (First published in 1990. New edition published by William Morrow, 2006). 412 pages. ISBN: 0060853980 (ISBN13: 9780060853983) Session 4 - Monday 23rd March: Warlight by Michael Ondaatje (Published by Jonathan Cape, 2018). 304 pages. ISBN: 1787330729 (ISBN13: 9781787330726) Session 5 - Monday 11th May: I Let You Go by Clare Mackintosh (Published by Sphere, 2014). 371 pages. ISBN: 0751554154 (ISBN13: 9780751554151) Session 6 - Monday 22nd June: Right Ho, Jeeves by PG Wodehouse (First published 1934. New edition published by WW Norton Company, 2011). 272 pages. ISBN: 0393339785 (ISBN13: 9780393339789) CCFB - Cercle de Lecture 2019-2020 BOOK 1: Americanah by Chimamanda Ngozi Adichie (a Nigerian author) Americanah tells the story of a young Nigerian woman, Ifemelu, who immigrates to the United States to attend university. The novel traces Ifemelu's life in both countries, threaded by her love story with high school classmate Obinze. It was Adichie's third novel, published on May 14, 2013 by Alfred A. Knopf. A television miniseries, starring and produced by Lupita Nyong'o, is currently in development. As teenagers in a Lagos secondary school, Ifemelu and Obinze fall in love. -
Thank You, Jeeves: (Jeeves & Wooster) Free
FREE THANK YOU, JEEVES: (JEEVES & WOOSTER) PDF P. G. Wodehouse | 288 pages | 29 Aug 2008 | Cornerstone | 9780099513735 | English | London, United Kingdom Thank You, Jeeves (Jeeves, #5) by P.G. Wodehouse Thank You, Jeeves is a Jeeves comic novel by P. Thank You, Jeeves is the first full-length novel in the series of stories following narrator Bertie Wooster and his valet Jeeves, though Jeeves leaves Bertie's employment for most of this story. The novel largely takes place around Chuffnell Hallthe home of Bertie's friend Lord "Chuffy" Chuffnellwho hopes to sell the house to the wealthy J. Washburn Stoker and is in love with Stoker's daughter Pauline. After a falling-out concerning Bertie's relentless playing of the banjoleleJeeves leaves Jeeves: (Jeeves & Wooster) master's service and finds work with Bertie's old friend, Lord "Chuffy" Chuffnell. Bertie travels to one of Chuffy's cottages in Somersetshire to practise Thank You banjolele without complaints from neighbours. Chuffy hopes to sell his dilapidated manor to the rich J. Washburn Stoker. Mr Stoker plans to rent out the property to the famous "nerve specialist" or, as Bertie prefers, "loony doctor" Sir Roderick Glossopwho intends to marry Chuffy's Aunt Jeeves: (Jeeves & Wooster). Bertie plans to kiss Pauline in front of Chuffy to spur Chuffy to propose. However, it is Mr Stoker who sees the kiss. Mr Stoker returns to the yacht in which he and his family are staying. Thinking Bertie and Pauline are still in love, Stoker keeps Pauline on board to keep her from him. Chuffy writes a love letter to Pauline, which Jeeves smuggles aboard the yacht by briefly entering Mr Stoker's employ; Pauline is so moved that she swims ashore to Bertie's house, planning to visit Chuffnell Hall in the morning.