On the Modern Wodehouse Reader: the Psychology of the Individual by Jenn Scheppers
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An Eden with No Snake in It: Pure Comedy and Chaste Camp in The
An Eden With No Snake in It: Pure Comedy and Chaste Camp in the English Novel by Joshua Gibbons Striker Department of English Duke University Date:_______________________ Approved: ___________________________ Victor Strandberg, Co-Supervisor ___________________________ Katherine Hayles, Co-Supervisor ___________________________ Kathy Psomiades ___________________________ Michael Moses Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2019 ABSTRACT An Eden With No Snake in It: Pure Comedy and Chaste Camp in the English Novel by Joshua Gibbons Striker Department of English Duke University Date:_______________________ Approved: ___________________________ Victor Strandberg, Co-Supervisor ___________________________ Katherine Hayles, Co-Supervisor ___________________________ Kathy Psomiades ___________________________ Michael Moses An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2019 Copyright by Joshua Gibbons Striker 2019 Abstract In this dissertation I use an old and unfashionable form of literary criticism, close reading, to offer a new and unfashionable account of the literary subgenre called camp. Drawing on the work of, among many others, Susan Sontag, Rita Felski, and Peter Lamarque, I argue that P.G. Wodehouse, E.F. Benson, and Angela Thirkell wrote a type of pure comedy I call chaste camp. Chaste camp is a strange beast. On the one hand it is a sort of children’s literature written for and about adults; on the other hand it rises to a level of literary merit that children’s books, even the best of them, cannot hope to reach. -
Summer 2007 Large, Amiable Englishman Who Amused the World by DAVID MCDONOUGH
The quarterly journal of The Wodehouse Society Volume 28 Number 2 Summer 2007 Large, Amiable Englishman Who Amused the World BY DAVID MCDONOUGH ecently I read that doing crossword puzzles helps to was “sires,” and the answer was “begets.” In Right Ho, R ward off dementia. It’s probably too late for me (I Jeeves (aka Brinkley Manor, 1934), Gussie Fink-Nottle started writing this on my calculator), but I’ve been giving interrogates G. G. Simmons, the prizewinner for Scripture it a shot. Armed with several good erasers, a thesaurus, knowledge at the Market Snodsbury Grammar School and my wife no more than a phone call away, I’ve been presentations. Gussie, fortified by a liberal dose of liquor- doing okay. laced orange juice, is suspicious of Master Simmons’s bona I’ve discovered that some of Wodehouse’s observations fides. on the genre are still in vogue. Although the Egyptian sun god (Ra) rarely rears its sunny head, the flightless “. and how are we to know that this has Australian bird (emu) is still a staple of the old downs and all been open and above board? Let me test you, acrosses. In fact, if you know a few internet terms and G. G. Simmons. Who was What’s-His-Name—the the names of one hockey player (Orr) and one baseball chap who begat Thingummy? Can you answer me player (Ott), you are in pretty good shape to get started. that, Simmons?” I still haven’t come across George Mulliner’s favorite clue, “Sir, no, sir.” though: “a hyphenated word of nine letters, ending in k Gussie turned to the bearded bloke. -
Index to Plum Lines 1980–2020
INDEX TO PLUM LINES 1980–2020 Guide to the Index: While there are all sorts of rules and guidelines on the subject of indexing, virtually none can be applied to the formidable task of indexing Plum Lines (and its predecessor, Comments in Passing), the quarterly journal of The Wodehouse Society, which was founded in 1980. Too many variables confront the task’s indexer—not to mention a few too many errors in how issues were numbered over the years (see Index to the Index, below). Consequently, a new sort of index has been created in such a way (we hope) as to make it as easy as possible to use. Following are some guidelines. 1. Finding what you want: Whatever you are looking for, it should be possible to find it using our handy-dandy system of cross-referencing: • SUBJECTS are in BOLD CAPS followed by a list of the relevant articles. (See the list of Subject Headings, below.) • Authors and Contributors (note that some articles have both an author and a contributor) are listed in uppercase-lowercase bold, last name first, with a list of articles following the name. • Regular columns are simply listed in bold under their own titles rather than under a subject heading. 2. Locating the listed article: Any article listed in the index is followed by a series of numbers indicating its volume number, issue number, and page number. For example, one can find articles on Across the pale parabola: 14.2.17; 15.4.13 in Volume 14, Number 2, Page 17 and Volume 15, Number 4, Page 13. -
Utopia & Terror in the 20Th Century.Pdf
Utopia and Terror in the 20th Century Part I Professor Vejas Gabriel Liulevicius THE TEACHING COMPANY ® Vejas Gabriel Liulevicius, Ph.D. Associate Professor of History, University of Tennessee Vejas Gabriel Liulevicius was born in Chicago, Illinois. He grew up on Chicago’s Southside in a Lithuanian- American neighborhood and spent some years attending school in Aarhus, Denmark, and Bonn, Germany. He received his B.A. from the University of Chicago. In 1989, he spent the summer in Moscow and Leningrad (today St. Petersburg) in intensive language study in Russian. He earned his Ph.D. from the University of Pennsylvania in European history in 1994, specializing in modern German history. After receiving his doctorate, Professor Liulevicius spent a year as a postdoctoral research fellow at the Hoover Institution on War, Peace, and Revolution at Stanford University in Palo Alto, California. Since 1995, he has been a history professor at the University of Tennessee in Knoxville. He teaches courses on modern German history, Western civilization, Nazi Germany, World War I, war and culture, 20th-century Europe, nationalism, and utopian thought. In 2003, he received the University of Tennessee’s Excellence in Teaching award. Professor Liulevicius’s research focuses on German relations with Eastern Europe in the modern period. His other interests include the utopian tradition and its impact on modern politics, images of the United States abroad, and the history of Lithuania and the Baltic region. He has published numerous articles and his first book, War Land on the Eastern Front: Culture, National Identity and German Occupation in the First World War (2000), published by Cambridge University Press, also appeared in German translation in 2002. -
Wodehouse and the Baroque*1
Connotations Vol. 20.2-3 (2010/2011) Worcestershirewards: Wodehouse and the Baroque*1 LAWRENCE DUGAN I should define as baroque that style which deli- berately exhausts (or tries to exhaust) all its pos- sibilities and which borders on its own parody. (Jorge Luis Borges, The Universal History of Infamy 11) Unfortunately, however, if there was one thing circumstances weren’t, it was different from what they were, and there was no suspicion of a song on the lips. The more I thought of what lay before me at these bally Towers, the bowed- downer did the heart become. (P. G. Wodehouse, The Code of the Woosters 31) A good way to understand the achievement of P. G. Wodehouse is to look closely at the style in which he wrote his Jeeves and Wooster novels, which began in the 1920s, and to realise how different it is from that used in the dozens of other books he wrote, some of them as much admired as the famous master-and-servant stories. Indeed, those other novels and stories, including the Psmith books of the 1910s and the later Blandings Castle series, are useful in showing just how distinct a style it is. It is a unique, vernacular, contorted, slangy idiom which I have labeled baroque because it is in such sharp con- trast to the almost bland classical sentences of the other Wodehouse books. The Merriam Webster’s Collegiate Dictionary describes the ba- roque style as “marked generally by use of complex forms, bold or- *For debates inspired by this article, please check the Connotations website at <http://www.connotations.de/debdugan02023.htm>. -
Psmith in Pseattle: the 18Th International TWS Convention It’S Going to Be Psensational!
The quarterly journal of The Wodehouse Society Volume 35 Number 4 Winter 2014 Psmith in Pseattle: The 18th International TWS Convention It’s going to be Psensational! he 18th biennial TWS convention is night charge for a third person, but Tless than a year away! That means there children under eighteen are free. are a lot of things for you to think about. Reservations must be made before While some of you avoid such strenuous October 8, 2015. We feel obligated activity, we will endeavor to give you the to point out that these are excellent information you need to make thinking as rates both for this particular hotel painless as possible. Perhaps, before going and Seattle hotels in general. The on, you should take a moment to pour a stiff special convention rate is available one. We’ll wait . for people arriving as early as First, clear the dates on your calendar: Monday, October 26, and staying Friday, October 30, through Sunday, through Wednesday, November 4. November 1, 2015. Of course, feel free to Third, peruse, fill out, and send come a few days early or stay a few days in the registration form (with the later. Anglers’ Rest (the hosting TWS chapter) does appropriate oof), which is conveniently provided with have a few activities planned on the preceding Thursday, this edition of Plum Lines. Of course, this will require November 29, for those who arrive early. There are more thought. Pour another stiff one. You will have to many things you will want to see and do in Seattle. -
By Jeeves a Diversionary Entertainment
P lum Lines The quarterly journal of The Wodehouse Society Vol. 17 N o 2 S u m m er 1996 I h i l l I f \ i\ ilSI | PAUL SARGFNT ,„ 1hc highly unlikely even, of the euneelton of ,o„igh,'« f t * . C»>eer, l,y Mr. Wooster, the following emergency entertainment m . performed in its stead. By Jeeves a diversionary entertainment A review by Tony Ring Wodehouse, with some excellent and vibrant songs, also eminently suitable for a life with rep, amateur and school The Special Notice above, copied from the theater program, companies. indicates just how fluffy this ‘Almost Entirely New Musical’ is. First, the theatre. It seats just over 400 in four banks of Many members have sent reviews and comments about this seats, between which the aisles are productively used for popular musical and I can’t begin to print them all. My apolo the introduction o f the deliberately home-made props, gies to all contributors not mentioned here.—OM such as Bertie Wooster’s car, crafted principally out of a sofa and cardboard boxes. Backstage staff are used to h e choice o f B y Jeeves to open the new Stephen bring some o f the props to life, such as the verges on the Joseph Theatre in Scarborough has given us the edge o f the road, replete with hedgehogs, and die com T opportunity to see what can be done by the combinationpany cow has evidently not been struck down with BSE. o f a great popular composer, a top playwright, some ideas The production is well suited to this size o f theatre: it and dialogue from the century’s greatest humorist, a would not sit easily in one of the more spectacular auditoria talented and competent cast, and a friendly new theatre in frequently used for Lloyd Webber productions. -
Summer 2004 Through the Covers.” Attempted to Get the Committee to Revoke Its Approval “Do You Know What Means? ‘Crack Them Through of the Topic
St. Mike’s, Wodehouse, and Me: The Great Thesis Handicap did my undergraduate work here at St. Michael’s College BY ELLIOTT MILSTEIN from 1971 to 1976. How an American Jew ended up at a Catholic Canadian University is another story. I must Editor’s note: Elliott Milstein was primary perpetrator of and opening say, however, that planning this convention on the speaker at The Wodehouse Society convention held in Toronto last site of my alma mater, not to mention attending my August. This is Part 1 of Elliott’s talk; tune in to the next issue to read daughter’s graduation ceremonies this past June with his exciting conclusion. all its attendant festivities and speeches, has put me in a nostalgic mood, and all of you are about to become the unwitting victims of this mood. I was introduced to P. G. Wodehouse by my father at the tender age of 12. Having announced to him that I had read everything of interest there was to read (I had finished off the Tom Swift series, you understand), I complained bitterly that there was nothing left in life. He handed me his tattered old (first edition, you understand) Nothing But Wodehouse and instructed me to begin at the end with Leave It to Psmith. Now, if this were a fairy tale, I would tell you that from that moment on I never looked back, but I must be totally honest with you. I found it silly. I did not even get through the first chapter, and I returned it to him. -
Thank You, Jeeves: (Jeeves & Wooster) Free
FREE THANK YOU, JEEVES: (JEEVES & WOOSTER) PDF P. G. Wodehouse | 288 pages | 29 Aug 2008 | Cornerstone | 9780099513735 | English | London, United Kingdom Thank You, Jeeves (Jeeves, #5) by P.G. Wodehouse Thank You, Jeeves is a Jeeves comic novel by P. Thank You, Jeeves is the first full-length novel in the series of stories following narrator Bertie Wooster and his valet Jeeves, though Jeeves leaves Bertie's employment for most of this story. The novel largely takes place around Chuffnell Hallthe home of Bertie's friend Lord "Chuffy" Chuffnellwho hopes to sell the house to the wealthy J. Washburn Stoker and is in love with Stoker's daughter Pauline. After a falling-out concerning Bertie's relentless playing of the banjoleleJeeves leaves Jeeves: (Jeeves & Wooster) master's service and finds work with Bertie's old friend, Lord "Chuffy" Chuffnell. Bertie travels to one of Chuffy's cottages in Somersetshire to practise Thank You banjolele without complaints from neighbours. Chuffy hopes to sell his dilapidated manor to the rich J. Washburn Stoker. Mr Stoker plans to rent out the property to the famous "nerve specialist" or, as Bertie prefers, "loony doctor" Sir Roderick Glossopwho intends to marry Chuffy's Aunt Jeeves: (Jeeves & Wooster). Bertie plans to kiss Pauline in front of Chuffy to spur Chuffy to propose. However, it is Mr Stoker who sees the kiss. Mr Stoker returns to the yacht in which he and his family are staying. Thinking Bertie and Pauline are still in love, Stoker keeps Pauline on board to keep her from him. Chuffy writes a love letter to Pauline, which Jeeves smuggles aboard the yacht by briefly entering Mr Stoker's employ; Pauline is so moved that she swims ashore to Bertie's house, planning to visit Chuffnell Hall in the morning. -
Convention Time: August 11–14
The quarterly journal of The Wodehouse Society Volume 26 Number 2 Summer 2005 Convention Time: August 11–14 nly two months to go, but it’s not too late to send farewell brunch Oin your registration for The Wodehouse Society’s Fun times that include reading stories with 13th International Convention, Hooray for Hollywood! other Wodehousians, visiting booksellers’ The site of this year’s gathering is Sunset Village on the and Chapters Corner tables, plenty of grounds of the UCLA campus, a beautiful location singing, and most of all cavorting with with easy access to Westwood, the Getty Museum, and fellow Plummies from all over so much more. And if you’re worried about the climate, don’t be: Informed sources tell us that we can expect What—you want to know more? Well, then, how warm, dry weather in Los Angeles in August, making about our speakers, who include: for an environment that will be pleasurable in every way. Brian Taves: “Wodehouse Still can’t make up your mind? Perhaps on Screen: Hollywood and these enticements will sway you: Elsewhere” Hilary & Robert Bruce: “Red A bus tour of Hollywood that Hot Stuff—But Where’s the includes a visit to Paramount Red Hot Staff?” (by Murray Studios Hedgcock) A Clean, Bright Entertainment Chris Dueker: “Remembrance of that includes songs, skits, and Fish Past” The Great Wodehouse Movie Melissa Aaron: “The Art of the Pitch Challenge Banjolele” Chances to win Exciting Prizes Tony Ring: “Published Works on that include a raffle, a Fiendish Wodehouse” Quiz based on Wodehouse’s Dennis Chitty: “The Master’s Hollywood, and a costume Beastly Similes” competition A weekend program that includes Right—you’re in? Good! Then let’s review erudite talks, more skits and what you need to know. -
British Fascism from a Transnational Perspective, 1923 to 1939
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sheffield Hallam University Research Archive Breaking Boundaries: British Fascism from a Transnational Perspective, 1923 to 1939 MAY, Rob Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/26108/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version MAY, Rob (2019). Breaking Boundaries: British Fascism from a Transnational Perspective, 1923 to 1939. Doctoral, Sheffield Hallam University. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk Breaking Boundaries: British Fascism from a Transnational Perspective, 1923 to 1939 Robert May A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy July 2019 I hereby declare that: 1. I have been enrolled for another award of the University, or other academic or professional organisation, whilst undertaking my research degree. I was an enrolled student for the following award: Postgraduate Certificate in Arts and Humanities Research University of Hull 2. None of the material contained in the thesis has been used in any other submission for an academic award. 3. I am aware of and understand the University's policy on plagiarism and certify that this thesis is my own work. The use of all published or other sources of material consulted have been properly and fully acknowledged. 4. The work undertaken towards the thesis has been conducted in accordance with the SHU Principles of Integrity in Research and the SHU Research Ethics Policy. -
Read Ebook {PDF EPUB} Performing Flea by PG Wodehouse
Read Ebook {PDF EPUB} Performing Flea by P.G. Wodehouse P. G. Wodehouse 1881—1975. P.G. Wodehouse was a comic writer who enjoyed enormous popular success during a career of more than seventy years and continues to be widely read. Despite the political and social upheavals that occurred during his life, much of which was spent in France and the United States, Wodehouse’s main canvas remained that of pre-war English upper-class society, reflecting his birth, education, and youthful writing career. An acknowledged master of English prose, Wodehouse has been admired both by contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by modern writers such as Douglas Adams, Salman Rushdie, Zadie Smith and Terry Pratchett. Sean O’Casey famously called him “English literature’s performing flea”, a description that Wodehouse used as the title of a collection of his letters to a friend, Bill Townend. Best known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a playwright and lyricist who was part author and writer of 15 plays and of 250 lyrics for some 30 musical comedies. He worked with Cole Porter on the musical Anything Goes and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song “Bill” in Kern’s Show Boat, wrote the lyrics for the Gershwin - Romberg musical Rosalie, and collaborated with Rudolf Friml on a musical version of The Three Musketeers. (source: Wikipedia) Available eBooks. A Damsel in Distress (1919) A Damsel in Distress is an early novel from comic genius, P.G.