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Annual Report 2018/2019
Annual Report 2018/2019 Section name 1 Section name 2 Section name 1 Annual Report 2018/2019 Royal Academy of Arts Burlington House, Piccadilly, London, W1J 0BD Telephone 020 7300 8000 royalacademy.org.uk The Royal Academy of Arts is a registered charity under Registered Charity Number 1125383 Registered as a company limited by a guarantee in England and Wales under Company Number 6298947 Registered Office: Burlington House, Piccadilly, London, W1J 0BD © Royal Academy of Arts, 2020 Covering the period Coordinated by Olivia Harrison Designed by Constanza Gaggero 1 September 2018 – Printed by Geoff Neal Group 31 August 2019 Contents 6 President’s Foreword 8 Secretary and Chief Executive’s Introduction 10 The year in figures 12 Public 28 Academic 42 Spaces 48 People 56 Finance and sustainability 66 Appendices 4 Section name President’s On 10 December 2019 I will step down as President of the Foreword Royal Academy after eight years. By the time you read this foreword there will be a new President elected by secret ballot in the General Assembly room of Burlington House. So, it seems appropriate now to reflect more widely beyond the normal hori- zon of the Annual Report. Our founders in 1768 comprised some of the greatest figures of the British Enlightenment, King George III, Reynolds, West and Chambers, supported and advised by a wider circle of thinkers and intellectuals such as Edmund Burke and Samuel Johnson. It is no exaggeration to suggest that their original inten- tions for what the Academy should be are closer to realisation than ever before. They proposed a school, an exhibition and a membership. -
Commercial Realities Will Look Like in a Few Years Time
Responsible advertising Advertising policy The Guardian, Observer and Guardian Unlimited raise a substantial proportion of their income from advertising. Percentage of readers who Every effort is made to ensure the adverts we carry adhere to the rulings of the think we have a responsibility to refuse to carry the following types Advertising Standards Authority (ASA). Any advert that has had a complaint of advertising? upheld by the ASA will not run in our newspapers. COMMERCIAL Music with offensive lyrics 54% Before the advertising department takes any advert, it always checks (eg. homophobic or 44 the copy to ensure it doesn’t jar with our values — that it is legal, decent and racist material) 43 truthful. If it feels the copy is unsuitable, it asks for it to be amended. 39 That we received complaints about only 32 adverts, out of a total of more Gambling 36 than 15,000, shows that our system is working effectively. No single advert REALITIES 36 received more than 10 complaints. Readers usually focus their attention on adverts that offend a strongly 36 held but often not a widely shared belief. A recent example was an advert Religious 35 Priorities: to increase profitability by the following: 40 we carried for formula milk, which received two complaints. This subject is fraught with controversy and is also tightly regulated, and in this instance the 42 ad conformed to all the guidelines. In a case like this, we write to the reader 1) Continue to publish innovative and distinctive Advertising using sexual imagery 34 concerned and explain why we made the decision to carry the ad, and also why 34 we disagree with them, while respecting their right to a differing opinion. -
Guidelines the Guardian’S Editorial Code
Guidelines The Guardian’s Editorial Code February 2003 Guidelines The Guardian’s Editorial Code 1 Contents Contents 2 Summary 2 1: Professional practice 3 2: Personal behaviour and conflicts of interest 5 3: Appendices 8 3.1: The PCC Code of Conduct 8 3.2: CP Scott’s essay 11 3.3: Areas of interest and companies that GMG holds 13 Summary “A newspaper’s primary office is the gathering of news. At the peril of its soul it must see that the supply is not tainted.” The most important currency of the Guardian is trust. This is as true today as when CP Scott marked the centenary of the founding of the paper with his famous essay on journalism in 1921. The purpose of this code is, above all, to protect and foster the bond of trust between the paper and its readers, and therefore to protect the integrity of the paper and of the editorial content it carries. As a set of guidelines, this will not form part of a journalist’s contract of employment, nor will it form part, for either editorial management or journalists, of disciplinary, promotional or recruitment procedures. However, by observing the code, journalists working for the Guardian will be protecting not only the paper but also the independence, standing and reputation of themselves and their colleagues. It is important that freelances working for the Guardian also abide by these guidelines while on assignment for the paper. Press Complaints Commission Code of Conduct The Guardian — in common with most other papers in Britain — considers the PCC’s Code of Conduct to be a sound statement of ethical behaviour for journalists. -
The Gallery Fact Sheet
THE GALLERY AT WINDSOR FACT SHEET OVERVIEW Founded in January 2002 by Alannah Weston, The Gallery at Windsor is an independent art space at the heart of the community. As well as being home to important works from the George Weston Collection, The Gallery invites curators to respond to the space with museum-quality shows of works on paper and photography. Today, the Hon. Hilary Weston acts as Creative Director for The Gallery. The Gallery is part of Windsor’s Cultural Art Program, a program that encourages all Windsor Members to participate in the arts. Past events include painting, ceramic and photography classes; guest lectures; and art tours. In addition to showing international quality exhibitions, The Gallery also hosts artists in residence. Past artists include: Fiamma Montagu, a self-taught ceramicist who was educated at Bryanston School and Oxford University; Hope Sandrow, a fine art photographer who has been the recipient of two National Endowment for the Arts Fellowships, an Art Matters Fellowship, and the Skowhegan Governors Award; and photographer Tom Craig who has been the recipient of many awards, including British Magazine Photographer of the Year. The Gallery publishes a catalog for each exhibition it presents. Essays have been contributed by important academics such as Robert Rosenblum of New York University, Molly Donovan of The National Gallery of Washington, Iwona Blazwick, OBE of the Whitechapel Gallery, as well as the renowned novelist Rick Moody. The Gallery is open to the public by appointment, and has strong ties with international galleries, the nearby Vero Beach Museum of Art, as well as local schools and colleges. -
Frieze Masters Announces Highlights for 2018 Edition Including Talks, Solos, Themed Presentations and Extraordinary Artworks
Frieze Masters Press Release 20 September 2018 Frieze Masters Announces Highlights for 2018 Edition including Talks, Solos, Themed Presentations and Extraordinary Artworks The seventh edition of Frieze Masters takes place from 5–7 October, with two Preview Days on Wednesday 3 October and Thursday 4 October Featuring six millennia of art history from across the world, including a strong representation of Old Master galleries and Asian specialists this year; enhanced by curated sections showcasing extraordinary objects and pioneers of the avant-garde Frieze Masters presents more than 130 international galleries showcasing expertly vetted artwork, from Old Masters and antiquities, to tribal, Surrealist and 20th-century art. Eminent curators from world-class institutions advise on gallery sections and programmes, opening up new perspectives and unexpected juxtapositions, in a contemporary environment designed by Annabelle Selldorf. Opening for the first time with a two-day Preview, Frieze Masters coincides with Frieze London and Frieze Sculpture in The Regent’s Park, together catalyzing the most significant week in London’s cultural calendar. Global lead partner Deutsche Bank supports Frieze Masters for the seventh consecutive year, continuing a shared commitment to discovery and artistic excellence. Expert dealers and leading galleries will present an extraordinary breadth of artwork to buy, speaking to all levels of collector. From drawings and prints to photography, painting and sculpture, featured artists include Pieter Claesz (1597-1660), -
Frieze Masters Announces Galleries, Curators and Sections for 2018 Edition
Frieze Masters Press Release 26 June 2018 Frieze Masters Announces Galleries, Curators and Sections for 2018 Edition The seventh edition of Frieze Masters takes place from 5–7 October, with two Preview Days on Wednesday 3 October and Thursday 4 October Featuring six millennia of art history from across the world, including a strong representation of Old Master galleries and Asian specialists this year; enhanced by curated sections showcasing extraordinary objects and pioneers of the avant-garde Frieze Masters presents more than 130 international galleries showcasing an unrivalled range and quality of expertly vetted artwork, from Old Masters and antiquities, to tribal and 20th-century art. Eminent curators from world- class institutions advise on gallery sections and programmes, opening up new perspectives and unexpected juxtapositions, in a contemporary environment designed by Annabelle Selldorf. Opening for the first time with a two-day Preview, Frieze Masters coincides with Frieze London and Frieze Sculpture in The Regent’s Park, together catalyzing the most significant week in London’s cultural calendar. Global lead partner Deutsche Bank supports Frieze Masters for the seventh consecutive year, continuing a shared commitment to discovery and artistic excellence. The 2018 programme is shaped by international curators, who bring unique perspectives on art history and create an exceptional environment for quality and discovery. Toby Kamps (Blaffer Art Museum, University of Houston) will curate Spotlight, solo presentations by revolutionary figures of the avant-garde; alongside Sir Norman Rosenthal (independent curator), whose Collections section will feature a new array of specialist dealers with extraordinary art and objects. Tim Marlow (Royal Academy of Arts, London) returns to oversee the daily Frieze Masters Talks programme, this year featuring women international artists in conversation with museum directors and curators. -
Codes Used in D&M
CODES USED IN D&M - MCPS A DISTRIBUTIONS D&M Code D&M Name Category Further details Source Type Code Source Type Name Z98 UK/Ireland Commercial International 2 20 South African (SAMRO) General & Broadcasting (TV only) International 3 Overseas 21 Australian (APRA) General & Broadcasting International 3 Overseas 36 USA (BMI) General & Broadcasting International 3 Overseas 38 USA (SESAC) Broadcasting International 3 Overseas 39 USA (ASCAP) General & Broadcasting International 3 Overseas 47 Japanese (JASRAC) General & Broadcasting International 3 Overseas 48 Israeli (ACUM) General & Broadcasting International 3 Overseas 048M Norway (NCB) International 3 Overseas 049M Algeria (ONDA) International 3 Overseas 58 Bulgarian (MUSICAUTOR) General & Broadcasting International 3 Overseas 62 Russian (RAO) General & Broadcasting International 3 Overseas 74 Austrian (AKM) General & Broadcasting International 3 Overseas 75 Belgian (SABAM) General & Broadcasting International 3 Overseas 79 Hungarian (ARTISJUS) General & Broadcasting International 3 Overseas 80 Danish (KODA) General & Broadcasting International 3 Overseas 81 Netherlands (BUMA) General & Broadcasting International 3 Overseas 83 Finnish (TEOSTO) General & Broadcasting International 3 Overseas 84 French (SACEM) General & Broadcasting International 3 Overseas 85 German (GEMA) General & Broadcasting International 3 Overseas 86 Hong Kong (CASH) General & Broadcasting International 3 Overseas 87 Italian (SIAE) General & Broadcasting International 3 Overseas 88 Mexican (SACM) General & Broadcasting -
Visual Arts 2015
info / buy VISUAL ARTS DVD & Streaming 2015 OVER 200 TITLES - Documentaries about Painters, Sculptors and Photographers from around the globe. From Community Art to large-scale installations, from the studio to the gallery, we are shown why and how Artists create their work. art HistorY > MUseUM CollectioNS > moderN & CONTEMPORARY > INstallatioNS / NeW media > SCUlptUre > Applied arts > PhotoGraphY> VisUal commUNicatioN > Art TheorY & CONcept > PSYcholoGY of art > CommUNitY & PUBlic Art > SECONDARY EDUCATION (K-12) > World Art > CATALOGUE essential ART HISTORY Artfilms-digital is a art HistorY > unique collection of MUseUM CollectioNS > Treasures of The High Art Sex and Sensibility contemporary art films Ancient Egypt of the Low Countries The Allure of Art Nouveau ideally suited for coursework, research and moderN & CONTEMPORARY > reference. INstallatioNS / NeW media> Subscription to Artfilms-digital allows students, faculty, and public library members to watch SCUlptUre > high quality streaming videos anywhere, anytime. Applied arts > Choose from hundreds PhotoGraphY > BAC-TreEgypt | 3 x 50’ BAC-High | 150’ | DVD & Streaming BAC-Sensibility | 3 x 50’ Art of America BAC-ArtAmerica | 150’ | DVD & Streaming of art documentaries, DVD & Streaming DVD & Streaming VISUal commUNicatioN > Early Puritans, majestic 19th century landscapes, and a persistent paradox in artist interviews, production recordings and Stepping aside from the well-worn Incorporates three powerful films A stunning exploration of an exceptional American history - an ideology rooted in God and nature, but a reality seeped usual clichés of this era, in this which look at how the artists of Belgium era in art, design and architecture. in blood and the destruction of the natural world. the rise of mechanisation, instructional films across all art subject areas. -
IWM Trading Company Report and Accounts 2019-20
Annual Report and Accounts 2019–20 VISIT US AT: IWM LONDON IWM NORTH IWM DUXFORD CHURCHILL WAR ROOMS HMS BELFAST IWM.ORG.UK HC 782 Imperial War Museum Annual Report and Accounts 2019-20 Presented to Parliament pursuant to section 9(8) Museums and Galleries Act 1992 Ordered by the House of Commons to be printed on 7 October 2020 HC 782 © Crown copyright 2020 This publication is licensed under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit nationalarchives.gov.uk/doc/open-government-licence/version/3. Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. This publication is available at: www.gov.uk/official-documents. Any enquiries regarding this publication should be sent to us at [email protected] ISBN 978-1-5286-1861-8 CCS0320330174 10/20 Printed on paper containing 75% recycled fibre content minimum Printed in the UK by the APS Group on behalf of the Controller of Her Majesty’s Stationery Office 2 Contents Page Annual Report 1. Introduction 4 2. Strategic Objectives 5 3. Achievements and Performance 6 4. Plans for Future Periods 23 5. Financial Review 28 6. Staff Report 31 7. Environmental Sustainability Report 35 8. Reference and Administrative Details of the Charity, 42 the Trustees and Advisers 9. Remuneration Report 47 10. Statement of Trustees’ and Director-General’s Responsibilities 53 11. Governance Statement 54 The Certificate and Report of the Comptroller and Auditor 69 General to the Houses of Parliament Consolidated Statement of Financial Activities 73 The Statement of Financial Activities 74 Consolidated and Museum Balance Sheets 75 Consolidated Cash Flow Statement 76 Notes to the financial statements 77 3 1. -
Guardian Media Group Plc Annual Report and Accounts 2009 Securing the Long-Term Future of the Guardian GMG Annual Report 2009
Guardian Media Group plc Annual Report and Accounts 2009 Securing the long-term future of the Guardian GMG Annual Report 2009 Contents 01 Introduction 32 Corporate responsibility 02 Group structure 36 Financial review 03 Financial highlights 42 Corporate governance 04 Statement from the chair 47 Report of the directors 07 Chief executive’s review of operations 49 Directors’ remuneration report 08 Introduction 53 Independent auditors’ report 09 Guardian News & Media 54 Profit and loss account 12 GMG Regional Media 54 Statement of recognised income 15 GMG Radio and expense 17 GMG Property Services 55 Balance sheet 19 Trader Media Group 56 Cash flow statement 22 Emap 57 Notes relating to the financial statements 25 Outlook 87 Group five year review 26 Board of directors 89 Company financial statements of Guardian 28 Statement from the chair of the Scott Trust Media Group plc 30 The Scott Trust directors 99 Advisers GMG Annual Report 2009 Securing the long-term future of the Guardian Guardian Media Group (GMG) is one of the UK’s leading multimedia businesses. The diverse portfolio includes national and regional newspapers, websites, magazines, radio stations and business-to-business media. Our flagship is the Guardian newspaper and website. The Group is wholly owned by the Scott Trust, which exists to secure the ongoing editorial independence of the Guardian. Under this unique form of media ownership the Group is able to take a long-term view as it invests in the future and security of the Guardian’s independent, liberal journalism. www.gmgplc.co.uk -
Local and Regional Media in the UK: Nations and Regions Case Studies Local and Regional Media in the UK: Annex 2
Local and regional media in the UK: Nations and Regions case studies Local and Regional Media in the UK: Annex 2 Annex Publication date: 22 September 2009 Contents Section Page 1 Local regional and nations media maps and tables 1 2 Case studies for the local and regional media landscape in England 17 3 The local, regional and nations media landscape in Wales 27 4 The local, regional and nations media landscape in Scotland 30 5 The local, regional and nations media landscape in Northern Ireland 34 Nations and Regions case studies Section 1 1 Local regional and nations media maps and tables Introduction 1.1 This annex to Local and Regional Media in the UK provides further detail to the discussion of the local and regional media in Section 3 of the main report. It examines the local, regional and nations media landscape in selected locations around the UK through a series of case studies conducted in spring 2009. We place these case studies within a wider context by the inclusion of maps and table showing the availability of different local media across the UK. 1.2 Given the heterogeneity and complexity of the local and regional media landscape across the UK it is not possible to carry out a detailed analysis of the local and regional media landscape in all locations throughout the UK. We have therefore based our approach around case studies in eight locations to present an indicative view as to the local media landscape in different parts of the UK. The locations were selected to provide a range of population sizes and included a location in each of the nations. -
An Event-Filled Biennale
An Event-Filled Biennale The sixth edition of the Florence Biennale of Contemporary Art will take place at the historic Fortezza da Basso from 1st - 9th December, 2007. 840 artists coming from 76 countries will be exhibiting more than 2,500 artworks and there will be an extraordinary meeting of cultures, languages and diverse artistic styles. The actress Anne Archer, Ambassador of the association Artists for Human Rights is coming to Florence to award the Biennale for its support of the Untied Nations program “Dialogue between civilizations”, to which the Biennale has officially adhered since 2001. The Biennale will also see the presence of important artists: Gilbert & George will receive the “Lorenzo il Magnifico" prize for their career. In the 2005 edition, it was conferred to Christo and Jeanne-Claude and to Richard Anuszkiewicz and in 2003 to David Hockney. On the wave of the exceptional success dedicated to their work at the Tate Gallery in London, Gilbert & George will come to Florence together with Tim Marlow, Exhibitions Director of the White Cube Gallery London, founder of the Tate Magazine, and currently a collaborator on Channel Five, writing for important British newspapers such as The Times, The Guardian, The Independent on Sunday, Art Monthly, etc. The art and life of Frida Kalho and of Tina Modotti will be presented in two conferences given by Gregorio Luke, past Director of the MOLAA of Long Beach and member of the International Jury of the Biennale. Ars Electronica Center from Linz, Austria is a museum dedicated to digital art. They organize the Prix Ars Electronica, the Ars Electronica Festival and the Ars Electronica Futurelab.