DOCSLIB.ORG

Sports Over IP: Dynamics and Perspectives

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sports Over IP: Dynamics and Perspectives Sports over IP: Dynamics and Perspectives by Emmanuel Blain Ing. Dipl., Ecole Polytechnique (2008) Submitted to the Engineering Systems Division in Partial Fulfillment of the Requirements for the Degree of Master of Science in Technology and Policy at the Massachusetts Institute of Technology June 2010 © 2010 Massachusetts Institute of Technology. All rights reserved Signature of Author...................................................................................................................................... Technology and Policy Program, Engineering Systems Division May 7, 2010 Certified by ...................................................................................................................................................... Charles H. Fine Chrysler LFM Professor of Management and Engineering Systems Thesis Supervisor Accepted by ..................................................................................................................................................... Dava J. Newman Professor of Aeronautics and Astronautics and Engineering Systems Director, Technology and Policy Program 2 Sports over IP: Dynamics and Perspectives By Emmanuel Blain Submitted to the Engineering Systems Division on May 7, 2010 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Technology and Policy Abstract Technological advances are allowing the use of the Internet Protocol and the Internet infrastructure mainly built by cable and telecom operators for broadcasting purposes in the U.S. This disruption raises a business issue for the existing value chain, as new entrants are upsetting the existing value chain for video delivery. This thesis will focus on the implications of online video delivery for Sports content in the United States. The general question that is addressed in this thesis is: How would a shift toward Internet­based delivery systems influence the current value chain for Sports broadcasting? Case studies will first show that the broadcasting industry is prone to disruption, and that online video delivery has the potential to upset the existing value chain, and the business models associated with it. The question can be then divided into three sub‐categories, which deal with the technical issues, regulatory needs, and business model changes that Sports over IP may cause – which are explored in separate chapters in the second part of this thesis. In the last part of the thesis, a system dynamics model is used to study the technological and regulatory conditions under which the market will tip towards predominance of broadcasters by content owners in the post‐disruption value chain. Building the model with the standard procedure (described in the thesis) will give insights on what the main dynamics are, and how interrelations and feedbacks among those main dynamics can influence the whole system. Thesis supervisor: Charles H. Fine Title: Chrysler LFM Professor of Management and Engineering Systems 3 To Pauline, for her understanding, patience and love. 4 Acknowledgements This thesis is the conclusion of a fantastic two‐year‐long journey. And like other journeys, it is the people that I met and shared with that made this experience meaningful. First, I would like to thank all the Technology and Policy Program staff, in particular Sydney Miller and Ed Ballo, for their help and availability during those two years. I would like to thank all the teachers of the program, and the students and friends who journeyed with me in Cambridge. I would like to thank warmly all the members of the Communications Futures Program who accepted to give me some of their precious time; more specifically Bill Lehr and Dave Clark, who helped me think about the policy implications of Sports over IP, Steve Bauer for the technical part, and Marie‐José Montpetit and Henry Holtzmann who helped me think about piracy implications and business models. I would like to give special thanks to Natalie Klym, who has introduced me in the CFP, helped me forge the music case study, and above all, has always been available and willing to help me. Without her, my two years at MIT would have been very, very different. I would also like to thank all the people that gave me feedback on my Systems Dynamics model, and accepted to devote lots of time when I needed it; in particular Kawika Pierson and Prof. P.J. Lamberson. I also owe a great debt to Chintan Vaishnav, who has helped me tremendously in the modeling process. I am immensely grateful to thank Prof. Charles Fine, who has agreed to supervise my work. Dear Professor Fine, these two years have been the most exciting of my professional life. Not only have you given me the chance to work on a topic that is at the heart of my interests; you also have been a continuous source of motivation and inspiration for this project. Now I know myself what it is to have the benefit of standing on the shoulders of giants. This journey has not only been an intellectual one, but also a personal one, far away from my roots. My biggest thanks go to my family; and particularly to my fiancée, Pauline. Two years ago, I had to risk a lot for MIT to happen; yet all I have met when the time came for me to make my decision has been support and encouragement. Words cannot describe how grateful I am to you, Pauline. It is you that allowed me to realize this dream. Thank you. This work contains all the energy that you gave me day after day during those two years. And it is for you. 5 Table of contents Introduction .............................................................................................................................................. 10 Chapter 1. Sports broadcasting: from over‐the‐air to the Web .......................................... 14 I. 1939‐1970: The development of a business model..................................................... 14 II. 1970‐1985: The acceleration and the development of cable networks............ 18 III. 1985‐2005: The explosion of the offering and the advent of Internet............. 22 Chapter 2. Music over IP: how the Internet has already disrupted other sectors of entertainment and media.................................................................................................................... 29 I. A brief history of the transition to “Music over IP”...................................................... 30 II. Post‐disruption developments: 2000‐2010...................................................................... 35 Chapter 3. Technical Challenges associated with the development of Web TV........... 45 I. Distinction between Web TV and IPTV................................................................................. 45 II. Development of Web TV ............................................................................................................ 47 III. What do we need to achieve Sports over IP ? ................................................................. 51 IV. The broadband incentive problem ...................................................................................... 58 Chapter 4. Early implementations and challenges of Sports over IP ............................... 61 I. Value chain dynamics for traditional Sports broadcasting.......................................... 62 II. Why Sports over IP is a disruption to the traditional cable TV model .............. 69 III. 3 different business models................................................................................................ 77 Chapter 5. Sports broadcasting: regulatory challenges and opportunities of IP‐based delivery systems...................................................................................................................................... 84 I. Premises for regulating Sports broadcasting................................................................. 85 II. How cable regulation history led to imperfect competition .................................. 88 III. The protection offered by the Sports Broadcasting Act is no longer adequate in today’s broadcasting landscape.............................................................................................. 95 IV. The shift to IP‐based delivery systems is an opportunity to create new competition........................................................................................................................................... 99 6 Chapter 6. The System Dynamics Standard Method............................................................. 105 I. Problem statement ..................................................................................................................... 105 II. Justification of the use of System Dynamics................................................................... 106 III. The System Dynamics Standard Method ....................................................................... 108 Chapter 7. System Dynamics model for Sports over IP....................................................... 111 I. Boundaries of the model .......................................................................................................... 111 II. Presentation of the key loops ............................................................................................... 114 III. Full System Dynamics Model .............................................................................................. 125 Chapter 8. System Dynamics findings and policy recommendations ........................... 127 I. System Dynamics Findings.....................................................................................................
Load more

Recommended publications
  • Subscription Television Piracy Sandvine Global Internet Phenomena Spotlight GLOBAL INTERNET PHENOMENACASE SPOTLIGHT STUDY
    Subscription Television Piracy Sandvine Global Internet Phenomena Spotlight GLOBAL INTERNET PHENOMENACASE SPOTLIGHT STUDY Introduction By producing or licensing TV, film, sports, and other premium content, network operators aim to create content libraries that increase the appeal of bundled offers (e.g., triple and quad play services), stand out from the competition, and provide exclusive value to their subscribers, all of which contribute to top-line revenue. For some operators, the video strategy is to deliver TV and video-on-demand (VOD) services exclusively via an app. Television content can be pirated in many ways. BitTorrent can be used to share files with peers, the media player app Kodi can be modified with unofficial add-ons, and even websites can host files that subscribers can easily stream in a browser. A new emergent form of subscription television piracy, that aims to replicate the live television experience offered by cable and satellite providers is seeing increased adoption in developed markets. Left unchecked, we expect this live television piracy trend to grow both due to the ease and relatively low cost of accessing unlicensed content and due to the facilities available on the internet for pirates to leverage. The risk to operators is enormous: continued adoption of pirate TV streaming services could lead to increased cordcutting, significantly impacting top-line revenue, overall profitability, and - by extension - undermining an important aspect of the business model of operators. IDENTIFYING SUBSCRIPTION TELEVISION PIRACY To better understand the problem of live television piracy services, Sandvine worked with several North American fixed access operators to research the adoption of subscription television piracy services on their networks.
    [Show full text]
  • Bouchra Arbaoui [email protected]
    UvA-DARE (Digital Academic Repository) Transformations of television systems: Implications for media content, political parties and political attitudes Arbaoui, B. Publication date 2014 Document Version Final published version Link to publication Citation for published version (APA): Arbaoui, B. (2014). Transformations of television systems: Implications for media content, political parties and political attitudes. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:05 Oct 2021 Transformations of television systems Transformations Transformations of This thesis investigates the transformation of West-European television television systems systems since the onset of the liberalisation process through a systematic com- parison of 17 television systems between 1980 and 2008. The transformation Transformations of television systems Implications for media of West-European television systems is analysed through a dualistic approach content political parties by analyzing the changes in media structures along the related, but distinct and political attitudes dimensions of audience fragmentation and dependency on commercial income.
    [Show full text]
  • How to Disrupt Television Signals.Htm
    2/8/2014 How To Disrupt Television Signals.htm Broadcast signal intrusion a term given to the act of hijacking broadcast signals of radio, television stations, cable television broadcast feeds or satellite signals. There are several techniques for disrupting or pirating broadcast signals, most of which have been made very difficult, or obsolete, by the move to digital television. Analog Techniques: Relay hijack Many analog relay transmitters would "listen" to a more powerful main transmitter and relay the signal verbatim. If the main transmitter ceased to broadcast (for example, when a channel closed down overnight) then a pirate signal on the same frequency as the main transmitter could cause the relay to "wake up" and relay unauthorized programming instead. Typically this would be done by outputting a very weak RF signal within the immediate vicinity of the relay: for example, a video cassette recorder (such as a 12v system designed for use in trucks) sending its signal to a home­made antenna pointed at the relay. As the pirate signal is relatively weak, the source can be difficult to locate if it is well hidden. Unsecured analogue satellite transponders have also been reported to have been hijacked in a similar manner. Unauthorized transmitter Reasonably powerful VHF/UHF transmitters can be built relatively easily by any electronics hobbyist, or imported from a less strict country. The primary challenge to this technique is finding a suitable yet inconspicuous vantage point for the transmission antenna. Analog or Digital Source hijack A “man­in­the­middle attack” is performed upon the source material, so that authorized official transmissions are fed with unauthorized programming from the central studio or play­out facility.
    [Show full text]
  • From Squatting to Tactical Media Art in the Netherlands, 1979–1993
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2019 Between the Cracks: From Squatting to Tactical Media Art in the Netherlands, 1979–1993 Amanda S. Wasielewski The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3125 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] BETWEEN THE CRACKS: FROM SQUATTING TO TACTICAL MEDIA ART IN THE NETHERLANDS, 1979–1993 by AMANDA WASIELEWSKI A dissertation submitted to the Graduate Faculty in Art History in partiaL fulfiLLment of the requirements for the degree of Doctor of PhiLosophy, The City University of New York 2019 © 2019 AMANDA WASIELEWSKI ALL Rights Reserved ii Between the Cracks: From Squatting to TacticaL Media Art in the Netherlands, 1979–1993 by Amanda WasieLewski This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the dissertation requirement for the degree of Doctor of PhiLosophy. Date David JoseLit Chair of Examining Committee Date RacheL Kousser Executive Officer Supervisory Committee: Marta Gutman Lev Manovich Marga van MecheLen THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Between the Cracks: From Squatting to TacticaL Media Art in the Netherlands, 1979–1993 by Amanda WasieLewski Advisor: David JoseLit In the early 1980s, Amsterdam was a battLeground. During this time, conflicts between squatters, property owners, and the police frequentLy escaLated into fulL-scaLe riots.
    [Show full text]
  • International Law and Human Rights” but Which Are Classed Under K3240
    Volume 45 No. 2 https://www.aallnet.org/tssis/resources-publications/technical-services-law-librarian/ December 2019 ISSN: 0195-4857 INSIDE: International Law and George Prager From the Officers TS-SIS ....................................... 3 Human Rights: K or KZ? New York University OBS-SIS .................................... 4 Works on international human rights law have traditionally been classified in K3236-K3240 (and nearby numbers). This range has also been used for works on comparative law of human rights in multiple jurisdictions not in the Columns same region. Acquisitions ............................... 4 Classification ............................. 1 In October 2012, the Library of Congress added a new subject heading: Inter- Collection Development ............ 5 national law and human rights. It added a corresponding class number, Conference Round-Up ............... 9 KZ1266, in April 2013. How and when should this newer subject heading Description & Entry ................ 11 and associated class number be applied? Unfortunately, there is no scope The Internet ............................. 14 note on the subject authority record for the subject heading. KZ1266 has the Library Metrics ........................ 15 caption “Relationship between human rights and public international law” Management ............................ 18 and is indented under “International public law and municipal law.” OCLC ...................................... 19 “Relationship” is such a broad term. I would venture to say that the majority Preservation ............................. 20 of works about or consisting of international human rights law fall under this Private Law Libraries .............. 21 umbrella. To understand better how and when KZ1266 and its associated Research & Publications ......... 22 subject heading should be used, I looked at a sample of national level records Serials Issues ........................... 23 in OCLC. I found 83 that used KZ1266. I then compared these records to Serials Title ............................
    [Show full text]
  • North American Artists' Groups, 1968–1978 by Kirsten Fleur Olds A
    Networked Collectivities: North American Artists’ Groups, 1968–1978 by Kirsten Fleur Olds A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History of Art) in The University of Michigan 2009 Doctoral Committee: Professor Alexander D. Potts, Chair Professor Matthew N. Biro Associate Professor Rebecca Zurier Assistant Professor Kristin A. Hass © Kirsten Fleur Olds All rights reserved 2009 To Jeremy ii Acknowledgments This dissertatin truly resembles a “third mind” that assumed its own properties through collaborations at every stage. Thus the thanks I owe are many and not insignificant. First I must recognize my chair Alex Potts, whose erudition, endless patience, and omnivorous intellectual curiosity I deeply admire. The rich conversations we have had over the years have not only shaped this project, but my approach to scholarship more broadly. Moreover, his generosity with his students—encouraging our collaboration, relishing in our projects, supporting our individual pursuits, and celebrating our particular strengths—exemplifies the type of mentor I strive to be. I would also like to acknowledge the tremendous support and mentorship provided by my committee members. As I wrote, I was challenged by Rebecca Zurier’s incisive questions—ones she had asked and those I merely imagined by channeling her voice; I hope this dissertation reveals even a small measure of her nuanced and vivid historicity. Matt Biro has been a supportive and encouraging intellectual mentor from my very first days of graduate school, and Kristin Hass’sscholarship and guidance have expanded my approaches to visual culture and the concept of artistic medium, two themes that structure this project.
    [Show full text]
  • PREVENTION of PIRATE TELEVISION/PAY TV a Thesis, in Part
    PREVENTION OF PIRATE TELEVISION/PAY TV A thesis, in part fulfillment of the Masters Diploma in Electrical Engineering (LjC) . By Trevor Charles DECLARATION I, Trevor Charles, hereby declare that the following thesis is my own work and has not been submitted before at the Cape Technicon or at any other institution for a Masters Diploma in Electrical Engineering (L/C). ....~... 94 - 0,3 - 0'<' i ABSTRACT This thesis, 11 Prevention of Pirate TV jPay TV ", implements a method whereby television viewing could possibly be controlled by payment. Each television set would have a microcontroller board with a unique preprogrammed security code and a display installed and a remote control (ram card). The remote control is programmed with the desired viewing dates and security codes by the authority in charge by using the programming unit. A cash transaction then takes place. The client has 24 hours to download this information into the television's microcontroller before it becomes useless. Software checks occur to determine downloading. with a successful download, the Tv set is switched on. When the end date occurs, the Tv set switches off and the displayed dates are cleared from the display. The 'Licence Due' light emitting diode comes on. For the television to be switched on, the above procedure must be repeated. Any calender duration maybe programmed for the viewing dates. ii ACKNOWLEDGEMENTS I hereby thank the staff of RDC, Barrack street, Cape Town for their help and assistance. A word of thanks to National Panasonic, Parow for repairing the television and to the library staff of the Argus for their assistance.
    [Show full text]
  • United States District Court Eastern District of Tennessee at Knoxville
    UNITED STATES DISTRICT COURT EASTERN DISTRICT OF TENNESSEE AT KNOXVILLE DISH NETWORK, LLC, ) ECHOSTAR TECHNOLOGIES LLC, and ) NAGRASTAR LLC, ) ) Plaintiffs, ) ) v. ) No.: 3:13-CV-50-TAV-CCS ) BILL WILLIAMSON, ) ) Defendant. ) MEMORANDUM OPINION Plaintiffs brought this action against Defendant for receiving, intercepting, and using encrypted, copyrighted, subscription-based DISH Network satellite television programming without authorization and without payment to DISH Network, in violation of the Electronic Communications Privacy Act (ECPA), 18 U.S.C. §§ 2511 and 2520. Pending before the Court is Plaintiffs’ Motion for Summary Judgment [Doc. 10]. Defendant is acting pro se and has filed a response to the Plaintiffs’ Complaint [Doc. 4], as well as a response to the Motion for Summary Judgment [Doc. 12]. The Court has carefully considered the parties’ pleadings and supporting documents, all in light of the controlling law. For the reasons stated herein, the Court finds that Plaintiffs’ Motion for Summary Judgment should be granted. Case 3:13-cv-00050-TAV-CCS Document 14 Filed 11/21/13 Page 1 of 12 PageID #: <pageID> I. Background Unless otherwise noted the following facts are taken from Plaintiffs’ Complaint [Doc. 1] and are assumed to be true for purposes of this analysis. DISH Network is a multi-channel video provider that delivers video, audio, and data services via a direct broadcast satellite system to approximately 14 million subscribers in the United States. Id. DISH Network uses high-powered satellites to broadcast, among other things, movies, sports, and general entertainment services to consumers who have been authorized to receive such services after payment of a subscription fee, or in the case of a pay-per-view movie or event, the purchase price.
    [Show full text]
  • Media Piracy in the Middle East: a Case Study of 2018 World Cup
    American University in Cairo AUC Knowledge Fountain Theses and Dissertations 2-1-2019 Media piracy in the Middle East: A case study of 2018 world cup Ruba Sayed Follow this and additional works at: https://fount.aucegypt.edu/etds Recommended Citation APA Citation Sayed, R. (2019).Media piracy in the Middle East: A case study of 2018 world cup [Master’s thesis, the American University in Cairo]. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/749 MLA Citation Sayed, Ruba. Media piracy in the Middle East: A case study of 2018 world cup. 2019. American University in Cairo, Master's thesis. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/749 This Thesis is brought to you for free and open access by AUC Knowledge Fountain. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of AUC Knowledge Fountain. For more information, please contact [email protected]. The American University in Cairo School of Global Affairs and Public Policy MEDIA PIRACY IN THE MIDDLE EAST: A CASE STUDY OF 2018 WORLD CUP A Thesis Submitted to Department of Journalism and Mass Communication in partial fulfillment of the requirements for the degree of Master of Arts by Ruba Nabeel Abd El-Raouf Sayed under the supervision of Prof. Hussien Amin January / 2019 i ACKNOWLEDGEMENTS I’m deeply grateful to my supervisor, Professor Hussien Amin, for his continuous guidance, encouragement, enthusiasm and endless patience. His availability, assistance and consistent providence of information were a great help to me. I consider myself very fortunate for being able to work with a very considerate and encouraging professor like him.
    [Show full text]
  • Broadcasting DI Nov 21
    The Fifth Estate L L I T E R A D I O T E L E V I S I O N C A B L E S A T E Broadcasting DI Nov 21 Still leading the industry: Pioneering numerous "firsts" in radio and television. Sharing in the spirit of innovative local-station operation and independence. Forging new technologies in satellite services for stations and syndicators. Hubbard Broadcasting, Inc. 3415 University Avenue Minneapolis, MN 554M. Zita£ 1V 113Mxrh SPbT `101tiï 721 '.CO: SdS-1OV 47Q£71 ZTIç£ 11 C6/APN )I71 Just when your prospects for access looked the darkest... Leave it to the producers of "Win, Lose or Dmw" and Lorimar. to come up with a bright new idea! Coming to access, fall '89! Sometimes the best ideas are the simplest ideas. BURTL BERT PRODUCTIONS 1 BroadcastingiiNov 21 Vol. 115 No. 21 U.S. and Soviet Union. The winner is... Early projections by some network observers and analysts show repeat 63 /HDTV NEWS of last year's network prime time race. PAGE 19. According to some broadcast and cable television experts, there will be mix of HDTV transmission systems; Bird assignments... FCC widespread consumer assigns slots for nine new and 10 replacement marketing of HDTV may be as much as decade away domestic fixed satellites. None of seven satellite operators who have applied are locked out. PAGE 21. 87 /UBIQUITOUS Zubln Mehta conducts New York Philharmonic George Gillett has combined even -handed management style Wire and 50 /STOP with golden touch for deals to make place for himself in Fifth THE MUSIC Estate.
    [Show full text]
  • Pirates, Pranksters, and Prophets: Understanding America's Unlicensed "Free" Radio Movement
    Journal of Radio Studies ISSN: 1095-5046 (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/hjrs19 Pirates, Pranksters, and Prophets: Understanding America's Unlicensed "Free" Radio Movement Steven J. Dick & Walter McDowell To cite this article: Steven J. Dick & Walter McDowell (2000) Pirates, Pranksters, and Prophets: Understanding America's Unlicensed "Free" Radio Movement, Journal of Radio Studies, 7:2, 329-341, DOI: 10.1207/s15506843jrs0702_7 To link to this article: https://doi.org/10.1207/s15506843jrs0702_7 Published online: 16 Nov 2009. Submit your article to this journal Article views: 90 View related articles Citing articles: 1 View citing articles Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=hjrs20 Pirates, Pranksters, and Prophets: Understanding America's Unlicensed "Free" Radio Movement Steven J. Dick and Walter McDowell This study takes a qualitative look at illegal radio operations as defined by the Federal Communication Commission (FCC). It offers a better understanding of the character and motivations of these broadcasters to operate outside the law. Additionally, the project examined reactions to recent FCC inquiries to create legitimate low power "micro radio" broadcasting for licensed small broadcasters. The study concludes that, depending on the specific broadcaster, there can be several moti- vating factors influencing the decision to bypass the FCC and start up a radio station. Many of these unlicensed operators do not see them- selves as true criminals but rather counter-culture renegades of the air- waves. Researchers also found a strong interest in micro radio pro- posed by the FCC. INTRODUCTION Lunch at a pirate radio conference.
    [Show full text]
  • NOONGAR DANDJOO: a Cross-Cultural Collaborative Approach to Aboriginal Community Television Production
    NOONGAR DANDJOO: A Cross-Cultural Collaborative Approach to Aboriginal Community Television Production. ! ! Coming Together by Dale Tilbrook! ! ! Michelle!Johnston!(BA!Honours)! This thesis is presented for the degree of Doctor Philosophy of Murdoch University 2013 ! ! ! I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. ........................................................... Michelle Johnston ! ! ! ! ! Ethics approval number: 2009/067 ! ! ! ! ! ! ! ii!! ! ABSTRACT! Prior to commencing this PhD project, my research into community media revealed that Aboriginal people were mostly absent from Perth community television. In spite of participating in a consortium to establish community television in Perth, the Aboriginal community had not broadcast a single program by 2006 when this PhD project commenced. In this same year, the only Aboriginal community radio station in the south-west lost its licence and the local Noongar community were working towards re- establishing their radio presence. Thus, while Aboriginal community media in other parts of Australia were experiencing considerable success, Perth Aboriginal media appeared to be struggling. This prompted a series of questions that this research set out to investigate. How did the Perth Aboriginal community feel about community media? How strongly if at all did they want their voices to be part of the public sphere? Were there circumstances, particular to Perth, that were impeding the establishment of Aboriginal community media? What were the ingredients needed to establish successful Aboriginal community media in an urban environment like Perth? The answers to these questions were sought through the production of an Aboriginal magazine-style television program series called Noongar Dandjoo, named after the Noongar tribal group who are the traditional custodians of the land in the south-west of Western Australia.
    [Show full text]