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Did Pearl Harbor Change Everything?: the Deadly Sins of Biographers,” Journal of Historical Biography 3 (Spring 2008): 88-113
REVIEW ESSAY Did Pearl Harbor Change Everything?: The Deadly Sins of Biographers Hans Renders Carl Rollyson. A Higher Form of Cannibalism?: Adventures in the Art and Politics of Biography. Chicago: Ivan R. Dee, 2005. pp. ix + 197; Carl Rollyson. Biography: An Annotated Bibliography. Backinprint.com, 2007. pp. 232; Nigel Hamilton. Biography: A Brief History. Cambridge, MA: Harvard University Press, 2007. pp. 345; Ann Jefferson. Biography and the Question of Literature in France. Oxford: Oxford University Press, 2007. pp. 448; Myriam Boucharenc. L’Écrivain-reporter au coeur des années trente. Villeneuve d’ascq Cédex: Presses Universitaires du Septentrion, 2004. pp. 243. NUMBER OF INTRIGUING THEORETICAL PUBLICATIONS on the biograph- A ical enterprise have recently been published, offering a new opportunity to chart changes in the genre since the mid-nineteenth century, some of which have been driven by developments in journalism. Another key area for exploration is the tension between fictionalised biography and the genre as approached by historians. While an artificial distinction is sometimes posited between those whose primary focus is literary on the one hand, and scholarly writers on the other, writing well is just as important to non-fiction Hans Renders, “Did Pearl Harbor Change Everything?: The Deadly Sins of Biographers,” Journal of Historical Biography 3 (Spring 2008): 88-113, www.ucfv.ca/jhb. © Journal of Historical Biography 2008. This work is licensed under a Creative Commons 3.0 License. DID PEARL HARBOR CHANGE EVERYTHING? 89 writers as it is to novelists. And work that is historically verifiable will almost certainly better stand the test of time in any genre. -
Maurice Barrès and the Fate of Boulangism: the Political Career Of
This dissertation has been 65—3845 microfilmed exactly as received DOTY, Charles Stewart, 1928— MAURICE BARR^S AND THE EATE OF BOULANG- BM: THE POLITICAL CAREER OF MAURICE BARRES (1888-1906). The Ohio State University, Ph.D., 1964 History, modern University Microfilms, Inc., Ann Arbor, Michigan Copyright by Charles Stewart Doty 1965 MAURICE BARRES AND THE FATE OF BOULANGISM: THE POLITICAL CAREER OF MAURICE BARRES (1888-1906) DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Charles Stewart Doty, A.B., M.A. The Ohio State University 1964 Approved by Department of History V ita September 8, 1928 Born - Fredonia, Kansas 1950 ..................... A. B., Washburn Municipal University, Topeka, Kansas 1953-1954 • • • Research Assistant, Department of History, University of Kansas, Lawrence, Kansas 1955 ..................... M.A., University of Kansas, Lawrence, Kansas 1957-1960 . Graduate Assistant, Department of History, The Ohio S ta te U niv ersity, Columbus, Ohio I960 ...................... Part-time Instructor, Department of History, Denison University, Granville, Ohio 1960-1961 . Part-time Instructor, Department of History, The Ohio State University, Columbus, Ohio 1961-1964 . Instructor, Department of History, Kent S ta te U niversity, Kent, Ohio Fields of Study Major Field: History Studies in Modern Europe, 1789-Present, Professors Andreas Dorpalen, Harvey Goldberg, and Lowell Ragatz Studies in Renaissance and Reformation, Professor Harold J. Grimm Studies in United States, 1850-Present, Professors Robert H. Brem- ner, Foster Rhea Dulles, Henry H. Simms, and Francis P. Weisenburger i i table of contents Page INTRODUCTION ......................................................................................................... 1 CHAPTER I . -
Enquête Sur La Question Sociale En Europe / Jules Huret ; Préfaces De MM
Enquête sur la question sociale en Europe / Jules Huret ; préfaces de MM. Jean Jaurès et Paul Deschanel Source gallica.bnf.fr / Bibliothèque nationale de France Huret, Jules (1863-1915). Auteur du texte. Enquête sur la question sociale en Europe / Jules Huret ; préfaces de MM. Jean Jaurès et Paul Deschanel. 1897. 1/ Les contenus accessibles sur le site Gallica sont pour la plupart des reproductions numériques d'oeuvres tombées dans le domaine public provenant des collections de la BnF. Leur réutilisation s'inscrit dans le cadre de la loi n°78-753 du 17 juillet 1978 : - La réutilisation non commerciale de ces contenus ou dans le cadre d’une publication académique ou scientifique est libre et gratuite dans le respect de la législation en vigueur et notamment du maintien de la mention de source des contenus telle que précisée ci-après : « Source gallica.bnf.fr / Bibliothèque nationale de France » ou « Source gallica.bnf.fr / BnF ». - La réutilisation commerciale de ces contenus est payante et fait l'objet d'une licence. Est entendue par réutilisation commerciale la revente de contenus sous forme de produits élaborés ou de fourniture de service ou toute autre réutilisation des contenus générant directement des revenus : publication vendue (à l’exception des ouvrages académiques ou scientifiques), une exposition, une production audiovisuelle, un service ou un produit payant, un support à vocation promotionnelle etc. CLIQUER ICI POUR ACCÉDER AUX TARIFS ET À LA LICENCE 2/ Les contenus de Gallica sont la propriété de la BnF au sens de l'article L.2112-1 du code général de la propriété des personnes publiques. -
Enquete Sur La Question Sociale En Europe. Jules Huret
392 JOURNAL OF POLITICAL ECONIVOMY realism, the so-called materialistic conception, is a characteristically modern fact, and its acceptance by the modern socialists distinguishes them from all communistic or other radical diversions in the past. The attitude which this pOint of view should give is that of a passion- less, un-eager, unwavering furtheranceof the industrial development; for according to this materialistic conception the democratic collectiv- ism is to come in as the due culminiationand consequence of industrial evolution. Such, says Professor Sombart, is the attitude of Marx at his best, and such he finds also to be the attitude of the Marxian socialists in a greater degree and more consistently as time goes on. All this disillusionment and work-day apprehension of social develop- ment as an inevitable process does not hinder the socialists from holding to their ideal with fervor, nor does it hinder them from doing their best to hasten and aggravate the class-struggle through the means of which the industrial development at its culmination is to pass into the democratic collectivism. The logical and the only promising line of action forthe socialists, according to ProfessorSombart (pp. I I 0- i i 8), is to strengthen and accelerate the growth and spread of the modern culture, and carry it to the highest pitch attainable. Oddly enough though perhaps it seems less odd to an affectionatelatter- day citizen of the militant Fatherland this ideal cultural growth to which socialism should look, it is explicitly held, comprises a large unfolding of warlike activity. Socialism is, on this and related grounds, not apprehended to be, in strictconsistency, an international (a fortiori not an anti-national) movement. -
Hermann Bahr Antisemitism TRANSLATOR Q&A
Hermann Bahr Antisemitism TRANSLATOR Q&A James J. Conway discusses his translation of Hermann Bahr’s essential historic text, Antisemitism. How would you describe Hermann Bahr’s book Antisemitism? The original German edition of Antisemitism (Der Antisemitismus: Ein internationales Interview) was published in Berlin in 1894, and it is a collection of interviews that Austrian writer and critic Hermann Bahr had conducted with various public figures across Europe the previous year which had been printed in the Viennese newspaper, the Deutsche Zeitung. It is Bahr’s attempt to take the temperature of the continent, to gather a range of opinion, to depict modern antisemitism at a critical period in its early development. What made you want to translate this book? I was already fascinated by Hermann Bahr as an apostle of modernism in German-speaking Europe, and I had considered translating some of his fiction. Then I heard about Antisemitism, and I was intrigued by both the subject matter and the interview form, so it was already on the ‘maybe’ pile. I was in Italy when I started reading it, on a bus heading for the airport in Milan, and I knew immediately I had to translate it. For a non-fiction work, what really struck me was its literary quality. I was instantly captivated by this immersion in the age, its sense of place, its pan- European perspective, the idea of being on a journey – elements that were even more apparent because I was traveling across Europe at the time. Bahr is an erudite and terribly well-connected guide, generously introducing you to fascinating people as they discuss the most contentious issue of their age. -
The Literary Interview: Toward a Poetics of a Hybrid Genre
The Literary Interview: Toward a Poetics of a Hybrid Genre Anneleen Masschelein KU Leuven and Research Foundation Flanders (FWO), Literary Theory and Cultural Studies Christophe Meure´ e Universite´ catholique de Louvain and Fonds de la Recherche Scientifique (FNRS), French Literature David Martens KU Leuven, French Literature Ste´ phanie Vanasten Universite´ catholique de Louvain, Dutch Literature Abstract This article brings together the scattered research from the French, English, and German research traditions on the literary interview, that is, the extensive personal interview given by (or in some cases also conducted by) a literary author. The literary interview can be regarded as a hybrid genre for several reasons. First, it belongs to both This research on the literary interview is part of the Interuniversity Attraction Pole (IAP) project Literature and Media Innovation (LMI, lmi.arts.kuleuven.be/). A first version of this paper was presented at the international symposium “Les entretiens d’e´crivains: Enjeux et mutations d’un genre dialogique/Writers in Conversation: A Dialogic Genre; Issues and Transformations,” held at KU Leuven and Universite´ catholique de Louvain in Belgium (December 5 – 7, 2011), with the support of the Research Fund – Flanders (FWO) and Fonds de la Recherche Scien- tifique – FNRS. We wish to express our profound gratitude to all the participants in this event for their invaluable input and the lively exchange of ideas. We also thank the members of the research project MDRN Literature and Its Multiple Identities, 1900 – 1950 (www.mdrn.be) for their comments on earlier drafts and the reviewers of Poetics Today for their astute remarks. -
ZANG TUMB TUMB”: Experimental Phonetics, Vers Libre, and Modernist Sound Art 91
Étienne-Jules Marey and Charles Rosapelly. Vocal polygraph. 88 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/GREY_a_00026 by guest on 28 September 2021 Genealogy of “ZA NG TUMB TUMB”: Experimental Phonetics, Vers Libre, and Modernist Sound Art ROBERT MICHAEL BRAIN A bit later, some innoVators emboldened themselVes. TheY deliberatelY broke With conVentions, demanding no more than their instinct for rhYthm and the sensitiVitY of their ear, the cadences and the musical substance of their Verses. Their attempts also depended on the theoretical research found in the Works of phoneticians, and on the recordings of the Voice. In the period betWeen 1880 and 1890, seVeral hardY spirits undertook to construct a doctrine of art deriVed from then fashionable theses of psYchophYsics. The studY of sensibilitY bY the methods of phYsics, research into the (hYpothet - ical) correspondence of sensations, the energetic analYsis of rhYthm, Were all enterprises not Without effect on painting and poetrY. —Paul ValérY, EXistence du sYmbolisme (1939) There Was in those daYs still a Parisian research for technique. Spire Wran - gled as if Vers libre Were a political doctrine. De SouZa had What the old Abbé called une oreille très fine , but he, the Abbé, Wrapped up De SouZa’s poems and asked me to do likeWise in returning them lest his serVante should see What I Was carrYing. The Abbé Was M. Rousselot Who had made a machine for measuring the duration of Verbal components. A quill or tube held in the nostril, a less shaVed quill or other tube in the mouth, and Your consonants signed as You spoke them. -
Huysmans and Maupassant Following Zola's Model Of
THE MEDAN MATRIX: HUYSMANS AND MAUPASSANT FOLLOWING ZOLA’S MODEL OF NATURALISM DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jennifer Kristen Wolter, B.A., M.A. * * * * * The Ohio State University 2003 Dissertation Committee: Approved by Professor Charles D. Minahen, Adviser Professor Christiane Laeufer ______________________________ Adviser Professor Mihaela Marin Department of French and Italian Copyright by Jennifer Kristen Wolter 2003 ABSTRACT Comparable to a matrix, the Médan group incarnates a system for the production of naturalist literature with Emile Zola serving as the model for a select handful of writers. Nourished by the scientific developments of the nineteenth century, Zola’s theories and successful practice of naturalism drew Joris-Karl Huysmans and Guy de Maupassant, among others, to the movement. Yet, they soon diverged from Zola’s model of naturalism, as did Zola himself at times. The first chapter of this dissertation seeks to reveal the inherent discrepancies within the theory of naturalism that prevent a true fusion of science and art in the novel. Les Soirées de Médan, a collection of stories about the Franco-Prussian War, united the writers in a show of adherence to the naturalist movement. While the work garnered the reputation of a manifesto, the stories belie the deviations from naturalism that were present and growing in Huysmans, Maupassant, and even Zola. Chapter two approaches the Médan group from its foundation in support of an aesthetic ideal to the contradictory display of naturalist and non-naturalist features in Les Soirées de Médan. -
Maupassant and the Illusion of Reality" in Rethinking the Real
Bowling Green State University ScholarWorks@BGSU French Faculty Publications Romance and Classical Studies 2014 "Maupassant and the Illusion of Reality" in Rethinking the Real. Fiction, Art, and Theatre in the time of Emile Zola Jennifer Wolter Bowling Green State University, [email protected] Follow this and additional works at: https://scholarworks.bgsu.edu/french_pub Part of the French and Francophone Language and Literature Commons Repository Citation Wolter, Jennifer, ""Maupassant and the Illusion of Reality" in Rethinking the Real. Fiction, Art, and Theatre in the time of Emile Zola" (2014). French Faculty Publications. 1. https://scholarworks.bgsu.edu/french_pub/1 This Article is brought to you for free and open access by the Romance and Classical Studies at ScholarWorks@BGSU. It has been accepted for inclusion in French Faculty Publications by an authorized administrator of ScholarWorks@BGSU. Maupassant and the Illusion of Reality Résumé Maupassant et l’illusion de la réalité Plusieurs influences sont décelables dans l’œuvre de Maupassant -- du naturalisme au fantastique, avec parfois des traits romantiques, classiques, même décadents, et plus importante encore, l’influence de Flaubert. Au début de sa carrière, Maupassant s’allie au naturalisme de Zola, comme le montre sa participation au groupe de Médan et sa nouvelle, ‘Boule de suif’. Mais il ne fait guère de distinction entre réalisme et naturalisme, parlant plutôt des “écoles de la vraisemblance”. Les chroniques de Maupassant présentent l’essentiel de sa philosophie littéraire, et son essai “Le Roman” révèle le noyau de son esthétique: “J’en conclus que les Réalistes de talent devraient s’appeler plutôt des Illusionnistes.” Cet article suggère que la multitude de voix qu’on entend chez Maupassant reflète son œuvre de maître illusionniste, œuvre s’adaptant à l’illusion de la réalité. -
Le Moment Huret Ou Le Relais Agonistique Des Autorités
le moment huret ou le relais agonistique des autorités; sur l’autonomisation et la médiatisation de la littérature the huret moment or the agonistic relay of authority; the autonomization and mediatization of literature Marie-Ève Thérenty1 resumo: Este artigo explora, a partir da “Enquête sur l’évolution littéraire”, proposta pelo jor- nalista Jules Huret em 1891, a hipótese de que a polêmica entre as diferentes correntes literárias ou as diferentes personalidades do campo literário é secundária em relação aos antagonismos que se delineiam entre escritores e jornalistas. Um combate pelo controle da mediação e da comunicação se esboça. Traça-se a sucessão de uma autoridade – a literatura – por uma outra – a imprensa – que assume o terreno da comunicação social e se atribui a função mediadora. E, ao mesmo tempo, essa comunicação, ao ser analisada em detalhe, e apesar de negá-lo, se apresenta sempre também literarizada. palavras-chave: vida literária; campo literário; imprensa e literatura; publicidade; estratégia literária. abstract: Taking as point of departure the “Enquête sur l’évolution littéraire”, proposed by jour- nalist Jules Huret in 1891, this essay explores the hypothesis that the controversies between literary schools or between literary personalities is secondary to the antagonisms that arise between writers and journalists. A fight over the control of mediation and communication is outlined. A relay of authority is enacted, from literature to the press, which takes over the field of social communication and claims the role of mediator. And yet this communication, when analyzed in detail and despite denying it, is always literarized as well. keywords: literary life; literary field; literature and the press; advertising; literary strategy.