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THE MUSICAL FEATURES of 2015'S TOP-RANKED COUNTRY SONGS
THE MUSICAL FEATURES OF 2015’s TOP-RANKED COUNTRY SONGS By Mason Taylor Allen Senior Honors Thesis Department of Music University of North Carolina at Chapel Hill April 22, 2016 Approved: Dr. Jocelyn R. Neal, Thesis Advisor Dr. Allen Anderson, Reader Dr. Andrea Bohlman, Reader © 2016 Mason Taylor Allen ALL RIGHTS RESERVED ii ABSTRACT Mason Taylor Allen: The Musical Features of 2015’s Top-Ranked Country Songs Under the direction of Dr. Jocelyn R. Neal The 2015 top-ten country songs analyzed in this study are characterized by the various formats of their song form, harmonies, and lyrics. This thesis presents a comprehensive study of the structure and narratives in sixty-seven songs that summarizes the distinctive features within those domains of contemporary commercial country music. A detailed description of the norm along with identifiable trends emerges. The song form that features most prominently in this repertory includes a verse-chorus-bridge form with three iterations of the chorus, an intro and outro section, and instrumental sections immediately following each chorus. The top-ten country songs have varying degrees of departure from this typical model. Primary features of the harmonies of these top songs include the frequent use of a double-tonic complex, the absence of a 5-1 authentic cadence, the same chord progression throughout the verse, chorus, and bridge, and the use of only two chords throughout the song. Lyrical analyses show that 2015 songs are continuing the traditional themes about romantic attraction, love, heartache, good times and partying, home, family, nostalgia, religion, and inspiration, within the context of small-town country life that this genre has used for years. -
BILLBOARD COUNTRY UPDATE [email protected]
Country Update BILLBOARD.COM/NEWSLETTERS NOVEMBER 25, 2019 | PAGE 1 OF 20 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Lady A’s Country Artists As Emotionally Torn Ocean Sails >page 4 By Impeachment As Their Fan Base “Old Town” Rode November Lee Greenwood might need to rewrite “God Bless the U.S.A.” in the current climate, and it’s particularly discouraging that Awards Nearly three years into a divisive presidency, the 53rd annual they have a difficult time even settling on reality. >page 10 Country Music Association Awards coincided with the start of “It’s he said/she said,” said LOCASH’s Chris Lucas. “I don’t impeachment hearings on Nov. 13. Judging from the reaction know who to believe or what to believe. There’s two sides, and of the genre’s artists, the opening line in Greenwood’s chorus — the two sides have figured out how to work [the media].” “I’m proud to be an Cash’s father, The Word From American” — is still Johnny Cash, was Garth Brooks a prominent belief. an outspoken sup- >page 11 But “I’m frustrated porter of inclusive to be an American” values, challeng- is hard on its heels as ing the ruling class Still In The Swing: a replacement. in his 1970 single An unscientific “What Is Truth.” Asleep At 50 LOCASH RAY CASH red-carpet poll of Just two years later, >page 11 the creative com- Rosanne cam- munity about the hearings found a wide range of awareness, paigned as a teenager for Democrat George McGovern in his from Rosanne Cash, who said she was “passionate” about bid to unseat Richard Nixon in the White House, and she has Makin’ Tracks: watching them, to a slew of artists who barely knew they were consistently stood up for progressive policies and politicians Tenpenny, Seaforth happening. -
Countrybreakout Chart Covering Secondary Radio Since 2002
COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, February 9, 2017 NEWS CHART ACTION MusicRow's Country Radio Meet & Greet New On The Chart —Debuting This Week ! Artist/song/label—chart pos. ! Sam Hunt/Body Like A Backroad/MCA Nashville— 41 ! Zac Brown Band/My Old Man/Southern Ground-Elektra—48 ! Keith Urban w/ Carrie Underwood/The Fighter/Capitol Nashville—53 ! Blake Shelton/Every Time I Hear That Song/Warner Bros— 61 ! Frankie Ballard/You’ll Accomp’ny Me/Warner Bros— 74 ! Jackie Lee/Getting Over You/Broken Bow—80 ! ! ! Greatest Spin Increase MusicRow's 15th Annual Country Radio Meet & Greet CountryBreakout Awards will be held Wednesday, Feb. 22. Featured performers are Rachael Artist/song/label—Spin Increase Turner (Rustic Records) and Alex Smith (Lila Records). For more, visit Sam Hunt/Body Like A Backroad/MCA Nashville—496 musicrow.com. Zac Brown Band/My Old Man/Southern Ground-Elektra—464 ! Lady Antebellum/You Look Good/Capitol Nashville— 372 Lady A To Announce ACM Awards Nominees Keith Urban w/ Carrie Underwood/The Fighter/Capitol Nashville—315 ! !Blake Shelton/Every Time I Hear That Song/Warner Bros—238 ! Most Added ! Artist/song/label—No. of Adds ! Zac Brown Band/My Old Man/Southern Ground-Elektra— 40 ! Sam Hunt/Body Like A Backroad/MCA Nashville—31 ! Keith Urban w/ Carrie Underwood/The Fighter/Capitol Nashville—27 ! Blake Shelton/Every Time I Hear That Song/Warner Bros—22 ! Lady Antebellum/You Look Good/Capitol Nashville—11 ! Easton Corbin/A Girl Like You/Mercury Nashville—11 ! Brett Young/In Case You Didn’t Know/BMLG— 6 ! Rachael Turner/Hurts Don’t It/Rustic Records— 6 ! Shane Owens/All The Beer In Alabama/AmeriMonte— 5 Lady Antebellum will appear live on CBS This Morning on Thursday, Feb. -
Power Gold: Concentration Game CMA Sets Trend for Industry
February 10, 2020, Issue 691 Power Gold: Concentration Game This edition of Country Aircheck’s Power Gold is led by eight artists who combine for 46 of the Top 100 most-heard Gold hits. Luke Bryan and Florida Georgia Line lead the parade with seven songs apiece, followed by Jason Aldean and Zac Brown Band with six each. Rounding out the top PG hit-makers are Kenny Chesney, Thomas Rhett, Blake Shelton and Carrie Underwood, all with five hits in the Top 100. One artist – Dierks Bentley – places four songs in this elite group, meaning that nine acts are responsible for 50% of the current Power Gold. More thoughts on that later. Twenty-three songs from 20 artists are new Luke Bryan to the Top 100 since we ran the list last year (CAW 1/14/19). Interestingly, four songs in that group are more than five years old and are actually making a return appearance to the PG 100. They are Tim McGraw’s “Live Like You Were Dying” (2004), Bentley’s “Free And Easy (Down The Staff Hearted: WNCY/Appleton, WI’s Shotgun Shannon, Luke Road I Go)” (2007), Bryan’s “I See You” (2015) and FGL’s “Sippin’ Reid, Charli McKenzie, Hannah, Dan Stone and PJ (l-r) show On Fire” (2015). off the station’s 23rd annual Y100 Country Cares for St. Jude This Top 100 Power Gold – along with the airplay information in Kids Radiothon total. the previous paragraph – is culled from Mediabase 24/7 and music airplay information from the Country Aircheck/Mediabase reporting panel for the week of January 26-Feb. -
Kip Moore on Building a Loyal Audience, Why Music Row Wears ‘Blinders’
(07.17.18) - https://www.rollingstone.com/music/music-country/kip-moore-on-building-a- loyal-audience-why-music-row-wears-blinders-700338/ Kip Moore on Building a Loyal Audience, Why Music Row Wears ‘Blinders’ “You can have these hits on radio, but it doesn’t really translate,” says Moore, who despite any major chart success has cultivated an extensive international touring base. It’s barely 11:00 a.m. on the second day of Nashville’s summertime centerpiece, the CMA Music Festival, and Kip Moore is sitting outside of the HGTV Lodge stage in the blazing June heat, waiting to perform. Moore, who just returned from months of sold-out European and Canadian dates, isn’t exactly used to starting gigs before noon. But as Nissan Stadium looms across the river, waiting for the night’s CMA Fest lineup of radio-friendly all-stars, he’s no less ready: for Moore, a show is a show, and he’ll give it everything he’s got, even if he’s barely finished breakfast. “A lot of artists put it on cruise control,” Moore tells Rolling Stone Country, sitting in a director’s chair in jeans, a black sleeveless shirt and boots. “A lot of times, stuff feels stock. They might put on the same exact show, and have the same exact conversation with the audience, and eventually the audience picks up on it. I always try to stay very present during my shows. I’ve never missed a soundcheck in my career. I think that pays dividends.” Indeed, Moore, who will be launching a new run – the After the Sunburn Tour – in September, with the Wild Feathers, Jordan Davis, Caroline Jones and Jillian Jacqueline joining on select dates, is quickly becoming one of country music’s most tireless and powerful live draws, and not just within the Unites States. -
Country Update INSIDE
Country Update BILLBOARD.COM/NEWSLETTERS JUNE 15, 2020 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Pearce, Brice: Gabby Barrett’s Goldmine Represents ‘Happy Now’ >page 4 A Deep Well Of Rich Artistic Possibilities Dokke To Nine songs into Gabby Barrett’s debut album, Goldmine, the chart dated April 25, making her only the third solo female Play It Again end of the chorus in “Hall of Fame” reveals an unexpected to accomplish that feat with their first country-marketed >page 10 nugget: a high-pitched trill-like vocal sound that has all the single since Carrie Underwood did it with “Jesus, Take the other-worldly qualities of Mariah Carey’s “Emotions.” Wheel” in 2006. The RIAA has certified the song platinum, That moment, and the fact that Barrett and it includes a dark instrumental texture let 25 minutes pass before employing it in that’s purposely mimicked in her follow-up Americanas Cite the album, says several things about her: single, “The Good Ones.” Tucker, Carlile • She brings a phenomenal range to Barrett, as those Carey-like tones sug- >page 11 her craft. gest, has the talent for her new job, but she • She has listened to some of pop music’s also has the determination to stand out at classic singers. a business level from the pack. She already • She’s mature enough — and confident had spent six years performing live in and ABC’s No-Fest enough — to employ that part of her skill around her native Pittsburgh before she was CMA Fest Special set judiciously, rather than turning it into introduced nationally in the 2018 season >page 11 a gimmick. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS MARCH 1, 2021 | PAGE 1 OF 18 INSIDE BILLBOARD COUNTRY UPDATE [email protected] What’s Up With Strait Talk With Songwriter Dean Dillon Bryan’s ‘Down’ >page 4 As He Awaits His Hall Of Fame Induction Academy Of Country Life-changing moments are not always obvious at the time minutes,” says Dillon. “I was in shock. My life is racing through Music Awards they occur. my mind, you know? And finally, I said something stupid, like, Raise Diversity So it’s easy to understand how songwriter Dean Dillon (“Ten- ‘Well, I’ve given my life to country music.’ She goes, ‘Well, we >page 10 nessee Whiskey,” “The Chair”) missed the 40th anniversary know you have, and we’re just proud to tell you that you’re going of a turning point in his career in February. He and songwriter to be inducted next fall.’ ” Frank Dycus (“I Don’t Need Your Rockin’ Chair,” “Marina Del The pandemic screwed up those plans. Dillon couldn’t even Rey”) were sitting on the front porch at Dycus’ share his good fortune until August — “I was tired FGL, Lambert, Clark home/office on Music Row when producer Blake of keeping that a secret,” he says — and he’s still Get Musical Help Mevis (Keith Whitley, Vern Gosdin) pulled over waiting, likely until this fall, to enter the hall >page 11 at the curb and asked if they had any material. along with Marty Stuart and Hank Williams Jr. He was about to record a new kid and needed Joining with Bocephus is apropos: Dillon used some songs. -
Bobby Karl Works the 9Th Annual AMA Honors & Awards Chapter
page 1 Friday, September 10, 2010 Bobby Karl Works the 9th Annual AMA Honors & Awards Chapter 344 Americana music may be a fringe genre, financially struggling, lacking major media exposure and a complete mystery to most mainstream music consumers, but its awards 2010 Americana Honors show was a total celebration of its star power. & Awards Recipients Presented at the Ryman Auditorium on Thursday (9/9), the event featured Album Of The Year appearances by Rosanne Cash, Emmylou Harris, John Oates, Robert Plant, The List, Rosanne Cash Rodney Crowell, John Mellencamp, Mary Chapin Carpenter, Wanda Jackson Artist Of The Year and The Courtyard Hounds Martie Maguire and Emily Robison. And that doesn’t Ryan Bingham even count the star-studded “house band.” Instrumentalist Of The Year Musically, we knew we were in for a treat when Sam Bush and Will Kimbrough Buddy Miller led the festivities off with “Tumbling Dice,” featuring Buddy Miller, Jim Lauderdale, New/Emerging Artist Emmy and Patty Griffin in Hayes Carll support. Lauderdale has Song Of The Year seemingly been institutionalized “The Weary Kind” performed by Ryan as the show’s host. Bingham; written by Ryan Bingham “Welcome back, my and T Bone Burnett friends, to the show that Duo/Group Of The Year never ends….on time,” he The Avett Brothers quipped. This annual gig is, ••• indeed, renowned for punishing Jack Emerson Lifetime Achievement rear ends on the unforgiving Award For Executive: Luke Lewis wooden Ryman pew seats for Lifetime Achievement Award For four hours and more. Lauderdale Instrumentalist:Greg Leisz promised that he would run Lifetime Achievement Award For Performance:Wanda Jackson this year’s event on schedule, and he nearly succeeded. -
Issue 431 Decent Exposure: Too Much TV? If It Seems Like Every Time You Turn on the TV There’S Another Awards Show, You’Re Right
January 20, 2015, Issue 431 Decent Exposure: Too Much TV? If it seems like every time you turn on the TV there’s another awards show, you’re right. A quick, unofficial count reveals nearly 20 opportunities a year for artists to get valuable screen time on either country or all-genre shows. Add to that the myriad of daytime and late night talk shows and the number jumps to nearly 40. When is enough enough ... or even too much? Country Aircheck asked Sony/Nashville Chairman/CEO Gary Overton, Warner Music Nashville’s SVP/Publicity Wes Vause, Spalding Entertainment’s Clarence Spalding (Jason Aldean, Rascal Flatts) and The Green Room Owner/Publicist Mary Hilliard Harrington (Aldean, Lady Antebellum) to find out how they create “must see TV” while protecting their artists from overexposure. “Carrie Underwood, Miranda Lambert, Kenny Chesney and Brad Paisley get asked to All Saints: Mercury’s Canaan Smith (c) celebrates a day do everything under the sun,” says Overton. well spent at the Country Cares for St. Jude seminar with “I speak with their managers at least once a (l-r) The Country Club with Dee Jay Silver’s Keith Kaufman, Gary Overton week. So many times whether it’s the timing WGH/Norfolk’s Dave Paulus, Curb’s Mike Rogers, Campbell Entertainment’s Craig Campbell, WGH/Norfolk’s John Shomby or another reason, the answer has to be, ‘We and Mercury’s Jack Christopher. can’t do it.’ We’re very calculated about what makes sense.” It All Begins With A Song: For top artists, the channel to television clicks on with an artist’s album cycle. -
Issue 366 Beards Are Back: No Shave November Growth Is Undeniable – and We’Re Not Just Talking Facial Hair
October 7, 2013, Issue 366 Beards Are Back: No Shave November Growth is undeniable – and we’re not just talking facial hair. No Shave November went from raising $38,000 its first year to more than $138,000 last year. For 2013, the buzzword is “teams” as stations, labels, companies and artists try to get the largest teams and biggest donations possible on behalf of St. Jude Children’s Research Hospital. And one station new to the NSN fold is taking things even further with a promotion that could become a model for others. For all the bald-faced rookies out there, the NSN concept is pretty simple: Stop shaving for the month of November and donate the money you might have spent on razors, shaving cream, stitches and more to St. Jude – at least Freeze Frame: Warner Bros./WMN’s Blake Shelton winds $30. The homepage is www.stjude.org/ down his Ten Times Crazier Tour in Tulsa Friday night (10/4) noshavenovember. The emphasis on teams with a surprise plaque presentation commemorating platinum is an outgrowth of last year’s event, where sales of his album Based On A True Story.... Pictured (l-r) are KTGX/Tulsa’s JJ Ryan, KWEN/Tulsa’s Matt Bradley and Karla Keifer competition between artist teams, label Cantrell, Shelton, WMN’s John Esposito, KVOO/Tulsa’s Crash Thompson teams and others led to some pretty big Poteet and Dave Austin, KJKE/Oklahoma City’s Owen Pickard donations and lots of social media traffic. and WMN’s Mark Niederhauser. The 30-date tour wrapped in Team Thompson Square took honors as the top artist Wichita the following night (10/5). -
NEWS RELEASE MAY 20, 2019 Information: [email protected]
NEWS RELEASE MAY 20, 2019 Information: [email protected] Citadel Country Spirit USA Finalizes GMC Sierra Stage Lineup Billy Currington, Little Big Town and Old Dominion Headline Country Music Festival Aug. 23-25 GLENMOORE, Pa. – Old Dominion, one of the hottest breaking bands in country music, join Billy Currington and Little Big Town to headline Citadel Country Spirit USA, a spectacular country music festival coming to Chester County’s Brandywine Valley Aug. 23-25. Headlining on Aug. 25, Old Dominion is the reigning Country Music Association Vocal Group of the Year and winner of the Academy of Country Music Group of the Year award in 2018 and 2019. After releasing “Happy Endings,” a highly anticipated sophomore album debuting at No. 1 on the Billboard Top Country Albums Chart, Old Dominion scored its sixth No. 1 single with “Hotel Key.” “Make It Sweet” is the lead single from Old Dominion’s upcoming third studio album and their seventh No. 1 single. The second annual festival, again being held at Ludwig’s Corner Horse Show Grounds, 5 Nantmeal Road, features 14 of the biggest names in country music on the GMC Sierra Stage. In addition to Old Dominion, Citadel Country Spirit USA is proud to welcome Mitchell Tenpenny, Frankie Ballard and Clare Dunn. Friday’s lineup is headliner Billy Currington, Lee Brice, Lauren Alaina, Devin Dawson and Adam Doleac. Saturday’s lineup is headliner Little Big Town, Brothers Osborne, Lanco, Frankie Ballard and Clare Dunn. Sunday’s lineup is headliner Old Dominion, Eli Young Band, Chris Lane and Mitchell Tenpenny. Between acts on the main stage, six up-and-comers, including winners of the Citadel Rising Star Contest, will perform on the Citadel Rising Star Stage.