In the Supreme Court of the United States

Total Page:16

File Type:pdf, Size:1020Kb

In the Supreme Court of the United States No. 16- In the Supreme Court of the United States LEE JASON KIBLER, d/b/a DJ LOGIC, PETITIONER, v. ROBERT BRYSON HALL, II; VISIONARY MUSIC GROUP, INC.; WILLIAM MORRIS ENDEAVOR ENTERTAINMENT, LLC; THREE OH ONE PRODUCTIONS, LLC; UMG RECORDINGS, INC., d/b/a DEF JAM RECORDINGS, RESPONDENTS. ON PETITION FOR A WRIT OF CERTIORARI TO THE UNITED STATES COURT OF APPEALS FOR THE SIXTH CIRCUIT PETITION FOR A WRIT OF CERTIORARI AL J. DANIEL, JR. Counsel of Record Daniel Law PLLC 305 Broadway, 7th Floor New York, NY 10007 (212) 721-0902 May 12, 2017 [email protected] i QUESTIONS PRESENTED There is a long-standing circuit conflict as to whether balancing likelihood of confusion factors in a trademark infringement case is a question of law for the court or a question of fact for the trier of fact. Frisch’s Restaurants, Inc. v. Elby’s Big Boy, Inc., 670 F.2d 642 (6th Cir.), cert. denied, 459 U.S. 916 (1982) (White, J., dissenting, citing conflicting decisions). Only the courts of appeals for the Second, Sixth, and Federal Circuits balance the factors as an issue of law rather than an issue of fact for the trier of fact. Hana Financial, Inc. v. Hana Bank, 574 U.S. ___ (No. 13-1211, Jan. 21, 2015) holds that a claim of “tacking” in a trademark infringement case is a question of fact for the trier of fact, not a question of law for the court, resolving a similar circuit conflict. Deciding likelihood of confusion is the same kind of fact-intensive inquiry as tacking. The questions presented here are: 1. Whether the courts below erred by balancing the trademark likelihood of confusion factors as an issue of law rather than a question of fact, contrary to this Court’s analysis in Hana Financial and the majority of circuits. 2. Whether the court of appeals erred by affirming summary judgment against petitioner where it applied the wrong standard of review for balancing the trademark likelihood of confusion factors. ii RULES 14.1 AND 29.6 STATEMENTS All parties are identified in the caption of this petition. Petitioner was the plaintiff in the United States District Court for the Eastern District of Michigan and was the appellant in the court of appeals. Petitioner is a natural person. iii TABLE OF CONTENTS Questions Presented i Rules 14.1(b) and 29.6 Statement ii Opinions and orders below 1 Jurisdiction 1 Statutes Involved 1 Statement 1 A. Relevant Trademark Law 7 B. Facts Relevant to Petitioner’s Trademark Claims 11 C. The District Court Dismissed Petitioner’s Claims on Summary Judgment, Balancing the Likelihood Of Confusion Factors As a Matter of Law 16 D. The Sixth Circuit Affirmed Summary Judgment Dismissal, Balancing Confusion Factors As a Matter of Law Under Its Precedent 19 iv Reasons for Granting the Petition 26 I. Balancing the Likelihood of Confusion Factors in a Trademark Infringement Case Is a Question of Fact For the Trier of Facts 28 II. The Minority Rule Prevents Proper Application of the Test for Summary Judgment on Likelihood of Confusion Issues 30 III. The Issues Are Important and the Circuit Conflict Is Long-Standing 32 Conclusion 33 Appendix A – Opinion and judgment of court of appeals (December 13, 2016) 1a Appendix B – Order of district court (November 9, 2015) 31a Appendix C – Judgment of district court (November 9, 2015) 44a Appendix D – Declaration of Petitioner (filed June 17, 2015) 46a Appendix E – Declaration of Jon Prine (dated Feb. 27, 2014) 56a Appendix F – Petitioner’s Verified Complaint (filed January 3, 2014) 60a v Appendix G – Petitioner’s Reg. No. 2,374,737 for DJ LOGIC (Aug. 8, 2000) 83a Appendix H – Petitioner’s Reg. No. 4,371,378 for DJ LOGIC (July 23, 2013) 84a Appendix I – Resp. Three Oh One Prods. LLC Appl. for Regist. of LOGIC, Ser. No. 85755964 (signed Oct. 15, 2012) 86a Appendix J – Relevant Provisions of the Trademark Act 91a vi TABLE OF AUTHORITIES Page(s) CASES: Anderson v. Liberty Lobby, Inc., 477 U.S. 242 (1986) .. 5, 10, 19, 30 B & B Hardware, Inc. v. Hargis Indus., Inc., ___ U.S. ___ (No. 13-352, Mar. 24, 2015). 7, 9 Boston Duck Tours, LP v. Super Duck Tours, LLC, 531 F.3d 1, 15 (1st Cir. 2008). 2 Bristol-Myers Squibb Co. v. McNeil-P.P.C., Inc., 973 F.3d 1033 (2d Cir. 1992). 3 Celotex Corp. v. Catrett, 477 U.S. 317 (1986). 10 Dickinson v. Zurko, 527 U.S. 150 (1999). 3 Door-Oliver, Incorporated v. Fluid-Quip, Incorporated, 94 F.3d 376 (7th Cir. 1996). 2 Dorpan, S.L. v. Hotel Meliá, Inc., 728 F.3d 55 (1st Cir. 2013). 8 Facenda v. N.F.L. Films, Inc., 542 F.3d 1007 (3d Cir. 2008). 2 Frehling Enterprises, Inc. v. International Select Group, Inc., 192 F.3d 1330 (11th Cir. 1999). 2 Frisch’s Restaurants, Inc. v. Elby’s Big Boy, Inc., 670 F.2d 642 (6th Cir.), cert. denied, 459 U.S. 916 (1982).. 4, 5, 20, 27 vii Table of Authorities continued Page(s) Frisch’s Rest., Inc. v. Shoney’s Inc., 759 F.2d 1261, 1264 (6th Cir. 1985).. 6, 20 Hana Financial, Inc. v. Hana Bank, 574 U.S. ___ (No. 13-1211, Jan. 21, 2015). passim Hurst v. Florida, 577 U.S. ___, No. 14-7505 (Jan. 12, 2016). 27 Inwood Laboratories, Inc. v. Ives Laboratories, Inc., 456 U.S. 844, 856 (1982). 10 John Allan Company v. Craig Allen Company L.L.C., 540 F.3d 1133 (10th Cir. 2008).. 2 Juice Generation, Inc. v. GS Enterprises LLC, 794 F.3d 1334 (Fed. Cir. 2015).. 3 KP Permanent Make-up, Inc. v. Lasting Impression I, Inc., 543 U.S. 111 (2004). 8 Kitchen v. v. Chippewa Valley Schools, 825 F.2d 1004, 1012-1013 (6th Cir. 1987). 17 L.A. Gear, Inc. v. Thom McAn Shoe Company, 988 F.2d 1117 (Fed. Cir.), cert. denied, 510 U.S. 908 (1993). 3 Lee Jason Kibler v. Three Oh One Productions LLC, Opp. No. 91217634 (TTAB). 16 Levi Strauss & Co. v. Blue Bell, Inc., 778 F.2d 1352 (9th Cir. 1985) (en banc). 2 viii Table of Authorities continued Page(s) Matsushita Elec. Indus. Co., Ltd. v. Zenith Radio Corp., 475 U.S. 574 (1986). 5, 10, 19 Moody v. Pepsi-Cola Metropolitan Bottling Co., Inc., 915 F.2d 201, 206-208 (6th Cir. 1990). 17 National Business Forms & Printing, Inc. v. Ford Motor Company, 671 F.3d 526 (5th Cir. 2012). 2 Petro Stopping Centers, L.P. v. James River Petroleum Incorporated, 130 F.3d 88, 91-92 (4th Cir. 1997). 2 Polaroid Corp. v. Polarad Electronics Corp., 287 F.2d 492 (2d Cir.), cert. denied, 368 U.S. 820 (1961). 8 Pullman-Standard v. Swint, 456 U.S. 263 (1982). 3, 4, 7, 29, 32 Reader’s Digest Association v. Conservative Digest, Inc., 821 F.2d 800 (D.C. Cir. 1987). 2 Scandia Down Corp. v. Euroquilt, Inc., 772 F.2d 1423, 1427-1428 (7th Cir. 1985), cert. denied, 475 U.S. 1147. 3 Sioux Falls v. First National Bank South Dakota, 679 F.3d 763 (8th Cir. 2012). 2 Two Peso, Inc. v. Taco Cabana, Inc., 505 U.S. 763 (1990). 8 United States v. Gaudin, 515 U.S. 506 (1995). 27, 29 ix Table of Authorities continued Page(s) STATUTES: 15 U.S.C. 1051(b)(1). 7 15 U.S.C. 1114(1) and 1125(a)(1). 7 15 U.S.C. 1114, 1125(a). 2, 7 15 U.S.C. § 1125(c)(2)(A). 2, 18 28 U.S.C. 1254(1). 1 Trademark Act of 1946 (Lanham Act). 1, 7 CONSTITUTIONAL PROVISIONS: Constitution of the United States Amendment VII. 4, 29 RULES AND REGULATIONS: Federal Rules of Civil Procedure Rule 39(b).. 17 Federal Rules of Civil Procedure Rule 52(a)(6). 29, 30 OTHER: Jason Koransky, First Take: Of Genres and Generations,” Downbeat, Vol.78, No. 11, (Nov. 2006). 13 Anne Gilson Lalonde, Gilson on Trademarks (2016). passim J. Thomas McCarthy, Trademarks and Unfair Competition (4th ed. 2016). 3, 9, 26 x Table of Authorities continued Page(s) Charles Alan Wright and Arthur R. Miller, Federal Practice and Procedure (2008). 17 1 PETITION FOR A WRIT OF CERTIORARI Petitioner Lee Jason Kibler respectfully petitions for a writ of certiorari to review the judgment of the United States Court of Appeals for the Sixth Circuit. OPINIONS AND ORDERS BELOW The opinion and judgment of the court of appeals (Appendix, infra, 1a-30a) (“App.”) is reported at 843 F.3d 1068 (6th Cir. 2016). The order and judgment of the United States District Court for the Eastern District of Michigan (App. 31a-45a) are not yet reported. JURISDICTION The judgment of the court of appeals was entered on December 13, 2016. On March 1, 2017, Associate Justice Elena Kagan extended the time within which to file a petition for a writ of certiorari to and including May 12, 2017. This Court has jurisdiction under 28 U.S.C. 1254(1). STATUTES INVOLVED The relevant provisions of the Trademark Act are more fully set forth in Appendix J, infra. STATEMENT The issues presented are of exceptional importance to uniform application of the likelihood of confusion test for trademark infringement under the Trademark Act of 1946 (Lanham Act), 15 U.S.C. 2 1114(1) and 1125(a)(1). These issues arise in almost every federal trademark infringement case. The application of this important trademark law test in district courts and on appeal should be uniform.
Recommended publications
  • BILLBOARD COUNTRY UPDATE [email protected]
    Country Update BILLBOARD.COM/NEWSLETTERS NOVEMBER 25, 2019 | PAGE 1 OF 20 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Lady A’s Country Artists As Emotionally Torn Ocean Sails >page 4 By Impeachment As Their Fan Base “Old Town” Rode November Lee Greenwood might need to rewrite “God Bless the U.S.A.” in the current climate, and it’s particularly discouraging that Awards Nearly three years into a divisive presidency, the 53rd annual they have a difficult time even settling on reality. >page 10 Country Music Association Awards coincided with the start of “It’s he said/she said,” said LOCASH’s Chris Lucas. “I don’t impeachment hearings on Nov. 13. Judging from the reaction know who to believe or what to believe. There’s two sides, and of the genre’s artists, the opening line in Greenwood’s chorus — the two sides have figured out how to work [the media].” “I’m proud to be an Cash’s father, The Word From American” — is still Johnny Cash, was Garth Brooks a prominent belief. an outspoken sup- >page 11 But “I’m frustrated porter of inclusive to be an American” values, challeng- is hard on its heels as ing the ruling class Still In The Swing: a replacement. in his 1970 single An unscientific “What Is Truth.” Asleep At 50 LOCASH RAY CASH red-carpet poll of Just two years later, >page 11 the creative com- Rosanne cam- munity about the hearings found a wide range of awareness, paigned as a teenager for Democrat George McGovern in his from Rosanne Cash, who said she was “passionate” about bid to unseat Richard Nixon in the White House, and she has Makin’ Tracks: watching them, to a slew of artists who barely knew they were consistently stood up for progressive policies and politicians Tenpenny, Seaforth happening.
    [Show full text]
  • Sewanee Purple, 1998-2000
    etoanee purple SEWANEE, TENNESSEE "OaobeT23, 1998 Vol. CLXXVIH No. 4 Sewanee remembers Anita Goodstein this summer The influential civil rights leader and honored Sewanee professor passed away by Kelly Smilh, News Edilor Knoxville and Ib.in ( Klein ol just before her death el delivery how wc rial but the fj Sewanee • j sity, she married Marvin Goodstein. and tour grandchil "I hope stays alway Goodstein is survived by her bus Portland, Oregon, students and bow we gel them in- Bits than just a who was a Cornell Ph.D. in econom- the liberal society, more " bind .ind two children. S.ir.ih HovU dren volved in what they re doing classroom or school, but a liberal arts ics The couple moved to Sewanee in She developed new academic society where so 1955 when Mr including American Intellec- much can be ap- Goodstein was ap- courses and Social History, Indians and preciated," said pointed to teach in the tual Blacks in America, and Women in Anita Goodstein economics depart- Anita History. "I try to help students to see at the beginning ment began that history is exciting," Goodstein of the Campaign Goodstein !•> with the Uni- said. Ii concerned human for Sewanee teaching at versityoftheSouthin experience, and the> need to be con- "It's a humane bacme cerned with human experience as society thai 1963 and later they're trying to grow up." Goodstein draws people to- chail of the history de- was concerned with human experience gether around partment and a faculty not only in the classroom, but also in things that are trustee.
    [Show full text]
  • VAGRANT RECORDS the Lndie to Watch
    VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen.
    [Show full text]
  • Power Gold: Concentration Game CMA Sets Trend for Industry
    February 10, 2020, Issue 691 Power Gold: Concentration Game This edition of Country Aircheck’s Power Gold is led by eight artists who combine for 46 of the Top 100 most-heard Gold hits. Luke Bryan and Florida Georgia Line lead the parade with seven songs apiece, followed by Jason Aldean and Zac Brown Band with six each. Rounding out the top PG hit-makers are Kenny Chesney, Thomas Rhett, Blake Shelton and Carrie Underwood, all with five hits in the Top 100. One artist – Dierks Bentley – places four songs in this elite group, meaning that nine acts are responsible for 50% of the current Power Gold. More thoughts on that later. Twenty-three songs from 20 artists are new Luke Bryan to the Top 100 since we ran the list last year (CAW 1/14/19). Interestingly, four songs in that group are more than five years old and are actually making a return appearance to the PG 100. They are Tim McGraw’s “Live Like You Were Dying” (2004), Bentley’s “Free And Easy (Down The Staff Hearted: WNCY/Appleton, WI’s Shotgun Shannon, Luke Road I Go)” (2007), Bryan’s “I See You” (2015) and FGL’s “Sippin’ Reid, Charli McKenzie, Hannah, Dan Stone and PJ (l-r) show On Fire” (2015). off the station’s 23rd annual Y100 Country Cares for St. Jude This Top 100 Power Gold – along with the airplay information in Kids Radiothon total. the previous paragraph – is culled from Mediabase 24/7 and music airplay information from the Country Aircheck/Mediabase reporting panel for the week of January 26-Feb.
    [Show full text]
  • Kip Moore on Building a Loyal Audience, Why Music Row Wears ‘Blinders’
    (07.17.18) - https://www.rollingstone.com/music/music-country/kip-moore-on-building-a- loyal-audience-why-music-row-wears-blinders-700338/ Kip Moore on Building a Loyal Audience, Why Music Row Wears ‘Blinders’ “You can have these hits on radio, but it doesn’t really translate,” says Moore, who despite any major chart success has cultivated an extensive international touring base. It’s barely 11:00 a.m. on the second day of Nashville’s summertime centerpiece, the CMA Music Festival, and Kip Moore is sitting outside of the HGTV Lodge stage in the blazing June heat, waiting to perform. Moore, who just returned from months of sold-out European and Canadian dates, isn’t exactly used to starting gigs before noon. But as Nissan Stadium looms across the river, waiting for the night’s CMA Fest lineup of radio-friendly all-stars, he’s no less ready: for Moore, a show is a show, and he’ll give it everything he’s got, even if he’s barely finished breakfast. “A lot of artists put it on cruise control,” Moore tells Rolling Stone Country, sitting in a director’s chair in jeans, a black sleeveless shirt and boots. “A lot of times, stuff feels stock. They might put on the same exact show, and have the same exact conversation with the audience, and eventually the audience picks up on it. I always try to stay very present during my shows. I’ve never missed a soundcheck in my career. I think that pays dividends.” Indeed, Moore, who will be launching a new run – the After the Sunburn Tour – in September, with the Wild Feathers, Jordan Davis, Caroline Jones and Jillian Jacqueline joining on select dates, is quickly becoming one of country music’s most tireless and powerful live draws, and not just within the Unites States.
    [Show full text]
  • Country Update INSIDE
    Country Update BILLBOARD.COM/NEWSLETTERS JUNE 15, 2020 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Pearce, Brice: Gabby Barrett’s Goldmine Represents ‘Happy Now’ >page 4 A Deep Well Of Rich Artistic Possibilities Dokke To Nine songs into Gabby Barrett’s debut album, Goldmine, the chart dated April 25, making her only the third solo female Play It Again end of the chorus in “Hall of Fame” reveals an unexpected to accomplish that feat with their first country-marketed >page 10 nugget: a high-pitched trill-like vocal sound that has all the single since Carrie Underwood did it with “Jesus, Take the other-worldly qualities of Mariah Carey’s “Emotions.” Wheel” in 2006. The RIAA has certified the song platinum, That moment, and the fact that Barrett and it includes a dark instrumental texture let 25 minutes pass before employing it in that’s purposely mimicked in her follow-up Americanas Cite the album, says several things about her: single, “The Good Ones.” Tucker, Carlile • She brings a phenomenal range to Barrett, as those Carey-like tones sug- >page 11 her craft. gest, has the talent for her new job, but she • She has listened to some of pop music’s also has the determination to stand out at classic singers. a business level from the pack. She already • She’s mature enough — and confident had spent six years performing live in and ABC’s No-Fest enough — to employ that part of her skill around her native Pittsburgh before she was CMA Fest Special set judiciously, rather than turning it into introduced nationally in the 2018 season >page 11 a gimmick.
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • SKI JORING Page 2
    Brought to you by Publishers of The Your Valley Source & The Promised Land FREE TAKE ONE THE FREE Alternative Guide to Entertainment, Arts & News for February 2011 SKI JORING Page 2 Introducing Denver’s Best for the West Pages 9 - 12 Photo by www.sundayphotography.com GRAND JUNCTION Test Drive the All New 2011 Dodge 2500 Ram CHRYSLER • JEEP • DODGE 2578 HWY 6 & 50 Grand Junction (on the corner of motor & funny little street) 245-3100 • 1-800-645-5886 BADASS MEET THE REAL • THE MEET www.grandjunctionchrysler.com 0-5:30, Sat 9:00-2:00 • Service: Mon-Fri 7:30-5:30, Sat/Sun Closed Sat/Sun 7:30-5:30, Mon-Fri Service: • 9:00-2:00 Sat 0-5:30, 7:3 Fri - Mond Parts: • 8:30-5:00 Sat 8:30-6:00, Mon-Fri Sales: www.grandjunctionchrysler.comMEET THE • Sales: Mon-Fri 8:30-6:00, REAL Sat 8:30-5:00 • Parts: Mond - Fri 7:3BADASS0-5:30, Sat 9:00-2:00 • Service: Mon-Fri 7:30-5:30, Sat/Sun Closed 245-3100 • 1-800-645-5886 • 245-3100 (on the corner of motor & funny little street) little funny & motor of corner the (on 2578 HWY 6 & 50 Grand Junction Grand 50 & 6 HWY 2578 CHRYSLER • JEEP • DODGE • JEEP • CHRYSLER GRAND JUNCTION GRAND Test Drive the All New 2011 Dodge 2500 Ram 2500 Dodge 2011 New All the Drive Test RoadTrippin’ The SOURCE Ski Joring What, you may ask, is Ski Joring? it today was born. Ski Joring is a competition where a horse and rider pull a skier at a Leadville Ski-Joring Rules 2011 fast pace through a course that has If you plan to sign up for com- gates, jumps and rings.
    [Show full text]
  • “Cuba: the Conversation Continues” with Guest Artists Including the Cuban Composer /Vocalist Bobby Carcassés and Saxophonist Rudresh Mahanthappa
    Press contact: Rich Pietras – [email protected] / 718-518-6513 John MacElwee – [email protected] / 718-518-6539 Blanca Lasalle – [email protected] / 212-684-6001 Jesse P. Cutler -- [email protected] / 510-338-0881 ARTURO O’FARRILL & THE AFRO LATIN JAZZ ORCHESTRA RETURN TO HOSTOS CENTER OCTOBER 17 Event Celebrates Release of the Acclaimed “Cuba: The Conversation Continues” with Guest Artists including the Cuban Composer /Vocalist Bobby Carcassés and Saxophonist Rudresh Mahanthappa (Bronx, NY) – After making their world debut as an ensemble at The Hostos Center 13 years ago, 2015 GRAMMY Award winners Arturo O’Farrill and the Afro Latin Jazz Orchestra return to perform a Cuban- inspired concert recognizing the restoration of diplomatic relations and celebrating the release of their heralded new album recorded in Havana -- Cuba: The Conversation Continues on Saturday, October 17, 2015 at 7:30 PM. The concert will include special guest artists who appear on the recording, including the legendary Cuba-based composer/vocalist/trumpeter Bobby Carcassés; Downbeat Critics’ Poll winner, alto saxophonist Rudresh Mahanthappa; the renowned Bronx turntablist DJ Logic; pianist/composer Michele Rosewoman, and Arturo’s son drummer / composer Zack O’Farrill. Tickets for the performance in Hostos Center’s Main Theater are $20 to $25, with discounted student tickets at $10, and are available through www.hostoscenter.org or by calling (718) 518-4455. The Box Office window is open Monday through Friday, 1 PM to 4 PM, and two hours prior to events. The Center is located on the campus Hostos Community College, 450 Grand Concourse in the Bronx, just steps from the 149th/Grand Concourse subway station.
    [Show full text]
  • Barenaked Ladies Are Stunt Men
    Ed Robertson, Steven Page, Tyler Stewart, Jim Creeggan, Kevin Hearn of Bare Naked Ladies REPRISE RECORDS BARENAKED LADIES ARE STUNT MEN That headline shouldn't seem too shocking, since Barenaked Ladies have become ing about how they'd sung the national anthem at that afternoon's Philladelphia Flyers one of the biggest success stories of the rock world this year. I first heard of them years game and this somehow lead to a medley of every Hall and Oates song they could ago when they sang an anti-racism song on a Fox Saturday morning PSA where remember. Earlier, they rapped about Scooby-Doo and cheesesteaks completely off the _ singer/guitarist Ed Robertson was painted green as a space alien. top of their heads. The setlist was made up mostly of songs from Stunt. The crowd joey Odorisio Their 1992 debut album Gordon was a huge hit in their native went nuts for "One Week" and knew every word. Canada, and had a few college hits here in the U.S. with "Be My The band's silliness continued throughout the show. A guy was lowered from the SruFWRIIER ------- Yoko Ono" and "If I Had $1,000,000." Two years ago, Barenaked rafters during "Shoebox" to merely playa tambourine, and a giant flashing "BNL" sign Ladies (BNL for short) had their biggest U.S. radio hit with ''The came down behind the band' at one point, leading to jokes about KISS. Robertson got Old Apartment" and another one last year with a live version of Gordon s "Brian a security guard to play "Smoke On the Water" with him, then the whole band played Wilson." However, this summer they exploded with "One Week" from their fourth stu­ some of the song, singing "meet the security guard!" "The Old Apartment" was anoth­ dio album Stunt and played on the H.O.R.D.E.
    [Show full text]
  • Jazz Birthdays
    JazzWeek with airplay data powered by jazzweek.com • August 18, 2008 Volume 4, Number 37 • $7.95 Jazz Album No. 1: Roy Hargrove, Earfood Smooth Album No. 1: The Sax Pack, The Sax (Groovin’ High/Emarcy) Pack (Shanachie) World Music No. 1: Wayne Wallace, The Na- Smooth Single No. 1: The Sax Pack, “Fallin’ ture of the Beat (Patois) For You” (w/ Steve Cole, Jeff Kashiwa & Kim Waters) (Shanachie) Jazz Album Chart . 3 Jazz Radio Currents . 8 Smooth Jazz Album Chart . 4 Jazz Radio Panel . 11 Smooth Singles Chart . 5 Key Non-Monitored Jazz Stations . 12 World Music Album Chart. 6 Smooth Jazz Current Tracks. 13 Jazz Add Dates. 7 Smooth Jazz Station Panel. 14 Jazz Birthdays August 18 August 26 September 2 Adam Makowicz (1940) Jimmy Rushing (1903) Phil Napoleon (1901) David Benoit (1953) Clifford Jarvis (1941) Laurindo Almeida (1917) August 19 Branford Marsalis (1960) Horace Silver (1928) Jimmy Rowles (1918) August 27 Clifford Jordan (1931) Walter Davis, Jr. (1932) August 20 Lester Young (1909) Frank Rosolino (1926) Alice Coltrane (1937) September 3 Jimmy Raney (1927) Sonny Sharrock (1940) Roy Brooks (1938) Milford Graves (1941) August 28 September 4 Enrico Rava (1943) Kenny Drew (1928) Meade “Lux” Lewis (1905) August 21 Michael Gregory Jackson (1953) Gerald Wilson (1918) Count Basie (1904) August 29 David Liebman (1946) Art Farmer (1928) Charlie Parker (1920) Lonnie Plaxico (1960) Bireli Lagrene (1966) August 22 Dinah Washington (1924) Malachi Favors (1937) Bennie Maupin (1940) September 5 Doug Raney (1956) Albert Mangelsdorff (1928) August 23 Charles
    [Show full text]