Circus Brochure

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Circus Brochure And here are some great programming and possible event ideas: TRAVELLING TRAVELLINGTRAVELLING EXHIBITIONEXHIBITION EXHIBITION The Craft of Clowning The Trapeze: Learning to Fly BOOKING SCHEDULE A Tumble or Two: The Trampoline: Body Control Introduction to Safe Acrobatics Circus Aerialist AVAILABILITY The Art of Balloon Twisting Circus Movies Please contact us to confirm Juggling Workshop (e.g. The Greatest Show on Earth) the rental period of your choice Shadow Puppetry Costume Contest UPCOMING VENUES Magic and Illusions ASIA TRADE CENTER, JAPAN Kids of all ages will be amazed, thrilled AUGUST 2016 and entertained as they discover the CIRCUS! Science under the Big Top is created and produced by PREVIOUS VENUES science behind Circus! the Ontario Science Centre. IMAGINATION STATION, OH October – December 2009 The Virginia Air & Space Center in Hampton, Virginia, experienced its best March in Come join the fun! history with an 80 percent increase in attendance over the previous year during the BISHOP MUSEUM, HI FEATURES exhibition of Circus: Science Under the Big Top! The exhibit provided wonderful February – April 2010 marketing opportunities with Ringling Brothers & Barnum Bailey Circus and unique • Includes 5,500 sq. ft. (510 m2) of ways to explore science while having fun. There was always a long line for the high- PACIFIC SCIENCE CENTER, WA interactive exhibits et ready for CIRCUS! Science under the Big Top. It premiered at the wire and the opportunity to flip like an acrobat. Our visitors keep asking when the June – August 2010 Ontario Science Centre in June 2001 and began travelling in June 2002. exhibit will be at the Center again, so we are bringing it back in February 2006. • Flexible design to accommodate many NEW YORK HALL OF SCIENCE, NY types of display areas Kim Hinson, Deputy Director Science has always had an important role in the circus – and now more than June – August 2011 Virginia Air & Space Center • Multi-station interactive exhibits ever the circus relies upon a balance of artistry and science to meet new Hampton, Virginia challenges and fulfill audience expectations. Just as science can satisfy our THE MANITOBA MUSEUM, MB • Includes education and programming need to understand, the circus meets our need to be amazed, thrilled and even October 2011 – April 2012 guidebook perplexed. • Bilingual English/French ONTARIO SCIENCE CENTRE, ON Visitors will learn the science behind the circus by performing, examining and June – August 2012 • Includes maintenance manual watching the art. They will also be invited to hold various circus acts up to scrutiny, investigating illusion versus WATERLOO REGIONAL MUSEUM, ON reality, pseudo science versus science. Visitors will February – April 2013 “live the science” through the magic of the circus. And, RENTAL likewise, finding and feeling the science will deepen THE FRANKLIN INSTITUTE, PA INFORMATION the visitors’ appreciation and understanding of June – August 2014 the circus and its culture. So grab a bag of popcorn and host the REUBEN H. FLEET SCIENCE CENTER, CA • Includes an installation and take-down Ontario Science Centre’s CIRCUS! June – August 2015 crew from Ontario Science Centre at your Science Centre. • Installation and take-down each require For a complete list of previous venues a maximum of 10 working days or for more information, • Hosting staff of 4 to 6 recommended please visit our website or contact us directly. ontario science centre International Sales 770 Don Mills Road Toronto, Ontario, Canada M3C 1T3 Telephone: 416-696-3222 Email: [email protected] www.OntarioScienceCentre.ca APR 16 Fill your Science Center with the sights and sounds of FEATS OF STRENGTH Circus performer Mighty Atom amazed spectators by bend- ing metal with his hair! How much force can you exert with CIRCUS COSTUMES AND PLAY your hands in order to bend Role playing; dress up; make-believe – these CIRCUS LINGO a similar iron bar? Visitors are some of the ways that children learn, and Test your circus lingo quotient while exploring discover how our bodies can what better way to learn about the characters the rich tapestry of expressions exclusive to use leverage, compression of the circus than to become those characters. the world of the circus. So, you flatties, walk and tension to perform For children and adults, turn into a ringmaster, in the back door of the big top with your amazing feats of strength. a lion or balancing bear. A variety of costumes annie oakley and enjoy until the blow off. and activities help you become a circus performer. HUMAN CANNONBALL ANIMAL Being shot out of a cannon; is this an experi- SWORD SWALLOWER COMMUNICATION DIAVOLO SPECTACLE ence that any sane person really wants to Can someone really swallow a 22-inch sword? Animals communicate with Physical prowess, daring and creativity are key achieve? Visitors will use cannons designed Can you stomach finding out? Visitors will be each other through sound ingredients, but science is the ultimate to fire non-human projectiles to learn that, able to initiate and control the movement of a and motion. Have you ever determinant of survival. In this exhibit, visitors “flying isn’t the hard part; landing sword swallower and to activate a fluoroscopic listened to the sounds of an will learn that Math and Physics do matter, in the net is.” video to follow the path of the blade. animal and tried to figure out especially when performing certain stunts what it is saying? Amazing such as those of the cyclist Daredevil Diavolo. PARADE REMNANTS CLOWN ALLEY images and stories, and inter- If the visitor thinks that the circus is all To make you laugh, a clown can spend over esting sounds will help you BALLYHOO SILHOUETTE beauty and wonder, it is, except after the an hour preparing for a show, putting on understand a lot more Real or fake? Is it really happening or not? parade passes by and then someone has to makeup and choosing costumes. By entering A COLLECTION OF MULTI-STATION INTERACTIVE EXHIBITS about animals. This audio-visual exhibit introduces visitors deal with the leftovers. The leftovers can tell our clown alley, visitors will learn about to many archetypal circus performers. These quite a tale. They tell the story of what an laughter and its importance in our lives. acts will be delivered by a promoter in the animal just ate, how they are feeling, and just They will also see some of the tools of the characteristic, hyperbolic, “ballyhoo” style – how well their digestive system works. trade and will be able to try some of those ELASTIC ACROBATICS BALANCE BAR CIRCUS MUSIC designed to rouse spectators and raise tools out in the costume and role-play area. Some of the most amazing performances in a circus How good is your balance? The circus (traditional and nouveau) is expectations. Visitors will then have the SIDESHOW occur overhead. Visitors will gain a better understand- Can you improve it? How does your body filled with a symphony of sounds. Some opportunity to examine whether the The Sideshow played a significant JUGGLING ing of what it feels like by performing their own tricks make those constant adjustments? of the sounds of the “big top” are as circus performer stands up to their role as an early science museum. Science and math can be found even in the while hanging in mid-air. Hanging onto a bar is easy, Visitors are challenged to maintain memorable as the smell of popcorn. own scrutiny. A separate most unexpected places – a juggling act. but is it as easy when letting go means falling to the their balance, not allowing their feet Visitors create their own sounds to ac- tent strung with Visitors will be able to juggle using various ground? They’ll appreciate the safety harness that is to strike the ground. Repeat the test company circus performers, helping them CIRCUS SMELLS colourful posters props after learning how to decipher the strapped around them. with a pole similar to those used by to recognize music’s effect on our brain, Even though the sense of smell seems featuring Side- complex patterns and sequences involved. high wire performers. the seat of emotions and memory, and less important to us than it is to other show acts invites our body. species, aromas from the past can CONTORTIONIST visitors to explore evoke nostalgia in anyone. There is a the history, Can a person really fold themselves physiological reason. Visitors are mystery, illusion THE HIGH WIRE into a small box? Explore the art of challenged to guess what they and reality of How good is your packanatomicalization (i.e. getting into smell and discover that the human Sideshow balancing act? Visitors small spaces). Discover how muscles, nose can differentiate among performers and will strap themselves into ligaments and tendons keep our 10,000 different odours – their talents. a harness and see if they skeletons from collapsing in a heap, sweet and foul. can make it across a while not holding them together too nine-foot-high cable. tightly to prevent us from moving. FLEA CIRCUS Focus, concentration – With stretching, we can help retrain Watch the circus action under a miniature a few tricks of the trade, the muscle reflex, so that muscles Big Top – then peer into mini viewfinders are the keys to navigating can be extended beyond a previous to see real fleas “performing”. Are they this thrilling experience. set threshold. or aren’t they really doing these stunts? Fill your Science Center with the sights and sounds of FEATS OF STRENGTH Circus performer Mighty Atom amazed spectators by bend- ing metal with his hair! How much force can you exert with CIRCUS COSTUMES AND PLAY your hands in order to bend Role playing; dress up; make-believe – these CIRCUS LINGO a similar iron bar? Visitors are some of the ways that children learn, and Test your circus lingo quotient while exploring discover how our bodies can what better way to learn about the characters the rich tapestry of expressions exclusive to use leverage, compression of the circus than to become those characters.
Recommended publications
  • Circus Friends Association Collection Finding Aid
    Circus Friends Association Collection Finding Aid University of Sheffield - NFCA Contents Poster - 178R472 Business Records - 178H24 412 Maps, Plans and Charts - 178M16 413 Programmes - 178K43 414 Bibliographies and Catalogues - 178J9 564 Proclamations - 178S5 565 Handbills - 178T40 565 Obituaries, Births, Death and Marriage Certificates - 178Q6 585 Newspaper Cuttings and Scrapbooks - 178G21 585 Correspondence - 178F31 602 Photographs and Postcards - 178C108 604 Original Artwork - 178V11 608 Various - 178Z50 622 Monographs, Articles, Manuscripts and Research Material - 178B30633 Films - 178D13 640 Trade and Advertising Material - 178I22 649 Calendars and Almanacs - 178N5 655 1 Poster - 178R47 178R47.1 poster 30 November 1867 Birmingham, Saturday November 30th 1867, Monday 2 December and during the week Cattle and Dog Shows, Miss Adah Isaacs Menken, Paris & Back for £5, Mazeppa’s, equestrian act, Programme of Scenery and incidents, Sarah’s Young Man, Black type on off white background, Printed at the Theatre Royal Printing Office, Birmingham, 253mm x 753mm Circus Friends Association Collection 178R47.2 poster 1838 Madame Albertazzi, Mdlle. H. Elsler, Mr. Ducrow, Double stud of horses, Mr. Van Amburgh, animal trainer Grieve’s New Scenery, Charlemagne or the Fete of the Forest, Black type on off white backgound, W. Wright Printer, Theatre Royal, Drury Lane, 205mm x 335mm Circus Friends Association Collection 178R47.3 poster 19 October 1885 Berlin, Eln Mexikanermanöver, Mr. Charles Ducos, Horaz und Merkur, Mr. A. Wells, equestrian act, C. Godiewsky, clown, Borax, Mlle. Aguimoff, Das 3 fache Reck, gymnastics, Mlle. Anna Ducos, Damen-Jokey-Rennen, Kohinor, Mme. Bradbury, Adgar, 2 Black type on off white background with decorative border, Druck von H. G.
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  • Xochitl Sosa- Circus Performer 2126 Emerson St — Berkeley, CA 94705 Phone: (510)219-5157 — — E-Mail: [email protected]
    Xochitl Sosa- Circus Performer 2126 Emerson st Berkeley, CA 94705 Phone: (510)219-5157 www.xochitlsosa.com E-mail: [email protected] Skills Dance Trapeze – Static Trapeze - Silks – Rope/Corde Lisse – Duo Trapeze – Straps – Acrobatics – Lyra/Cerceaux – Partner acrobatics – Stilting – Modern Dance Height: 5’5” Weight: 127 lbs Hair Color: Brown Experience Acrobatic Conundrum: Dance Trapeze, Duo Trapeze, Rope, partner acrobatics, acting (USA tour) 2016 Rolling in the Hay Cabaret: Dance trapeze (San Francisco, CA) 2015 Circovencion Mexicana: Performer on Dance Trapeze & Workshop instructor (Oaxtepec,Morelos MX) 2015 Yerba Buena Night: Performer on Dance Trapeze & Rope (San Francisco, CA) 2014-2015 Hardly Strictly Bluegrass Festival: Performer on Silks (San Francisco, CA) 2015 Topsy Turvy Queer arts Festival: Performer on Dance Trapeze (San Francisco, CA) 2015 Aerial Acrobatics Festival: Performer on Dance Trapeze (Denver,CO) 2014 Aerial Horizon: Performer on Dance Trapeze (San Antonio, TX) 2014 Crash Alchemy/ AgentRed: Dancer, Lyra, Trapeze, Partner Acrobatics, Contortion (USA) 2010-2015 Sky Candy Productions: Trapeze, Duo trapeze, Dancer, partner acrobatics, instructor (Austin,TX) 2010-2015 NASCAR’s Wild Asphalt Circus – Hellzapoppin Sideshow: Static Trapeze, Silks (Dallas,TX) 2013 Formula One Inaugeration: OMEGA events: Duo Trapeze, Static Trapeze (Austin,TX) 2012 Education Leslie Tipton: Contortion San Francisco, CA 2015 Chloe Farah: Duo Trapeze, Dance Trapeze, Rope Montreal, Canada 2015 Itzel Virguenza: Duo Trapeze, Dance Trapeze Montreal, Canada 2015 Victor Fomine: Straps Montreal, Canada 2015 Serchmaa Byamba: Contortion San Francisco, CA 2014-2015 Rachel Walker: Dance Trapeze Montreal , Canada 2013 NECCA Protrack Program Brattleboro, Vermont 2012-2013 (coaches: Aimee Hancock, Elsie & Serenity Smith, Bill Forchion, Sellam Ouahabi) NECCA Bootcamp Brattleboro, Vermont 2011 Sky Candy Austin Austin, TX 2010- 2014 Camp Winnarainbow (coahing under: Carrie Heller) Laytonville, CA summers 2000- 2009 2 .
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  • An NGC Standard Flower Show Presented by the Cardinal Council of Garden Clubs Bowling Green, Two Creeks, and Warren East Garden Clubs
    An NGC Standard Flower Show presented by the Cardinal Council of Garden Clubs Bowling Green, Two Creeks, and Warren East Garden Clubs www.cardinalcouncilgc.org June 5, 2019 1-6:00 p.m. Open and Free to the Public L & N Depot 401 Kentucky Street Bowling Green, KY 42101 270-202-6491 Member of National Garden Clubs, Inc. South Atlantic Region Garden Club of Kentucky, Inc. Dogwood District 1 TABLE OF CONTENTS Flower Show Chairmen ................................................................................................................................. p. 3 General Rules ..................................................................................................................................................... p. 4 Awards ................................................................................................................................................................. p. 5 Divisions Division I: Horticulture .............................................................................................................. p. 6-10 Division II: Design ..................................................................................................................... p. 11-12 Division III: Education ................................................................................................................... p. 13 Division IV: Botanical Arts ........................................................................................................... p. 14 The Purposes of a Standard Flower Show are to: educate club members
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  • Keith Resume
    347-404-0422 Height: 5’ 11’’ [email protected] Weight: 185 lbs. bindlestiff.org Hair: Dk Brown, Long Keith Nelson Eyes: Brown VARIETY ENTERTAINER * J UGGLER * S IDESHOW MARVEL * C LOWN * M ASTER OF CEREMONIES PERFORMING PROFESSIONALLY SINCE 1994 Performance Skills Sideshow Feats: Circus Skills: Diabolo Bullwhip Sword Swallowing Clowning Balloon Sculpture Archery Fire-eating Stilt Walking Balancing Gun Spinning Bed of Nails Unicycling Mouth sticks Human Blockhead Basic Tumbling/Acrobatics Bottle and glass tricks Additional Skills Mental Floss Tuba Straight Jacket Escape Prop Manipulation: Western Skills: Concertina Juggling Trick Rope Spinning Magic Plate Spinning Knife Throwing Basic Tap Dancing Work Experience - Venues & Festivals Avery Fischer Hall (w/ Ornette Coleman), NYC King Opera House, Van Buren, AK Hall & Christ’s World of Wonders, NJ San Diego Street Scene, CA Yale Cabaret, Yale University, CT Blue Angel Cabaret, NY Toyota Comedy Festival, NY Knitting Factory, NY Burning Man Festival, NV Bonnaroo, TN Glastonbury Festival, UK All Good Festival, WV Coney Island Sideshow by the Seashore, NY MGM Grand Theater, Washington, DC Wild Style Tattoo Convention, Austria Borgata Hotel and Casino, Atlatnic City Television/Film/Video Late Late Show with James Corden “The Today Show,” NBC “On the Inside,” BBC Late Night w/ David Letterman,” CBS “Twisted Lives of Contortionist,” “Tudo de Bom,” MTV Brazil “Carson Daly Show,” NBC Discovery “Tonigh Show wih Jay Leno” “Oddville,” MTV “Rock of Ages,” VH-1 “OZ.” HBO “212,” FOX Clients Bendel’s
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  • The University of Wisconsin – Eau Claire “Flirting and Boisterous Conduct Prohibited”: Women's Work in Wisconsin Circuse
    THE UNIVERSITY OF WISCONSIN – EAU CLAIRE “FLIRTING AND BOISTEROUS CONDUCT PROHIBITED”: WOMEN’S WORK IN WISCONSIN CIRCUSES: 1890-1930 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS IN CANDIDACY FOR THE DEGREE OF BACHELOR OF ARTS DEPARTMENT OF HISTORY BY REBECCA N. REID EAU CLAIRE, WISCONSIN MAY 2010 Copyright © 2010 by Rebecca N. Reid All rights reserved Because I was born a member of the so-called weaker sex and had to work out some kind of career for myself… -Mabel Stark, tiger trainer CONTENTS LIST OF ILLUSTRATIONS . vi GLOSSARY . .vii ABSTRACT . .ix Step Right Up! . 2 Wisconsin: Center of the Circus World. .7 How Many Women?. 8 Circus Women in Popular Media . 11 Circus Propaganda?. .12 “The Circus Girl is Industrious”. .14 Notable Circus Woman: Mayme Ward . 15 Sunday School Show . 16 Family Connections . 18 Notable Circus Women: The Rooneys . .19 Bare Legs and Bloomers . 20 Vaudeville and Burlesque. .21 Hoochie Coochie Girls and Grifters . .23 Freaks . .24 City on a Train . 26 The Dining Tent . 28 Queen’s Row . 29 Salaries and Wages . .32 iv The Tent, Folded . .36 APPENDIX . 38 BIBLIOGRAPHY . 43 v ILLUSTRATIONS Figures 1. Mayme Ward, catcher . .15 2. Lizzie Rooney, 1898 . .19 vi GLOSSARY ballyhoo. A sideshow performer that came out of the sideshow tent to entice marks; often a scantily clad woman, either a snake charmer or tattooed lady. ballet girl. A young woman who appeared in the opening spectacle or parade. Little dancing skill was required of ballet girls, as their primary job was to look pretty and entice customers to buy a ticket to the circus.
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  • You Are Cordially Invited to Attend a Mystery Party…
    You are cordially invited to attend a mystery party… Hosted by: __________________________________ You are assigned the role of: ____________________________________ Date: _________________time: ______________ Scene of the crime: __________________________________________ Rsvp: _____________________________________ Don’t forget to check out: www.Yourmysteryparty.com/greatestshow for costume suggestions, the game trailer and more! MyMysteryParty.com © Copyright All Rights Reserved. LIST OF EMPLOYEES REQUIRED TO ATTEND THE DEBUT PARTY THE GREATEST SHOW ON EARTH STARR DANGERFIELD Wax Museum Curator Starr Dangerfield is the curator at the Greatest Show Wax Museum – a sideshow exhibit next to the Big Top. Starr creates and maintains lifelike figures of movie stars, politicians, and other celebrities. Starr offers VIP tours of the museum’s workshop to show the process of the creation of the wax tributes. Starr lurks in the shadows of the fairgrounds to watch customers walk by on occasion. Some believe Starr is searching for the right person – but for what reason? FLOSSY G. Acrobat Flossy G. is an acrobat who doubles as a ride jock on the Vortex Gravitron roller coaster – a ride which is advertised as causing less than forty injuries to riders per year. Flossy G. has been known to fight with customers of the funfair and follow them into the parking lot. Under the Big Top, Flossy G. radiates balance, agility, and strength on the trapeze, silks, and aerial hoops. An adrenaline junky, Flossy G. loves the combination of soaring heights and danger. MAX A. MILLION Ringmaster Max A. Million is a peculiar master of ceremonies who rescues people from dangerous circumstances in their lives and recruits them to become part of the big family of The Greatest Show on Earth – a traveling circus and funfair.
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  • Representations of Intersex People in Circus and Sideshow Novels
    Networking Knowledge 10(3)Sex and Sexualities in Popular Culture (Oct. 2017) The Hidden Sex: Representations of Intersex People in Circus and Sideshow Novels NAOMI FRISBY, Sheffield Hallam University ABSTRACT Despite being the hidden sex in society, intersex people with ambiguous genitalia are visible in a number of circus and sideshow novels. These characters are often used as plot devices, performing a stable gender identity whilst concealing their intersex status for the sake of the plot. They are portrayed as deceptive and licentious, their identities placing them outside of the sex and gender binaries and leaving them dehumanised. It is only in Pantomime by Laura Lam that the possibility of an alternative portrayal is glimpsed, although questions regarding the sex and gender binaries and non-normative sexuality remain. KEYWORDS Intersex, Gender, Performativity, Sexuality, Literature Introduction The US publishing industry came under scrutiny in 2015 due its failure to offer a true reflection of the society in which we live. A ‘Diversity Baseline Survey’ (2015) conducted by the publisher Lee & Low Books sought to explain why, in the past twenty years, the number of diverse books published in the USA never exceeded an average of 10%. The authors of the survey drew a correlation between the high percentage of white (80), cis (98.7), heterosexual (88.2), non-disabled (92.8) people working in the publishing industry and the lack of broad representation in published books. One genre in which we might expect to find a diverse range of characters is circus and sideshow literature. The circus has been seen as a safe space for those who fall outside of mainstream society, particularly those with non-normative bodies1.
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  • America's News English Big Top Chicago Sun-Times - Friday, April 6, 2001 Author: Delia O'hara
    America's News English big top Chicago Sun-Times - Friday, April 6, 2001 Author: Delia O'Hara `Under the Big Top' Through Sept. 9 Museum of Science and Industry, 57th Street and South Lake Shore Free with museum admission (773) 684-1414 A circus must appeal to people at a very basic level. At a time when other traditional entertainments are withering, the circus is evolving, gaining strength, astonishing new generations of children with its distinctive panoply of sights, sounds, smells and emotions. Now the Museum of Science and Industry will take us "Under the Big Top" to look at the mystique of the circus. Beginning today, the Hyde Park museum will present a 15,000-square-foot exhibit based on the traveling "Circus Magicus," more than 200 artifacts, photographs and videos of circus history developed by the Musee de La Civilisation in Quebec. The exhibit was co- produced by Cirque du Soleil, one of the performance groups that is re-creating the concept of the circus in our time. Some of the artifacts are remarkable, including a cast of a bronze statuette of an acrobat from ancient Rome, the makeup of famous American clowns, photographs such as one of the bearded woman Annie Jones, and a reproduction of a show costume worn by the great acrobat Karl Wallenda, who died performing his act in the 1960s. In addition, the museum staff has developed some lively components of their own to complement Circus Magicus. "Giant Science Circus" highlights the science behind the magic. How can tightrope walkers stay on a cable five-eighths of an inch thick? Why is the diameter of a circus ring always 42 feet? The answers to these questions are based in physics.
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  • Appendix A: 1976 Clown College and 1977 Blue Unit Route
    A p p e n d i x A : 1 9 7 6 C l o w n College and 1977 Blue Unit Route There’s nothing so dangerous as sitting still. You’ve only got one life, one youth, and you can let it slip through your fingers; nothing easier. Willa Cather, The Bohemian Girl CHAPTER 1 • ROMANCE OF THE RED NOSE Clown College, Ringling Arena, Venice, Sep.–Nov. 1976 CHAPTER 2 • BOWL OF CHERRIES Rehearsals and first performances, Ringling Arena, Venice, Jan. 10–Feb. 2 CHAPTER 3 • RUBBER NOSE MEETS THE ROAD Lakeland Civic Center, Feb. 4–6 Atlanta Omni, Feb. 9–20 Savannah Civic Center, Feb. 22–23 Asheville Civic Center, Feb. 25–27 Raleigh, Dorton Arena, Mar. 1–6 Fayetteville, Cumberland County Memorial Arena, Mar. 8–9 Columbia, Carolina Coliseum, Mar. 11–13 Charlotte Coliseum, Mar. 15–20 CHAPTER 4 • THE SHOW BUSINESS Knoxville, Civic Coliseum, Mar. 22–27 Cincinnati, Riverfront Coliseum, Mar. 30–Apr. 3 168 Appendix A Washington, DC, Armory, Apr. 6–17 Largo, Capital Centre, Apr. 20-May 1 CHAPTER 5 • LOVE ‘EM & LEAVE ‘EM Binghamton, Broome County Veterans Memorial Arena, May 4–8 Hartford, Civic Center, May 10–15 Portland, Cumberland County Civic Center, May 17–22 CHAPTER 6 • GOOD OL’ DAYS? Troy, RPI Field House, May 25–30 Providence Civic Center, June 1–5 Niagara Falls, International Convention Center, June 8–12 Wheeling Civic Center, June 15–19 Charleston Civic Center, June 21–22 Memphis, Mid-South Coliseum, June 24–26 CHAPTER 7 • RODEO ROUTE Little Rock, T.H. Barton Coliseum, June 28–29 Huntsville, von Braun Civic Center, July 1–4 Dallas, Convention Center, July 6–11 New Orleans, Superdome, July 14–17 Houston, Summit, July 20–31 Abilene, Taylor County Expo Center, August 2–3 Lubbock, Civic Center, August 5–7 CHAPTER 8 • SPIRIT OF ST.
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  • Towards a Genealogy of Circus Cinema by Brian Mcilroy
    The Big Top on Screen: Towards a Genealogy of Circus Cinema By Brian McIlroy [delivered as a conference paper at the Film Studies Association of Canada annual conference at UBC on June 5th, 2019] Ever since the contemporary circus arose to significant public attention in the 1970s and 1980s, a form which cast away the use of animals in favour of the supremacy of the human body, general themes, theatricality, basic narrative, and modest character development, circus both recreational and professional has exploded in popularity. Circus themed films have waxed and waned in popularity over the history of cinema, but yet have been omnipresent. For example, the recent musical circus film The Greatest Showman (2017) was made on a budget of $84 million and scored $435 million at the box-office. In a strange way, study of the circus and its representations on screen tells us just as much about conformism as it does about iconoclasm. The freedom of the circus so engrained in the often-used phrase “ran away to the circus” proves to be more often than not a reckoning rather than an escape. And it is undeniable that the circus relies on an economy of exchange that fits within the capitalist system, even if living conditions as itinerant travelers give the illusion of freedom. Theorists such as Paul Bouissac have extolled the characteristics of circus performance as amenable to cybernetic and semiotic approaches in order to understand its cultural meaning, although circus within cinema I argue here goes beyond these formal theoretical structures to suggest that it is a reinsertion of spectacle and disruption within the contemporary cinematic universe, one that cannot be easily controlled.
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  • That's All Folks! Teacher Resource Pack Primary
    That’s All Folks! Teacher Resource Pack Primary INTRODUCTION Audiences have been delighted and entertained by circus and vaudeville acts for generations. The combination of short performances, showcasing music, dance, comedy and magic, was hugely successful among the working classes during the 19th century, alongside burlesque and minstrel shows, up until the 1930s. That’s’ All Folks blends the ideas from vaudeville, or short and entertaining acts, with the skills of modern circus and slapstick clowning to create an energetic show featuring separate yet interlinked routines that explore different characters and situations throughout the history of the theatre. The actors use a range of circus and clowning skills including juggling, acrobalance, bell routines, slapstick, comical routines, musical chairs, improvisation and audience participation to create an entertaining performance reminiscent of the variety shows of yesteryear. These notes are designed to give you a concise resource to use with your class and to support their experience of seeing That’s All Folks! CLASSROOM CONTENT AND CURRICULUM LINKS Essential Learnings: The Arts (Drama), SOSE (History, Culture), English Style/Form: Vaudeville, Commedia dell’Arte, Mask, Traditional and Contemporary Clowning, Melodrama, Visual Theatre, Physical Theatre, Physical Comedy, Circus, non-verbal communication and Mime, Improvisation and Slapstick. Themes and Contexts: Creativity and imagination, awareness, relationships. © 2016 Deirdre Marshall for Homunculus Theatre Co. 1 HISTORICAL CONTEXT Vaudeville Vaudeville was a uniquely American phenomenon and was the most popular form of American entertainment for around fifty years, from its rise in the 1880s, until the 1930s. It played much the same a role in people's lives that radio and later television would for later generations.
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  • “Flowers in the Desert”: Cirque Du Soleil in Las Vegas, 1993
    “FLOWERS IN THE DESERT”: CIRQUE DU SOLEIL IN LAS VEGAS, 1993-2012 by ANNE MARGARET TOEWE B.S., The College of William and Mary, 1987 M.F.A., Tulane University, 1991 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Theatre & Dance 2013 This thesis entitled: “Flowers in the Desert”: Cirque du Soleil in Las Vegas 1993 – 2012 written by Anne Margaret Toewe has been approved for the Department of Theatre & Dance ______________________________________________ Dr. Oliver Gerland (Committee Chair) ______________________________________________ Dr. Bud Coleman (Committee Member) Date_______________________________ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. iii Toewe, Anne Margaret (Ph.D., Department of Theatre & Dance) “Flowers in the Desert”: Cirque du Soleil in Las Vegas 1993 – 2012 Dissertation directed by Professor Oliver Gerland This dissertation examines Cirque du Soleil from its inception as a small band of street performers to the global entertainment machine it is today. The study focuses most closely on the years 1993 – 2012 and the shows that Cirque has produced in Las Vegas. Driven by Las Vegas’s culture of spectacle, Cirque uses elaborate stage technology to support the wordless acrobatics for which it is renowned. By so doing, the company has raised the bar for spectacular entertainment in Las Vegas I explore the beginning of Cirque du Soleil in Québec and the development of its world-tours.
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