Monaco Reporter
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Composers A-G KHAIRULLO ABDULAYEV (b. 1930, TAJIKISTAN) Born in Kulyab, Tajikistan. He studied composition at the Moscow Conservatory under Anatol Alexandrov. He has composed orchestral, choral, vocal and instrumental works. Sinfonietta in E minor (1964) Veronica Dudarova/Moscow State Symphony Orchestra ( + Poem to Lenin and Khamdamov: Day on a Collective Farm) MELODIYA S10-16331-2 (LP) (1981) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where he studied under Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. His other Symphonies are Nos. 1 (1962), 3 in B flat minor (1967) and 4 (1969). Symphony No. 2 in E minor (1964) Valentin Katayev/Byelorussian State Symphony Orchestra ( + Vagner: Suite for Symphony Orchestra) MELODIYA D 024909-10 (LP) (1969) VASIF ADIGEZALOV (1935-2006, AZERBAIJAN) Born in Baku, Azerbaijan. He studied under Kara Karayev at the Azerbaijan Conservatory and then joined the staff of that school. His compositional catalgue covers the entire range of genres from opera to film music and works for folk instruments. Among his orchestral works are 4 Symphonies of which the unrecorded ones are Nos. 1 (1958) and 4 "Segah" (1998). Symphony No. 2 (1968) Boris Khaikin/Moscow Radio Symphony Orchestra (rec. 1968) ( + Piano Concertos Nos. 2 and 3, Poem Exaltation for 2 Pianos and Orchestra, Africa Amidst MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Symphonies A-G Struggles, Garabagh Shikastasi Oratorio and Land of Fire Oratorio) AZERBAIJAN INTERNATIONAL (3 CDs) (2007) Symphony No. -
Activities Overview 2018,2019 Success of Rohm Music Friends
Activities overview 2019 1 Nishinakamizu-cho, Saiin, Ukyo-ku, Kyoto 615-0044, Japan +81-75-331-7710 +81-75-331-0089 https://micro.rohm.com/en/rmf/ INDEX Objective, Detail of Operation, and Outline of the Foundation ………… 1 Directors, Trustees, Advisors and Members of Selection Committee … 2 Activities 2018 …………………………………………………………………………… 3 2019 …………………………………………………………………………… 9 Success of ROHM Music Friends …………………………………………… 15 (In chronological or alphabetical order.) 2019.9 Objective Directors Our foundation aims to contribute to the dissemination and development of the Japanese musical Chairman Ken Sato Chairman Emeritus ROHM CO., LTD. culture through the implementation of and financial support for music activities, and the provision of Managing Director Akitaka Idei Former Director, Member of the Board ROHM CO., LTD. scholarships for music students. Director Nobuhiro Doi President, Chairman of the Board The Bank of Kyoto, Ltd. Tadanobu Fujiwara President, Detail of Operation Chief Executive Officer ROHM CO., LTD. Yukitoshi Kimura Former Commissioner of the National Tax Agency Board Chairman, Zaikyo 1. Organizing music concerts and providing financial support for music activities Koichi Nishioka Journalist Director, Member of the Board ROHM CO., LTD. 2. Providing scholarships for both Japanese music students studying in Japan or abroad and overseas Seiji Ozawa Conductor music students studying in Japan Yasuhito Tamaki Lawyer Midosuji Legal Profession Corporation 3. Collecting, investigating and analyzing material related to music Mazumi Tanamura Guest Professor Tokyo College of Music Specially Appointed Principal Violist Tokyo Metropolitan Symphony Orchestra 4. Supporting overseas music research Shunichi Uchida Former Commissioner of the Consumer Affairs Agency President Kyoto International Conference Center Yasunori Yamauchi President and Editor in Chief The Kyoto Shimbun Newspaper Co., Ltd. -
Shostakovich (1906-1975)
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Symphony No. 1 in F minor, Op. 10 (1923-5) Yuri Ahronovich/Moscow Radio Symphony Orchestra ( + Overture on Russian and Kirghiz Folk Themes) MELODIYA SM 02581-2/MELODIYA ANGEL SR-40192 (1972) (LP) Karel Ancerl/Czech Philharmonic Orchestra ( + Symphony No. 5) SUPRAPHON ANCERL EDITION SU 36992 (2005) (original LP release: SUPRAPHON SUAST 50576) (1964) Vladimir Ashkenazy/Royal Philharmonic Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15, Festive Overture, October, The Song of the Forest, 5 Fragments, Funeral-Triumphal Prelude, Novorossiisk Chimes: Excerpts and Chamber Symphony, Op. 110a) DECCA 4758748-2 (12 CDs) (2007) (original CD release: DECCA 425609-2) (1990) Rudolf Barshai/Cologne West German Radio Symphony Orchestra (rec. 1994) ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15) BRILLIANT CLASSICS 6324 (11 CDs) (2003) Rudolf Barshai/Vancouver Symphony Orchestra ( + Symphony No. -
PRELUDE, FUGUE News for Friends of Leonard Bernstein RIFFS Spring/Summer 2004 the Leonard Bernstein School Improvement Model: More Findings Along the Way by Dr
PRELUDE, FUGUE News for Friends of Leonard Bernstein RIFFS Spring/Summer 2004 The Leonard Bernstein School Improvement Model: More Findings Along the Way by Dr. Richard Benjamin THE GRAMMY® FOUNDATION eonard Bernstein is cele brated as an artist, a CENTER FOP LEAR ll I IJ G teacher, and a scholar. His Lbook Findings expresses the joy he found in lifelong learning, and expounds his belief that the use of the arts in all aspects of education would instill that same joy in others. The Young People's Concerts were but one example of his teaching and scholarship. One of those concerts was devoted to celebrating teachers and the teaching profession. He said: "Teaching is probably the noblest profession in the world - the most unselfish, difficult, and hon orable profession. But it is also the most unappreciated, underrat Los Angeles. Devoted to improv There was an entrepreneurial ed, underpaid, and under-praised ing schools through the use of dimension from the start, with profession in the world." the arts, and driven by teacher each school using a few core leadership, the Center seeks to principles and local teachers Just before his death, Bernstein build the capacity in teachers and designing and customizing their established the Leonard Bernstein students to be a combination of local applications. That spirit Center for Learning Through the artist, teacher, and scholar. remains today. School teams went Arts, then in Nashville Tennessee. The early days in Nashville, their own way, collaborating That Center, and its incarnations were, from an educator's point of internally as well as with their along the way, has led to what is view, a splendid blend of rigorous own communities, to create better now a major educational reform research and talented expertise, schools using the "best practices" model, located within the with a solid reliance on teacher from within and from elsewhere. -
Julia Fischer Yakov Kreizberg
PETER ILYICH TCHAIKOVSKY Violin Concerto in D, Op.35 Sérénade mélancolique Op.26 Valse-Scherzo Op.34 Souvenir d’un lieu cher Julia Fischer Russian National Orchestra Yakov Kreizberg Peter Ilyich Tchaikovsky (1840 – 1893) Violin Concerto in D, Op. 35 1 Allegro moderato 18. 05 2 Canzonetta (Andante) 6. 44 3 Finale (Allegro vivacissimo) 10. 04 Sérénade mélancolique, Op. 26 for violin and orchestra 4 Andante 9. 27 Valse – Scherzo, Op. 34 for violin and orchestra 5 Allegro (Tempo di Valse) 7. 46 Souvenir d’un lieu cher, Op. 42 for violin and piano 6 Méditation 9. 17 7 Scherzo 3. 15 8 Mélodie 3. 22 Julia Fischer, violin Yakov Kreizberg, piano (6-8) Russian National Orchestra conducted by: Yakov Kreizberg (1-5) Recording venues: DZZ Studio 5, Moscow (1-5), 4/2006 MCO Studio 5, Hilversum (6-8), 4/2006 Executive Producer: Job Maarse Recording Producers: Job Maarse (1-5), Sebastian Stein (6-8) Balance Engineers: Erdo Groot (1-5), Jean-Marie Geijsen(6-8) Recording Engineer & Editor: Sebastian Stein Total playing time: 68. 25 Composing for pleasure us.” However, Tchaikovsky did he solo violin did not occupy a not seem to change Tcentral position within the oeuvre as far as the rest of of Peter Tchaikovsky (1840 – 1893). the world was concerned, He was himself a pianist, and com- as endorsed by his colleague posed three piano concertos, as well Nikolai Rimsky-Korsakov, who as chamber music, operas and bal- mentions the following in his auto- lets. That probably explains why he biography My musical life: “After ap- composed no more than one violin proximately 1876, Tchaikovsky – who concerto. -
Nuveen Investments Emerging Artist Violinist Julia Fischer Joins the Cso and Riccardo Muti for June Subscription Concerts at Symphony Center
For Immediate Release: Press Contacts: June 13, 2016 Eileen Chambers, 312-294-3092 Photos Available By Request [email protected] NUVEEN INVESTMENTS EMERGING ARTIST VIOLINIST JULIA FISCHER JOINS THE CSO AND RICCARDO MUTI FOR JUNE SUBSCRIPTION CONCERTS AT SYMPHONY CENTER June 16 – 21, 2016 CHICAGO—Internationally acclaimed violinist Julia Fischer returns to Symphony Center for subscription concerts with the Chicago Symphony Orchestra (CSO) led by Music Director Riccardo Muti on Thursday, June 16, at 8 p.m., Friday, June 17, at 1:30 p.m., Saturday, June 18, at 8 p.m., and Tuesday, June 21, at 7:30 p.m. The program features Brahms’ Serenade No. 1 and Beethoven’s Violin Concerto in D Major with Fischer as soloist. Fischer’s CSO appearances in June are endowed in part by the Nuveen Investments Emerging Artist Fund, which is committed to nurturing the next generation of great classical music artists. Julia Fischer joins Muti and the CSO for Beethoven’s Violin Concerto. Widely recognized as the first “Romantic” concerto, Beethoven’s lush and virtuosic writing in the work opened the traditional form to new possibilities for the composers who would follow him. The second half of the program features Brahms’ Serenade No. 1. Originally composed as chamber music, Brahms later adapted the work for full orchestra, offering a preview of the rich compositional style that would emerge in his four symphonies. The six-movement serenade is filled with lyrical wind and string passages, as well as exuberant writing in the allegro and scherzo movements. German violinist Julia Fischer won the Yehudi Menuhin International Violin Competition at just 11, launching her career as a solo and orchestral violinist. -
Kazuki Yamada Bertrand Chamayou
ORCHESTRE DE LA OSR.CH SUISSE ROMANDE JONATHAN NOTT Directeur musical et artistique DEBUSSY JARRELL RAVEL Trois Etudes Reflections Une barque sur l'océan (orchestration M. Jarrell) La Mer 03. 02. 21 merdredi 20h00 — Victoria Hall KAZUKI YAMADA direction BERTRAND CHAMAYOU piano série d’abonnement O6 Grand Mécène Partenaire de diffusion Partenaire radio Avec le soutien de Bracelet_Femme_148x210_PRG_ORCHESTRE_SUISSE_ROMANDE_SUIS_FR.indd 2 03/08/2020 14:08 PROGRAMME KAZUKI YAMADA direction BERTRAND CHAMAYOU piano CLAUDE DEBUSSY MAURICE RAVEL Trois Etudes, pour orchestre Une barque sur l'océan (orchestration Michael Jarrell) pour orchestre MICHAEL JARRELL CLAUDE DEBUSSY Reflections, La Mer, trois esquisses symphonique pour piano et orchestre pour orchestre 1.Tempo 96 I. De l'aube à midi sur la mer 2.Tempo 48. Pur, simple mais intense II. Jeux des vagues 3.Tempo 90. Très cristallin, soutenu, un III. Dialogue du vent et de la mer peu mécanique RADIO Ce concert est enregistré le 03.02.21 et diffusé le 10.02.21 à l'enseigne de l'émission « Plein jeu », une production de Mitsou Carré et Daniel Rausis. La plupart des concerts captés par Espace 2 sont disponibles en streaming durant trente jours après leur diffusion sur le lien wwww.rts.ch 3 CE QUI SE PASSAIT EN 1907... Dans le monde Alors que la presse musicale descend en flammes la création de la version orchestrale d’Une barque sur l’océan de Maurice Ravel, ce dernier écrit sa Rhapsodie espagnole. Paul Dukas donne la première de son opéra Ariane et Barbe-Bleue à l’Opéra-Comique. Richard Strauss travaille sur sa tragédie Elektra, qui sera créée deux ans plus tard. -
PENTATONE OXINGALE SERIES: PRIMAVERA I the Wind Matt Haimovitz Music by Lisa Bielawa, Inti Figgis-Vizueta, Jake Heggie, Vijay Iyer, David T
PENTATONE OXINGALE SERIES: PRIMAVERA I the wind Matt Haimovitz Music by Lisa Bielawa, inti figgis-vizueta, Jake Heggie, Vijay Iyer, David T. Little, Tod Machover, Nkeiru Okoye, David Sanford, Laura Elise Schwendinger, Roberto Sierra, Asher Sizemore, Gabriella Smith, Jorge Sosa, Luna Pearl Woolf FOR IMMEDIATE RELEASE May 2021, Baarn, The Netherlands Talita Sakuntala, PR Manager +31 35 548 07 26 Digital Release Date 11 JUNE 2021 Released in digital formats for streaming and high-resolution downloads. Audio Resolution for digital files: 96/24 PCM stereo and 44.1k/16 PCM stereo PTC 5186286 PRIMAVERA I the wind is the first collection in a momentous series encompassing 81 world premieres for solo cello. This digital album presents 14 new commissions by The Primavera Project for ground-breaking, multi-Grammy nominated cellist Matt Haimovitz. Each composer responds to Sandro Botticelli’s enigmatic painting, Primavera, and the prophetic large-scale triptych, Primavera 2020, by world-renowned contemporary artist Charline von Heyl. Framed by Gabriella Smith’s bare, a moving chorale to environmental turmoil and Lisa Bielawa’s Missa Primavera, a hopeful fantasy on Josquin des Pres’ cantus firmi, Vijay Iyer, David Sanford, Nkeiru Okoye, Jorge Sosa, and others bring a multitude of influences from the world of Jazz and Latin music to Vivaldi and Scriabin. Recorded in January 2021 at Charline von Heyl’s artist studio near downtown Marfa, Texas, the distinct and diverse contemporary compositional voices bridge the centuries, expanding and redefining the range and repertoire of the solo cello. For more information on the project, composers and their works, please visit theprimaveraproject.com. -
Julia Fischer Yakov Kreizberg
W.A. MOZART Violin Concertos Nos. 1, 2 & 5 Julia Fischer Netherlands Chamber Orchestra Yakov Kreizberg Wolfgang Amadeus Mozart (1756 – 1791) Violin Concerto No. 1 in B flat, K.207 1 Allegro moderato 6. 51 2 Adagio 7. 54 3 Presto 5. 31 Violin Concerto No. 2 in D, K.211 4 Allegro moderato 7. 57 5 Andante 7. 23 6 Rondeau (Allegro) 3. 57 Violin Concerto No. 5 in A, K.219 7 Allegro aperto 9. 30 8 Adagio 11. 36 9 Rondeau (Tempo di menuetto) 8. 44 All cadenzas and ornamental entrances by Julia Fischer and Yakov Kreizberg Julia Fischer, violin Gordan Nikolic´, concert master Pieter-Jan Belder, harpsichord (K.207 & K.211) Netherlands Chamber Orchestra conducted by Yakov Kreizberg Recording venue: Doopsgezinde Kerk (Mennonite Church), Haarlem, The Netherlands, (3/2006). Executive Producer: Job Maarse Recording Producer: Job Maarse Balance Engineer: Jean-Marie Geijsen Recording Engineer: Sebastian Stein Editing: Sebastian Stein Total playing time: 69. 46 hroughout the history of music, Mozart’s Violin TConcertos Nos. 1 and 2, K.207 and K.211, have generally been described as the “minor” concertos. Indeed, both as compositions and as far as the treatment of the violin is concerned, they do clearly stand out against the “major” Concertos K.216, K.218 and K.219: however, this is not nec- essarily mirrored in the length of these two works. Rather, one notices in both earlier concertos the distinctive influence of Italian violin virtuosos of the Baroque. In the violin part there are virtuoso semiquaver and even demisemiquaver passages, which are nowhere to be seen in the later concertos. -
Ludwig Van Beethoven in a Transcription of His Violin Concerto for String Orchestra
2 3 Dear Friends of the Mid-Atlantic Symphony Orchestra, It is such a joy to be able to start our 2020-2021 season! In these difficult times we feel so fortunate to be able to play concerts for you. Like life, music is resilient and necessary. With this opening concert, we celebrate our beloved Ludwig van Beethoven in a transcription of his violin concerto for string orchestra. For Beethoven “Music is a higher revelation than all wisdom and philosophy” and to me his music expresses a psychological and spiritual victory. Edvard Grieg’s Erotik and Holberg Suite are both marvels of lushness and beautiful string orchestra writing that will beautifully contrast Beethoven’s masterpiece. I am so proud of our MSO musicians and how resilient and artfully creative they are during these times of challenge, playing each and every note with heartfelt meaning. We are also blessed to have you as our audience and feel so excited to be sharing the music with you! Enjoy the concert, Julien Benichou, Music Director 4 MISSION STATEMENT: To enrich life across the Mid-Atlantic region through the power of classical music Board of Directors President Jeffrey Parker Vice President Valerie Mazur Secretary Raymond Vergne Treasurer John Pinney Vice President of Education & Outreach Patricia Campbell Area Vice Presidents Valerie Mazur, Easton Jean Wehner, Ocean View Vacant, Ocean Pines Peter Harrigan, Rehoboth Directors Donna Barker Andrea Barnes Katherine Barney Regina Brittingham Courtney Kane Marci Levin Jennifer Martella MSO Staff Music Director Julien Benichou General Manager Dane Krich Consultant Mary Lou Tietz Ticket Fulfillment Anne Marie Rogerson 5 6 GUIDELINES Music is an integral part of our lives. -
Recording Master List.Xls
UPDATED 11/20/2019 ENSEMBLE CONDUCTOR YEAR Bartok - Concerto for Orchestra Baltimore Symphony Orchestra Marin Alsop 2009 Bavarian Radio Symphony Orchestra Rafael Kubelik 1978L BBC National Orchestra of Wales Tadaaki Otaka 2005L Berlin Philharmonic Herbert von Karajan 1965 Berlin Radio Symphony Orchestra Ferenc Fricsay 1957 Boston Symphony Orchestra Erich Leinsdorf 1962 Boston Symphony Orchestra Rafael Kubelik 1973 Boston Symphony Orchestra Seiji Ozawa 1995 Boston Symphony Orchestra Serge Koussevitzky 1944 Brussels Belgian Radio & TV Philharmonic OrchestraAlexander Rahbari 1990 Budapest Festival Orchestra Iván Fischer 1996 Chicago Symphony Orchestra Fritz Reiner 1955 Chicago Symphony Orchestra Georg Solti 1981 Chicago Symphony Orchestra James Levine 1991 Chicago Symphony Orchestra Pierre Boulez 1993 Cincinnati Symphony Orchestra Paavo Jarvi 2005 City of Birmingham Symphony Orchestra Simon Rattle 1994L Cleveland Orchestra Christoph von Dohnányi 1988 Cleveland Orchestra George Szell 1965 Concertgebouw Orchestra, Amsterdam Antal Dorati 1983 Detroit Symphony Orchestra Antal Dorati 1983 Hungarian National Philharmonic Orchestra Tibor Ferenc 1992 Hungarian National Philharmonic Orchestra Zoltan Kocsis 2004 London Symphony Orchestra Antal Dorati 1962 London Symphony Orchestra Georg Solti 1965 London Symphony Orchestra Gustavo Dudamel 2007 Los Angeles Philharmonic Andre Previn 1988 Los Angeles Philharmonic Esa-Pekka Salonen 1996 Montreal Symphony Orchestra Charles Dutoit 1987 New York Philharmonic Leonard Bernstein 1959 New York Philharmonic Pierre -
Boston Symphony Orchestra Concert Programs, Summer, 2000
DALE CHIHU LY INSTALLATIONS AND SCULPTURE if w .*V // •*tf^ ' " SS,*'«a#* \ HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 413.298.3044 www.holstengalleries.com a never looked up to 70% off regular retail prices CVCry dclV GIORGIO ARMANI BROOKS (jeneral Otore BROTHERS VERSACE ' COMPANY STORE COACH Polo w Ralph Lauren Calvin Klein COLEHAAN T.CREW J FACTORY STORE NICK HILTON Allen COLLECTION The Cosmetics Edmonds Company Store Company Shoe Store MOVADO ESCADA COMPANY STORE GODIVA THE HICKEY-FREEMAN FACTORY STORE Tnnberland^ kiplii\q>K H35J Outlet DANSK TSE JQA OshKosh B'GOSH IrOvO LWI Outlet SEIKO COMPANY STORE JONES NEW YORK CRABTREE & E V E L Y N |pi r maidenform PERUVIAN CONNECTION Garnet Hill Johnston ^Murphy CATALOG OUTLET Manchester Designer Outlets Style has a country home routes 7A and 11/30 manchestervermont.com 1-800-955-SHOP ORIGINS GALLCRV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship, fullyfunded in perpetuity Bernard Haitink, Principal Guest Conductor One Hundred and Nineteenth Season, 1999-2000 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson William F. Connell George Krupp Robert P. O'Block, Diane M. Austin, Nancy J. Fitzpatrick R.