The Contributions of Edward A. Pollard's the Lost Cause to the Myth of the Lost Cause
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Pieces of a Woman
PIECES OF A WOMAN Directed by Kornél Mundruczó Starring Vanessa Kirby, Shia LaBeouf, Molly Parker, Sarah Snook, Iliza Shlesinger, Benny Safdie, Jimmie Falls, Ellen Burstyn **WORLD PREMIERE – In Competition – Venice Film Festival 2020** **OFFICIAL SELECTION – Gala Presentations – Toronto International Film Festival 2020** Press Contacts: US: Julie Chappell | [email protected] International: Claudia Tomassini | [email protected] Sales Contact: Linda Jin | [email protected] 1 SHORT SYNOPSIS When an unfathomable tragedy befalls a young mother (Vanessa Kirby), she begins a year-long odyssey of mourning that touches her husband (Shia LaBeouf), her mother (Ellen Burstyn), and her midwife (Molly Parker). Director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014) and partner/screenwriter Kata Wéber craft a deeply personal meditation and ultimately transcendent story of a woman learning to live alongside her loss. SYNOPSIS Martha and Sean Carson (Vanessa Kirby, Shia LaBeouf) are a Boston couple on the verge of parenthood whose lives change irrevocably during a home birth at the hands of a flustered midwife (Molly Parker), who faces charges of criminal negligence. Thus begins a year-long odyssey for Martha, who must navigate her grief while working through fractious relationships with her husband and her domineering mother (Ellen Burstyn), along with the publicly vilified midwife whom she must face in court. From director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014), with artistic support from executive producer Martin Scorsese, and written by Kata Wéber, Mundruczó’s partner, comes a deeply personal, searing domestic aria in exquisite shades of grey and an ultimately transcendent story of a woman learning to live alongside her loss. -
The Port Authority of New York and New Jersey Freedom of Information (FOI) Request Log, 2000-2012
Description of document: The Port Authority of New York and New Jersey Freedom of Information (FOI) Request Log, 2000-2012 Requested date: 08-August-2011 Released date: 07-February-2012 Posted date: 20-February-2012 Title of document Freedom of Information Requests Date/date range of document: 23-April-2000 – 05-January-2012 Source of document: The Port Authority of New York and New Jersey FOI Administrator Office of the Secretary 225 Park Avenue South, 17th Floor New York, NY 10003 Fax: (212) 435-7555 Online Electronic FOIA Request Form The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. -
John Canoe) Festivals of the Caribbean
New West Indian Guide Vol. 84, no. 3-4 (2010), pp. 179-223 URL: http://www.kitlv-journals.nl/index.php/nwig/index URN:NBN:NL:UI:10-1-100888 Copyright: content is licensed under a Creative Commons Attribution 3.0 License ISSN: 1382-2373 KENNETH BILBY SURVIVING SECULARIZATION: MASKING THE SPIRIT IN THE JANKUNU (JOHN CANOE) FESTIVALS OF THE CARIBBEAN In certain parts of the Americas colonized by the English and built with the labor of Africans and their descendants, the holiday season at the end of the year was once – and in some areas still is – celebrated by parading bands of masqueraders whose danced processions created an ambiguous, highly charged space of their own.1 These outdoor performances by enslaved Africans amused, mystified, and discomfited the Europeans who observed and wrote about them during the nineteenth century. The loud drumming and singing, “wild” dancing, and “extravagant” costumes topped with horned ani- mal masks and towering headdresses overloaded the senses of these white onlookers, and suggested to them something inscrutably and dangerously African, even when certain European elements could be recognized within the unfamiliar mix. Unlike the pre-Lenten Catholic carnivals that were appropri- ated and refashioned by Africans in several parts of the Americas, this was a festival created by the enslaved themselves. Over time it was accepted by the ruling whites, who came to view it as a necessary evil – a kind of safety valve through which the simmering tensions on slave plantations could be periodi- 1. This article is based on comparative fieldwork and library research supported by a Rockefeller Fellowship at the Center for Black Music Research in Chicago and the Alton Augustus Adams Music Research Institute in St. -
Exploring Trauma Through Fantasy
IN-BETWEEN WORLDS: EXPLORING TRAUMA THROUGH FANTASY Amber Leigh Francine Shields A Thesis Submitted for the Degree of PhD at the University of St Andrews 2018 Full metadata for this thesis is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this thesis: http://hdl.handle.net/10023/16004 This item is protected by original copyright This item is licensed under a Creative Commons Licence https://creativecommons.org/licenses/by-nc-nd/4.0/ 4 Abstract While fantasy as a genre is often dismissed as frivolous and inappropriate, it is highly relevant in representing and working through trauma. The fantasy genre presents spectators with images of the unsettled and unresolved, taking them on a journey through a world in which the familiar is rendered unfamiliar. It positions itself as an in-between, while the consequential disturbance of recognized world orders lends this genre to relating stories of trauma themselves characterized by hauntings, disputed memories, and irresolution. Through an examination of films from around the world and their depictions of individual and collective traumas through the fantastic, this thesis outlines how fantasy succeeds in representing and challenging histories of violence, silence, and irresolution. Further, it also examines how the genre itself is transformed in relating stories that are not yet resolved. While analysing the modes in which the fantasy genre mediates and intercedes trauma narratives, this research contributes to a wider recognition of an understudied and underestimated genre, as well as to discourses on how trauma is narrated and negotiated. -
Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays. -
And Friday Till 9:00 P.M ♦ ♦ Blaze Guts F Ireh Quse
B-;wKwir>toXifi'*Sili"55i&5iiBh5Uwi • ! - i " '■ . J. ■ » . -I-. ■■ V.<TTFV7lJfl tfHrW’Jt , I ■ . ''i' - ?:rs y 7 ' fi! ' . WEDNESDAY. NOVEMBER 9, 1960 ........ F ^ oi TWEaWY-B^UB Averace Daily Net Preen Rod ■ H e W e i ^ ^anrl][i‘0f?r "?:--■ •'?^v r « r She W eek b d e n • t e f O . Hm . Si, u e e farS iy elMNBr, 13,270 SiMU. la w ^m IkM > la MA'yB%h mil- . ’* FfMayMMiS'M,, . M anehetter^A City of ViUtfge Charm (CHeesMsS AivwSWag fa m e* »> VOL. LXXX, NO. 85 (TWENTY-POUR PAGES—IN TWO SEGTlONS) MANCHESTER, CONN., THURSDAY, NOVEMBER 10, 1960 .PRICE FTVB CENTS [ 'O f t f t B K , l e r A M P ^ Cites Wnion Pact • . ' • ' , ^ - ■ S. > ta te NA) . ew• s R o u n d u p r u i * and friday till 9:00 p.m ♦ ♦ Blaze Guts F ireH quse New Haven, l^Ov.^10 (ff)— f;tud«it fare is cents; r i ^ faw West Redaing, Nov, 10 (IP). .. beyond firat wme to remain un- — West Redding Volun The Connecticut Company has changed. filed an application for a fare Stamford Division: Single zone teer Fire House was destroy increase xm its bus lines. adult fare, 26 centa cash; student ed by flames early tojiay. Earl R. Mortemore, vice presi fllre 15 centa; rate# of fare beyond fD Vote Result P r e s id e n t dent and general maimger, today first zope to remain unchanged. Fire .broke out In the unmanned aald the action *waa taken "with "The anticipated revenue from station shortly after midnight. -
The Problem Body Projecting Disability on Film
The Problem Body The Problem Body Projecting Disability on Film - E d i te d B y - Sally Chivers and Nicole Markotic’ T h e O h i O S T a T e U n i v e r S i T y P r e ss / C O l U m b us Copyright © 2010 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data The problem body : projecting disability on film / edited by Sally Chivers and Nicole Markotic´. p. cm. Includes bibliographical references and index. ISBN 978-0-8142-1124-3 (cloth : alk. paper)—ISBN 978-0-8142-9222-8 (cd-rom) 1. People with disabilities in motion pictures. 2. Human body in motion pictures. 3. Sociology of disability. I. Chivers, Sally, 1972– II. Markotic´, Nicole. PN1995.9.H34P76 2010 791.43’6561—dc22 2009052781 This book is available in the following editions: Cloth (ISBN 978-0-8142-1124-3) CD-ROM (ISBN 978-0-8142-9222-8) Cover art: Anna Stave and Steven C. Stewart in It is fine! EVERYTHING IS FINE!, a film written by Steven C. Stewart and directed by Crispin Hellion Glover and David Brothers, Copyright Volcanic Eruptions/CrispinGlover.com, 2007. Photo by David Brothers. An earlier version of Johnson Cheu’s essay, “Seeing Blindness On-Screen: The Blind, Female Gaze,” was previously published as “Seeing Blindness on Screen” in The Journal of Popular Culture 42.3 (Wiley-Blackwell). Used by permission of the publisher. Michael Davidson’s essay, “Phantom Limbs: Film Noir and the Disabled Body,” was previously published under the same title in GLQ: A Journal of Lesbian and Gay Studies, Volume 9, no. -
The Many Faces of Daniel Defoe's Robinson Crusoe: Examining the Crusoe Myth in Film and on Television
THE MANY FACES OF DANIEL DEFOE'S ROBINSON CRUSOE: EXAMINING THE CRUSOE MYTH IN FILM AND ON TELEVISION A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by SOPHIA NIKOLEISHVILI Dr. Haskell Hinnant, Dissertation Supervisor DECEMBER 2007 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled THE MANY FACES OF DANIEL DEFOE’S ROBINSON CRUSOE: EXAMINING THE CRUSOE MYTH IN FILM AND ON TELEVISION presented by Sophia Nikoleishvili, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Haskell Hinnant Professor George Justice Professor Devoney Looser Professor Catherine Parke Professor Patricia Crown ACKNOWLEDGEMENTS This dissertation would not have been possible without the help of my adviser, Dr. Haskell Hinnant, to whom I would like to express the deepest gratitude. His continual guidance and persistent help have been greatly appreciated. I would also like to thank the members of my committee, Dr. Catherine Parke, Dr. George Justice, Dr. Devoney Looser, and Dr. Patricia Crown for their direction, support, and patience, and for their confidence in me. Their recommendations and suggestions have been invaluable. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS...................................................................................................ii INTRODUCTION...................................................................................................................1 -
Immune Editing and Surveillance in Cancer Evolution
Immune editing and surveillance in cancer evolution Rachel Suzanne Rosenthal PhD supervisor: Charles Swanton A dissertation submitted for the degree of Doctor of Philosophy University College London December 2017 Declaration I, Rachel Rosenthal, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. December 18, 2017 Rachel Rosenthal 3 Abstract Cancer is an evolutionary disease, reliant on genetic diversity and sculpted by selective forces from the immune microenvironment. Here, I use genomics data to decipher the tumor’s evolutionary trajectory and corresponding shifts in the immune contexture to elucidate the events governing tumor immunogenicity and the immune evasive mechanisms evolved by the tumor. To better understand the mutational processes contributing to intratumor heterogeneity in individual tumors, a method to quantify the activity of mutational processes in a single tumor sample was developed and applied to temporally dissected mutations. The clinical relevance of intratumor heterogeneity was examined in the context of immune recognition and modulation. Increased clonal neoantigen burden and minimal neoantigen intratumor heterogeneity were found to associate with improved patient outcome, both in the treatment-naïve and immunotherapy-treated setting. The identification of T-cells recognizing clonal neoantigens further supported the clinical importance of targeting neoantigens present in every cancer cell. Mechanisms of immune evasion were considered through the development of a method to identify loss-of-heterozygosity at the HLA locus, overcoming the challenges posed by the polymorphic nature of the locus. HLA loss-of- heterozygosity was found to be a frequent subclonal event in NSCLC, under strong selective pressure and associated with increased subclonal neoantigen burden. -
Telecast Press Release V1jd.Docx
FOR IMMEDIATE RELEASE September 23, 2012 8:00PM PDT The Academy of Television Arts & Sciences (the “Television Academy”) tonight (Sunday, September 23, 2012) awarded the 2011-2012 Primetime Emmys® for programs and individual achievements on the “64th Primetime Emmy Awards,” a live telecast on the ABC Television Network from the Nokia Theatre L.A. Live in Los Angeles. Jimmy Kimmel hosted the ceremony and Don Mischer was Executive Producer of the telecast. In addition to Emmys in 26 categories announced tonight, Emmys in 76 other categories and areas for programs and individual achievements were presented at the Creative Arts Awards on September 15, 2012 from the Nokia Theatre. Additionally, the Governors Award was presented to the “It Gets Better Project™,” an organization devoted to supporting LGBT young people via its website, initiatives and the posting of original videos with messages of empathy, encouragement and hope for a positive future. The awards were tabulated by the independent accounting firm of Ernst & Young LLP. The primetime awards announced on tonight’s telecast were distributed as follows: (Note: The figures in parenthesis represent the grand total of Emmys awarded, including those announced tonight and those announced September 15, 2012). Programs Individuals Total HBO 1 (2) 5 (21) 6 (23) CBS 1 (4) 2 (12) 3 (16) PBS - (1) 1 (11) 1 (12) ABC 1 (1) 4 (8) 5 (9) Discovery Channel - (1) - (5) - (6) Showtime 1 (1) 3 (5) 4 (6) FX Networks - (-) 3 (5) 3 (5) HISTORY - (-) 2 (5) 2 (5) NBC - (-) - (5) - (5) Cartoon Network - (2) - (2) - (4) Comedy Central 1 (1) - (2) 1 (3) AMC - (-) 1 (2) 1 (2) Disney Channel - (1) - (1) - (2) FOX - (-) - (2) - (2) A&E - (-) - (1) - (1) dga.org - (1) - (-) - (1) ESPN - (-) - (1) - (1) Nickelodeon - (1) - (-) - (1) rides.tv - (1) - (-) - (1) TBS - (1) - (-) - (1) TNT - (-) - (1) - (1) A complete list of all awards presented tonight is attached. -
Fyp Baumbach Final Copy
!1 !2 DUBLIN BUSINESS SCHOOL This dissertation has been submitted in partial fulfilment of the BA (Hons) Film degree at Dublin Business School. I confirm that all work included in this thesis is my own unless indicated otherwise. Isabel Oliver May 2016 Supervisor: Barnaby Taylor !3 Table of Contents Introduction 6 Chapter 1 7 New York: The Celluloid Skyline 7 John Cassavetes 9 Martin Scorsese 12 Woody Allen 15 Chapter 2 18 Early Works of Noah Baumbach: Getting Started 18 Chapter 3 26 Middle Career: 2005-Greenberg 26 Chapter 4 36 Francis Ha (2012) and Mistress America (2015) 36 Chapter 5 45 Conclusion 45 Bibliography 53 Filmography 58 Images 59 References 61 !4 Acknowledgements Following my four years in Dublin Business School, I have learned so much. From the art of filmmaking to gaining a number of transferable skills necessary to take on the challenges of daily life. I would like to take this time to recognise the help and support contributed by a number of individuals. Without their assistance and support I would not have been able to complete this dissertation. I would first like to thank my supervisor Barnaby Taylor for all his support and guidance over the past semester. His endless encouragement and reassurance throughout the entire process allowed me to realise that a project of this magnitude can be completed. I would also like to thank my family and friends particularly: Niamh Browne, Elmarie Oliver, John Oliver and Wayne Dowling; for providing excellent guidance and a great deal of moral support throughout this entire process. When first tasked with this assignment, overwhelmed was one of many words that sprung to mind. -
Cinema Studies: the Key Concepts
Cinema Studies: The Key Concepts This is the essential guide for anyone interested in film. Now in its second edition, the text has been completely revised and expanded to meet the needs of today’s students and film enthusiasts. Some 150 key genres, movements, theories and production terms are explained and analysed with depth and clarity. Entries include: • auteur theory • Black Cinema • British New Wave • feminist film theory • intertextuality • method acting • pornography • Third World Cinema • War films A bibliography of essential writings in cinema studies completes an authoritative yet accessible guide to what is at once a fascinating area of study and arguably the greatest art form of modern times. Susan Hayward is Professor of French Studies at the University of Exeter. She is the author of French National Cinema (Routledge, 1998) and Luc Besson (MUP, 1998). Also available from Routledge Key Guides Ancient History: Key Themes and Approaches Neville Morley Cinema Studies: The Key Concepts (Second edition) Susan Hayward Eastern Philosophy: Key Readings Oliver Leaman Fifty Eastern Thinkers Diané Collinson Fifty Contemporary Choreographers Edited by Martha Bremser Fifty Key Contemporary Thinkers John Lechte Fifty Key Jewish Thinkers Dan Cohn-Sherbok Fifty Key Thinkers on History Marnie Hughes-Warrington Fifty Key Thinkers in International Relations Martin Griffiths Fifty Major Philosophers Diané Collinson Key Concepts in Cultural Theory Andrew Edgar and Peter Sedgwick Key Concepts in Eastern Philosophy Oliver Leaman Key Concepts in