And Friday Till 9:00 P.M ♦ ♦ Blaze Guts F Ireh Quse
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National Awards National Football Foundation Post-Season & Conference Honors
NATIONAL AWARDS National Football Foundation Coach of the Year Selections wo Stanford coaches have Tbeen named Coach of the Year by the American Football Coaches Association. Clark Shaughnessy, who guid- ed Stanford through a perfect 10- 0 season, including a 21-13 win over Nebraska in the Rose Bowl, received the honor in 1940. Chuck Taylor, who directed Stanford to the Pacific Coast Championship and a meeting with Illinois in the Rose Bowl, was selected in 1951. Jeff Siemon was inducted into the College Football Hall of Fame in 2006. Hall of Fame Selections Clark Shaughnessy Chuck Taylor The following 16 players and seven coaches from Stanford University have been selected to the National Football Foundation/College Football Hall of Fame. Post-Season & Conference Honors Player At Stanford Enshrined Heisman Trophy Pacific-10 Conference Honors Ernie Nevers, FB 1923-25 1951 Bobby Grayson, FB 1933-35 1955 Presented to the Most Outstanding Pac-10 Player of the Year Frank Albert, QB 1939-41 1956 Player in Collegiate Football 1977 Guy Benjamin, QB (Co-Player of the Year with Bill Corbus, G 1931-33 1957 1970 Jim Plunkett, QB Warren Moon, QB, Washington) Bob Reynolds, T 1933-35 1961 Biletnikoff Award 1980 John Elway, QB Bones Hamilton, HB 1933-35 1972 1982 John Elway, QB (Co-Player of the Year with Bill McColl, E 1949-51 1973 Presented to the Most Outstanding Hugh Gallarneau, FB 1938-41 1982 Receiver in Collegiate Football Tom Ramsey, QB, UCLA 1986 Brad Muster, FB (Offensive Player of the Year) Chuck Taylor, G 1940-42 1984 1999 Troy Walters, -
On the Ball! One of the Most Recognizable Stars on the U.S
TVhome The Daily Home June 7 - 13, 2015 On the Ball! One of the most recognizable stars on the U.S. Women’s World Cup roster, Hope Solo tends the goal as the U.S. 000208858R1 Women’s National Team takes on Sweden in the “2015 FIFA Women’s World Cup,” airing Friday at 7 p.m. on FOX. The Future of Banking? We’ve Got A 167 Year Head Start. You can now deposit checks directly from your smartphone by using FNB’s Mobile App for iPhones and Android devices. No more hurrying to the bank; handle your deposits from virtually anywhere with the Mobile Remote Deposit option available in our Mobile App today. (256) 362-2334 | www.fnbtalladega.com Some products or services have a fee or require enrollment and approval. Some restrictions may apply. Please visit your nearest branch for details. 000209980r1 2 THE DAILY HOME / TV HOME Sun., June 7, 2015 — Sat., June 13, 2015 DISH AT&T CABLE DIRECTV CHARTER CHARTER PELL CITY PELL ANNISTON CABLE ONE CABLE TALLADEGA SYLACAUGA SPORTS BIRMINGHAM BIRMINGHAM BIRMINGHAM CONVERSION CABLE COOSA WBRC 6 6 7 7 6 6 6 6 AUTO RACING 5 p.m. ESPN2 2015 NCAA Baseball WBIQ 10 4 10 10 10 10 Championship Super Regionals: Drag Racing Site 7, Game 2 (Live) WCIQ 7 10 4 WVTM 13 13 5 5 13 13 13 13 Sunday Monday WTTO 21 8 9 9 8 21 21 21 8 p.m. ESPN2 Toyota NHRA Sum- 12 p.m. ESPN2 2015 NCAA Baseball WUOA 23 14 6 6 23 23 23 mernationals from Old Bridge Championship Super Regionals Township Race. -
Michelangelo Pistoletto Mostre Collettive
Michelangelo Pistoletto Mostre collettive 1955 Torino, Circolo degli artisti, 7 - 28 dicembre, “95ª Esposizione Annuale della Società d’incoraggiamento alle Belle Arti”. Cat. 1956 Torino, Galleria della Gazzetta del Popolo, 23 dicembre 1956 - 6 gennaio 1957, “96ª Esposizione Annuale della Società d’incoraggiamento alle Belle Arti”. Cat. 1957 Torino, Promotrice delle Belle Arti, 18 maggio - 30 giugno, “114ª Esposizione Nazionale di Belle Arti”. Cat. 1958 Torino, Galleria Gazzetta del Popolo, 18 gennaio - 9 febbraio, “Pittura e scultura dei giovani in Piemonte”. Cat. Torino, Galleria Gazzetta del Popolo, 20 marzo - 7 aprile, “Mostra dell’autoritratto”. Cat. Torino, Saletta d’arte Malavolti, 19 aprile - 5 maggio, “Otto pittori contemporanei”. Cat. Torino, Galleria Gazzetta del Popolo, 26 aprile - 18 maggio, “I fiori nell’arte”. Cat. Torino, Promotrice delle Belle Arti, 15 maggio - 29 giugno, “115ª Esposizione Nazionale di Belle Arti”. Cat. Casale Monferrato, Accademia Filarmonica, 31 maggio - 8 giugno, “I fiori nell’arte”. Cat. Milano, Centro San Fedele, 8 - 25 novembre, “Premio San Fedele”. Cat. 1959 Torino, Saletta d’arte Malavolti, 31 gennaio - 15 febbraio, “11 Pittori Contemporanei”. Cat. Torino, Galleria Gazzetta del Popolo, 31 gennaio - 16 febbraio, “Seconda Mostra di Arti Figurative dei Giovani”. Cat. Torino, Galleria Gazzetta del Popolo, 4 - 18 giugno, “Piazze e monumenti del Piemonte”. Cat. Rimini, Palazzo dell’Arengo, 15 luglio - 30 agosto, “Premio Morgan’s Paint”. Cat. San Marino, Palazzo del Kursaal, luglio - settembre, “II Biennale internazionale d’arte contemporanea”. Cat. San Marino, Palazzo del Turismo, 20 agosto - 30 settembre, “Premio Repubblica di San Marino”. Cat. Biella, Sala Comunale, 19 settembre - 18 ottobre, “Premio Lorenzo Delleani”. Cat. -
Pieces of a Woman
PIECES OF A WOMAN Directed by Kornél Mundruczó Starring Vanessa Kirby, Shia LaBeouf, Molly Parker, Sarah Snook, Iliza Shlesinger, Benny Safdie, Jimmie Falls, Ellen Burstyn **WORLD PREMIERE – In Competition – Venice Film Festival 2020** **OFFICIAL SELECTION – Gala Presentations – Toronto International Film Festival 2020** Press Contacts: US: Julie Chappell | [email protected] International: Claudia Tomassini | [email protected] Sales Contact: Linda Jin | [email protected] 1 SHORT SYNOPSIS When an unfathomable tragedy befalls a young mother (Vanessa Kirby), she begins a year-long odyssey of mourning that touches her husband (Shia LaBeouf), her mother (Ellen Burstyn), and her midwife (Molly Parker). Director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014) and partner/screenwriter Kata Wéber craft a deeply personal meditation and ultimately transcendent story of a woman learning to live alongside her loss. SYNOPSIS Martha and Sean Carson (Vanessa Kirby, Shia LaBeouf) are a Boston couple on the verge of parenthood whose lives change irrevocably during a home birth at the hands of a flustered midwife (Molly Parker), who faces charges of criminal negligence. Thus begins a year-long odyssey for Martha, who must navigate her grief while working through fractious relationships with her husband and her domineering mother (Ellen Burstyn), along with the publicly vilified midwife whom she must face in court. From director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014), with artistic support from executive producer Martin Scorsese, and written by Kata Wéber, Mundruczó’s partner, comes a deeply personal, searing domestic aria in exquisite shades of grey and an ultimately transcendent story of a woman learning to live alongside her loss. -
Line Producer
0 INDEX Pag. 2 - DIRECTOR’S NOTE Pag. 4 - SINOPSYS Pag. 5 - TECNICAL DATA Pag. 6 - PRODUCTION PROFILE Pag. 7 - DIRECTOR Pag. 11 - SCREENWRITER Pag. 12 - CAST WISH LIST Pag. 15 - LOCATIONS Pag. 18 - SKETCHES GOLETTA AND PRAHO 1 DIRECTOR’S NOTE Many years have passed since the last Theatrical or Television production narrating the achievements of the most fascinating and exotic hero born from the imagination of a novelist and this is where our story starts, from the casual meeting between the young Emilio Salgari in a tavern at the port of Trieste and a mysterious sailor who will tell him a story, a story rich of adventure and courage, of battles and love : the story of the Tiger of Mompracem. The old sailor is Yanez De Gomera, a Portuguese pirate and Sandokan’s companion in many adventures. The idea to narrate Salgari’s character at the beginning and at the end of the story, will also give a hypothetical reading of a mystery that has always intrigued thousands of readers worldwide: how Emilio Salgari was able to describe so well and with such abundance of exciting details, lands and countries that in reality he had never seen, having never been able to travel if not with his imagination. Another innovation in comparison to the previous versions of Sandokan will be the story of the genesis of the character, the creation of its myth by the English themselves, that he will fight against for his whole life. In fact we will narrate Sandokan as a child, son of a Malayan Rajah who fights against the control of his country by the English and for this reason he is killed together with all his family by some hired assassins Dayakis paid by James Brooke the white rajah of Sarawak, a man without scruples at the service of the Crown. -
Everybody Loves Raymond
SHOW BIZ Maria Faisal Everybody Loves Raymond Based on the real-life experiences of Ray Romano, Everybody Loves Raymond, the popular sitcom ran from September 1996 to May 2005. Everybody Loves Raymond, a very popular American sitcom broadcast on CBS, ran from 1996 to 2005. The show revolved around the life of Ray Barone, a News Paper sportswriter from Long Island, his wife, Debra, daughter, Ally, and identical twin sons, Geoffrey and Michael. Ray has imposing parents and a jealous, insecure brother, Robert. They are found most of the time in the living room of Ray. Debra, Ray's wife is sick of this routine that had turned her in to a cranky yelling woman, but tolerates for the love of her husband. Ray’s parents and brother never give Ray or his family a moment of peace. Ray often finds himself in the middle of someone else's problems. He is usually the one blamed for everyone else's troubles. Based on the real-life experiences of Ray Romano, Everybody Loves Raymond premiered on September 13, 1996, on CBS. The series finale was broadcast on May 16, 2005, though old episodes are still rerun on cable network TBS and in daily syndication. The show can be watched Monday to Friday on Rogers channel 35, 835, 47 and 847. Paaras 1 Interesting Facts About the Show ·In an unusual turn for such a long-running show, ·Like Robert Barone in Everybody Loves Raymond, every episode featured a single plotline followed Ray Romano has a brother who works for the New throughout both acts. -
The Port Authority of New York and New Jersey Freedom of Information (FOI) Request Log, 2000-2012
Description of document: The Port Authority of New York and New Jersey Freedom of Information (FOI) Request Log, 2000-2012 Requested date: 08-August-2011 Released date: 07-February-2012 Posted date: 20-February-2012 Title of document Freedom of Information Requests Date/date range of document: 23-April-2000 – 05-January-2012 Source of document: The Port Authority of New York and New Jersey FOI Administrator Office of the Secretary 225 Park Avenue South, 17th Floor New York, NY 10003 Fax: (212) 435-7555 Online Electronic FOIA Request Form The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. -
Game Information
NEW YORK JETS GAME INFORMATION AT WEEK THREE • GAME THREE Sunday, September 22, 2019 • 1:00 p.m. • CBS • Gillette Stadium TABLE OF CONTENTS GAME INFORMATION GAME NOTES ........................................................... 4 PRESEASON 2-2 GAME PREVIEW ....................................................... 5 MATCHUP HISTORY ................................................. 6 PROBABLE STARTERS ............................................ 7 BY THE NUMBERS ................................................... 9 @ @ vs vs STAFF BIOS L W L W JOE DOUGLAS .........................................................11 22-31 22-10 13-28 6-0 HYMIE ELHAI ...........................................................12 8/8 8/15 8/24 8/29 ADAM GASE .............................................................13 COACHING CAPSULES ...........................................15 STATS PACK REGULAR SEASON 0-2 SEASON STATISTICS ...............................................19 DEFENSIVE STATISTICS .........................................20 PLAYER PARTICIPATION .........................................21 GAME-BY-GAME STARTERS ...................................22 vs vs @ @ THE LAST TIME... ....................................................23 L L 9/22 WEEK BYE 10/6 ROSTER BREAKDOWN 16-17 3-23 1:00PM 1:00PM BUILDING THE JETS ...............................................27 9/8 9/16 CBS CBS HOMETOWN BREAKDOWN .....................................28 PERSONNEL MOVES ..............................................29 HEADSHOT ROSTER ...............................................31 -
Introduction to the Complete Directory to Prime Time Network and Cable TV Shows
Broo_9780345497734_2p_fm_r1.qxp 7/31/07 10:32 AM Page ix INTRODUCTION In the following pages we present, in a sin- eral headings. For example, newscasts are gle volume, a lifetime (or several lifetimes) of summarized under News, movie series under television series, from the brash new medium Movies and sports coverage under Football, of the 1940s to the explosion of choice in the Boxing, Wrestling, etc. All other series are 2000s. More than 6,500 series can be found arranged by title in alphabetical order. There here, from I Love Lucy to Everybody Loves is a comprehensive index at the back to every Raymond, The Arthur Murray [Dance] Party cast member, plus appendixes showing an- to Dancing with the Stars, E/R to ER (both nual network schedules at a glance, the top with George Clooney!), Lost in Space to Lost 30 rated series each season, Emmy Awards on Earth to Lost Civilizations to simply Lost. and other information. Since the listings are alphabetical, Milton Network series are defined as those fed out Berle and The Mind of Mencia are next-door by broadcast or cable networks and seen si- neighbors, as are Gilligan’s Island and The multaneously across most of the country. Gilmore Girls. There’s also proof that good Broadcast networks covered are ABC, CBS, ideas don’t fade away, they just keep coming NBC, Fox, CW, MyNetworkTV, ION (for- back in new duds. American Idol, meet merly PAX) and the dear, departed DuMont, Arthur Godfrey’s Talent Scouts. UPN and WB. We both work, or have worked, in the TV Original cable series are listed in two dif- industry, care about its history, and have ferent ways. -
The King of Queens
The King of Queens “A Bridge Too Far” written by Mark Suffanti Copyright/WGA Reg. [email protected] 1. (I/A) ACT ONE A FADE IN: INT. EXPENSIVE MANHATTAN BOUTIQUE – DAY (DAY 1) (Carrie, Susan, Store Extras) CARRIE IS ADMIRING A DRESS UNTIL SHE CHECKS THE PRICE, GASPS AND QUICKLY PUTS IT BACK ON THE RACK. SUSAN, A WELL DRESSED WOMAN WITH A HAUGHTY AIR, APPROACHES. SUSAN Carrie Spooner, is that you? CARRIE That was my maiden name. You look very familiar. SUSAN High school, PS 419, back in dumpy Queens. CARRIE (REMEMBERING) Sue Roache! You stole my boyfriend junior year and dumped a bottle of Boone’s Farm Strawberry on my senior prom dress. 2. (I/A) SUSAN It’s Susan Blair now, and I don’t think I’ve ever apologized for that little accident, have I? CARRIE (HOT) No, you haven’t. CARRIE STANDS THERE WAITING EXPECTANTLY FOR A BEAT. SUSAN Gosh, it’s been a long time! Harold and I just got back from Switzerland. They have the best spas, I mean, look at me. CARRIE Between the fur and the hair you look like a million bucks. SUSAN Thanks, but a million doesn’t go very far, ask Harold , he’s an investment banker. What does your husband do? CARRIE He’s in (SEARCHES) transportation. 3. (I/A) SUSAN Airline? Railroad? Shipping? CARRIE Trucking, actually. SUSAN Well, at least you’re out of Queens. What part of Manhattan do you live? CARRIE Ah, ah, I guess you’d call it the east side. Yes ... east. -
Un'estate Al Mare” È Stato Pensato E Scritto Come Grande Omaggio Alla Commedia Italiana Che Tanto Amiamo E Che Ha Forgiato Sia Me Che Mio Fratello
Medusa Film presenta una produzione Medusa Film realizzata da International Video 80 Un’estate al mare con Lino Banfi Enrico Brignano Nancy Brilli Massimo Ceccherini Anna Falchi Ezio Greggio Biagio Izzo Marisa Jara Enzo Salvi Alena Seredova Victoria Silvstedt con la partecipazione straordinaria di Gigi Proietti e con Maurizio Micheli soggetto e sceneggiatura Enrico e Carlo Vanzina musiche originali di Manuel De Sica e Luigi Mas regia Carlo Vanzina distribuzione www.medusa.it Un’estate al mare CAST TECNICO Regia CARLO VANZINA Soggetto e sceneggiatura ENRICO e CARLO VANZINA Scenografia SERENA ALBERI Direttore della fotografia CLAUDIO ZAMARION Supervisione ai costumi NICOLETTA ERCOLE Costumista ROSSELLA PALMA Musiche originali di MANUEL DE SICA e LUIGI MAS Suono in presa diretta CANDIDO RAINI Montaggio RAIMONDO CROCIANI Organizzatore Generale TOTO’ GALLO Una produzione MEDUSA FILM Direttore di Produzione LEONARDO RECALCATI Ispettori di Produzione VERONICA COPPOLA MARCO SANGUINETTI Durata: 1h e 55’ Un’estate al mare IL CAST Nicola LINO BANFI Italo ENRICO BRIGNANO Luciana NANCY BRILLI Cecco MASSIMO CECCHERINI Cosima ANNA FALCHI Ugo Persichetti EZIO GREGGIO Dudù BIAGIO IZZO Mercedes MARISA JARA Giulio/narratore GIGI PROIETTI Enzo ENZO SALVI Debbie ALENA SEREDOVA Eva VICTORIA SILVSTEDT Giorgio Adonazzi MAURIZIO MICHELI Manfredi ALESSANDRO PACI Giovanni Morabito RICCARDO ROSSI Patrizia PAOLA MINACCIONI Un’estate al mare Questo film vuole essere la fotografia di uno dei momenti topici della vita degli italiani: l’estate al mare. Per fotografare questo momento allegro e spensierato, buffo e talvolta ridicolo, raccontiamo sette storie ambientate in luoghi celebri del divertimento estivo della nostra penisola. “IL CONTE DI MONTECRISTO” (PESCHICI – GARGANO) Con: Lino Banfi, Victoria Silvstedt, Elena Cantarone, Charlotte Crona, Nicomede Maretti. -
John Canoe) Festivals of the Caribbean
New West Indian Guide Vol. 84, no. 3-4 (2010), pp. 179-223 URL: http://www.kitlv-journals.nl/index.php/nwig/index URN:NBN:NL:UI:10-1-100888 Copyright: content is licensed under a Creative Commons Attribution 3.0 License ISSN: 1382-2373 KENNETH BILBY SURVIVING SECULARIZATION: MASKING THE SPIRIT IN THE JANKUNU (JOHN CANOE) FESTIVALS OF THE CARIBBEAN In certain parts of the Americas colonized by the English and built with the labor of Africans and their descendants, the holiday season at the end of the year was once – and in some areas still is – celebrated by parading bands of masqueraders whose danced processions created an ambiguous, highly charged space of their own.1 These outdoor performances by enslaved Africans amused, mystified, and discomfited the Europeans who observed and wrote about them during the nineteenth century. The loud drumming and singing, “wild” dancing, and “extravagant” costumes topped with horned ani- mal masks and towering headdresses overloaded the senses of these white onlookers, and suggested to them something inscrutably and dangerously African, even when certain European elements could be recognized within the unfamiliar mix. Unlike the pre-Lenten Catholic carnivals that were appropri- ated and refashioned by Africans in several parts of the Americas, this was a festival created by the enslaved themselves. Over time it was accepted by the ruling whites, who came to view it as a necessary evil – a kind of safety valve through which the simmering tensions on slave plantations could be periodi- 1. This article is based on comparative fieldwork and library research supported by a Rockefeller Fellowship at the Center for Black Music Research in Chicago and the Alton Augustus Adams Music Research Institute in St.