Attila Szalay

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ETHAN MANIQUIS EDITOR FEATURES: YEAR OF THE BEETLE C. Strange Films LLC Prod: Creighton Vero, Noona Yoon Dir: Creighton Vero GULLY Reset Content/Sums Film Prod: Alex Georgiou, Ben Pugh Dir: Elderkin Nabil *Official Selection – Narrative Competition – Tribeca Film Festival, 2019 THE ROW Emmett/Furla/Oasis Prod: Randall Emmett, George Furla Dir: Matty Beckerman DISTORTION StageCraft Productions Prod: Tonya Cannon Dir: Mayon Denton FERAL Halcyon Prod: John Landolfi, Mark Young Dir: Mark Young HANDS OF STONE El Fuego Films Prod: Carlos Garcia de Paredes, Dir: Jonathan Jakubowicz Jonathan Jakubowicz, Jay Weisleder THE BADGER GAME Independent Prod: R. J. Gallentine, Joshua Wagner Dir: Joshua Wagner, Thomas Zambeck PANIC 5 BRAVO Videocine Prod: Kuno Becker, Pablo Martinez de Velasco, Dir: Kuno Becker Fernando Perez Gavilan, Jorge Levy SHORTS Warner Bros. Prod: Robert Rodriguez, Alvaro Rodriguez Dir: Robert Rodriguez THE OTHER END OF THE LINE MGM Prod: Ashok Amritraj, Pete Chiarelly, Dir: James Dodson Elizabeth Ingold PLANET TERROR Dimension Flims Prod: Elizabeth Avellan, Robert Rodriguez, Dir: Robert Rodriguez Quentin Tarantino GRINDHOUSE Dimension Films Prod: Robert Rodriguez, Rob Zombie, Dir: Robert Rodriguez, Edgar Wright, Jeff Rendell Quentin Tarantino BEHIND ENEMY LINES II: AXIS OF EVIL 20th Century Fox Prod: James Dodson, Roee Sharon Dir: James Dodson SECUESTRO EXPRESS Mirimax Prod: Sandra Condito, Salomon Jakubowicz, Dir: Jonathan Jakubowicz Jonathan Jakubowicz 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com ETHAN MANIQUIS EDITOR SIN CITY Dimension Films Prod: Elizabeth Avellan Dir: Frank Miller, Robert Rodriguez, (Associate Editor) Quentin Tarantino ONCE UPON A TIME IN MEXICO Columbia Pictures Prod: Elizabeth Avellan, Carlos Gallardo, Dir: Robert Rodriguez (Associate Editor)(Visual Effects Editor) Roberto Rodriguez SPY KIDS 3-D: GAME OVER Dimension Films Prod: Elizabeth Avellan , Bill Scott, Dir: Robert Rodriguez (Visual Effects Editor) Harvey Weinstein, Bob Weinstein SPY KIDS 2: ISLAND OF Dimension Films Prod: Elizabeth Avellan , Bill Scott, Dir: Robert Rodriguez LOST DREAMS Harvey Weinstein, Bob Weinstein (Visual Effects Editor) REAL STORIES OF THE DONUT MEN Glazed Productions Prod: Elizabeth Avellan, Rana Glickman Dir: Beeaje Quick SHORT FILMS FREE SPIRIT (Additional Editor) Rojas Vision Inc. Prod: Dina Ciccotello Dir: Emil Nava 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com .

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KEY FILMS in Collaborazione Con Dania Film E Surf Film
MOSTRA INTERNAZIONALE D’ARTE CINEMATOGRAFICA DI VENEZIA FUORI CONCORSO KEY FILMS in collaborazione con Dania Film e Surf Film presenta un film di ROBERT RODRIGUEZ durata 105 min. uscita 6 maggio 2011 www.vivamachete.it Ufficio Stampa LUCKY RED Via Chinotto,16 (tel +39 06 3759441 - fax +39 06 37352310) Georgette Ranucci (+39 335 5943393 - [email protected]) Alessandra Tieri (+39 335 8480787 - [email protected]) 1 CAST TECNICO Diretto da ROBERT RODRIGUEZ ETHAN MANIQUIS Scritto da ROBERT RODRIGUEZ ALVARO RODRIGUEZ Direttore della fotografia JIMMY LINDSAY Montaggio ROBERT RODRIGUEZ REBECCA RODRIGUEZ Musiche CHINGON Casting MARY VERNIEU JC CANTU Prodotto da ROBERT RODRIGUEZ ELIZABETH AVELLAN RICK SCHWARTZ 2 CAST ARTISTICO Danny Trejo MACHETE Steven Seagal TORREZ Michelle Rodriguez LUZ Jeff Faehy BOOTH Cheech Marin PADRE Lindsay Lohan APRIL Don Johnson VON Jessica Alba SARTANA Robert De Niro SENATORE McLAUGHLIN 3 SINOSSI Sembrava un contadinotto qualsiasi venuto dalla strada, il tipo perfetto da usare per un falso omicidio politico. Invece era MACHETE, leggendario ex-Federale con un’inclinazione per gli omicidi e tutte le carte in regola per compierli. Dato per morto dopo uno scontro con il re della droga messicano Torrez, Machete fugge in Texas per cercare di far perdere le proprie tracce e per dimenticare un tragico passato. Ma ciò che vi trova è invece una fitta rete di corruzione e di disonestà, con il risultato che un senatore si becca un proiettile e Machete un mandato di cattura. Machete decide allora di dimostrare la sua innocenza e di smascherare la cospirazione. Ma dovrà vedersela con Booth, uno spietato uomo d’affari con un numero infinito di killers sul suo libro paga; con Von, un vigilante di frontiera fuori di testa a capo di un piccolo esercito privato; e con Sartana, una bellissima agente per l’immigrazione, combattuta tra il compito di far rispettare la legge e il desiderio di fare ciò che è giusto.
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Quentin Tarantino's KILL BILL: VOL
Presents QUENTIN TARANTINO’S DEATH PROOF Only at the Grindhouse Final Production Notes as of 5/15/07 International Press Contacts: PREMIER PR (CANNES FILM FESTIVAL) THE WEINSTEIN COMPANY Matthew Sanders / Emma Robinson Jill DiRaffaele Villa Ste Hélène 5700 Wilshire Blvd., Suite 600 45, Bd d’Alsace Los Angeles, CA 90036 06400 Cannes Tel: 323 207 3092 Tel: +33 493 99 03 02 [email protected] [email protected] [email protected] From the longtime collaborators (FROM DUSK TILL DAWN, FOUR ROOMS, SIN CITY), two of the most renowned filmmakers this summer present two original, complete grindhouse films packed to the gills with guns and guts. Quentin Tarantino’s DEATH PROOF is a white knuckle ride behind the wheel of a psycho serial killer’s roving, revving, racing death machine. Robert Rodriguez’s PLANET TERROR is a heart-pounding trip to a town ravaged by a mysterious plague. Inspired by the unique distribution of independent horror classics of the sixties and seventies, these are two shockingly bold features replete with missing reels and plenty of exploitative mayhem. The impetus for grindhouse films began in the US during a time before the multiplex and state-of- the-art home theaters ruled the movie-going experience. The origins of the term “Grindhouse” are fuzzy: some cite the types of films shown (as in “Bump-and-Grind”) in run down former movie palaces; others point to a method of presentation -- movies were “grinded out” in ancient projectors one after another. Frequently, the movies were grouped by exploitation subgenre. Splatter, slasher, sexploitation, blaxploitation, cannibal and mondo movies would be grouped together and shown with graphic trailers.
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Quentin Tarantino Retro
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director.
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I've Seen Films
I’ve Seen Films International Short Film Festival I’VE SEEN FILMS 2008 International Short Film Festival International Jury 7 I’VE SEEN FILMS 2008 International Short Film Festival INTERNATIONAL JURY Bill Bristow (UK) producer, director and writer ‘’Who Are They?’’, ‘’Prosit Ermanno!’’ (documentary); ‘’The Swan’’ (theater production); ‘’Fleas’’(theater direction); ‘’A Game of Moles’’ (writer); ‘’The Whaler’’ (screenwriter); ‘’Granny’s Wish’’ (theater production). Ludovico Einaudi (ITA) classical music composer and pianist ‘’Eden Roc’’, ‘’Time Out’’, ‘’Le Onde’’, ‘’Una Mattina’’, ‘’La Scala Concert’’, ‘’Diario Mali’’, ‘’Divenire’’ (composer); ‘’Da qualche parte in città’’, ‘’Acquario’’, ‘’Giorni Dispari’’, ‘’Aprile’’, ‘’Un delitto impossibile’’, ‘’Fuori del mondo’’, ‘’Zhivago’’, ‘’Sotto falso nome’’ (soundtracks). Richard Gere (USA) actor, producer, composer and performer ‘’American Gigolo’’, ‘’Breathless’’, ‘’The Honorary Consul’’, ‘’Sommersby’’, ‘’Autumn in New York’’, ‘’The Mothman Prophecies’’, ‘’Shall We Dance?’’, ‘’The Hoax’’, ‘’I’m Not There’’ (actor); ‘’Hachiko: A Dog’s Story’’ (actor and producer); ‘’Unfaithful’’, ‘’Chicago’’, ‘’Pretty Woman’’, ‘’The Cotton Club’’ (actor, composer and performer). Rutger Hauer (NL) actor, director and writer ‘’Turkish Delight’’, ‘’Soldier of Orange’’, ‘’Nighthawks’’, ‘’Blade Runner’’, ‘’Ladyhawke’’, ‘’The Hitcher’’, ‘’The Legend of the Holy Drinker’’, ‘’Confessions of a Dangerous Mind’’, “Escape from Sobibor”; ‘’Batman Begins’’, ‘’Sin City’’ (actor); ‘’The Room’’, ‘’Starfi sh Tango’’ (director);
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El Mariachi Download 720P
El Mariachi Download 720p 1 / 4 2 / 4 El Mariachi Download 720p 3 / 4 Directed by Robert Rodriguez. With Antonio Banderas, Salma Hayek, Joaquim de Almeida, Cheech Marin. Former musician and gunslinger El Mariachi arrives .... DOWNLOAD http://urllie.com/w43yf. El Mariachi Trilogy 720p Torrentgolkes ->>> http://urllie.com/w43yf mariachi trilogy mariachi trilogy blu .... Download Crazy Rich Asians 2018 480p 720p 1080p Bluray Free Teljes Filmek Movies 2019, Top ... Buy El Mariachi movie posters from Movie Poster Shop.. watch El Mariachi year 1992 Box high quality movpyShare full stream hd El Mariachi year 1992 720p original file sharing download dutch El .... El Mariachi (1992) - Looking for Work Scene (2/10) | Movieclips. Movieclips ... El mariachi 1992 Full 720p [HD] ... 'El Mariachi' Actor Peter Marquardt Dies At 50.. Download El Mariachi Movie Streaming with duration 81 Min and released on 1992-09-04 and MPAA rating is 73. El Mariachi Watch Movie free .... Download Subtitles for El mariachi free titles online download El mariachi load insert subtitle in player online download subtitles El mariachi english subs El .... Der Mariachi muss seine Gitarre gegen eine Waffe eintauschen und dann in diesem hochgelobten Filmdebut des Regisseurs Robert Rodriguez um sein Leben .... Download El mariachi avi: https://bit.ly/2sAXHW m movdivx.com/6c6ee0ungj83/El_mariachi_p1-1.avi.html 7. movpod.net/160s5yj696v3. Watch El Mariachi .... Sep 23, 2019 - EL MARIACHI LOCO REMIX - ZUMBA FITNESS - OSCAR DITHER - JEROKY-DS - YouTube. ... Pinterest. 2.58M ratings. Download ... Beautiful Chinese Dance【5】《朱鹮》Nipponia nippon- 720p. Titanic, Level Up, Music .... El Mariachi. ‪1992‬ ... Robert Rodriguez El Mariachi Trilogy ... Film Festival, El Mariachi tells the story of a young mariachi (Carlos Gallardo), ..
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Hollywood in Hell –
Hollywood in Hell – SIN CITY, religiöse Motive und die Darstellung des Bösen Masterarbeit zur Erlangung des Grades Master of Arts (M.A.) an der Philosophisch-Sozialwissenschaftlichen Fakultät der Universität Augsburg Betreuer: Prof. Dr. Thomas Hausmanninger Michaela Strasser An der Brühlbrücke 1 86152 Augsburg Matr. Nr. 801231 Augsburg, 26. Juli 2007 Für die Filmanalyse wurde auf die amerikanische Originalversion zurückgegriffen. FRANK MILLER’S SIN CITY. Recut – Extreme XXL-Edition (USA 2005) 119 min 136 min extended-Version Produktion: Dimension Film, Troublemaker Studios Produzenten: Elizabeth Avellan, Robert Rodriguez, Frank Miller, Harvey und Bob Weinstein Regie: Robert Rodriguez, Frank Miller Drehbuch: Frank Miller (Comics) Kamera: Robert Rodriguez Musik: John Debney, Graeme Revell, Robert Rodriguez Schnitt: Robert Rodriguez Darsteller: Mickey Rourke (Marv), Jaime King (Goldie/Wendy), Elijah Wood (Kevin), Rutger Hauer (Cardinal Roark), Clive Owen (Dwight), Benicio Del Toro (Jackie Boy), Rosario Dawson (Gail), Michael Clarke Duncan (Manute), Alexis Bledel (Becky), Devon Aoki (Miho), Brittany Murphy (Shellie), Bruce Willis (Hartigan), Jessica Alba (Nancy Callahan), Nick Stahl (Roark Junior/Yellow Bastard), Michael Madsen (Bob), Powers Boothe (Senator Roark), Nicky Katt (Stuka), Carla Gugino (Lucille), Josh Hartnett (The Salesman), Marley Shelton (The Customer) FSK: Keine Jugendfreigabe Start: 1. April 2005 (USA), 11. August 2003 (Deutschland) Budget: 40 Mio US $ Einspielergebnis 159.098.862 US $ (weltweit) Für die Comics wurde die amerikanische Version von Millers Sin City Reihe verwendet (2. Auflage). Frank Miller’s Sin City Volume 1 (2005): The Hard Goodbye. Dark Horse Books. Oregon. Frank Miller’s Sin City Volume 3 (2005): The Big Fat Kill. Dark Horse Books. Oregon. Frank Miller’s Sin City Volume 4 (2005): That Yellow Bastard.
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University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies The Representation of Hispanic masculinity in US cinema 1998-2008: Genre, Stardom and Machismo by Victoria Lynn Kearley Thesis for the degree of Doctor of Philosophy May 2014 UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies Thesis for the degree of Doctor of Philosophy ABSTRACT The Representation of Hispanic masculinity in US cinema 1998-2008: Genre, Stardom and Machismo Victoria Lynn Kearley This thesis examines how the conventions of four distinct genres, the star personas of two key Hispanic male stars and conceptions of Hispanic men as 'macho' intersected in constructing images of Hispanic masculinity in Hollywood between the years 1998 and 2008. The work makes an original contribution to knowledge as the first extensive study of Hispanic masculinity in contemporary Hollywood and affording new insights into the way in which genre conventions and star personas contributed to these representations.
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Source Guides
source guides National Library quentin tarantino 16 + Source Guide contents IMPORTANT NOTE . .i GENERAL INFORMATION . .ii APPROACHES TO RESEARCH, by Samantha Bakhurst . .iii INTRODUCTION . .1 BOOKS . .2 JOURNAL ARTICLES . .5 PRESS ARTICLES . .8 WEBSITES . .9 FILMOGRAPHY . .10 Compiled by: Victoria Crabbe Nicola Clarke Design/Layout: Ian O’Sullivan Project Manager: David Sharp © BFI NATIONAL LIBRARY 21 Stephen Street London W1P 2LN 2004 16+ MEDIA STUDIES INFORMATION GUIDE STATEMENT “Candidates should note that examiners have copies of this guide and will not give credit for mere reproduction of the information it contains. Candidates are reminded that all research sources must be credited”. BFI National Library i accessing research materials BFI NATIONAL copies of articles Local bookshops LIBRARY Some of the books mentioned in If you are unable to visit the the bibliography will be in print library or would like materials All the materials referred to in this and your bookshop should be able referred to in this guide sent to to order items for you. guide are available for consulta- you, the BFI Information Service tion at the BFI National Library. If can supply copies of articles via its you wish to visit the reading room The British Library Newspaper Research Services. Research is Library of the library and do not already charged at a range of hourly rates, hold membership, you will need to with a minimum charge for half The Newspaper Library will have take out a one-day, five-day or an hour’s research – full details of annual pass. Full details of access all the newspaper items referred services and charges can be found to in this guide.
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Out-Siders: Auteurs in Place by Nathan B. Koob a Dissertation
Out-siders: Auteurs in Place by Nathan B. Koob A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Screen Arts and Cultures) in the University of Michigan 2015 Doctoral Committee: Professor Caryl Flinn, Co-Chair Associate Professor Daniel Chilcote Herbert, Co-Chair Emeritus Professor Richard Abel Distinguished Professor Lucy Fischer, University of Pittsburgh Professor Johannes von Moltke © Nathan B. Koob 2015 For My Family: Elise, Mom, Dad, Lisa, Crew Whose love and support never wavers and is always in place. ii ACKNOWLEDGEMENTS I imagine that every dissertation feels like a journey and in this case I feel like it is more a descriptor than a metaphor at this point given the amount of travel and discovery involved. I am overwhelmed by just thinking about the many people who have helped me to reach this place where I am at and I am so incredibly grateful. I would be remiss to not start at the beginning and mention my Senior High School English teacher who first began to teach me that cinema was something I could both love and engage with intellectually. I will never forget that John Erwin started me on this path by loaning me great films and being kind enough to sit down and talk with me about them. In my undergrad at Oklahoma State University I was lucky to have a mentor who understood my passion for the subject of media studies and how best to direct it. Hugh Manon was extremely important to my early development as a scholar and encouraging me to go to graduate school.
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Neo-Exploitation
Neo-exploitation Nostalgia for horrific wonders Martijn van Hoek 0304964 Blok 4 2011/2012 22-06-2012 Thema: Genre Begeleider: J.S. Hurley Contents Introduction .......................................................................................................... 3 Exploring exploitation and nostalgia ......................................................................... 4 Exploring horror fan culture .................................................................................... 6 Exploring neo-exploitation .....................................................................................13 Redefining a genre................................................................................................13 GRINDHOUSE ..........................................................................................................14 CABIN FEVER ..........................................................................................................15 IRRÉVERSIBLE .........................................................................................................17 Conclusion ...........................................................................................................18 Literature ............................................................................................................19 2 Introduction In the first decade of the new millennium, a section of the horror genre was not looking to the future, but instead drew inspiration from the past. A number of filmmakers looked to the exploitation films of the
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The Contemporary American Horror Film Remake, 2003-2013
RE-ANIMATED: THE CONTEMPORARY AMERICAN HORROR FILM REMAKE, 2003-2013 Thesis submitted by Laura Mee In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2014 Abstract This doctoral thesis is a study of American horror remakes produced in the years 2003-2013, and it represents a significant academic intervention into an understanding of the horror remaking trend. It addresses the remaking process as one of adaptation, examines the remakes as texts in their own right, and situates them within key cultural, industry and reception contexts. It also shows how remakes have contributed to the horror genre’s evolution over the last decade, despite their frequent denigration by critics and scholars. Chapter One introduces the topic, and sets out the context, scope and approach of the work. Chapter Two reviews the key literature which informs this study, considering studies in adaptation, remaking, horror remakes specifically, and the genre more broadly. Chapter Three explores broad theoretical questions surrounding the remake’s position in a wider culture of cinematic recycling and repetition, and issues of fidelity and taxonomy. Chapter Four examines the ‘reboots’ of one key production company, exploring how changes are made across versions even as promotion relies on nostalgic connections with the originals. Chapter Five discusses a diverse range of slasher film remakes to show how they represent variety and contribute to genre development. Chapter Six considers socio-political themes in 1970s horror films and their contemporary post-9/11 remakes, and Chapter Seven focuses on gender representation and recent genre trends in the rape-revenge remake.
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Planet Terror Vehicles
JEFF POSS: Every day on my way to work, for a year and truck, find the missing parts, make everything sound, a half, I would drive by a shop called Browning’s Auto so everything could travel and work. These guys Repair in Houston. Inside this fenced-in, overgrown really cared, and they definitely made it look cool. yard there was this truck that was rusting away. You’d drive by this truck, and you couldn’t help but look Next, we have JT’s convertible, which first appeared at it. It was calling out, like Christine or something. in Roadracers, a little movie Robert shot for Showtime One day I saw a for sale sign on the window and I in thirteen days. David Arquette’s character, Dude, freaked out. ends up driving straight to hell at the end of that movie in his cool Chevy, which we then matched for STEVE JOYNER: I was sitting at my desk and Jeff Planet Terror. dropped a couple of polaroids in front of me and I said, “I want to get this truck.” We were actually STEVE JOYNER: [Transportation Coordinator] Cecil working on another movie called The Return that had Evans went out and found the matching car, it’s a an evil tow truck driver, so I went ahead and ponied ’56, but the original ’56 never came as a convertible, up for the truck out of my own pocket, knowing that and so Cecil Evans, [Mechanic] Bobby Sconci and his there would be a place for it somewhere. fabrication team took the car and chopped the top off and turned it into a permanent convertible ’56, JEFF POSS: We called this guy, Mr.
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