Hollywood in Hell –
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
KEY FILMS in Collaborazione Con Dania Film E Surf Film
MOSTRA INTERNAZIONALE D’ARTE CINEMATOGRAFICA DI VENEZIA FUORI CONCORSO KEY FILMS in collaborazione con Dania Film e Surf Film presenta un film di ROBERT RODRIGUEZ durata 105 min. uscita 6 maggio 2011 www.vivamachete.it Ufficio Stampa LUCKY RED Via Chinotto,16 (tel +39 06 3759441 - fax +39 06 37352310) Georgette Ranucci (+39 335 5943393 - [email protected]) Alessandra Tieri (+39 335 8480787 - [email protected]) 1 CAST TECNICO Diretto da ROBERT RODRIGUEZ ETHAN MANIQUIS Scritto da ROBERT RODRIGUEZ ALVARO RODRIGUEZ Direttore della fotografia JIMMY LINDSAY Montaggio ROBERT RODRIGUEZ REBECCA RODRIGUEZ Musiche CHINGON Casting MARY VERNIEU JC CANTU Prodotto da ROBERT RODRIGUEZ ELIZABETH AVELLAN RICK SCHWARTZ 2 CAST ARTISTICO Danny Trejo MACHETE Steven Seagal TORREZ Michelle Rodriguez LUZ Jeff Faehy BOOTH Cheech Marin PADRE Lindsay Lohan APRIL Don Johnson VON Jessica Alba SARTANA Robert De Niro SENATORE McLAUGHLIN 3 SINOSSI Sembrava un contadinotto qualsiasi venuto dalla strada, il tipo perfetto da usare per un falso omicidio politico. Invece era MACHETE, leggendario ex-Federale con un’inclinazione per gli omicidi e tutte le carte in regola per compierli. Dato per morto dopo uno scontro con il re della droga messicano Torrez, Machete fugge in Texas per cercare di far perdere le proprie tracce e per dimenticare un tragico passato. Ma ciò che vi trova è invece una fitta rete di corruzione e di disonestà, con il risultato che un senatore si becca un proiettile e Machete un mandato di cattura. Machete decide allora di dimostrare la sua innocenza e di smascherare la cospirazione. Ma dovrà vedersela con Booth, uno spietato uomo d’affari con un numero infinito di killers sul suo libro paga; con Von, un vigilante di frontiera fuori di testa a capo di un piccolo esercito privato; e con Sartana, una bellissima agente per l’immigrazione, combattuta tra il compito di far rispettare la legge e il desiderio di fare ciò che è giusto. -
Oscars® Awarded to Avid Customers in Triumphant Sweep at the 88Th Annual Academy Awards
March 1, 2016 Oscars® Awarded to Avid Customers in Triumphant Sweep at the 88th Annual Academy Awards Every Winner and Nominee for Best Picture, Film Editing, Sound Editing, Sound Mixing and Original Score Relied on Avid Creative Solutions BURLINGTON, Mass., March 01, 2016 (GLOBE NEWSWIRE) -- Avid® (Nasdaq:AVID) today congratulates its customers recognized as nominees and winners at the 88th Academy Awards®, the world's most prestigious ceremony honoring film industry professionals. Every nominee in the Best Picture, Best Film Editing, Best Sound Editing, Best Sound Mixing and Best Original Score categories, including Best Picture winner Spotlight, was crafted by Avid customers using Avid Artist Suite audio and video creative tools, powered by the Avid MediaCentral™ Platform. All five nominees in the Film Editing category—winner Margaret Sixel for Mad Max: Fury Road, Hank Corwin for The Big Short, Stephen Mirrione for The Revenant, Tom McArdle for Spotlight, and Maryann Brandon and Mary Jo Markey for Star Wars: The Force Awakens—relied on the industry's preeminent editing solution, Avid Media Composer® to cut their films. In the Sound Editing category, all five nominees—winners Mark Mangini and David White for Mad Max: Fury Road, Oliver Tarney for The Martian, Martin Hernandez and Lon Bender for The Revenant, Alan Robert Murray for Sicario, and Matthew Wood and David Acord for Star Wars: The Force Awakens—all relied on the industry-standard digital audio software Avid Pro Tools® for sound editing. "I had an opportunity to develop many soundscapes on The Revenant," said Formosa Group's Lon Bender. "Each day I would take material from our team and hone it using my Avid control surface for reviews with Alejandro. -
Transatlantica, 1 | 2018 Le Regard Impossible 2
Transatlantica Revue d’études américaines. American Studies Journal 1 | 2018 Slavery on Screen / American Women Writers Abroad: 1849-1976 Le regard impossible Réflexions sur les présupposés et les mécanismes idéologiques des images de synthèse photoréalistes dans le blockbuster hollywoodien contemporain Mathias Kusnierz Édition électronique URL : http://journals.openedition.org/transatlantica/11812 DOI : 10.4000/transatlantica.11812 ISSN : 1765-2766 Éditeur AFEA Référence électronique Mathias Kusnierz, « Le regard impossible », Transatlantica [En ligne], 1 | 2018, mis en ligne le 01 septembre 2019, consulté le 29 avril 2021. URL : http://journals.openedition.org/transatlantica/11812 ; DOI : https://doi.org/10.4000/transatlantica.11812 Ce document a été généré automatiquement le 29 avril 2021. Transatlantica – Revue d'études américaines est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Le regard impossible 1 Le regard impossible Réflexions sur les présupposés et les mécanismes idéologiques des images de synthèse photoréalistes dans le blockbuster hollywoodien contemporain Mathias Kusnierz 1 Dans son livre de 1966 intitulé Special Effects in Motion Pictures, Frank P. Clark expose, à destination des techniciens d’Hollywood, les différentes manières d’élaborer les effets spéciaux d’un film. Son inventaire s’étend du trucage le plus simple – un écran de fumée, par exemple (40-43) – aux effets spéciaux les plus élaborés, comme l’animation image par image (108-109) ou la construction de maquettes animées complexes (89, 146, 152). Le livre de Clark se veut un exposé technique, sans parti pris, et appuyé sur une solide connaissance pratique du métier de concepteur d’effets spéciaux. -
Tese De Charles Ponte
UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM CHARLES ALBUQUERQUE PONTE INDÚSTRIA CULTURAL, REPETIÇÃO E TOTALIZAÇÃO NA TRILOGIA PÂNICO Tese apresentada ao Instituto de Estudos da Linguagem, da Universidade Estadual de Campinas, para obtenção do Título de Doutor em Teoria e História Literária, na área de concentração de Literatura e Outras Produções Culturais. Orientador: Prof. Dr. Fabio Akcelrud Durão CAMPINAS 2011 i FICHA CATALOGRÁFICA ELABORADA POR CRISLLENE QUEIROZ CUSTODIO – CRB8/8624 - BIBLIOTECA DO INSTITUTO DE ESTUDOS DA LINGUAGEM - UNICAMP Ponte, Charles, 1976- P777i Indústria cultural, repetição e totalização na trilogia Pânico / Charles Albuquerque Ponte. -- Campinas, SP : [s.n.], 2011. Orientador : Fabio Akcelrud Durão. Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem. 1. Craven, Wes. Pânico - Crítica e interpretação. 2. Indústria cultural. 3. Repetição no cinema. 4. Filmes de horror. I. Durão, Fábio Akcelrud, 1969-. II. Universidade Estadual de Campinas. Instituto de Estudos da Linguagem. III. Título. Informações para Biblioteca Digital Título em inglês: Culture industry, repetition and totalization in the Scream trilogy. Palavras-chave em inglês: Craven, Wes. Scream - Criticism and interpretation Culture industry Repetition in motion pictures Horror films Área de concentração: Literatura e Outras Produções Culturais. Titulação: Doutor em Teoria e História Literária. Banca examinadora: Fabio Akcelrud Durão [Orientador] Lourdes Bernardes Gonçalves Marcio Renato Pinheiro -
Word and Work
"Holding fast the Faithful Word ■■ • ■ * The Word and Work CQ "Holding forth the Word of Life." November - December, 2005 INCONCEIVABLE LOVE- STUNNING FORGIVENESS INCREDIBLE TRANSFORMATION! AUCAS!! 50 Yrs Later DON'T Let the Rush of the Holidays Keep you from reading this month's VrE-R-Y VALUABLE Articles!!! Then SHARE them with others. * * "All married couples, all missionaries and all Christians should read this article!" Which article? Check it out for yourself. * * * "When it comes time to die, make sure that all you have to do is die." -Jim Elliot Vital Information for Students Hoping to Enter College! The June 2005 W&W had an article~S.CC. Lives On through S.C.E.C. It explained that some scholarship funds are available to students from churches that formerly supported Southeastern Christian College. 12 colleges (see below) now participate in this program. Read on, and act soon or it will be too late! Important and Time-Sensitive Announcement Regarding College Scholarships From: Hughes Jones, 130 Jackson Pike, Harrodsburg, KY 40330. Telephone: 859 734-7197. Email: [email protected] For: Southeastern Christian Education Corporation, 476 Sparrow Lane, Harrodsburg, Ky 40330 Date: October 17, 2005 Southeastern Christian Education Corporation Announcement: Prospective college students desiring to have an SCEC financial aid grant included in their aid package for the 2006/07 school year are encouraged to complete their college admission process prior to Feb ruary 01, 2006. This date should allow the participating college finan cial aid offices time needed to prepare requests for assistance from Southeastern Christian Education Corporation before anticipated dead lines. -
The Eddie Awards Issue
THE MAGAZINE FOR FILM & TELEVISION EDITORS, ASSISTANTS & POST- PRODUCTION PROFESSIONALS THE EDDIE AWARDS ISSUE IN THIS ISSUE Golden Eddie Honoree GUILLERMO DEL TORO Career Achievement Honorees JERROLD L. LUDWIG, ACE and CRAIG MCKAY, ACE PLUS ALL THE WINNERS... FEATURING DUMBO HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD AND MUCH MORE! US $8.95 / Canada $8.95 QTR 1 / 2019 / VOL 69 Veteran editor Lisa Zeno Churgin switched to Adobe Premiere Pro CC to cut Why this pro chose to switch e Old Man & the Gun. See how Adobe tools were crucial to her work ow and to Premiere Pro. how integration with other Adobe apps like A er E ects CC helped post-production go o without a hitch. adobe.com/go/stories © 2019 Adobe. All rights reserved. Adobe, the Adobe logo, Adobe Premiere, and A er E ects are either registered trademarks or trademarks of Adobe in the United States and/or other countries. All other trademarks are the property of their respective owners. Veteran editor Lisa Zeno Churgin switched to Adobe Premiere Pro CC to cut Why this pro chose to switch e Old Man & the Gun. See how Adobe tools were crucial to her work ow and to Premiere Pro. how integration with other Adobe apps like A er E ects CC helped post-production go o without a hitch. adobe.com/go/stories © 2019 Adobe. All rights reserved. Adobe, the Adobe logo, Adobe Premiere, and A er E ects are either registered trademarks or trademarks of Adobe in the United States and/or other countries. -
Itage James Nesbitt Ken Stott
New Line Cinema e Metro-Goldwyn-Mayer Pictures Presentano Una Produzione Wingnuts Film Ian McKellen Martin Freeman Richard Armitage James Nesbitt Ken Stott Con Cate Blanchett Ian Holm Christopher Lee Hugo Weaving Elijah Wood e Andy Serkis nel ruolo di ‘Gollum’ Musiche Howard Shore Co-prodotto da Philippa Boyens Eileen Moran Armi, Creature e Trucco Effetti Speciali Richard Taylor Effetti visivi e animazioni Weta Digital Ltd. Capo Squadra Supervisone Effetti Visivi Joe Lettieri Montaggio Jabez Olssen Scenografie Dan Hennah Direttore della fotografia Andrew Lesine Acs,Asc Produttori esecutivi Alan Horn Toby Emmerich Ken Kamis Carolyn Blackwood Prodotto da Carolynne Cunningham Zane Weiner Fran Walsh Peter Jackson Tratto da una storia di J.R.R. Tolkien Scritto da Fran Walsh Philippa Boyens Peter Jackson Guillermo Del Toro Distribuzione Warner Bros.Pictures Italia Durata: 173 minuti Uscita italiana: 13 Dicembre 2012 I materiali sono a disposizione sul sito “Warner Bros. Media Pass”, al seguente indirizzo: https://mediapass.warnerbros.com Sito: http://www.hobbitilfilm.it Fb: https://www.facebook.com/LoHobbitIlfilm Twitter: https://twitter.com/lohobbitfilm #LoHobbit Canale YouTube: http://www.youtube.com/watch?v=2e241Qvgmww&feature=share&list=PL1D7BC5C386EEC263 Ufficio stampa Warner Bros. Pictures Italia Emanuela Semeraro [email protected] Cinzia Fabiani [email protected] Antonio Viespoli [email protected] Il premio Oscar® Peter Jackson firma la regia de “Lo Hobbit - Un viaggio inaspettato”, il primo di tre episodi tratti dal romanzo cult Lo hobbit di J.R.R. Tolkien. I tre film si svolgono nella Terra di Mezzo, sessanta anni prima delle vicende de “Il Signore degli anelli” che Jackson e il suo team hanno portato sul grande schermo con la popolare trilogia conclusasi con il premio Oscar® “Il signore degli anelli - Il ritorno del re”. -
A Celebration of Superheroes Virtual Conference 2021 May 01-May 08 #Depaulheroes
1 A Celebration of Superheroes Virtual Conference 2021 May 01-May 08 #DePaulHeroes Conference organizer: Paul Booth ([email protected]) with Elise Fong and Rebecca Woods 2 ACKNOWLEDGMENTS This has been a strange year, to be sure. My appreciation to everyone who has stuck with us throughout the trials and tribulations of the pandemic. The 2020 Celebration of Superheroes was postponed until 2021, and then went virtual – but throughout it all, over 90% of our speakers, both our keynotes, our featured speakers, and most of our vendors stuck with us. Thank you all so much! This conference couldn’t have happened without help from: • The College of Communication at DePaul University (especially Gina Christodoulou, Michael DeAngelis, Aaron Krupp, Lexa Murphy, and Lea Palmeno) • The University Research Council at DePaul University • The School of Cinematic Arts, The Latin American/Latino Studies Program, and the Center for Latino Research at DePaul University • My research assistants, Elise Fong and Rebecca Woods • Our Keynotes, Dr. Frederick Aldama and Sarah Kuhn (thank you!) • All our speakers… • And all of you! Conference book and swag We are selling our conference book and conference swag again this year! It’s all virtual, so check out our website popcultureconference.com to see how you can order. All proceeds from book sales benefit Global Girl Media, and all proceeds from swag benefit this year’s charity, Vigilant Love. DISCORD and Popcultureconference.com As a virtual conference, A Celebration of Superheroes is using Discord as our conference ‘hub’ and our website PopCultureConference.com as our presentation space. While live keynotes, featured speakers, and special events will take place on Zoom on May 01, Discord is where you will be able to continue the conversation spurred by a given event and our website is where you can find the panels. -
LO SPECCHIO SCURO Un Viaggio Nel Noir Hollywoodiano Gennaio – Febbraio 2006 in Collaborazione Con LAB 80 Bergamo
LO SPECCHIO SCURO Un viaggio nel noir hollywoodiano gennaio – febbraio 2006 in collaborazione con LAB 80 Bergamo Circolo del cinema Locarno Cinema Morettina ven. 13 gennaio, 20.30 THE BIG SLEEP Il grande sonno Howard Hawks, 1946 ven. 20 gennaio, 20.30 DOUBLE INDEMNITY La fiamma del peccato Billy Wilder, 1944 ven. 27 gennaio, 20.30 THE WOMAN IN THE WINDOW La donna del ritratto Fritz Lang, 1944 lun. 30 gennaio, 20.30 THE MALTESE FALCON Il mistero del falco John Huston, 1941 ven. 3 febbraio, 20.30 THE SPIRAL STAIRCASE La scala a chiocciola Robert Siodmak, 1946 ven. 10 febbraio, 20.30 OUT OF THE PAST Le catene della colpa Jacques Tourneur, 1947 ven. 17 febbraio, 20.30 DARK PASSAGE La fuga Delmer Daves, 1947 ven. 24 febbraio, 20.30 TOUCH OF EVIL L’infernale Quinlan Orson Welles, 1958 Circolo del cinema Bellinzona Cinema Forum 1+2 mar. 17 gennaio, 20.30 THE BIG SLEEP Il grande sonno Howard Hawks, 1946 mar. 24 gennaio, 20.30 DOUBLE INDEMNITY La fiamma del peccato Billy Wilder, 1944 sab. 28 gennaio, 18.00 THE WOMAN IN THE WINDOW La donna del ritratto Fritz Lang, 1944 mar. 31 gennaio, 20.30 THE MALTESE FALCON Il mistero del falco John Huston, 1941 sab. 4 febbraio, 18.00 THE SPIRAL STAIRCASE La scala a chiocciola Robert Siodmak, 1946 mar. 7 febbraio, 20.30 CRISS CROSS Doppio gioco Robert Siodmak, 1949 sab. 11 febbraio, 18.00 OUT OF THE PAST Le catene della colpa Jacques Tourneur, 1947 mar. 14 febbraio, 20.30 DARK PASSAGE La fuga Delmer Daves, 1947 mar. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
How the Dark Horse Came in : Portland State University Library Acquires Dark Horse Comics Archive
Portland State University PDXScholar Library Faculty Publications and Presentations University Library 11-1-2009 How the dark horse came in : Portland State University Library acquires Dark Horse Comics archive Michael S. Bowman Portland State University, [email protected] Cristine Paschild Portland State University, [email protected] Kimberly Willson-St. Clair Portland State University, [email protected] Follow this and additional works at: https://pdxscholar.library.pdx.edu/ulib_fac Part of the Library and Information Science Commons Let us know how access to this document benefits ou.y Citation Details Browman, M., Paschild, C. N., & Willson, K. (2009). How the dark horse came in. College & Research Libraries News, 70(10), 570-572 This Article is brought to you for free and open access. It has been accepted for inclusion in Library Faculty Publications and Presentations by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Michael Bowman, Cristine N. Paschild, and Kimberly Willson-St. Clair How the dark horse came in Portland State University Library acquires Dark Horse Comics archives t’s another hot night, dry and windless. The the general Portland State Library collection, Ikind that makes people do sweaty, secret is available to more than 26,000 students at things. I wait and listen. For a while it’s quiet Portland State University as well as more than as it gets in Sin City.”1 200,000 students and faculty in Oregon and In 2008, the Portland State University Washington through the Orbis Cascade Alli- Library acquired the archives from the third ance academic library consortium. -
British Society of Cinematographers
Best Cinematography in a Theatrical Feature Film 2020 Erik Messerschmidt ASC Mank (2020) Sean Bobbitt BSC Judas and the Black Messiah (2021) Joshua James Richards Nomadland (2020) Alwin Kuchler BSC The Mauritanian (2021) Dariusz Wolski ASC News of the World (2020) 2019 Roger Deakins CBE ASC BSC 1917 (2019) Rodrigo Prieto ASC AMC The Irishman (2019) Lawrence Sher ASC Joker (2019) Jarin Blaschke The Lighthouse (2019) Robert Richardson ASC Once Upon a Time … in Hollywood (2019) 2018 Alfonso Cuarón Roma (2018) Linus Sandgren ASC FSF First Man (2018) Lukasz Zal PSC Cold War(2018) Robbie Ryan BSC ISC The Favourite (2018) Seamus McGarvey ASC BSC Bad Times at the El Royale (2018) 2017 Roger Deakins CBE ASC BSC Blade Runner 2049 (2017) Ben Davis BSC Three Billboards outside of Ebbing, Missouri (2017) Bruno Delbonnel ASC AFC Darkest Hour (2017) Dan Laustsen DFF The Shape of Water (2017) 2016 Seamus McGarvey ASC BSC Nocturnal Animals (2016) Bradford Young ASC Arrival (2016) Linus Sandgren FSF La La Land (2016) Greig Frasier ASC ACS Lion (2016) James Laxton Moonlight (2016) 2015 Ed Lachman ASC Carol (2015) Roger Deakins CBE ASC BSC Sicario (2015) Emmanuel Lubezki ASC AMC The Revenant (2015) Janusz Kaminski Bridge of Spies (2015) John Seale ASC ACS Mad Max : Fury Road (2015) 2014 Dick Pope BSC Mr. Turner (2014) Rob Hardy BSC Ex Machina (2014) Emmanuel Lubezki AMC ASC Birdman or (The Unexpected Virtue of Ignorance) (2014) Robert Yeoman ASC The Grand Budapest Hotel (2014) Lukasz Zal PSC & Ida (2013) Ryszard Lenczewski PSC 2013 Phedon Papamichael ASC