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The Archaen Codex the ARCHAENCODEX
The Archaen Codex THE ARCHAENCODEX Lost Secrets of the Forgotten Age 0 1992 by SMS and Wizards of the Coast, Inc. by Stephan Michael Sechi WOC 2202 Design: Stephan Michael Sechi Design Contributions: George Lowe. Jeff Goldman. David Sandberg, Thomas Lents Design and Development Director: James E. Hays, Jr. Talislanta Archivist: D. Gene Frye Editing: Beverly Marshall Saling Production Director: Lisa Stevens Art Director: Jesper Myrfors Layout Design: Jesper Myrfors, Lisa Stevens Typesetting, Layout, and Paste-up: Melissa Gustafson Cover Art: Dameon Willich Front Cover Border: Ron Spencer Interior Illustrations: Rick Emond, Jesper Myrfors, Anson Maddocks. Richard Thomas Cartography: Eric Hotz, Jeff Goldman Illuminated Letters: Kurt Cagle Nifty Interior Borders: Jesper Myrfors Appendix and Index: Beverly Marshall Saling Talislanta Logo: Rich Kaalaas The Apothecary Mailing blst If you would like to be on the mailing list for our bi-randomly released company newsletter, The Apoth- ecary,send your name and address to: The Apothecuy P.O. Box 707 Renton, WA 98057-0707 By the way, we are interested in your comments. Please don't hesitate to write and tell us what you did or didn't like. Who Are We? Wizards of the Coast is a company of dedicated gaming professionals based in Seattle, Washington. Our goal is to manufacture the highest quality and most innovative products possible. To this end, we have adopted a policy of Continuous Quality Improvement (CQI) as a means to best serve the gaming industry. This includes you. At Wizards of the Coast, releasing a product that is "good enough" is not good enough. Quality is a foundation we build from, not just a slogan we stamp on the cover. -
Implementing Screens Within Screens to Create Telepresence in Reality TV
Implementing screens within screens to create telepresence in reality TV Daniel Klug ∗ 1, Axel Schmidt ∗y 2 1 Institute for Media Studies, University of Basel – Suisse 2 Institute for the German Language – Allemagne Following Gumbrecht’s (2004) draft of a theory of presence the notion of presence aims at spatial relations: Something is present if it is tangible or ‘in actual range’ (Sch´’utz/Luckmann 1979). Concerning the social world, Goffman (1971) understands co-presence in a similar way, as the chance to get in direct contact with each other. For this, the possibility of mutually perceiving each other is a precondition and is in turn made possible by a shared location. Goffman’s concept of co-presence is bound to a shared here and now and thus is based on a notion of situation with place as its central dimension. Interaction as a basic mode of human exchange builds on situations and the possibility of mutual perception allowing so called perceived perceptions in particular (Hausendorf 2003) as the main mechanism of focused encounters. Media studies, however, proved that both the notion of situation as place and interaction as co-presence need to be extended as mediated contact creates new forms of situations and interactions. Especially Meyrowitz (1990) shows that the notion of situation has to be detached from the dimension of place and instead be redefined in terms of mediated contact. Therefore, the question ”who can hear me, who can see me?” is the basis for individual orientation and should guide the analysis of (inter)action. Although media enlarges the scope of perception in this way, it is not just a simple extension, but a trans- formation process in which the mediation itself plays a crucial role. -
The Ultimate Super Mage ™ by Dean Shomshak
The Ultimate Super Mage ™ by Dean Shomshak HERO PLUS™ The Ultimate Super Mage™ Version 1.1 by Dean Shomshak Editor/Developer: Bruce Harlick Illustrations: Storn Cook Charts: Scott A.H. Ruggels Solitaire Illustration: Greg Smith Pagemaking & Layout: Bruce Harlick Graphic Design: Karl Wu Editorial Contributions: Steve Peterson, Ray Greer, George MacDonald, Steven S. Long Proof Reader: Maggi Perkins Managing Editor: Bruce Harlick Copyright @1996 by Hero Games. All rights reserved. Hero System, Fantasy Hero, Champions, Hero Games and Star Hero are all registered trademarks of Hero Games. Acrobat and the Acrobat logo are trademarks of Adobe Systems Incorporated which may be registered in certain jurisdictions. All other trademarks and registered trademarks are properties of their owners. Published by Hero Plus, a division of Hero Games. Hero Plus Hero Plus is an electronic publishing company, using the latest technology to bring products to customers more efficiently, more rapidly, and at competitive prices. Hero Plus can be reached at [email protected]. Let us know what you think! Send us your mailing address (email and snail mail) and we’ll make sure you’re informed of our latest products. Visit our Web Site at http://www.herogames.com Contents Introduction .............................................7 The White School.............................................. 27 How To Use This Book .................................. 7 The Black School............................................... 27 A Personal Disclaimer................................... -
Shadow of the Demon Lord: Mortals of Urth by Iganon
Shadow of the Demon Lord: Mortals of Urth By IGanon In the beginning, there was God, all-powerful, infinite, and alone. Craving companionship, God spoke the first words of power and created the Demiurge and was satisfied. The Demiurge, an extension of God, begun to crave more and more, and so spoke the words of power to create millions of genies from its own body. These genies in turn spoke the words of power and plundered the body of God to create worlds and stars without number, creating an entire multiverse. Yet the more the genies took from God, the more God diminished, and what was once all-powerful, and infinite grew weak and limited, having both substance and form stolen. Not content with stealing from God, the genies stole from the Demiurge too, taking so much the Demiurge split into innumerable fragments. The Divine, reduced to little more than a creature of spite and hatred, was reduced to a mad thing lurking in the void between universes, left only with spite, hatred and the insane craving to undo everything that had been done. It was God no longer, now it is the Demon Lord. The innumerable fragments of what once was the Demiurge, still an extension of the Demon Lord, became the first demons, flitting from world to world, wreaking havoc and devastation and preparing each world for the arrival of the Hunger in the Void, the Demon Lord. The universe that contains the planet Urth, this reality, is the latest one to fall under the Shadow of the Demon Lord. -
Introduction Armageddon, the Apocalypse, the End of Times. Throughout History, Mankind Has Always Wondered About The
● Introduction ○ Armageddon, the apocalypse, the end of times. Throughout history, mankind has always wondered about the fabled end of the world and how it would come about. Would the forces of nature finally decide we are unworthy? Would the greater forces, both holy and unholy, finally come for us? Would we fall due to our own carelessness, as we began to contaminate the place we call home? So many ways we could possibly fall, so many ways our end could occur. So when the end of days finally came, what brought about our doom could never have been foreseen. You want to know what terrible apocalypse finally attempted to bring humanity to it’s knees? ○ Everything. ○ It wasn’t one event to end us, nor was it multiple events over a course of time. Rather many catastrophes, be it scientific or arcane, had occurred at once. The sheer strain of which had separated our once unified earth into separate planets, kept apart by dimensional barriers. In each of these new universes, a new armageddon has occurred, transforming the culture and creating new societies. ○ Yes, societies. It seems that even this event couldn’t quite keep humanity down. Though we are struggling to survive, and there are still hostilities between our separate cultures, we are still around, ready to keep fighting for our freedom if need be. That is where you come in. You see, these worlds have many needs, and som are of the violent or even supernatural sort. You are what some would consider a freelancer; a person willing to do odd jobs in exchange for compensation. -
Pathfinder Roleplaying Game Rulebooks
The following superscript notations are used to denote official Pathfinder Roleplaying Game rulebooks: ACG = Pathfinder Roleplaying Game Advanced Class Guide APG = Pathfinder Roleplaying Game Advanced Player’s Guide ARG = Pathfinder Roleplaying Game Advanced Race Guide B1 = Pathfinder Roleplaying Game Bestiary B2 = Pathfinder Roleplaying Game Bestiary 2 B3 = Pathfinder Roleplaying Game Bestiary 3 B4 = Pathfinder Roleplaying Game Bestiary 4 B5 = Pathfinder Roleplaying Game Bestiary 5 BOS = Softcover companion for characters with the power of shadow in their blood GMG = Pathfinder Roleplaying Game Gamemastery Guide ISB = Softcover guide bestiary of monsters native to the inland sea in the official Pathfinder campaign setting ISM = Softcover guide to magic in the inland sea in the official Pathfinder campaign setting NPCC = Pathfinder Roleplaying Game NPC Codex OA = Pathfinder Roleplaying Game Occult Adventures POTR = Softcover guide to people from the riverlands in the official Pathfinder campaign setting POTS = Softcover guide to people from other planets or stars in the official Pathfinder campaign setting PU = Pathfinder Roleplaying Game Pathfinder Unchained TG = Softcover guide to technology in the Pathfinder Roleplaying Game. UCam = Pathfinder Roleplaying Game Ultimate Campaign UC = Pathfinder Roleplaying Game Ultimate Combat UE = Pathfinder Roleplaying Game Ultimate Equipment UI = Pathfinder Roleplaying Game Ultimate Intrigue UM = Pathfinder Roleplaying Game Ultimate Magic Sample file WHAT YOU WILL FIND INSIDE MAGITECH ARCHETYPES: -
“It's Gonna Be Some Drama!”: a Content Analytical Study Of
“IT’S GONNA BE SOME DRAMA!”: A CONTENT ANALYTICAL STUDY OF THE PORTRAYALS OF AFRICAN AMERICANS AND HISTORICALLY BLACK COLLEGES AND UNIVERSITIES ON BET’S COLLEGE HILL _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by SIOBHAN E. SMITH Dr. Jennifer Stevens Aubrey, Dissertation Supervisor DECEMBER 2010 © Copyright by Siobhan E. Smith 2010 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “IT’S GONNA BE SOME DRAMA!”: A CONTENT ANALYTICAL STUDY OF THE PORTRAYALS OF AFRICAN AMERICANS AND HISTORICALLY BLACK COLLEGES AND UNIVERSITIES ON BET’S COLLEGE HILL presented by Siobhan E. Smith, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Jennifer Stevens Aubrey Professor Elizabeth Behm-Morawitz Professor Melissa Click Professor Ibitola Pearce Professor Michael J. Porter This work is dedicated to my unborn children, to my niece, Brooke Elizabeth, and to the young ones who will shape our future. First, all thanks and praise to God, from whom all blessings flow. For it was written: “I can do all things through Christ which strengthens me” (Philippians 4:13). My dissertation included! The months of all-nighters were possible were because You gave me strength; when I didn’t know what to write, You gave me the words. And when I wanted to scream, You gave me peace. Thank you for all of the people you have used to enrich my life, especially those I have forgotten to name here. -
Twodee's Shadowrun Storytime, Including but Not Limited to the Full Chapter 15 and Chapters 21 and 21.5
1 TwoDee’s Shadowrun Storytime Written by TwoDee Edited and Compiled by Jarboot!!j4xjG8Gxyo4 Further Edited and Compiled by Impatient Asshole Anon What follows is arguably the best series of storytime threads ever created. If you're any sort of fan of Shadowrun—whether you're a new GM, newbie player, or even a veteran—this prose will really help flesh out what sort of fun you can have with the system and setting. It's nearly 400 pages and about 130,000 words, so download this to read on your phone/laptop/ebook/commlink, because this will take a while. I'm Jarboot, a fellow fa/tg/uy and Shadowrun fan. Someone suggested that someone make a compilation of this story for easier reading, so I figured I could do it. Editing is minimal, but I fixed a lot of spelling and general syntax error, most of which were mentioned by TwoDee in a post following the original. There are some little Jackpoint-esque comments from other people from the threads included in the document, which are differentiated by a green color and indented text. I may have included a picture or two in there, too. Also, 2D likes to do some foreshadowing at some points, so keep track of the greentexted dates if you feel confused. All these threads (except number 3, which you can search for using some of the other tags) can be found by searching for the “shadowrun storytime” tag on the /tg/ archive. Jarboot is an extremely helpful fa/tg/uy, but this particular Anon is an impatient asshole who wanted a fully updated version of TwoDee's Shadowrun Storytime, including but not limited to the full Chapter 15 and Chapters 21 and 21.5. -
GURPS Monster Hunters
GURPS Monster Hunters By Anon Heart, v0.6 You know, anon, there are things out there. Creatures that go bump in the night. Beasts, born of the vile darkness, haunting your fair cities, searching for prey. And some... some aren’t even of this world. Aliens such as Greys or Devourers, attacking innocents, harvesting them for their own ends. And those that are aren’t much better, vampires, werewolves, and other such beasts, creatures of the night. But you’re here now, Anon! You’re going to save everyone. But you can’t do this alone, and not as- well, okay, you might be able to do it as you are. Take 1000 CP anyway. Ah, but who are you, this time around? Why are you hunting these creatures who haunt the dark? Drop In [Free]: ... Does there need to be a reason? You’re a jumper, there’s some monsters, just do what comes naturally. Revenge [Free]: It’s because of these creatures that you’ve been turned! You’ve become an inhuman of some sort, a vampire, a werewolf, a demon, or an outcast angel! You’re not really sure how those last two work, since those are things you’re generally born as, but don’t question it anon! For Humanity [Free]: These monsters... how dare they walk the same earth as humans? Purge them, and cleanse the world for humans, and make the world a better place! Guidance From Above [Free]: Either because you received guidance from your god, because your divinations indicated it might be a good idea, or because you caught a glimpse of a future that strongly suggested you should, your powers are what lead you into this fight. -
Shadowrun SAGA
A Rules Supplement for the SAGA Gaming System Rowan WalkingWolf Written & Published by Rowan WalkingWolf, 2016 Questions, Comments, & Contributions: [email protected] All SAGA products available for free on the Matrix Node @: yggdrasildistro.wordpress.com For those with respect for intellectual property laws: Contents are protected under the Creative Commons Attribution-Non- Commercial-Share-Alike 4.0 International license. You are free to copy and make derivative works for non-commercial purposes, provided you credit me and your work is likewise sharealike. For those who give no fucks about ludicrous civilized notions of possession and property: This work is Anti-Copyright. Do what you will, provided it's not for profit, and please credit me when using this material. Plagiarize, steal, reprint, republish, redistribute! CONTENTS What's This Supplement All About, Chummer? ......................................................................... 2 Races & Meta-Races ........................................... 2 The Matrix & Decking …........................................ 5 Arsenal: Weapons & Armor Errata ......... 14 Cyberware & Essence ….................................. 51 Totems & Spirit Guides …................................. 59 Non-Shamanic Magic ….........................….......... 61 Drone Rigging, Rigger ….................................... 63 Shadowrun-SAGA Character Sheet.. 65 1 What's This Supplement All About, Chummer? As a universal system, SAGA ruleset can be used to run campaigns in any setting imaginable. The purpose of this supplement is to bring Shadowrun – arguably one of the coolest, most memorable, and most enjoyable RPG settings ever created – to the SAGA gaming system. To be clear, this supplement is NOT in any way a comprehensive campaign setting. There's little detailed world/setting information herein, and there's really little need for it, as said information is easily accessed on the Matrix via the Shadowrun wiki and by torrenting official 4th/5th edition Shadowrun PDFs. -
Revolution Campaign Guide (V1.0)
r E volution V O L U T I O N T H E C A M P A I G N r E volution V O L U T I O N T H E C A M P A I G N iNTRODUCTION "Watch your back, shoot straight, conserve ammo, and never, ever, cut a deal with a dragon.” Welcome to 2084. Welcome to the Sixth World. Welcome to the REVOLUTION. This is a guide to the REVOLUTION campaign, a story of cyberpunk conspiracy, apocalypse, and horror that we will tell together about magical revolutions, technological evolutions, and whether somewhere between them there’s a future for Mankind at all. Though your characters will begin as street-level shadowrunners—elite criminals for hire living on the fringes of society—they’ll be drawn into the ultimate war, and maybe even eventually become one of the near-mythical midnighters, those elite of the elite who pull off runs on the Corporate Court’s orbital headquarters and against spirit gods in their astral courts. REVOLUTION is about hope and despair. It is about people and the conflicting priorities of human civilization, daring to ask how far our race has truly come since we climbed down from the trees, and whether or not we’ll even still be human at the end of our evolution. The world of rEvolution is like an apocalyptic Garden of Eden trapped in a cellular "eclipse phase,” the period between when a cell is infected by a virus and when the virus appears within the cell and transforms it. -
Difuzari TITULARI in CURS DE IDENTIFICARE TRIM.1 2014 1 IULIE 2014
Difuzari TITULARI IN CURS DE IDENTIFICARE TRIM.1 2014 1 IULIE 2014 Production Country Production Year Title Grand Total AFRICA DE SUD 1995 FRUMOASA SI LEOPARDUL/RUNNING WILD 4 2006 7 ANIMALE MAGNIFICE/AFRICA'S SUPER SEVEN 1 2008 SURORI IN SAFARI/SAFARI SISTERS 24 2011 CAUGHT IN THE ACT 24 POVESTEA RINOCERULUI PHILA/SAVING RHINO PHILA 7 RAGGED TOOTH 3 TIMBAVATI: AN EPIC CAT STORY 20 2011 Total 54 2012 CAUGHT IN THE ACT 33 INGERII-COFETARI AI LUI CHARLY/CHARLY'S BAKERY 14 SPEED KILLS 7 TIMBAVATI: AN EPIC CAT STORY 9 2012 Total 63 2013 CAUGHT IN THE ACT 36 NECUNOSCUT DRAGONS FEAST 5 PRADATORI LA VANATOARE/PREDATORS' PLAYGROUND 3 TOUCHING THE DRAGON 2 WILD AFRICA: FISHING & HUNTING 113 NECUNOSCUT Total 123 AFRICA DE SUD Total 305 AFRICA DE SUD-SUA 2003 CAVALERII DE ONOARE/THE GROOMSMEN 1 ALTELE 2004 ORASELUL LENES/LAZY TOWN 613 ARGENTINA 1998-1999 REDIFUZARE 71 2002 THE MIRROR HAS 1000 FACES/THE MIRROR HAS 1000 FACES 1237 2009 REDIFUZARE 6 2012 VIOLETTA/VIOLETTA 112 ARGENTINA Total 1426 ARGENTINA-SUA 1994 DESPRE DRAGOSTE SI UMBRE/OF LOVE AND SHADOWS 5 AUSTRALIA 1993 PARIURI/FRAUDS 2 1996 IN PIELEA CELUILALT/DATING THE ENEMY 4 2000 ANDERSEN, POVESTITORUL/THE FAIRY TALER 50 SELKIE/SELKIE 3 2000 Total 53 2002 PANA CAND VOCILE NE VOR DESPARTI/TILL HUMAN VOICES WAKE US 1 2002-2003 PRIETENIE CU NABADAI/WORST BEST FRIENDS 5 2005 CRIME SI ANCHETE IN AUSTRALIA/CRIME INVESTIGATION AUSTRALIA 1 IA-O DE LA CAPAT!/LITTLE FISH 1 PERIPLURI CULINARE: INDIA/FEAST INDIA 11 SCOALA APEI ALBASTRE/BLUE WATER HIGH 89 2005 Total 102 2006 COWBOY-I AUSTRALIENI: STRAMUTAREA