Bias Charged in Professor's Suit
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DELEON-DISSERTATION-2015.Pdf (1023.Kb)
RESOURCES, INNOVATIVE OUTCOMES, AND THE SYMBOLIC AND SUBSTANTIVE PERFORMANCE OF ENTREPRENEURIAL FIRMS: AN EXAMINATION OF INDEPENDENT POPULAR MUSIC ARTISTS by JOHN A DE LEON Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT ARLINGTON December 2015 Copyright © by John De Leon 2015 All Rights Reserved ii To my father, Juan De Leon. Dad, I am forever grateful for all you have done. iii Acknowledgments I would like to thank all the people who made this journey possible. First, I would like to thank my wife Melissa, who has been with me throughout this long roller coaster with its many ups and downs. Her support and admiration has helped sustain me. While doubt may have entered my mind, she has always believed in me and my ability to complete this process. I love her with all my heart. I am so happy to be able to have gone through this process with her and I look forward to having her by my side as we look to the next steps in our life together. I would like to thank my parents. Early in my life my father, Juan De Leon, forced me to value education before I understood its’ value for myself. He taught me to work hard, a skill that has enabled me to be successful, and by his hard work he has provided the support to make this possible. I would like to thank my mother, Connie Tovar. -
Vinyls-Collection.Com Page 1/222 - Total : 8629 Vinyls Au 05/10/2021 Collection "Artistes Divers Toutes Catã©Gorie
Collection "Artistes divers toutes catégorie. TOUT FORMATS." de yvinyl Artiste Titre Format Ref Pays de pressage !!! !!! LP GSL39 Etats Unis Amerique 10cc Windows In The Jungle LP MERL 28 Royaume-Uni 10cc The Original Soundtrack LP 9102 500 France 10cc Ten Out Of 10 LP 6359 048 France 10cc Look Hear? LP 6310 507 Allemagne 10cc Live And Let Live 2LP 6641 698 Royaume-Uni 10cc How Dare You! LP 9102.501 France 10cc Deceptive Bends LP 9102 502 France 10cc Bloody Tourists LP 9102 503 France 12°5 12°5 LP BAL 13015 France 13th Floor Elevators The Psychedelic Sounds LP LIKP 003 Inconnu 13th Floor Elevators Live LP LIKP 002 Inconnu 13th Floor Elevators Easter Everywhere LP IA 5 Etats Unis Amerique 18 Karat Gold All-bumm LP UAS 29 559 1 Allemagne 20/20 20/20 LP 83898 Pays-Bas 20th Century Steel Band Yellow Bird Is Dead LP UAS 29980 France 3 Hur-el Hürel Arsivi LP 002 Inconnu 38 Special Wild Eyed Southern Boys LP 64835 Pays-Bas 38 Special W.w. Rockin' Into The Night LP 64782 Pays-Bas 38 Special Tour De Force LP SP 4971 Etats Unis Amerique 38 Special Strength In Numbers LP SP 5115 Etats Unis Amerique 38 Special Special Forces LP 64888 Pays-Bas 38 Special Special Delivery LP SP-3165 Etats Unis Amerique 38 Special Rock & Roll Strategy LP SP 5218 Etats Unis Amerique 45s (the) 45s CD hag 009 Inconnu A Cid Symphony Ernie Fischbach And Charles Ew...3LP AK 090/3 Italie A Euphonius Wail A Euphonius Wail LP KS-3668 Etats Unis Amerique A Foot In Coldwater Or All Around Us LP 7E-1025 Etats Unis Amerique A's (the A's) The A's LP AB 4238 Etats Unis Amerique A.b. -
Viral Spiral Also by David Bollier
VIRAL SPIRAL ALSO BY DAVID BOLLIER Brand Name Bullies Silent Theft Aiming Higher Sophisticated Sabotage (with co-authors Thomas O. McGarity and Sidney Shapiro) The Great Hartford Circus Fire (with co-author Henry S. Cohn) Freedom from Harm (with co-author Joan Claybrook) VIRAL SPIRAL How the Commoners Built a Digital Republic of Their Own David Bollier To Norman Lear, dear friend and intrepid explorer of the frontiers of democratic practice © 2008 by David Bollier All rights reserved. No part of this book may be reproduced, in any form, without written permission from the publisher. The author has made an online version of the book available under a Creative Commons Attribution-NonCommercial license. It can be accessed at http://www.viralspiral.cc and http://www.onthecommons.org. Requests for permission to reproduce selections from this book should be mailed to: Permissions Department, The New Press, 38 Greene Street, New York,NY 10013. Published in the United States by The New Press, New York,2008 Distributed by W.W.Norton & Company,Inc., New York ISBN 978-1-59558-396-3 (hc.) CIP data available The New Press was established in 1990 as a not-for-profit alternative to the large, commercial publishing houses currently dominating the book publishing industry. The New Press operates in the public interest rather than for private gain, and is committed to publishing, in innovative ways, works of educational, cultural, and community value that are often deemed insufficiently profitable. www.thenewpress.com A Caravan book. For more information, visit www.caravanbooks.org. Composition by dix! This book was set in Bembo Printed in the United States of America 10987654321 CONTENTS Acknowledgments vii Introduction 1 Part I: Harbingers of the Sharing Economy 21 1. -
HITS OE the Wgigä
DEDICATED TO THE NEEDS OF THE MUSIC/RECORD IND'JSTRY ONE DOLLAR nrr WHO IN THE WORLD SEPTEMBER 9, 1972 Mellow Reggaer Johnny Nash, Right, Who Last Hit With "Hold Her Tight" In 1968, Has Broken Big In England Recently, And On The Strength Of His "I Can See Clearly Now" Single And Album, The Epic Artist Threatens To Do The Same On These Shores. See Story Inside. tair HITS OE THE Wgigä "THAT'S HOW LOVE GOES" THE KINKS, "EVERYBODY'S IN SHOW -BIZ." Two- W NILSSON, "SPACEMAN" (Blackwood, BMI). Space Q JERMAINE JACKSON, J rock is very much in vogue, and Ili (Jobete, ASCAP). One of Michael's record gift from Ray Davies & company con- 1972's brightest star gives a daz- older brothers comes forth with his sists of a live album and a studio set. Many Z a gentle soul -J of the new cuts are outstanding Kinks mate- zling performance on this cot from W first solo effort, "Son of Schmilsson" Ip. Colossal J swinger from his Ip. Should be a .14 rial, with "Supersonic Rocket Ship" sounding production by Richard Perry gives N solid smash across the board. especially hitbound. "Celluloid Heroes" is an Harry his fourth consecutive hit of Motown 1201. instant classic. Blockbuster package. RCA the year. RCA 0788. VPS -6065. GRAND FUNK RAILROAD,"ROCK 'N' ROLL SOUL" CASHMAN & WEST, "AMERICAN CITY SUITE" MAC DAVIS, "BABY DON'T GET HOOKED ON (Cram Renraff, BMI). Produced by (Blendingwell, ASCAP). From the ME." Singer -songwriter seems headed for a Mark, Don and Mel themselves and company that gave radio its first number 1 disc with the title track, and this recorded in Nashville, this foot- 7 -minute hit ("MacArthur Park"), album provides many other hit possibilities, stompin' number could go all the comes epic about America's dying for cover versions as well as Davis himself. -
Latino/A Pop Music in the Cultural Mainstream
Seattle University School of Law Digital Commons Faculty Scholarship 1-1-2001 Will the Wolf Survive?: Latino/a Pop Music in the Cultural Mainstream Steven W. Bender Follow this and additional works at: https://digitalcommons.law.seattleu.edu/faculty Part of the Law and Society Commons Recommended Citation Steven W. Bender, Will the Wolf Survive?: Latino/a Pop Music in the Cultural Mainstream, 78 DENV. U. L. REV. 719 (2001). https://digitalcommons.law.seattleu.edu/faculty/357 This Article is brought to you for free and open access by Seattle University School of Law Digital Commons. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Seattle University School of Law Digital Commons. For more information, please contact [email protected]. WILL THE WOLF SURVIVE?:* LATINO/A POP MUSIC IN THE CULTURAL MAINSTREAM STEVEN W. BENDER* 2 The American' news media dubbed 1999 as the year of the Latino based almost entirely on the runaway sales success3 and appeal4 of La- *. Titled after track number 11 of the same name from Los Lobos' debut album in 1984 How Will the Wolf Survive? Los LOBos, How WILL THE WOLF SURVIVE (Wea/Warner Bros. 1984). That track is an anthem of hope for cultural and spiritual survival in a challenging and changing America, as is the less hopeful Los Lobos tune One Time, One Night [In America] from 1987. Los LOBOS, One Time, One Night, on BY THE LIGHT OF THE MOON (Wea/Warner Bros. 1987). **. Associate Professor of Law, University of Oregon School of Law. Thanks to the partici- pants at LatCrit V where I presented this paper as part of the plenary Multi/Cultural Artistic Re/Presentations in Mass Media: Capitalism, Power, Privilege and Cultural Production. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Latino/A Pop Music in the Cultural Mainstream
Denver Law Review Volume 78 Issue 4 Latcrit V Symposium - Class in LatCrit: Theory and Praxis in a World of Economic Article 12 Inequality December 2020 Will the World Survive: Latino/a Pop Music in the Cultural Mainstream Steven W. Bender Follow this and additional works at: https://digitalcommons.du.edu/dlr Recommended Citation Steven W. Bender, Will the World Survive: Latino/a Pop Music in the Cultural Mainstream, 78 Denv. U. L. Rev. 719 (2001). This Article is brought to you for free and open access by Digital Commons @ DU. It has been accepted for inclusion in Denver Law Review by an authorized editor of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. WILL THE WOLF SURVIVE?:* LATINO/A POP MUSIC IN THE CULTURAL MAINSTREAM STEVEN W. BENDER* 2 The American' news media dubbed 1999 as the year of the Latino based almost entirely on the runaway sales success3 and appeal4 of La- *. Titled after track number 11 of the same name from Los Lobos' debut album in 1984 How Will the Wolf Survive? Los LOBos, How WILL THE WOLF SURVIVE (Wea/Warner Bros. 1984). That track is an anthem of hope for cultural and spiritual survival in a challenging and changing America, as is the less hopeful Los Lobos tune One Time, One Night [In America] from 1987. Los LOBOS, One Time, One Night, on BY THE LIGHT OF THE MOON (Wea/Warner Bros. 1987). **. Associate Professor of Law, University of Oregon School of Law. Thanks to the partici- pants at LatCrit V where I presented this paper as part of the plenary Multi/Cultural Artistic Re/Presentations in Mass Media: Capitalism, Power, Privilege and Cultural Production. -
DISI - University of Trento
PhD Dissertation International Doctorate School in Information and Communication Technologies DISI - University of Trento MUSIC SIGNAL PROCESSING FOR AUTOMATIC EXTRACTION OF HARMONIC AND RHYTHMIC INFORMATION Maksim Khadkevich Advisor: Prof. Maurizio Omologo Università degli Studi di Trento December 2011 Abstract This thesis is concerned with the problem of automatic extraction of harmonic and rhythmic information from music audio signals using statistical framework and advanced signal process- ing methods. Among different research directions, automatic extraction of chords and key has always been of a great interest to Music Information Retrieval (MIR) community. Chord progressions and key information can serve as a robust mid-level representation for a variety of MIR tasks. We propose statistical approaches to automatic extraction of chord progressions using Hidden Markov Models (HMM) based framework. General ideas we rely on have already proved to be effective in speech recognition. We propose novel probabilistic approaches that include acoustic modeling layer and language modeling layer. We investigate the usage of standard N- grams and Factored Language Models (FLM) for automatic chord recognition. Another central topic of this work is the feature extraction techniques. We develop a set of new features that belong to chroma family. A set of novel chroma features that is based on the application of Pseudo-Quadrature Mirror Filter (PQMF) bank is introduced. We show the advantage of using Time-Frequency Reassignment (TFR) technique to derive better acoustic features. Tempo estimation and beat structure extraction are amongst the most challenging tasks in MIR community. We develop a novel method for beat/downbeat estimation from audio. It is based on the same statisticalapproach that consistsof two hierarchical levels: acoustic modeling and beat sequence modeling. -
Racks in Price Confab;
I,Spotlighted in this issue 08120 AUGUST 26, 1972 $1.25 A BILLBOARD PUBLICATION SEVENTY -EIGHTH YEAR The International Music -Record Tape Newsweekly TAPE /AUDIO /VIDEO PAGE 38 HOT 100 PAGE 78 i O ® TOP LP'S PAGES 80, 82 Ist U.S. Anti - Racks In Price Confab; NATRA Calls Piracy Arrest For Expert WASHINGTON - The Justice Discuss RIAA Survey Department made a historic first arrest last week for anti -piracy By PAUL ACKERMAN and EARL PAIGE violation in connection with its own 'Job Bank' prosecution of record bootlegging NEW YORK-Key rackjobbers, pany), David Lieberman, Norman what, if anything, can be done by of post -Feb. 15, copyrighted rec- seeking an answer to narrower Hausfater, Milt Salstone, David the rackjobbers to counteract the By RADCLIFFE JOE ords (Billboard, Aug. 19). The ar- profit margins resulting from price Press, Jesse Selter and others, in- price schedules, it was revealed at increases imposed by manufactur- cluding Jules Malamud, NARM PHILADELPHIA-There is a rest, made in Marietta, Ga., in- that the Rec- movement among a fac- volved an order for stamper plates ers, convened for an exploratory executive director. Malamud re- the Chicago meeting growing ord r y Association of members for the Bill rap session Wednesday (9) at the cently issued a statement terming Indust tion of NATRA to master Withers' album hit, America a survey a job bank from "Still Bill," on Sussex label. Regency O'Hare Hyatt House in the manufacturers' moves a back- had completed establishment of Chicago. ward step. His comments followed of its membership's views with re- which personnel from various areas Justice spokesman said the al- what thought the industry could leged violator was Walter Ronald Present were the creme de la closely on the heels of statements gard to they of of the broadcast was creme of the rackjobber segment in Billboard by Heilicher, Norman NARM convention and manufac- be culled when employment op- Matthews, who apprehended therein. -
THE MUSIC of the '60S and ITS LEGACY Loïs Nathan Université Du
THE MUSIC OF THE ’60S AND ITS LEGACY Loïs Nathan Université du Havre (GRIC EA 4314) Describing the music of the sixties and its legacy is a daunting task. The sheer volume of work produced, the number of actors: musicians, writers; and the subject matter treated in the lyrics, as well as in the music; what the music grew out of, and what it became, are enough to humble even the most avid of fans among us. We will nevertheless, attempt to propose a possible “framework” (although the term doesn’t perhaps fit the times), within which to describe what was happening, and what was being said. It will necessarily be a partial treatment. We will begin by looking at some of the musical influences on the 1960s. We can go back to Elvis Presley, born in 1935, and who grew up in Tupelo, Mississippi, and Memphis, Tennessee. Elvis’ musical influences are said to be “the pop and country music of the time, the gospel music he heard in church and at the all-night gospel sings he frequently attended, and the black R&B he absorbed on historic Beale Street as a Memphis teenager.”1 We all know the fame of Elvis. He was loved by many and feared or not so well loved by others. This may have to do with the fact that he combined the sound and style of “his diverse musical influences and (thereby) blurred and challenged the social and racial barriers of the time”2 …certainly not appreciated by everybody. He is referred to at times as a “good-natured misfit.”3 He was a trailblazer. -
Ded Fundsg , Or Moitey Budrted
_ _ I _I_ I _ __·_ ___I__·I_ MIT, CAMBRIDGE, VOLUME 92 NUMBER 32 MASSACHUSETTS TUESD", SEPTEMBER __ FIVE CENTS __ IC ___ ____· ____ Y I I_ 19,1972 ____I __ ~~a~~8a~~a~~B~ ~~ ~~-9a~~ie ~~ ~i~ata;Eala a By Lee Gigu was interested in science while in high school, Hahham received Profese r of History Harld his college degrees in Hffistory, Han~ham of HurarW r~eP-vd the and also has a strong background approval of the Executive com- in English and French. mittee of the Caroratmfioa Fri- Questioned about the prob- day a the Dean-/egnatt of the lems in the School of HumaMi- School of Humanities and S¢oial -ties and Socia Science (which science~ He must -st!il be ' ap- includes the Departments of proved by the full carporation at Economics, Foreign Literatures its next meeting on October 6. and Linguistics, - Humanities, Hahham will succfed De=n Philosophy, Political Science and Rober Bishop, ulho is leaving Psychology), Hahhamn put them the post he has hel for eight in perspective by pointing out years to retura to esearcah amd that the d/fficulties of what he teaching in the fied of termed a "small liberal arts col- econovdc& lege at MIT" are "nothing com- Bishop" LaoV~vr, Ntvi stay on pared to tthe problems] small the job until the spring, when liberl arts colleges have." Hahham wH rturaw fm a- Hanham told The Tech that Guggenheim Traveling he hid been briefed on NIT's tight money problem, and that which Hahham feels he is quali- that youv'e got something to lie suggested that they would ""The rfe~s of h/avig beent he expected, to be able to live fied for) for specific programs. -
Beets Documentation Release 1.5.1
beets Documentation Release 1.5.1 Adrian Sampson Sep 22, 2021 Contents 1 Contents 3 1.1 Guides..................................................3 1.2 Reference................................................. 14 1.3 Plugins.................................................. 45 1.4 FAQ.................................................... 120 1.5 Contributing............................................... 125 1.6 For Developers.............................................. 130 1.7 Changelog................................................ 145 Index 211 i ii beets Documentation, Release 1.5.1 Welcome to the documentation for beets, the media library management system for obsessive music geeks. If you’re new to beets, begin with the Getting Started guide. That guide walks you through installing beets, setting it up how you like it, and starting to build your music library. Then you can get a more detailed look at beets’ features in the Command-Line Interface and Configuration references. You might also be interested in exploring the plugins. If you still need help, your can drop by the #beets IRC channel on Libera.Chat, drop by the discussion board, send email to the mailing list, or file a bug in the issue tracker. Please let us know where you think this documentation can be improved. Contents 1 beets Documentation, Release 1.5.1 2 Contents CHAPTER 1 Contents 1.1 Guides This section contains a couple of walkthroughs that will help you get familiar with beets. If you’re new to beets, you’ll want to begin with the Getting Started guide. 1.1.1 Getting Started Welcome to beets! This guide will help you begin using it to make your music collection better. Installing You will need Python. Beets works on Python 3.6 or later. • macOS 11 (Big Sur) includes Python 3.8 out of the box.