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#528750 in Books Damiani Editore 2015-10-27Original language:EnglishPDF # 1 11.20 x .70 x 8.50l, .0 #File Name: 886208420X96 pagesDamiani Editore | File size: 19.Mb

From Damiani Editore : Philippe Halsman's Jump Book before purchasing it in order to gage whether or not it would be worth my time, and all praised Philippe Halsman's Jump Book:

2 of 2 people found the following review helpful. Nice facsimile edition of an iconic lot of photos of ...By Robert RechterNice facsimile edition of an iconic lot of photos of great stars jumping. Real effort has been put into this hardback edition, for the bookjacket and binding. Except for the very sad fact its printed on dull matt paper and not gloss. Even if the original was done on matte, I would've updated this to gloss. The effect is the inside looks like a cheap paperback, with very bad reproduction of the photos, making them grainy with no detail, and no 'oomph'. The photos are great, and some standouts have been reproduced better elsewhere. But this is the source book, so you just want to see them presented better on glossy paper, with a much finer sharper dot screen reproduction. A disappointment at such a great opportunity lost.1 of 1 people found the following review helpful. Quite possibly the most delightful photography book back in printBy VocalionI ordered this book years ago just prior to it going out of print and was disappointed to find that the order could not be fulfilled. Fast-forward to 2016 and the book is back in print and just as poignant and wonderful as I remembered. Halsman photographing his subjects as they jump reveals a wonderful peer into every one of their personalities. The photograph of Van Cliburn's refusal to jump is worth the price of admission all by itself. Very highly recommended, and sure to put a smile on anyone's face.5 of 5 people found the following review helpful. This Book Will Make You SmileBy Foster CorbinSome of us developed our love of photography from looking at the pictures in LIFE magazine. We probably didn't realize it at the time but the great Philippe Halsman influenced us more than any other photographer as he had more LIFE covers than any other artist. Many of his photographs are part of the American unconscious-- the beautifully cropped portrait of John Kennedy, Marily Monroe, Elizabeth Taylor et al. Mr. Halsman, while on photo assignments, came up with the most clever idea of asking his subjects to jump for him. This beautiful book containing photographs of 191 jumps is the result.This obviously persuasive photographer got statesmen, politicians, artists, actors, writers, scientists, theologians, comedians-- apparently just about everyone he asked-- to jump although some invitees said "no." They included Van Cliburn, Ed Murrow, Dag Hammarskjold, Herbert Hoover and most certainly Eleanor Roosevelt. (Tallulah Bankhead kept one foot on the ground.) I hadn't seen this book in several years. The two photographs I remembered with those of Salvador Dali and . Other favorite shots are of Kitty Carlisle and Moss Hart, Shirley Temple, Joanne Woodward, Marcia Davenport, Adlai Stevenson, Grace Kelly and Judge Learned Hand as they jump.Mr. Halsman wrote a very thought-provoking introduction to this collection in which he gives his theories about "jumpology." He certainly writes with a great deal of insight as well as humor. Dame Edith Sitwell "could. . . barely walk. . . I did not ask her to jump because it was obvious that the only thing Dame Edith could do well was to sit well." Some of his statements ring true. I'm not ready to jump on some of the others. Mr. Halsman opines that usually we, to quote T. S. Eliot, put on a face to meet the faces," and hide our feelings under our facial masks. When we jump, however, our faces show our true selves. That makes perfectly good sense. Case in point: still looks like a caricature of himself when he is jumping. The artists also has theories about why men jump with their arms pointed toward the ceiling-- one arm versus both arms-- the significance of crossing the arms, keeping the arms to one's side, the differences in what the same motions mean when applied to men and women, the significance of removing one's shoes, the position of the legs, etc. In short, a fascinating essay. (Of all the men who jumped for Mr. Halsman, the only male to remove his shoes, showing dapper, designer socks as we would expect, while keeping his double-breasted suit buttoned, was the Duke of Windsor. I wonder what all that means.)If you like photography or amateur psychology or just want to smile after a hard day at work, you should relax with this book.

With this beautiful facsimile edition, Damiani brings the classic 1959 photo-book back into print. Philippe Halsman's Jump Book gathers nearly 200 Halsman portraits of famous subjects in midair. These uniquely witty and energetic images of airborne movie stars, politicians, royalty, artists and authors have become an important part of Halsman's photographic legacy. For a period of six years in the mid-1950s, Halsman ended his portrait sessions by asking his sitters to jump. Grace Kelly, Marilyn Monroe, Edward Steichen, Audrey Hepburn, Robert Oppenheimer, John Steinbeck, Weegee, Aldous Huxley, Marc Chagall, Salvador Dalí, Brigitte Bardot and all took the leap of faith. It is a tribute to Halsman's powers of persuasion that even Richard Nixon, the Duke and Duchess of Windsor and other figures not famed for their spontaneity were talked into "rising" to the challenge.Philippe Halsman's Jump Book was first published in 1959, and included a delightful essay by Halsman on the new science of "Jumpology." "When you ask a person to jump," Halsman wrote, "his attention is mostly directed toward the act of jumping, and the mask falls, so that the real person appears." The images are witty, energetic and unexpected.Portrait photographer Philippe Halsman (1906-79) was born in , . The Second World War forced Halsman to flee to New York in 1940, where he established himself as an in-demand portrait photographer, shooting covers for virtually every major American magazine.

.com Halsman, who had 101 Life covers to his credit when he died in 1979, felt a portrait that did not show psychological insight was "an empty likeness" of its subject. Rolleiflex in hand and tongue in cheek, he invented his own Rorschach test--"jumpology"--and talked his subjects into becoming airborne in the interest of science. Richard Nixon, Aldous Huxley, Marilyn Monroe, Rodgers and Hammerstein, Dr. J. Robert Oppenheimer and the Duke and Duchess of Windsor are among the celebrities he launches into orbit.From Publishers WeeklyA portrait photographer for Life magazine in the 1950s, Halsman asked many of his subjects to jump for his camera. Here are shots of 191 celebrities in the air, ranging from the Duke and Duchess of Windsor to John Steinbeck. This edition also includes previously unpublished shots, of Lucille Ball and Art Carney among others. A delightful exercise. Copyright 1986 Reed Business Information, Inc. Before you Instagrammed your leap off that boat dock, before you watched that YouTube video instructing you exactly how to attractively achieve said fleeting, gravity-defying moment, before Arthur Elgort captured a generation of models and actors exuberantly midair in what would become a classic fashion pose, there was Philippe Halsman, self-described “jumpologist.” (Rebecca Bengal vogue.com)

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