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List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
Chapter 1 Uday Shankar and Locating Modernity
CHAPTER 1 UDAY SHANKAR AND LOCATING MODERNITY In 1920, a twenty year old, handsome Indian student arrived in London to study painting at the Royal College of Art. Three years later, he made his debut at Covent Garden alongside the legendary Russian ballet dancer, Anna Pavlova, although—quite remarkably—until a few months earlier, he had little to no dance experience. His audiences in England, France, and the United States nevertheless thought he was very talented at what he did. The dancer invented a new style of dance, which purportedly represented Indian culture; his dance looked “foreign” enough that nobody doubted his claim. In the late 1920s, the dancer returned to India, and demonstrated his new style to his fellow compatriots. Most of his compatriots did not care for this new style, but a few prominent figures encouraged him to continue with what he was doing. His family and friends also supported him; some of them even joined his dance troupe as dancers and musicians, including his youngest brother, twenty years his junior. The troupe then returned to Paris. Meanwhile, India was nearing the end of its dramatic transition from a British imperial colony to a newly independent nation. When the dancer returned to settle in India in the late 1930s, he immersed himself in the current debates over India’s future identity and culture. Most people, who believed the essence of Indian culture could be found in its ancient traditions, were looking to the past for the “real” definition of national culture and identity. The dancer, however, proposed that his invented style and eclectic approach to art defined India’s culture instead. -
India Dance Brochure
About the Mamata Shankar Ballet Troupe: Florence High School’s Creative Writing Program teaches students to write for The Group follows the style evolved by Uday Shankar, which has the inherent grammar of Classical Indian dance and yet is innovative, contemporary and not shackled with the moors of rigid classicism. publication. Students write poems, short stories, essays, and one-act plays which The graceful body movements are blended with the idiom of vibrant folk dances of India to attain a are entered into local, state, and national writing competitions. Creative Writing statuesque quality of lyricism. The group believes that dance inculcates the feeling of love & compassion, students also write, edit, design, and publish Signatures, Florence High School’s gives a meaningful dimension to human emotions, and binds the mind and heart of the youth to the award-winning literary-arts magazine. cultural heritage and tradition. About Mamata Shankar: The mission of the Bengali Association of Huntsville is to educate the communi- Mamata Shankar is the Principal of the institution. She is an accomplished dancer, choreographer, and an ty about the culture and heritage of Bengal and its neighboring regions through actress. She has trained in Bharatanatyam, Manipuri, Kathakali, and the Uday Shankar style of dance. She educational, cultural, and recreational activities. is the daughter of Uday and Amala Shankar, wife of Chandrodoy Ghosh, niece of Pt. Ravi Shankar and sister of Ananda Shankar. Shoals India & South Asian Association (SISAA) is a non-profit organization About Chandrodoy Ghosh: based in the Shoals. SISAA’s primary mission is to enhance awareness about Chandrodoy Ghose is the Founder-Director of MAMATA SHANKAR BALLET TROUPE. -
Sangeet Natak Akademi National Academy of Music, Dance and Drama New Delhi
Sangeet Natak Akademi National Academy of Music, Dance and Drama New Delhi PRESSRELEASE 15 February 2010 DECLARATION OF SANGEET NA T AK AKADEMI FELLOWSHIPS (AKADEMI RA TN A) AND AKADEMI AWARDS (AKADEMI PURASKAR) FOR THE YEAR 2009 The General Council of Sangeet Natak Akademi, the National Academy of Music, Dance and Drama, New Delhi at its meetings held on 29 January and 12 February 2010 elected six (6) eminent personalities in the field of performing arts namely Lalgudi Jayaraman, Shreeram Lagoo, Yamini Krishnamurti, Kamlesh Dutt Tripathi, Pandit Jasraj and Kishori Amonkar as Sangeet Natak Akademi Fellows (Akademi Ratna). The Fellowship of the Akademi is the most prestigious and rare honour, which is restricted to a very limited number at a given time. Presently there are only 32 Fellows of the SangeetNatak Akademi. The General Council of the Akademi also selected 33 persons from the fields of Music, Dance, and Theatre for the Sangeet Natak Akademi Awards (Akademi Puraskar) for the year 2009. In the field of Music, eight eminent artists namely Abdul Rashid Khan and Vasundhara Komkali for Hindustani Vocal Music, Lachman Singh Seen (Tabla) and Ali Ahmad Hussain (Shehnai) for Hindustani Instrumental Music, Parassala B Ponnammal for Carnatic Vocal, U Srinivas (Mandolin) and Dandamudi Sumathi Rama Mohan Rao (Mridangam) for Carnatic Instrumental Music, and L. Ibohalmacha Singh (Nata Sankirtana) for Other Major Traditions of Music have beenselected. In the field of Dance, eight eminent practitioners namely Ananda Shankar Jayant (Bharatanatyam), Prerana Shrimali (Kathak), Kalamandalam Rajan (Kathakali), L. Bino Devi (Manipuri), Geeta Mahalik (Odissi), Vyjayanathi Kashi (Kuchipudi), Daksha Sheth (Creative & Experimental Dance) and Kala Krishna (Other Major Traditions of Dance -Andhranatyam) have beenselected. -
Maximum INDIA India Review Special Edition
spin:Layout 1 5/27/2011 4:41 PM Page 1 INDIA REVIEW SPECIAL EDITION CELEBRATING CELEBRATING CELEBRATING a Civilization a Civilization MESSAGEfinal:Layout 1 5/28/2011 7:02 PM Page 1 march 1–20, 2011 G the kennedy center, washington, dc MESSAGEfinal:Layout 1 5/28/2011 7:02 PM Page 2 MESSAGE AMBASSADOR OF INDIA 2107 MASSACHUSETTS AVE. N.W WASHINGTON. D.C. 20008 April 4, 2011. Meera Shankar Ambassador of India The ‘maximum lNDlA’ festival hosted by the John F. Kennedy Centre for the Performing Arts in cooperation with the Indian Council of Cultural Relations and the Embassy from March 1-20, 2011 was a resounding success. As a co-sponsor of the festival, the Embassy was proud to be associated with ‘maximum lNDIA’. A festival of this magnitude to present India’s arts and culture in the U.S. was held after a gap of twenty five years. Our American friends were able to see and experience the rich diversity of art and culture from different parts of India under one roof — Indian dance, music, theatre, crafts, cuisine, literature and cinema. The milling crowds and sold out performances were a testimony to the tremendous interest and goodwill that Indian culture enjoys in the United States. ‘maximum INDlA’ also served as a unique opportunity for the people of India and the United States to rejoice in the steadily strengthening partnership between our two great democracies. I would like to congratulate Chairman David Rubenstein, President Michael Kaiser, Vice-President Alicia Adams and their entire team at the Kennedy Centre for their flawless execution of this large-scale project. -
RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE Et
Direction de la communication DOSSIER DE PRESSE VOUS AVEZ DIT BOLLYWOOD ! RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE et www.centrepompidou.fr VOUS AVEZ DIT BOLLYWOOD ! RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE 4 FEVRIER – 1er MARS 2004 ET 17 MARS – 19 AVRIL 2004 CINEMA 1 (NIVEAU 1), CINEMA 2 (NIVEAU –1) DDirection sommaire de la communication 75 191 Paris cedex 04 responsable du pôle presse I. COMMUNIQUE DE PRESSE page 2 Carole Rio-Latarjet chargée des relations presse Albane Jouis-Maucherat II. VOUS AVEZ DIT « BOLLYWOOD » ! page 4 téléphone par Nadine Tarbouriech 00 33 (0)1 44 78 13 81 télécopie III PROGRAMMATION ET SYNOPSIS DES FILMS page 6 00 33 (0)1 44 78 13 02 mél IV. CALENDRIER DES PROJECTIONS page 29 albane.jouis-maucherat @cnac-gp.fr V. RENCONTRE ORGANISEE PAR LES FORUMS DE SOCIETE La « résistance » de Bollywood ? page 38 VI. EVENEMENTS AUTOUR DE LA MANIFESTATION page 40 VII. LISTE DES PHOTOS DISPONIBLES POUR LA PRESSE page 48 VIII. REMERCIEMENTS page 52 IX. INFORMATIONS PRATIQUES page 53 VOUS AVEZ DIT BOLLYWOOD ! RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE 4 FEVRIER – 1er MARS 2004 ET 17 MARS – 19 AVRIL 2004 CINEMA 1 (NIVEAU 1), CINEMA 2 (NIVEAU –1) Direction Pour la première fois en France, une grande rétrospective consacrée à la cinématographie de la communication indienne populaire est proposée par les Cinémas du Centre Pompidou. 75 191 Paris cedex 04 responsable du pôle presse er Carole Rio-Latarjet Pensée en deux temps, la manifestation rend d’abord hommage, du 4 février au 1 mars 2004, chargée des relations presse aux auteurs des grands classiques en noir et blanc des années 50 considérées comme l’âge Albane Jouis-Maucherat d’or des studios indiens : Guru Dutt, Raj Kapoor, Bimal Roy, Mehboob Khan, V. -
Alphabetical List of Recommendations Received for Padma Awards - 2014
Alphabetical List of recommendations received for Padma Awards - 2014 Sl. No. Name Recommending Authority 1. Shri Manoj Tibrewal Aakash Shri Sriprakash Jaiswal, Minister of Coal, Govt. of India. 2. Dr. (Smt.) Durga Pathak Aarti 1.Dr. Raman Singh, Chief Minister, Govt. of Chhattisgarh. 2.Shri Madhusudan Yadav, MP, Lok Sabha. 3.Shri Motilal Vora, MP, Rajya Sabha. 4.Shri Nand Kumar Saay, MP, Rajya Sabha. 5.Shri Nirmal Kumar Richhariya, Raipur, Chhattisgarh. 6.Shri N.K. Richarya, Chhattisgarh. 3. Dr. Naheed Abidi Dr. Karan Singh, MP, Rajya Sabha & Padma Vibhushan awardee. 4. Dr. Thomas Abraham Shri Inder Singh, Chairman, Global Organization of People Indian Origin, USA. 5. Dr. Yash Pal Abrol Prof. M.S. Swaminathan, Padma Vibhushan awardee. 6. Shri S.K. Acharigi Self 7. Dr. Subrat Kumar Acharya Padma Award Committee. 8. Shri Achintya Kumar Acharya Self 9. Dr. Hariram Acharya Government of Rajasthan. 10. Guru Shashadhar Acharya Ministry of Culture, Govt. of India. 11. Shri Somnath Adhikary Self 12. Dr. Sunkara Venkata Adinarayana Rao Shri Ganta Srinivasa Rao, Minister for Infrastructure & Investments, Ports, Airporst & Natural Gas, Govt. of Andhra Pradesh. 13. Prof. S.H. Advani Dr. S.K. Rana, Consultant Cardiologist & Physician, Kolkata. 14. Shri Vikas Agarwal Self 15. Prof. Amar Agarwal Shri M. Anandan, MP, Lok Sabha. 16. Shri Apoorv Agarwal 1.Shri Praveen Singh Aron, MP, Lok Sabha. 2.Dr. Arun Kumar Saxena, MLA, Uttar Pradesh. 17. Shri Uttam Prakash Agarwal Dr. Deepak K. Tempe, Dean, Maulana Azad Medical College. 18. Dr. Shekhar Agarwal 1.Dr. Ashok Kumar Walia, Minister of Health & Family Welfare, Higher Education & TTE, Skill Mission/Labour, Irrigation & Floods Control, Govt. -
284 Chapter 4 Compilasians: from Asian Underground To
CHAPTER 4 COMPILASIANS: FROM ASIAN UNDERGROUND TO ASIAN FLAVAS Introduction The success of those British Asian popular musicians who were associated with the Asian Underground by the end of the 1990s had two imagined outcomes: 1) their success could establish British Asians as significant contributors to British society and popular culture, or 2) their success could eventually falter and, as a result, return British Asian popular musicians to the margins of British society. As Chapter 2 demonstrates, the second outcome proved to become reality; British Asian musicians associated with the Asian Underground did return to the margins of “British culture” as popularly conceived. Before they returned to the margins, recording companies released a plethora of recordings by British Asian musicians, as well as compilation recordings prominently incorporating their music. As shown in Chapter 2, the “world music” category in the context of the award ceremonies served many simultaneous, if at times contradictory, roles that helped define British Asian musicians’ relation to mainstream culture; the most significant of these roles included serving as a dumping ground for exotic others and as a highly visible platform highlighting British Asian musicians’ specific contributions to the music industry. Yet British Asian musicians’ participation within particular compilation recordings offers yet another significant forum that defines their cultural identity. The first British Asian-oriented compilations had been motivated by attempts to capture the atmosphere of particular club scenes and package them for mass consumption; as a result, these compilations most often featured music by artists associated with respective clubs. Yet as a surfeit of 284 British Asian releases saturated the market, British Asian music lost its novelty. -
Unit Revised Reference List, As on 26/09/2012 I
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT – UNIT REVISED REFERENCE LIST, AS ON 26/09/2012 I N D E X S.NO. CATEGORY PAGE NO 1. DANCE 02 2. FOLK 38 3. THEATRE & PUPPETRY 79 4. CARNATIC MUSIC 105 5. HINDUSTANI MUSIC 131 6. MODERN DANCE & MUSIC 172 1 INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMEMT SECTION REVISED REFERENCE LIST FOR DANCE - AS ON 26/09/2012 S.NO. CATEGORY PAGE NO 1. BHARATANATYAM 3 – 11 2. CHHAU 12 – 13 3. KATHAK 14 – 19 4. KATHAKALI 20 – 21 5. KRISHNANATTAM 22 6. KUCHIPUDI 23 – 25 7. KUDIYATTAM 26 8. MANIPURI 27 – 28 9. MOHINIATTAM 29 – 30 10. ODISSI 31 – 35 11. SATTRIYA 36 12. YAKSHAGANA 37 2 REVISED REFERENCE LIST FOR DANCE AS ON 26/09/2012 BHARATANATYAM OUTSTANDING 1. Ananda Shankar Jayant (Also Kuchipudi) (Up) 2007 2. Bali Vyjayantimala 3. Bhide Sucheta 4. Chandershekar C.V. 03.05.1998 5. Chandran Geeta (NCR) 28.10.1994 (Up) August 2005 6. Devi Rita 7. Dhananjayan V.P. & Shanta 8. Eshwar Jayalakshmi (Up) 28.10.1994 9. Govind (Gopalan) Priyadarshini 03.05.1998 10. Kamala (Migrated) 11. Krishnamurthy Yamini 12. Malini Hema 13. Mansingh Sonal (Also Odissi) 14. Narasimhachari & Vasanthalakshmi 03.05.1998 15. Narayanan Kalanidhi 16. Pratibha Prahlad (Approved by D.G March 2004) Bangaluru 17. Raghupathy Sudharani 18. Samson Leela 19. Sarabhai Mallika (Up) 28.10.1994 20. Sarabhai Mrinalini 21. Saroja M K 22. Sarukkai Malavika 23. Sathyanarayanan Urmila (Chennai) 28.10.94 (Up)3.05.1998 24. Sehgal Kiran (Also Odissi) 25. Srinivasan Kanaka 26. Subramanyam Padma 27. -
Contribution of Music Trinity
Contribution of Music Trinity (Proceedings of the National Seminar - 2018) Editor Dr. V Premalatha Central University of Tamil Nadu Thiruvarur 2020 ISBN: 978-93-5407-985-6 Contribution of Music Trinity (Proceedings of the National Seminar -2018) (A Collection of Peer reviewed papers presented at the National Seminar on Karnataka Music, in February 2018, organised by the Department of Music, Central University of Tamil Nadu, Thiruvarur). Edited by Dr. V Premalatha Head, Department of Music Dean, School of Performing Arts and Fine Arts Central University of Tamil Nadu, Thiruvarur. Published by Central University of Tamil Nadu, Thiruvarur. Editorial Board (Peer - Reviewers) 1. Dr. V Premalatha 2. Prof Ritha Rajan 3. Prof Mandapaka Sarada 4. Dr. R S Jayalakshmi 5. Dr. Arati N Rao First Edition - 2020 © Central University of Tamil Nadu Thiruvarur Contribution of Music Trinity (Proceedings of the National Seminar -2018) Edited by Dr. V Premalatha Head, Department of Music Dean, School of Performing Arts and Fine Arts Central University of Tamil Nadu, Thiruvarur Published by Central University of Tamil Nadu, Thiruvarur 2020 Dr. V Premalatha Dean, School of Performing Arts and Fine Arts Head, Department of Music Central University of Tamil Nadu Thiruvarur - 610005 Editorial Note Thiruvarur is known to be a holy land of Music and is the birth place of the Trinity of South Indian Classical Music. The Department of Music was established at the Central University of Tamil Nadu, Thiruvarur in the year 2016-17, which happened to be the 250th birth anniversary of Sri Tyagaraja, one of the Trinity of Music. A National seminar on the “Contribution of Trinity to Karnataka music” was organised in February 2018. -
Alpha Order List of Eligible Candidates
Combined Recruitment for the post of Programme Executive and Transmission Executive - Exam 2013 ALPHA ORDER LIST OF ELIGIBLE CANDIDATES sr no formno cencode roll name father dob 1 51170054171 7001 7001700071 AADITYA U BARAIYA UMESHKUMAR K BARAIYA 28/02/1993 2 51171201304 7208 7208701264 AAGE KRASHNA SANDIPANRAO AAGE SANDIPANRAO ANJEBHAU 04/03/1986 3 51170044694 7001 7001700059 AAGJA JAYDEEP NATVARLAL NATVARLAL 18/05/1987 4 51170517034 7207 7207700252 AAKASH CHANDRAKANT AWARE CHANDRAKANT KHANDU AWARE 25/07/1989 5 51170484256 7204 7204700643 AAKRITI ARORA ANIL K ARORA 05/12/1985 6 51170655936 7204 7204700852 AALEKH DATTA VINOD DATTA 26/04/1989 7 51171209131 7205 7205703089 AALIYA TAJWAR MD ARIFURRAHEMAN 06/05/1989 8 51171598018 7205 7205703855 AANCHAL HEDAU MAHESH HEDAU 23/01/1992 9 51171676285 7001 7001701737 AARSH JALDHI MEHTA JALDHI SHAILESHBHAI MEHTA 28/12/1990 10 51170130201 7208 7208700107 AARTI RAMDAS 18/07/1985 11 51170343193 7202 7202700193 AARTI KARANSINGH THAKUR 23/10/1986 12 51170640936 7205 7205701368 AARTI B GUNJARKAR BABAN M GUNJARKAR 24/04/1984 13 51171684411 7201 7201701300 AARTI DATTATRAYA MESHRAM DATTATRAYA RAMJI MESHRAM 02/11/1985 14 51170224345 7204 7204700331 AARTI GAJWANI RAMESH 10/08/1990 15 51171280532 7205 7205703227 AARTI GUNWANTRAO AMDARE GUNWANTRAO SHRIRAMJI AMDARE 27/06/1986 16 51170968305 7202 7202700870 AARTI HARIKISHANJI SHARMA HARIKISHAN RAMPRASADJI SHARMA 25/06/1990 17 51170878891 7001 7001700985 AARTI MEHTA VIJAYBHAI 04/09/1985 18 51171424857 7204 7204701642 AARTI MUKUND CHAVAN MUKUND BALKRISHNA CHAVAN -
(Chemistry) 2019-2020
CENTRAL UNIVERSITY OF TAMIL NADU, THIRUVARUR PROVISIONAL RANK LIST FOR M.Sc. (Chemistry) 2019-2020 Sl. Total No. RegNo RollNo Candidate's Name Father's Name Gender Cateogry Marks 1 PG20004026 21570878 AYUSH BOSE RAJIB BOSE MALE GENERAL 54.50 2 PG20000705 21570664 AKASHDEEP SAHA SUBHANKAR SAHA MALE SC 53.75 3 PG20020992 21460834 RAMESH CHENA RAM MALE OBC 53.00 4 PG20002893 21570876 SUJAN PAUL SUSANTA PAUL MALE OBC 52.25 5 PG20062712 21570537 AVANTI CHAKRABORTY ARIJIT CHAKRABORTY FEMALE GENERAL 51.75 6 PG20025416 21090215 PUNEETH TENDULKAR VITTAL NAYAK MALE GENERAL 51.25 7 PG20058196 21570863 MANISHA PAL GAUTAM PAL FEMALE GENERAL 49.25 8 PG20069531 21571013 ARJUN GHOSH FATICK GHOSH MALE OBC 49.25 9 PG20011009 21710057 T S SHARADA SIVARAMAN GANESAN FEMALE GENERAL 48.75 10 PG20072979 21571021 DISHARI CHATTERJEE BIBHASH CHATTERJEE FEMALE GENERAL 48.75 11 PG20011192 21460803 JOBSY JOSE JOSE MATHEW FEMALE GENERAL 48.00 12 PG20012553 21570895 SUSMITHA KUMAR DURGA DAS KUMAR FEMALE GENERAL 47.75 13 PG20022534 21590716 SONIA RAJU T M RAJU FEMALE GENERAL 47.75 14 PG20015412 21510832 ASWANTHBABU V C CHANDUKUTTY V MALE OBC 47.25 15 PG20023430 21570918 SAYAN CHANDRA SUBRATA CHANDRA MALE GENERAL 46.75 16 PG20056441 21590936 IREEN MARIA PHILIP PHILIP JOSEPH FEMALE GENERAL 46.50 17 PG20064618 21570996 KOYEL KUITI KALISANKAR KUITI FEMALE GENERAL 46.25 18 PG20004630 21780300 NEELIMA S SHAJI J FEMALE OBC 45.50 19 PG20032132 21070167 SHARMISTHA DHAR RATAN DHAR FEMALE GENERAL 45.25 20 PG20048164 21660147 CELIN T TENNIS RAJU C FEMALE OBC 45.25 21 PG20018288