DVD Frequently Asked Questions (And Answers)
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Tiffcom2o2o Market Report Topics トピックス
TIFFCOM2O2O MARKET REPORT TOPICS トピックス TIFFCOM2020 was held in an all-online format to accommodate the "New Normal". TIFFCOM2020 explored the possibility of a new content market in an on-demand environment that is not restricted by time and space. TIFFCOM2020は、新しい生活様式に合わせたオール・オンラインでの開催を実施。時間と空間に囚われないオンデマンドな環境下で新たなコンテンツマーケットの可能性を探りました。 ONLINE BUSINESS ONLINE BOOTH MATCHING By adopting a virtual booth(VR), we provided a one- In order to provide benefi cial business opportunities for stop environment for buyers to obtain various content exhibitors and buyers, we provided search functions information and exhibitor information stress-free. such as detailed searches by industry and category, and recommendations based on registered information. バ ーチャルブ ース(VR)を採用し、ストレスフリーでの各種コンテンツ情 報や出展者情報が、ワンストップで入手できる環境を提供。 業種やカテゴリーによる詳細検索、登録情報に基づいたレコメンド検索 機能といった、出展者とバイヤーとの有益な商談機会に繋がる環境を提 供。 Search Participants Exhibitor Details 2 16 ONLINE SCREENING ONLINE SEMINAR Provided an online screening service that connected Featured 18 seminars highlighting the latest trends and exhibitors and buyers in a secure environment(DRM). personalities in film, TV, and streaming platforms.The Equipped with a search function with detailed keynote speaker was Jim Gianopulos, Chairman and categorization and convenient functions for content CEO of Paramount Pictures. matching. 映画、TV、配信といった各ジャンルの最新テーマや人物にスポットを当 セキュアな環境下(DRM)での出展者とバイヤーを繋ぐオンラインスクリ てた18プログラムを実施。キーノートには、ジム・ジアノプロス氏(パラ ーニングサービスを提供。細かくカテゴリ分けされた検索機能やコンテ マウント・ピクチャーズ会長兼CEO)が登壇。 ンツマッチングに便利な機能を採用。 SUMMARY 総括 TIFFCOM2020 was -
Motion Picture
Moving Images Prepared by Bobby Bothmann RDA Moving Images by Robert L. Bothmann is licensed under a Creative Commons Attribution- NonCommercial-ShareAlike 3.0 Unported License. Created 2 February 2013 Modified 11 November 2014 https://link.mnsu.edu/rda-video Scope Step-through view of the movie Hairspray from 2007 Generally in RDA rule order Uses MARC 21 examples Describing Manifestations & Items Follows RDA Chapters 2, 3, 4 Describing Works and Expressions Follows RDA Chapters 6, 7 Recording Attributes of Person & Corporate Body Uses RDA Chapters 9, 11, 18 Covers relator terms only Recording Relationships Follows RDA Chapters 24, 25, 26 2 Resources Olson, Nancy B., Robert L. Bothmann, and Jessica J. Schomberg. Cataloging of Audiovisual Materials and Other Special Materials: A Manual Based on AACR2 and MARC 21. Westport, Conn: Libraries Unlimited, 2008. [Short citation: CAVM] Online Audiovisual Catalogers, Inc. Cataloging Policy Committee. Streaming Media Best Practices Task Force. Best Practices for Cataloging Streaming Media. No place : OLAC CAPC, 2009. http://olacinc.org/drupal/capc_files/streamingmedia.pdf Online Audiovisual Catalogers, Inc. Cataloging Policy Committee. DVD Cataloging Guide Update Task Force. Guide to Cataloging DVD and Blu-ray Discs Using AACR2r and MARC 21. 2008 Update. No place: OLAC CAPC, 2008. http://olacinc.org/drupal/capc_files/DVD_guide_final.pdf Pan-Canadian Working Group on Cataloguing with RDA. “Workflow: Video recording (DVD) RDA.” In RDA Toolkit | Tools| Workflows |Global Workflows. 3 Preferred Source 4 5 Title Proper 2.3.2.1 RDA CORE the chief name of a resource (i.e., the title normally used when citing the resource). 245 10 $a Hairspray Capitalization is institutional and cataloger’s choice Describing Manifestations 6 Note on the Title Proper 2.17.2.3 RDA Make a note on the source from which the title proper is taken if it is a source other than: a) the title page, .. -
DVD Primer from DV to DVD: Enriching the Experience of High-Quality Video
PRIMER A DVD Primer From DV to DVD: Enriching the Experience of High-Quality Video TABLE OF CONTENTS Introduction 1 Introduction From Stone Age to Bronze Age to Industrial Age to Information Age, humans have found 1 What is DVD? new ways to communicate and to tell stories that educate, inform, and entertain. Digital 2 What are the advantages of DVD? technology has transformed the ways we access and use information more profoundly 2 The components of DVD technology than any other human invention, and brought us to the dawn of the Interactive Age. 5 DVD-Video Within three years of its introduction in September 1997, DVD technology products 6 Video compression outpaced the consumer adoption rate of any other product in history. The online 9 Audio for DVD-Video resource Research and Markets predicts that worldwide DVD recorder shipments will 11 Aspect ratios grow from 9.4 million in 2004 to 67.7 million in 2009. This number does not even count 17 Multiple camera angles players, set-top boxes, and computer DVD drives. 18 Subpicture streams and closed captions While DVD players have rapidly become a standard component of home entertainment 19 DVD-Video interactivity systems, and DVD drives continue to replace CD drives in personal computers, there 20 Menus and navigation are also developments that are changing the way we experience and use video: 24 Region Coding • Digital video software and hardware is readily available and affordable, so more 25 Content Protection people are producing their own videos—for work or their own entertainment. 27 How do I make DVDs? • Nonlinear editing software has made capturing video and crafting compelling video 27 What tools do I need? productions affordable and easy. -
Kirja-Alan Onix
KIRJA-ALAN ONIX SUOMALAINEN SOVELLUS Versio 3.0.2. Marraskuu 2012 Päivitetty huhtikuu 2015 Helsinki 2012 ISBN 978-952-10-8321-1 (PDF) Työryhmä: Mirja Anttila, Kansalliskirjasto Peter Bagge, Kustannusosakeyhtiö Otava Juha Hakala, Kansalliskirjasto Jari Heikkinen, Kansalliskirjasto Susanna Honkanen, Suomalainen Kirjakauppa Oy Maarit Huttunen, Kansalliskirjasto Karin von Koskull, Stockmann Oyj Abp, Akateeminen Kirjakauppa Tuomo Suominen, Sanoma Pro Oy Olli Tuuteri, BTJ Finland Oy Aija Vahtola, Kansalliskirjasto Eila Vainikka, Kuntaliitto Susanna Vestman, Kirjavälitys Oy Laura Vuorensola, Stockmann Oyj Abp, Akateeminen kirjakauppa Suomalainen ONIX-sovellus perustuu seuraaviin dokumentteihin: ONIX for Books Product Information Format Specification Release 3.0 revision 1, January 2012 ONIX for Books: Code Lists Issues 18–27 Alkuperäiset dokumentit ovat saatavilla osoitteessa http://www.editeur.org/ Kommentit formaattiin ja mahdolliset lisäkysymykset Suomen ONIX-keskukselle. http://www.onix.fi/ 1 Sisällys Suomalaisen sovelluksen esipuhe ........................................................................................................... 4 ONIX-viesti .............................................................................................................................................. 5 Viestin rakenne ................................................................................................................................... 5 P.1 Tuotetietueen viite ja tyyppi (Record reference number, type and source) ............................. -
Music K-8 Marketplace 2021 Spring Update Catalog
A Brand New Resource For Your Music Classroom! GAMES & GROOVES FOR BUCKET BAND, RHYTHM STICKS, AND LOTS OF JOYOUS INSTRUMENTS by John Riggio and Paul Jennings Over the last few years, bucket bands have grown greatly in popularity. Percussion is an ideal way to teach rhythmic concepts and this low-cost percussion ensemble is a great way to feel the joy of group performance without breaking your budget. This unique new product by John Riggio and Paul Jennings is designed for players just beyond beginners, though some or all players can easily adapt the included parts. Unlike some bucket band music, this is written with just one bucket part, intended to be performed on a small to medium-size bucket. If your ensemble has large/bass buckets, they can either play the written part or devise a more bass-like part to add. Every selection features rhythm sticks, though the tracks are designed to work with just buckets, or any combination of the parts provided. These change from tune to tune and include Boomwhackers®, ukulele, cowbell, shaker, guiro, and more. There are two basic types of tunes here, games and game-like tunes, and grooves. The games each stand on their own, and the grooves are short, repetitive, and fun to play, with many repeats. Some songs have multiple tempos to ease learning. And, as you may have learned with other music from Plank Road Publishing and MUSIC K-8, we encourage and permit you to adapt all music to best serve your needs. This unique collection includes: • Grizzly Bear Groove • Buckets Are Forever (A Secret Agent Groove) • Grape Jelly Groove • Divide & Echo • Build-A-Beat • Rhythm Roundabout ...and more! These tracks were produced by John Riggio, who brings you many of Plank Road’s most popular works. -
Digitales Video Im CD Format Renaissance Des Video CD Standards
Fachhochschule Offenburg Medien und Informationswesen Dokumentation zur Studienarbeit Digitales Video im CD Format Renaissance des Video CD Standards Student: Christian Gierke, Semester MI 8 Betreuender Professor: Roland Riempp Studiengang: Medien und Informationswesen Sommersemester 1999/2000 Abgabetermin: 31. Mai 2000 Fachhochschule Offenburg Medien und Informationswesen Digitales Video im CD Format Seite 2 Inhaltsverzeichnis 1 Einleitung 1.1 Die Video CD im DVD-Zeitalter .............................................................. Seite 3 1.2 Ziele der Arbeit.................................................................................... Seite 3 1.3 Begriffsdefinitionen .............................................................................. Seite 5 2 Standards und Formate 2.1 Standard VCD 1.1 White Book ............................................................... Seite 7 2.2 VCD 2.0 White Book ............................................................................. Seite 9 2.3 SVCD – Super Video CD.......................................................................Seite 10 2.4 andere VCD-Formate bis 1998 ..............................................................Seite 11 3 So wird’s gemacht 3.1 Erstellung einer Video CD.....................................................................Seite 12 3.1.1 Kodierung .......................................................................................Seite 12 3.1.2 Mastering ........................................................................................Seite -
Malcolm's Video Collection
Malcolm's Video Collection Movie Title Type Format 007 A View to a Kill Action VHS 007 A View To A Kill Action DVD 007 Casino Royale Action Blu-ray 007 Casino Royale Action DVD 007 Diamonds Are Forever Action DVD 007 Diamonds Are Forever Action DVD 007 Diamonds Are Forever Action Blu-ray 007 Die Another Day Action DVD 007 Die Another Day Action Blu-ray 007 Dr. No Action VHS 007 Dr. No Action Blu-ray 007 Dr. No DVD Action DVD 007 For Your Eyes Only Action DVD 007 For Your Eyes Only Action VHS 007 From Russia With Love Action VHS 007 From Russia With Love Action Blu-ray 007 From Russia With Love DVD Action DVD 007 Golden Eye (2 copies) Action VHS 007 Goldeneye Action Blu-ray 007 GoldFinger Action Blu-ray 007 Goldfinger Action VHS 007 Goldfinger DVD Action DVD 007 License to Kill Action VHS 007 License To Kill Action Blu-ray 007 Live And Let Die Action DVD 007 Never Say Never Again Action VHS 007 Never Say Never Again Action DVD 007 Octopussy Action VHS Saturday, March 13, 2021 Page 1 of 82 Movie Title Type Format 007 Octopussy Action DVD 007 On Her Majesty's Secret Service Action DVD 007 Quantum Of Solace Action DVD 007 Quantum Of Solace Action Blu-ray 007 Skyfall Action Blu-ray 007 SkyFall Action Blu-ray 007 Spectre Action Blu-ray 007 The Living Daylights Action VHS 007 The Living Daylights Action Blu-ray 007 The Man With The Golden Gun Action DVD 007 The Spy Who Loved Me Action Blu-ray 007 The Spy Who Loved Me Action VHS 007 The World Is Not Enough Action Blu-ray 007 The World is Not Enough Action DVD 007 Thunderball Action Blu-ray 007 -
Dvdit Pro Tutorial
TUTORIAL SONIC ™ DVDit® Pro 6 POWERFUL DVD AUTHORING FOR VIDEO PROFESSIONALS FROM SONIC THE HOLLYWOOD STANDARD IN DVD CREATION © Copyright 2005 Sonic Solutions. All rights reserved. DVDit Pro Tutorial — Sonic Part Number 800207 Rev B (09/05) This manual, as well as the software described in it, is furnished under license and may only be used or copied in accordance with the terms of such license. The information in this manual is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Sonic Solutions. Sonic Solutions assumes no responsibility or liability for any errors or inaccuracies that may appear in this book. Except as permitted by such license, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, recording, or otherwise, without the prior written permission of Sonic Solutions. SONIC SOLUTIONS, INC. (“SONIC”) MAKES NO WARRANTIES, EXPRESS OR IMPLIED, INCLUDING WITHOUT LIMITATION THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THE SOFTWARE. SONIC DOES NOT WARRANT, GUARANTEE, OR MAKE ANY REPRESENTATIONS REGARDING THE USE OR THE RESULTS OF THE USE OF THE SONIC SOFTWARE IN TERMS OF ITS CORRECTNESS, ACCURACY, RELIABILITY, CURRENTNESS, OR OTHERWISE. THE ENTIRE RISK AS TO THE RESULTS AND PERFORMANCE OF THE SONIC SOFTWARE IS ASSUMED BY YOU. THE EXCLUSION OF IMPLIED WARRANTIES IS NOT PERMITTED BY SOME STATES. THE ABOVE EXCLUSION MAY NOT APPLY TO YOU. IN NO EVENT WILL SONIC, ITS DIRECTORS, OFFICERS, EMPLOYEES, OR AGENTS BY LIABLE TO YOU FOR ANY CONSEQUENTIAL, INCIDENTAL, OR INDIRECT DAMAGES (INCLUDING DAMAGES FOR LOSS OF BUSINESS PROFITS, BUSINESS INTERRUPTION, LOSS OF BUSINESS INFORMATION, AND THE LIKE) ARISING OUT OF THE USE OR INABILITY TO USE THE SOFTWARE EVEN IF SONIC HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. -
NSF-S2b-79-0078E
DOCUMENT RESUME ED 229 236 . SE 041,436 AUTHOR BrandtlAichard C.; Knapp, Barbara H t TITLE Extension'Ibf 11VCAI Project to Inclu e Demonstration of IntelligentFideodisc System. Hardware, Software, and CoursewarltImplementation Component. Final Report. INSTITUTION Utah Univ., Salt Lake City. Dept. of Computer/ .Scidnce. SPONS AGENCY National Science Foundation,'Oashington, D.C. REPORT NO SED-82022 % PUB DATE 82 GRANT NSF-S2b-79-0078e . NOTE 34p. , PUB TYPE Reports - Research/Technicaf (143) EDRS PRICE MF01/PCO2 Plus Postage°. DESCRIPTORS *College Science;, Computer Assisted Instruction; *Computer Oriented Programs; *Computer Programs; Electronics; Higher Education; *Material Developmentr Microcomputers; Physics;'Science Education; *Videodisc Recordings , IDENTIFIERS Science Eddcation Research ABSTRACT This project, stemming from work started under the National Science Foundation grant "Development of a Television Computer Assisted Instruction (TVCAI) System" SER-7806412, called for the transfer to videodisc of some of the.videotape materials developed under the grant. Three efforts were included in the proposal: deSign and development of hardware-and software for the intelligent videodilc system, design and selegtion of courseware for thec-systen,4and coueseware evaluation. This report contains a summary of the work completed in support of-intelligent videodisc systems. Hardware and goftware developed, the videodisc.produced (which contains physics materials), and the demonstrations given of the intelligent videodisc system are discussed. In addition,'the report contains a description of current work.both in extedding the , usefulness of the intelligent videodisc system and in.support of other users..General remarks.concerning the appropriate use of intelligent video systems in education are also included.'Timing differences, Video-computer Courseware Implementation System (VCIS) viddv documentation, and lists of demonstratiods/workshops and publicati-ons are included in appendicei. -
Model DP562 Multichannel Dolby Digital / Dolby Pro Logic Decoder User’S Manual
Model DP562 Multichannel Dolby Digital / Dolby Pro Logic Decoder User’s Manual Issue 3 Part No. 91470 Model DP562 User’s Manual Dolby Laboratories Inc Corporate Headquarters Dolby Laboratories Inc 100 Potrero Avenue San Francisco, CA 94103-4813 Telephone 415-558-0200 Facsimile 415-863-1373 www.dolby.com European Headquarters Dolby Laboratories Wootton Bassett Wiltshire, SN4 8QJ, England Telephone (44) 1793-842100 Facsimile (44) 1793-842101 If you purchased the Model DP562 through a dealer or systems integrator, please contact them for technical support. DISCLAIMER OF WARRANTIES: Equipment manufactured by Dolby Laboratories is warranted against defects in materials and workmanship for a period of one year from the date of purchase. All warranties, conditions or other terms implied by statute are excluded to the fullest extent allowed by law. LIMITATION OF LIABILITY: It is understood and agreed that Dolby Laboratories' liability whether in contract, in tort, under any warranty, in negligence or otherwise shall not exceed the cost of repair or replacement of the defective components and under no circumstances shall Dolby Laboratories be liable for incidental, special, direct, indirect or consequential damages (including but not limited to damage to software or recorded audio or visual material), or loss of use, revenue or profit even if Dolby Laboratories or its agents have been advised, orally or in writing, of the possibility of such damages. Dolby and the double-D symbol are registered trademarks of Dolby Laboratories. (c)1999 Dolby Laboratories -
Dolby DP568 Professional Reference Decoder Manual
Dolby® DP568 Professional Reference Decoder Manual Issue 4 Part Number 9110770 Confidential Information Dolby Laboratories, Inc. Corporate Headquarters Dolby Laboratories, Inc. 100 Potrero Avenue San Francisco, CA 94103-4813 USA Telephone 415-558-0200 Fax 415-863-1373 www.dolby.com European Licensing Liaison Office Dolby International, AB Apollo Building, 3E Herikerbergweg 1-35 1101 CN Amsterdam Zuidoost The Netherlands Telephone 31-20-651-1800 Fax 31-20-651-1801 DISCLAIMER OF WARRANTIES: EQUIPMENT MANUFACTURED BY DOLBY LABORATORIES IS WARRANTED AGAINST DEFECTS IN MATERIALS AND WORKMANSHIP FOR A PERIOD OF ONE YEAR FROM THE DATE OF PURCHASE. THERE ARE NO OTHER EXPRESS OR IMPLIED WARRANTIES AND NO WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE, OR OF NONINFRINGEMENT OF THIRD-PARTY RIGHTS (INCLUDING, BUT NOT LIMITED TO, COPYRIGHT AND PATENT RIGHTS). LIMITATION OF LIABILITY: IT IS UNDERSTOOD AND AGREED THAT DOLBY LABORATORIES’ LIABILITY, WHETHER IN CONTRACT, IN TORT, UNDER ANY WARRANTY, IN NEGLIGENCE, OR OTHERWISE, SHALL NOT EXCEED THE COST OF REPAIR OR REPLACEMENT OF THE DEFECTIVE COMPONENTS OR ACCUSED INFRINGING DEVICES, AND UNDER NO CIRCUMSTANCES SHALL DOLBY LABORATORIES BE LIABLE FOR INCIDENTAL, SPECIAL, DIRECT, INDIRECT, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, DAMAGE TO SOFTWARE OR RECORDED AUDIO OR VISUAL MATERIAL), COST OF DEFENSE, OR LOSS OF USE, REVENUE, OR PROFIT, EVEN IF DOLBY LABORATORIES OR ITS AGENTS HAVE BEEN ADVISED, ORALLY OR IN WRITING, OF THE POSSIBILITY OF SUCH DAMAGES. Dolby, Pro Logic, and the double-D symbol are registered trademarks of Dolby Laboratories. Dolby Digital Plus, Dialogue Intelligence, and Surround EX are trademarks of Dolby Laboratories. -
REFERENCE GUIDE for OPTICAL MEDIA Terence O’Kelly Content Links
REFERENCE GUIDE FOR OPTICAL MEDIA Terence O’Kelly Content Links 1. Frequently Asked Questions (FAQs) a. Digital audio b. CD-R recording c. CD-RW d. DVD and Recordable DVD 2. Introduction to the Reference Guide A. Memorex history A. Differences between analogue and digital recordings B. Binary number system C. Digital audio 3. Compact Disc and how it works A. Book Standards B. Error correction—CIRC 4. CD-R A. Recording dyes B. Music CD-R C. Reflective surface D. Capacity E. Speed ratings a. CLV and Z-CLV b. CAV and P-CAV c. Comparison of speeds vs. time savings 5. CD-RW A. Stability B. Speed ratings 6. Mini-Disc A. Magneto-optical recording C. ATRAC compression D. Hi-MD 7. DVD A. DVD Numbering B. Recordable DVD C. DVD Capacities 8. Recordable DVD Formats A. DVD-R a. Data addresses b. Land Pre-pits B. DVD-RW C. DVD-RAM a. Data addresses b. Cartridge types D. DVD+R a. Data addresses b. ADIP E. DVD+RW 9. Recording onto DVD discs A. VR Recording onto DVD--+VR and –VR B. CPRM C. Capacities of recordable DVD discs a. Capacities in terms of time b. Set-top recorder time chart D. Double-Layer Discs E. Recording Speeds 10. Blue Laser Recording A. High Definition Video B. Blu-ray versus HD DVD C. Laser wavelengths a. Numerical aperture b. Comparison of High Definition Proposals 11. Life-time Expectations of Optical Media 12. Care and Handling of Optical Media 2 FAQs about Optical Media There is a great deal of misinformation, hype, and misunderstanding in the field of optical media.