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Наши Сокровища Our Treasures 11

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Наши Сокровища Our Treasures 11 Юрий Чистов Yuri Chistov Наши сокровища Our Treasures 11 Волею исторических судеб МАЭ РАН, наследник первого The present exhibition portrays relations between cultures, so российского государственного музея, знаменитой Петров- first of all it concerns relations between people. It is widely ской Кунсткамеры, оказался хранителем богатейшего known that even our own idea of ourselves differs from the собрания среднеазиатских тканей, собрания напрямую image we see in the mirror, not to mention the way other связанного с историей политических и дипломатических people see us. The popular concept of Central Asia shared отношений Центральной Азии и России. По своему объему by most Russian people was created by Vasiliy Vereshchagin и значению это собрание является одним из важнейших (“The Doors of Timur”), Leonid Solovyov (“Khoja Nasreddin”) не только в России, но и в мире. Коллекция содержит and the authors of the Russian film “The White Sun of the образцы текстиля, комплексы праздничной и будничной Desert”, that is traditionally watched by all Russian cosmo- одежды и украшений. Важнейшую часть собрания состав- nauts before take off. But this is only the surface layer. At ляют парадные подношения русским царям от бухарских the same time, Russia and Uzbekistan are connected by thou- эмиров и хивинских ханов: только знаменитая коллекция sands of ties. One of the ties lies in the highly interesting бархатных и шелковых икатов содержит свыше полуты- correlation of forms and images used in Russian avant-garde сячи образцов. Эти коллекции представляют бесценный painting with the aesthetic principles underlying the graphic материал для сравнительного изучения традиционного and colour design of Central Asian textiles (ikats). Creating костюма Средней Азии и сегодня открыты для специали- the exhibition, St. Petersburg and Uzbek scholars, designers стов всего мира. and art historians saw this remarkable connection as a way towards understanding the deep and complicated processes Нередко целые города Востока специализировались of cultural relations and decided to show the treasures they на выработке тканей определенных сортов и расцветок. preserve, study and create to the general public. Бархаты, шелковые, полушелковые, тончайшие льняные и хлопковые ткани несли на себе прихотливые орнаменты, It is historically conditioned that MAE RAS, the heir of the Предлагаемая вашему вниманию выста- история которых уходила вглубь веков. Ткани способны first Russian state museum — Peter the Great’s famous Kun- Our museum also possesses a valuable collection of his- вка — это рассказ о взаимодействии культур, рассказать о великих переселениях народов, их общении, stkamera — possesses one of the wealthiest collection of torical photos and ethnographic pictures associated with а значит, прежде всего, об общении людей. философии, традициях, эстетических идеалах. Они несут Central Asian textiles connected with the history of political Central Asia and its cultural history. We also obtain exten- Хорошо известно, что даже собственный знаки и символы тысячелетней мудрости. Петербургские and diplomatic relations between Central Asia and Russia. sive collections of artefacts that can tell marvellous sto- образ, который хранится в нашем сознании, ученые готовы рассказать посетителям выставки уди- Considering its size and importance, it is one of the most ries to an inquisitive researcher. The best items from our существенным образом отличается от того, вительные истории о «говорящих тканях», орнаменты, significant collections not only in Russia, but in the entire collections are shown at the present exhibition. что мы видим в зеркале по утрам, и тем композиция и цветовая гамма которых донесли до нас world. The collection includes textile samples, festive and более, от того, какими нас видят окружа- глубину древней мудрости, пылкость чувств и изыскан- everyday clothes and jewellery. The most important part of Our Uzbek colleagues and friends have not only brought ющие, В массовом сознании жителей России ность культурной традиции, к сожалению, мало понятной the collection comprises ceremonial gifts to Russian tsars to St. Petersburg outstanding and as yet little-known сегодня существует образ Средней Азии соз- европейцу или американцу. Это особенно важно сегодня, from Bukhara emirs and Khiwa khans. The famous collection works by such famous Russian avant-garde artists as данный художником Василием Верещагиным когда предпринимаются целенаправленные попытки сни- of velvet and silk ikats alone numbers over 500 samples. Yavlensky, Stenberg, Klyun, Stepanova, Rodchenko and («Двери Тимура»), писателем Леонидом Соло- велировать цивилизационное многообразие, заменив его These collections provide priceless material for a compara- Exter, but have also enriched the exhibition with admi- вьевым («Ходжа Насреддин») и создателями общим для всех псевдокультурным суррогатом. tive study of Central Asia traditional costumes, and they rable examples of traditional costume and jewellery, as культового фильма «Белое солнце пустыни», are now open for research from all countries. well as beautiful new dresses created by modern Tashkent фильма, который обязательно смотрят рос- В Музее хранится и ценнейшее собрание исторических designers. сийские космонавты перед стартом. Это — фотографий, этнографических рисунков, связанных Often entire cities of the East specialised in making fabrics на поверхности. Между тем, культуру России со Средней Азией и историей изучения ее культуры. Здесь of certain sorts and colours. Velvet, silk, semi-silk cloths, Today I would like to give my special thanks to the и Узбекистана связывают тысячи и тысячи собраны богатые предметные коллекции, способные рас- finest flax and cotton textiles had whimsical patterns on Chairman of the Board of Directors of the “Forum of нитей. Одна из таких нитей — фантастически сказать настойчивому исследователю множество удиви- them with plots dating back to remote ages. Fabrics are Culture and Art of Uzbekistan” Foundation Gulnara Kari- интересная взаимосвязь форм и образов живо- тельных историй. Лучшее из наших коллекций вошло able to tell of great migrations of peoples, nations’ con- mova, whose energy and open mind was indispensable for писи русского авангарда и эстетических прин- в предлагаемую вашему вниманию выставку. tacts, philosophy, traditions and aesthetic ideals. They con- organising the exhibition. Gulnara Karimova is the creator ципов, лежащих в основе образного и цвето- tain signs and symbols of millennial wisdom. St. Petersburg of the exclusive jewellery brand “Guli” and a number вого решения традиционных среднеазиатских Наши узбекские коллеги и друзья привезли в Петербург specialists will tell the visitors wonderful stories about the of garments and accessories collections. While training тканей (икатов). Создатели выставки, петер- не только замечательные, и до сего дня мало известные “talking textiles”; the ornamentation, composition and in another field, Gulnara completed a design course at бургские и узбекские ученые и художники, широкому кругу произведения таких выдающихся пред- colour spectrum of these cloths have preserved the depth of the well-known New York institute “FIT”, and since then увидели в этой удивительной взаимосвязи ставителей русского авангарда как Явленский, Стенберг, old wisdom and ardour of feelings to our times, an energy of design has become an integral part of her life. возможность проникнуть в глубину на первый Клюн, Степанова, Родченко, Экстер, но и дополнили beauty and refinement of cultural tradition which is, regret- взгляд малообъяснимых процессов культур- выставку прекрасными образцами традиционной одежды fully, almost incomprehensible for a European or American. Sherzod Atabaev is a talented young designer. ного взаимодействия и рассказать миру о тех и ювелирного искусства, замечательными дизайнерскими It is especially important today when we face deliberate A prize-winner of numerous national and international сокровищах, которые они хранят, изучают разработками современных ташкентских модельеров. attempts to level the national diversity of our civilisation, festivals, he has been awarded the governmental order и создают. replacing it with a common pseudo-cultural surrogate. “Shuhrat” for his contribution to the development of Электронная библиотека Музея антропологии и этнографии им. Петра Великого (Кунсткамера) РАН Приветствия / Greetings http://www.kunstkamera.ru/lib/rubrikator/06/oriental_dreams/ © МАЭ РАН 13 Я хотел бы особенно поблагодарить за участие в этом про- народов Центральной Азии МАЭ РАН, Рахмата Рахимова. Uzbek culture. The designer adapts his models to the tions of MAE Olga Panarina. The technical preparation was екте Председателя Попечительского совета Фонда «Форум В первую очередь его стараниями среднеазиатские тек- style of the modern generation, using different textures of coordinated by Andrey Melnikov and Tatiana Fedorova. культуры и искусства Узбекистана» г-жу Гульнару Кари- стильные коллекции МАЭ РАН не только тщательно изу- fabrics, contrasting colours and a mixture of styles. мову, чья энергия и широкий взгляд на мир во многом чались, но и были представлены на выставках в Токио The beautiful portrayal of the exhibition, the catalogue сделали эту выставку возможной. Гульнара Каримова, и Санкт-Петербурге. Thanks to the extensive knowledge and exquisite taste of you are reading at the moment, was created by famous кроме того, создатель эксклюзивного ювелирного бренда Elmira Ahmedova we have a superior selection of paint- Saint-Petersburg designer Sergey
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