European Journal of Research and Reflection in Educational Sciences Vol. 8 No. 6, 2020 ISSN 2056-5852 ARTISTIC IDENTITY OF L. SOLOVYOV’S NOVEL “THE TALE OF KHODZHA NASREDDIN” Elyanora Sergeyeva Chirchik State Pedagogical Institute of Tashkent Region UZBEKISTAN E-mail:
[email protected] ABSTRACT In this article is considered the structure of the artistic space in modern literature and also take an important place such notion, as “urban text”, which have its own history of origin and development. Keywords: The artistic space, topos, locus, local text, city text, the St. Petersburg text, the Tashkent text, hypertext, chronotope. INTRODUCTION The literary work of Uzbekistan has always relied in its development on the best classical examples in world literature. The creation of the image of the city with its long history, cultural tradition, specific literary roots is interesting from the point of view of visual possibilities in the embodiment of urban themes in general. For the humanities of modern Uzbekistan, the formulation of this problem is a classic example of the close interweaving of the city’s image with the general cultural traditions of the time, which are reflected in the life of an ordinary person. This is confirmed by the fact that recently, in literary criticism and cultural studies, the issue related to the Tashkent Text has begun to be discussed. In the general cultural and temporal aspect, the generally accepted “St. Petersburg” and the discussed “Tashkent” text are different problems, but the general principle of the approach to the embodiment of the image of the city can reveal common ground.