s Valentine's Benefit to Highlight Conference

he College Art Association Board of Directors and the T Chicago Host Committee of the 1992 CAA annual conference invite you to attend the Valentine's Day celebra­ tion and benefit. There will be a buffet dinner, live music, and dancing. Laurie Anderson, the world-renowned artist, will perform her work Voices from the Beyond. The evening promises to be special, with CAA members and friends, artists, art historians, curators, critics, and others gathering for a night of entertainment. The event will take place Friday, February 14, 8:00 P.M. to midnight, at the State of Illinois Center, 100 West Randolph Street, Chicago. Tickets are $30 per person if purchased in advance by checking off the appropri­ ate box on the conference registration Laurie Anderson form; a limited number of tickets may PHOTO: GILLES LARRAIN be available at the door for $35. Pro­ ceeds support the programs of the events for each evening of the confer­ Chicago, as well as attend other College Art Association. This event is ence. Open houses at South Side receptions and open houses. The made possible by a grant from the John museums and art centers are scheduled conference closes Saturday with a series D. and Catherine T. MacArthur Founda­ for Wednesday eveningr February 12. of gallery openings and evening tion. Join the College Art Association in Thursday r conference attendees can tour receptions at the Museum of Contempo­ celebrating its 80th annual conference the Sullivan and Adler Auditorium at rary Art, the Terra Museum of Ameri­ by sharing this evening with us. Roosevelt University, have a light can Artr and the Chicago Historical In addition to the benefitr the dinner in the Chicago Stock Exchange Society, making for an exciting schedule Chicago Host Committee has arranged Trading Room at the Art Institute of of conference events. want my art to be real for the viewer and professional society for scholars of the Reservations must be made through Annual for myself. I make my art for Indian art of the British Isles, contact: Jody this number to be eligible for CAA Finding Contents people. In this way I do not separate Lamb, School of Art, 436 Seigfred Hall, discounts. Volume 17, Number 1 myself from my community. It is also a Ohio University, Athens, OH 45701; or way of not becoming too arty and of January/February 1992 Conference Martha Tedeschi, Paintings and Draw­ Your Way knowing who my audience is. In doing ings, Art Institute of Chicago, Michigan Notice to People with work about social issues, I use myself to at Adams, Chicago, IL 60603. Graduate Valentine's Benefit Mobility Impairments Update explore conditions here on the reserva­ students are welcome. through the 1 to Highlight Conference For barrier-free access to the Interna­ tion.... My appeal for humor in my tional North and South Banrooms, you work comes from Indian culture, where must call hotel security and ask them to humor can be a form of knowledge, Placement 2 Annual Conference Update Meet the Editors escort you through the Grand Ballroom, critical thought, and perhaps used to just Art Bulletin Editor-in-Chief Richard CAA apologizes for this unavoidable Finding Your Way James A. Luna to Speak ease the pain. I think we Indians live in Brilliant and CAA Monographs Editor inconvenience. Maze 3 through the Placement Maze at Convocation worlds filled with irony, and I want to Nicholas Adams will be at the CAA relate that in my works." Keynote speaker for the CAA annual publications booth in the exhibits area Annual Business Meeting CAA's awards ceremony and the conference in Chicago will be artist/ on Friday, February 14, 1-3 P.M. They M.F.A. Exhibition passing of the association's presidency 6 New Board Members educator James A. Luna. He will address will be available to talk with prospective The annual M.F.A. exhibition will be from artist Ruth Weisberg to art histo­ authors. Appointments may be made in the audience at convocation, 5:00 P.M., held at Gallery 2, 1040 West Huron, rian Larry Silver will precede Luna's Friday, February 14, in the Grand Ball­ advance at the booth, though they are Chicago, January 31-February 28,1992. ob hunting at CAA's annual 7 Nominations for the Board talk. room of the Chicago Hilton and Towers. not necessary. Schools participating include Columbia conference can be an exciting, Luna is a Luiseno Indian from the College, Northwestern University, the J challenging, confusing, and frustrating experience. The following 8 From the President La Jolla Indian Reservation in North Program Changes Registration Reminders School of the Art Institute of Chicago, County San Diego, California. His work and Corrections the University of Chicago, and the information, based on advice from CAA Advance registration forms must be members experienced in the search and Electronic Bulletin Board in multimedia installation and perform­ Placement orientation is scheduled for University of illinois at Chicago. A postmarked by January 10, 1992. After interview process, can serve as a CAANews ance has received national attention for Tuesday, February 11, not February 12 as reception will be held at the time of the 9 that date, you will have to register on­ compass, which will guide you through its commentary on contemporary Native was reported in the Preliminary Pro­ annual conference, Saturday, February site at a higher rate. The advance the maze that is job placement. American issues. He is the recipient of a gram. registration fee is $50 for members, $30 15, noon-6:00 P.M. For information: 312/ Western States Art Federation Award 11 Solo Exhibitions by Artist Members The Visual Arts Program of the for student members. On-site registra­ 226-1449. for sculpture and a Bessie Award from National Endowment for the Arts will tion fees are $75 for members and $45 Where to 5 tart the New York Dance Theater Workshop be presenting an information session, As soon as your issue of CAA Careers People in the News for student members. Save money and 13 for his performance work. He also serves Fellowship Opportunities for Individ­ time by registering early. Audio Taping arrives, read through the entire section as a full-time counselor at Palomar ual Artists, Susan Lubowsky, director of For your convenience, registration A number of sessions and panels will be in your area of concern, and do not be Programs, New & Revised College, San Marcos, California. the Visual Arts Program, NEA, chair, will be open from noon to 9:00 P.M. on recorded on audio tape and will be for overly hasty in selecting the positions Grants, Awards, & Honors 15 Friday, February 14, 12:15-1:45 P.M. Wednesday, February 12, and will sale both on-site and by mail after the that most appeal to you. In fact, given Representatives of the National reopen at 7:30 A.M. on Thursday, conference. A list of recorded sessions that many candidates have strengths will be available, and tapes may also be and backgrounds in more than one area, 16 Conferences & Symposia Endowments for the Arts and Humani­ February 13. We urge you to take ties will be offering individual counsel­ advantage of these extended hours to purchased at the Audio Archives Inter­ do not just select possibilities on the ing, Friday, February 14, 2:00-4:00 P.M. pick up your registration materials early. national table in the registration area. basis of the initial listing category; read 19 Opportunities The College Board will be present­ Payment for single-session tickets through all of the ads. Small private ing an information session, AP History must be made in cash, No checks or colleges and public junior colleges often Information Wanted of Art: Building a Foundation for credit-card payments will be accepted. Video Viewing Rooms seek someone to teach in several areas 22 Datebook College Programs, Martha Dunkelman, The price is $10 per time slot, For the third consecutive year, the but feel obligated to select one area for State University of New York at Buffalo, Program for Art on Film will be offering the listing title. If you have an area of chair, Thursday, February 13, 4:45-6:15 1992 annual conference attendees the secondary specialization, do not forget Airline Information to examine the listings that refer to 23 Classified Ads P.M. opportunity to view outstanding, Two sessions have been canceled: American Airlines is offering substantial recently released US. and European those positions as well. With this in Chicago's African-American Art Move­ discounts off regular coach fares to films and videos about the visual arts. mind, however, and given the large CAA News, a publication of the persons traveling to the CAA annual number of people with specialized College Art Association, is published ments: OBAC, CONFABA, Murals, The screening room, P.D.R. 1 at the conference. training, do not waste your time and six times a year. Material for AACM, and Afri-Cobra, Murry N. De­ Chicago Hilton and Towers, will be inclusion should be addressed to: Pillars, chair; and Multiculturalism: The American Airlines and Zenith open Thursday, 9:30 A.M.-6:30 P.M., and money applying for those positions for Chicago Show, Carlos Totorlero, chair. Travel have donated two round-trip Friday, 9:30 A.M.-4:30 P.M. which your qualifications are really Editor The Forum for Emerging Educators tickets to any European destination There win also be a second screen­ quite tenuous. CAANews served by American, to be given to a Once you select the positions you 275 Seventh Avenue and Artists has canceled its business ing room, conference room 5G at the New York, New York 10001 meeting and session scheduled for randomly selected CAA conference Hilton, where Video Data Bank will want to pursue, send a current resume Telephone: 212/691-1051 Wednesday, February 12, and Thursday, attendee. To be eligible, you must fly present, on request, tapes from its with a personal letter along with all James A. Luna February 13. American to Chicago using tickets collections On Art and Artists (documen­ other requested materials to the contact Editor-in-Chief Susan Ball Boston University's art history purchased through the CAA Starfile and taries on contemporary art) and Video person or the search committee. With Managing Editor Virginia Wageman About himself and his work, Luna department has canceled its alumni issued by Zenith Travel. the help of a word processor, you can Editor Nancy Boxenbaum Tape Review (experimental video art). explains, "I do not talk about things in reception scheduled for Thursday. To make reservations on American This room will be open Thursday and easily incorporate much of your general my work that I do not know, have not Anyone interested in participating Airlines, can Meeting Services at 800/ Friday, 9:00 A.M.-5.c:O-'0-'P".MCC. ____. qualifications and also personalize each © 1992 College Art Association, Inc. experienced, or am experiencing now. I at the conference in the founding of a 433-1790, and ask for Starfile #503Z2BD. letter to point out why you are the

2 CAA NEWS JANUARY jFEBRUARY 1992 CAA NEWS JANUARY jFEBRUARY 1992 3 usual, the question-and-answer period candidate the search committee would logues on microfilm. Also, contact sively, so they can be handed out Try to get a morning slot, when you and they are looking for in a colleague, afterward becomes particularly impor­ want to meet. friends who have studied or taught at liberally or sent to prospective employ­ the interviewer will be fresh. Pick up remember that you are under a time tant in showing how you interact with Write as directed, and do not try to the schools in question to get inside ers. These sheets along with your new listings at the Candidates Center, constraint. Do not ask questions that an audience. Try to anticipate questions. "beat the system" by calling or trying to information. resume will serve as excellent reminders Wednesday and Thursday. For new could have been answered by doing Some will presumably address the set up an interview before the conven­ It is helpful to formulate questions for interviewers after they return to jobs, get your c.v. to the appropriate research beforehanp. weaker, more controversial, Of more tion. It is not a wise idea ever to call in your mind in ad vance regarding each campus. Another solution might be to person as soon as you can and certainly Do not be a dud (you certainly will job. Standard topics might include obscure parts of your lecture. Becoming during the search period, other than at make Cibachrome prints directly from before the interview. not intend to) even if you are tired and the request of the institution or to which courses you will teach, semester laid out color slides. frustrated. The interviewer probably defensive in the face of tough criticism is reschedule an interview in a real course load, lecture hours per week, Art historians can also benefit from feels the same way. Finally, stay until a big mistake. emergency. To be really scrupulous, you typical class size, use of T.A. graders or quick, inexpensive printing by making During the Interview the end of the conference since some While on campus, you are being As you participate in the interview, keep should write on your own personal­ computer-graded exams, size and offprints of their scholarship. You may jobs appear at the last minute. interviewed all the time, even when at a not institutional-stationary, so as not to budget of slide collection, administra­ also want to bring copies of any in mind what you have read about the cocktail party. Ask to meet with appear to be "using" the resources of tive duties, research grants, etc. publications or completed manuscripts, school and the job, what the department After the Conference students, and find out what they want is looking for, and be prepared to from you. Although you will probably any place where you might currently be favorable student evaluations, and Follow through by sending any material respond as to how you fit the position. be meeting with different groups­ a student or employee. course materials. that has been requested: examples of Prioritize your talents for each job to faculty, administrators, graduate and Send any and all material requested your work, letters of recommendation, ensure that your major points come undergraduate students-each with by the search committee, but do not What to Expect final transcripts. Be sure to follow up across before time runs out. Some their own interests and points of view, overdo it; if they ask for three letters of Do not schedule interviews back-to­ with your faculty advisors, etc., to make questions that are frequently asked do not invent a different persona for recommendation, it is fine to send four, back. They frequently run longer than sure that letters and records are being include: What methodologies in and each. They will be comparing notes, and but do not send eight or nine. Also, do expected, and you may have to go to sent in a timely manner. Include a letter outside of your field do you employ? your perceived inconsistencies might not send a lot of irrelevant materials. It another hotel for your next one. It is of appreciation and a restatement of Given the broad range of your work, work against you. is important to include an SASE for the important to be on time. If you find that interest when supplying requested what ties it together intellectually? If you are offered a position in return of slides, etc. you are going to be late, try to call if material. Even if no follow-up material Discuss "X" (a recent important publica­ which you are interested, you face the possible, and offer to reschedule. need be sent, such a letter is a good idea; tion or event in your area). At what kind difficult task of negotiating final termS. Preparing for the Department chairs, deans, and it makes a positive impression. If you of institution would you most like to If it appears likely that the offer on the others who have the task of finding new hear from the interviewer, be sure to Conference teach? How do you feel about moving to table is the only one you are likely to faculty members are looking for the best answer promptly since delayed re­ After receiving CAA annual conference "X" (city of new job)? Where do you see get, it is obvious that you have less room candidates they can find. A completed sponse can give the impression that you information in the Preliminary Program, your field going? What are your to maneuver than if you are one of the Ph.D. or M.F.A. is assumed; an almost­ are not very interested. If it turns out reserve a hotel room immediately. strengths and weaknesses? What are lucky few who have several positions completed degree puts you at a disad­ that you are no longer interested, write Hotels get booked up faster than you you working on? How will you ap­ from which to choose. Though you may vantage. Interviewers will need to be to withdraw; this will save the institu­ might think. If you can afford the proach the survey course; what will the have little bargaining power, there is convinced of your stature as an artist tion time and money and will be conference headquarters hotel. you'll first lecture say; what textbook would nothing wrong with raising any and/ or your scholarly potentia1. Your have a private phone and a rest area you choose; what are your ideas for appreciated. concerns you may have with whomever teaching experience will be of interest. Do not panic if you do not hear close to the job and interviewers lists, other courses and seminars? Are you presents the offer. It is always wise to While most interviewers will take your from a department or school within the which corne out every few hours. You prepared (if you are in art history) to seem more sad than angry and not to word for what you have done and can first few weeks after the conference. will also be in the same building as work with studio faculty and vice versa? provoke a "take it or leave it" response. do, evidence to support your claims to Unless you are in the enviable position most of the interviewers. Staying in Where do you see yourself in 10 years? Evaluate both your own circumstances qualifications will make them feel more of having a firm offer from one institu­ another hotel may mean long walks What got you into the field in the first and those of the institution; if it is a secure. tion but you would really prefer the between the hotels and waiting in line to place? Why do you want to leave your public university with a fixed-scale or other, you have little to gain and use hotel telephones. It is helpful to current job? unionized faculty, there may be no room perhaps much to lose by trying to hurry bring a roll of quarters for pay phones, At the Conference When it is your turn to ask ques­ to negotiate. In other cases, individual and a good supply of note paper, pens, Plan to arrive Tuesday evening for the tions, make sure they convey your the process. perks or special arrangements in Within two to four weeks after the paper clips, etc. placement service orientation, 6:30-7:30 understanding of the needs and scheduling might be offered in lieu of conference, most schools will invite their Bring plenty of extra copies of your P.M., in the International North Ball­ direction of the department and parent unavailable additional salary. top two to five candidates for a campus resume---there may be two or three room, second floor, at the Chicago institution. If it is clear that only one or One final caution-a job offer in interview. Much of the same advice interviewers at anyone interview, and Hilton and Towers, where many of your two artists or art historians are to divide writing is insufficient. Make sure you regarding the conference interview still you may apply for positions that are Jaime Gwen Scholnick, Self·Promotion questions will be answered. The next an entire major between them, each receive a signed contract before you pick applies. Do not negotiate too hard about listed for the first time at the conference. Suit for Young Artists, 1991, vinyl, silk, day, get the room and telephone teaching three or four different courses a up and move. Duplicating facilities are available at the fabric paint, 35-mm slides numbers of your interviewers from the semester, your pointed and repeated conditions and contract terms for a job PHOTO: GENE OGAMI And, good luck! conference, but they may be expensive. MODEL: HANA CAA Candidates Center, Southeast questions about "time for your own you have yet to be offered. Once you arrive at the conference, mark Exhibit Hall, lower level. All specific work" or your emphasis on your When asked to lecture on campus, your hotel room and phone number on For artists, carry an easily viewed information about interviews including particular specialty will probably rule it is appropriate to ask about the ground each resume. portfolio of recent work. A large hotel and table numbers of interviewers, you out from consideration. This is not rules in advance: is it to be a practice Be sure to research thoroughly the collection of slide sheets, which have to how to set up an interview, and where to suggest that you should not ask teaching session or a professional institutions with which you will be be held up to dim hotel lighting, is hard to leave your resume is printed on appropriate and necessary questions; it seminar before peers; how long is it to interviewing. Send for their catalogues, on the viewer and conveys little of what sheets, which are updated throughout is only to make sure that you interview be, etc. This talk is crucial. Lively and study the programs, faculty, etc. your work is really like. Oversize the day, each day of the conference. for the same job that the interviewers rhetoric, command of the visual Know whether art and art history are portfolios d actual work are difficult to It is important to go for every have at hand. material, and a rapport with your separate departments, whether there is maneuver and display. A viable option interview you can get; good interview­ While it is appropriate to ask any audience are what they are looking an art gallery or university museum, etc. is to have several 8 1/2" x 11" black-and­ ing takes practice. Some schools have questions that will help you understand for-in other words, evidence that you Your library should have most cata- white reproductions printed inexpen- sign-up sheets to schedule interviews. the needs of the institution and what can teach. If you read your lecture, as is

4 CAA NEWS JANUARY/FEBRUARY 1992 CAA NEWS JANUARY/FEBRUARY 1992 5 • Association as set forth in Article II herein. Brodsky, Rutgers University, vice­ members for 1992-96. The following are especially in the arenas of cultural The President shall determine the order of Notice of president; Leslie King-Hammond, those who have been elected and diversity, gender, and class. We are Nominations consideration of resolutions. Resolutions Maryland Institute College of Art, excepts from their candidacy statements: equally involved in addressing the need from the floor will be considered as time and secretary. Sarah Greenough, art historian, for changes in the hiring practices of Members' appropriateness allow." National Gallery of Art: "While encour­ faculty, recruitment of students, the for the aging a diversity of views, CAA must curriculum in our schools, and in the Annual Bylaws also promote the highest standards of exhibition programs of museums./1 Board of Directors critical inquiry, scholarship, and artistic Judith E. Stein, art historian, Board, Members will vote at the annual practice. Moreover, because it is Pennsylvania Academy of the Fine Arts: Business A slate of candidates nominated to serve busiriess meeting on the ratification of a exhibitions that are the primary cause of "The abiding strength of CAA is its 1993-97 as directors until 1996 by the nominating Bylaws amendment, which was pro­ the recent public outrage over all federal ability to serve as a respected forum for committee was presented to the mem­ posed by the Board of Directors, dated funding of the arts, CAA should also re­ intellectual and artistic achievement Meeting bership for election by a binding ballot. February 20, 1991. The Board of Direc­ examine the role of the museum while responding to the changing needs Six candidates receiving the greatest tors hereby proposes that Article II of professional within the organization./I and interests of its time .... I feel that number of votes have been elected. The the Bylaws, which concerns the pur­ Margo Machida, artist, Brooklyn, the activities and policies of CAA results of the election will be announced poses of CAA, be amended to include: New York: "With its membership based should reflect the richness of our at the annual business meeting (see CAA To discourage discrimination based on race, on a spectrum of constituencies reflect­ culturally diverse society./1 t is now time to nominate individu­ Elects New Board Members, 1992-96). religion, gender, national origin, sexual ing the mutable demographics of CAA welcomes these new board als for the 1993-97 term on the Board of Directors. The members of otice is hereby given that the Following the resignation of preference, physical disability, and age in American society, I see the CAA as an members and looks forward to working I the 1992 Nominating Committee are: annual business meeting of the Thomas Crow, the Board of Directors, at employment, education, exhibition, scholarly essential interracial forum for mutual with them in the years to come. Victor Margolin, University of Illinois, members of the College Art its meeting held on October 12, 1991, in and programmatic opportunities, the respect, collaboration, and multicultural We would like to bid farewell at N Chicago, chair; Tom Barrow, University Association, Inc., will be held in the accordance with Article V, Section 5, awarding of grants and prizes in the public awareness in the arts. By emphasizing this time to the following CAA board of New Mexico; Murry DePillars, Joliet Room, third floor, Chicago Hilton elected James Cuno, Harvard University and private art sectors, and media coverage. that our nation is enriched and renewed members whose terms are drawing to a Virginia Commonwealth University; and Towers, on Friday, February 14, Art Museums, to fill out Crow's remain­ The new section will be inserted as by the interaction of practices and close (listed with many of the commit­ Jonathan Fineberg, University of Illinois, 1992, at 8:00 A.M. ing term, which expires after the annual Article II (3) following Article II (2) and traditions derived from Western and tees on which they served during their Champaign; Margaret Lazzari, Univer­ business meeting in February 1994 (see the present section (3) shall become (4), non-Western cultures, I look forward to tenure): Van Deren Coke, Santa Fe, sity of Southern California; and Patricia CAA News, page 10). and all subsequent sections follow suit. contributing to this ongoing dialogue Affiliated Societies Committee, Museum Leighten, University of Delaware. This The amendment was mailed with the and encouraging the momentum toward Committee; Ruth Fine, National Gallery Notice of Meeting committee will nominate the slate of notice of the annual business meeting diversity and inclusivity within CAA./I of Art, Committee on Electronic candidates for the Board of Directors to dated December 1, 1991. Clarence Morgan, artist, East Infonnation, Museum Committee; In accordance with the Bylaws, Article Nominating Committee serve until 1997. Carolina University: liAs cultural Audrey Flack, New York, Distinguished N, Section 1: and Nominations New board members will be advocate, CAA's mission to promote the Artist Award for Lifetime Achievement working on a variety of exciting new For those who will be unable to attend highest standards of scholarship, Committee, Subcommittee on the Status "The Annual Business Meeting of the In accordance with the Bylaws, Article projects and initiatives. Major efforts this meeting, proxies were included teaching, and critical evaluation of the of Women in the Profession; Marcia members of the Association for (a) the VII, Section 3, the Board of Directors must be undertaken to identify and with the notice of annual business visual arts must remain at the forefront Hall, Tyler School of Art, Temple announcement of the results of the election elected the following members to the analyze the needs of the professions and meeting. Deadline for receipt of proxies: of our concerns.... Therefore, my University, College Art Association/ of the Board of Directors, Nominating nominating committee: Victor to respond accordingly. Through their February 5,1992. primary contribution to the board will National Institute for Conservation Committee and Officers, and (b) the Margolin, University of illinois, membership on the various governing be directed toward developing a Joint Award for Distinction in Scholar­ transaction of such other business as may Chicago, chair; Thomas Barrow, committees of the association, all board broader framework for fuhrre program ship and Conservation Committee, properly come before the Meeting shall be University of New Mexico, Albuquer­ members share in shaping CAA's many activities. The long-term measure of Affiliated Societies Committee, Educa­ held in conjunction with the Annual que; Murry DePillars, Virginia Com­ programs and services. CAA's effectiveness may depend on our tion Committee; and Danielle Rice, Conference at a place, and on a dale and monwealth University; Jonathan It is up to the membership to submit ability to remain open to a re-examina­ Philadelphia Museum of Art, Annual time, fixed by the Board of Directors and, Fineberg, University of lllinois; Mar­ suggestions for nominations to the CAA Elects tion of the function of art within a Conference Art History Planning unless expressly waived, shall be set forth in garet Lazzari, University of Southern board. Please send nominations to the broader cultural context./I Committee, Committee on Electronic a Notice of the Annual Meeting which shall California; and Patricia Leighten, attention of the Nominating Committee Jock Reynolds, artist, Addison Information, Museum Committee, be sent to all members entitled to Notice at University of Delaware. The members so at the CAA office. The deadline is March New Board Gallery of American Art, Phillips Long-Range Planning COmmittee, least sixty (60) days prior to the date elected will nominate the slate of 15,1992. Nominations may also be made Academy: "I find myself asking a lot of Education Committee. CAA thanks designated for the Meeting. The Annual candidates for the Board of Directors by petition, requiring the nomination to questions these days about where these individuals for volunteering with Business Meeting, by a majority vote, may who will be elected to serve until 1997. Members, be accompanied by at least 100 signa­ American art education has been and dedication their time and energies over adopt resolutions and deal with proposals of tures of CAA members in support of the where it is going. Has our university the past four years. any kind concerning the affairs of the nomination. The deadline is July 1, 1992. tenure system in fact been a good thing Association. In order to insure consider­ 1992-96 For this process to be fair, effective, and for artists, scholars, and our students ation, such resolutions must (1) be received Officers broadly representative of CAA's over the years? What responsibilities do in the office of the Executive Director no membership, substantial numbers of we as educators continue to share in later than 80 days prior to the Annual In accordance with the Bylaws, Article nominations are needed. So, let your preparing our students for the harsh Business Meeting; (2) be in proper parlia­ VII, Section 4, the Board of Directors, at voice be heard-send in your nomina­ realities of the art world beyond school? mentary form; (3) be signed by at least 25 its meeting on October 12, 1991, elected tions. members of the Association in good the following individuals to serve as n the September!October 1991 issue Moira Roth, art historian, Mills standing or proposed by Board of Directors' officers for 1992. Their terms will of eAA News, Board of Directors College: "Many of us are involved in resolution; (4) be no more than three commence following the annual voting ballots were mailed to CAA's shared concerns: the explorations of new I research material and new theories in hundred words in length; and (5) deal with business meeting: Larry Silver, North­ over 11,500 members. We received 1,146 matters relating to the purpose of the western University, president; Judith K. ballots, which elected six new board history and contemporary art practice,

CAA NEWS JANUARY/FEBRUARY 1992 6 CAA NEWS JANUARY/FEBRUARY 1992 7 J opportunity to acknowledge Executive areas of freedom of expression, sexual­ begins by describing the individual From the President Director Susan Ball's tremendous ity, gender, and violence. Electronic Bulletin Board object. In classifying a particular object, CAA initiative and leadership in this area. I We've been on a trajectory of the two systems do not always end up at think our collective voice has made a growth and expansion that is bound to the same place. A Fond significant difference on several recent collide with the downturn in the Your favorite smalt scholarly, or News occasions. economy. Maintaining our momentum Database special-interest publisher is heavily Our publications, which have in the next few years will require a burdened by the cost of publishing, Farewell always been at the core of our mission, strong belief in the importance of what including printing, distribution, and have never been livelier or of greater we can accomplish. The scale and Case mailing. Your publisher is considering relevance. Richard Brilliant's editorial in ambition of the present organization, electronic publishing as perhaps the the September 1991 Art Bulletin power­ while making us far more effective as a only alternative to not being able to fully reenforces the Bulletin's desire to voice and a professional force, has its Scenarios Join CAA Awards publish at all. How will the information establish itself once more as a forum for own consequences. As the association look? How will you search for the Committees current thought. Art Journal, with its has grown, everything has had to The Board of Directors invites members am experiencing the end of my term information you need or take notes once recent issues on feminist art criticism expand. Some of our members who you find it? of the association to submit nominations as president of CAA with some and censorship, has engaged issues that have been active for many years miss and self-nominations for forthcoming regret as well as a sense of relief. I'd Images are beginning to be added I are difficult as well as central to current the intimacy and comraderie of the old to art and art-historical databases. How openings on CAA awards committees. like to share with you a brief overview discourse. Barbara Hoffman and Robert days. I think we need to find ways to At all times, CAA encourages the of some of the high points of the past n the following scenarios, consider clear will the images be? What kinds of Storr's decision to publish the nourish not only cross-diSciplinary highest standards of scholarship, two years as well as some concerns I the problems associated with monitors will you need for viewing? Mapplethorpe X Portfolio follows from dialogue but also smaller groupings practice, connoisseurship, and teaching have for the future. The good news must automated information. And how will you access the images? Of their belief that, as Storr wrote, "free around common professional interests. I in the arts. To this end, the association be obvious to everyone. This most You are an individual art historian course, "artist," "name," and "date" are speech depends upon a willingness ... New members, too, need to feel wel­ publicly recognizes achievements by recent period has been one of unprec­ or studio artist, and you want to store obvious categories, but what if you want to break taboos when and wherever come and relevant. This is a call to individual artists, art historians, edented growth, with successful your own research data on a computer. to research something like the historical they present themselves, confident that protect ourselves from the forces of curators, and critics by conferring conferences and the launching of Where can you go for advice about depictions of women with mirrors. Will people will of their own accord choose depersonalization that come with size. annual awards. These awards are made innovative programs. I'm particularly standardized language and structure for the images have verbal descriptors that whether to pay attention or walk away, Committees have also expanded, to living individuals whose achieve­ pleased with a new emphasis on the organizing your information into a help you find such details? If you, as a read or turn the page" (Art Journal, Fall because we have responded to a greater ments transcend the immediate region convocation and awards ceremony, database? Equally important, where can studio artist, want to organize an image 1991, p. 13). I know that some readers range of perceived needs and rising in which they work and serve the which has evolved into a community­ you find out about the creative and database of your own artwork, what were deeply disturbed by these images. expectations. New committees and profession and the community. building event. Our membership is now inventive possibilities of databases? We system can you use so that others can My hope is that we can now proceed to affiliated societies promise to involve a The awards are presented each year a record 11,500 individual members and all know that the structure of informa­ access the images? thoughtfully and openly discuss and great percentage of our membership. at the CAA annual conference upon the 2,000 institutional members, which tion, just as the structure of language, The Committee on Electronic debate the issues in the very charged They also create administrative and cost recommendations of each award makes CAA the largest organization of influences what we know and how we Information is tackling this broad array problems, especially because of our committee. Members of awards commit­ its kind in the world. Most importantly, understand things. The structure of your of topics. The CEl co-sponsored sessions concern for diverse geographic repre­ tees are distinguished professionals, the changes are not just a question of database may radically change how you at the CAA annual conference in sentation. In fact, every new initiative many of whom have been honored by size but also constitute a renewed conceptualize your work and the Chicago will address two of them. The that we have taken or that we hope to CAA in the past. Individual committees commitment to membership services associations you make between bits of Great Debate: Object vs. System in accomplish has a price. Our success in have at least three members, one of and benefits to the fields. In line with information. Database Design, a joint Getty AHIP­ raising funds and getting grants is whom rotates off each year. Chairs are the long-range plan developed under You wish to do research at an CEI session, Thursday, February 13, crucial to achieving our goals-fellow­ appointed annually by the CAA presi­ the enlightened leadership of two institution. You find that its new 12:15--1:45 P.M., will present different ship and mentoring programs to dent and may be reappointed. The previous presidents, Paul Arnold and computerized bibliographic database, systems of object classification, specifi­ encourage the inclusion of composition of each committee repre­ Phyllis Pray Bober, we have embarked produced at great cost and with great cally Iconclass and the Index of Chris­ underrepresented groups within the sents the broad range and diverse on an overhaul of CAA governance, a expectations, is ahnost impossible to use. tian Art. The Automated Scholar: The professions and the enhancement of our interests of the membership. As a restructuring of the organization in It seems that computer professionals Who, What, and Why of Creating Art publications as well as travel grants and collective body, the committee is order to be more responsive and designed and produced the system Infonnation Databases is a joint ARLIS­ other services for the membership. expected to provide a national perspec­ representative. without consulting the scholar, much CEI session, Friday, February 14, 12:15- Judith K. Brodsky, chair of the Capitol tive for the award. Our current representation of the less the public. 1:45 P.M., which will present creative Campaign Committee, has gotten us off Committee candidates must possess various constituencies of CAA­ You are engaged in a long research uses of databases. Plan to attend these to a brilliant start. expertise appropriate to the committee's professional, geographic, gender, racial, project and need to consult several sessions to voice your opinions and Whatever has been accomplished work and must be CAA members in and ethnic-has nourished and libraries and collections, and also to concerns. These issues affect you and over the last few years was through the good standing. Members of all commit­ strengthened us. It has also heightened access large commercial bibliographic your research. engagement of many concerned and tees volunteer their services without our awareness of underrepresented data suppliers. How wonderful it would -Margaret Lazzari, Associate Professor of generous individuals. We've had the compensation and serve for fixed terms groups and unacknowledged points of be if, as you moved from database to Art, University of Southern California advantage of a very involved and of three years (I992-94). Nominations view. We now see as our goal not only a database you encountered standard multitalented Board of Directors and a should include a brief statement policy of inclusiveness within CAA but language, names, and search structures terrific staff. It has been a real privilege outlining the individual's qualifications also a commitment to making the fields without having to learn a new system to work with all of these wonderful and experience and a resume. Self­ we represent much more open and every time. Systems that name and people ... but now I'm off to Italy and nominations are encouraged, including equitable. organize art objects sometimes conflict. can only wish for my successor Larry those from past award recipients. Write In the present climate of hostility to For example, Iconclass is a hierarchical, Silver tanti auguri per il successo futuro del to: Awards Committee Nominations, the arts and humanities as well as top-down system that fits objects into CAA. CAA, 275 Seventh Ave., New York, NY government cuts, our advocacy efforts broad and then increasingly specialized Ruth Weisberg -Ruth Weisberg categories. By contrast, the Index of 10001. Deadline: March 2, 1992. take on new urgency. I'd like to take this PHOTO: KENNA LOVE Christian Art is a bottom-up system that The following positions are open:

8 CAA NEWS JANUARY/FEBRUARY 1992 eAA NEWS JANUARY/FEBRUARY 1992 9 Charles Rufus Morey Award New Member on integrity of historic and artistic works. M.A. and PhD. Programs in Art and Art subsidy. The author must be a CAA presented for an especially distin­ CAA Board of Directors AIC's code of ethics and standards and History and Directory of M.F.A. Programs member in good standing. Guidelines Solo guished book in the history of art/ practices define appropriate conduct for in the Visual Arts, will be available are available from the CAA office. published in the penultimate calendar the field. AIC holds an annual confer­ toward the end of January. For those year. (One vacancy) ence, and publishes a bimonthly who have already purchased their Exhibitions Alfred H. Barr Jr. Award for newsletter (AIC News), a scholarly copies of the directories, CAA will be museum scholarship, presented to the journal (Journal of the American Institute mailing them as soon as they come off CAA Statements and author(s) of an especially distinguished for Conservation) issued three times per the presses. For those who want to Guidelines by Artist catalogue in the history of art, published year, an annual membership directory, purchase the directories, they are $10 CAA has adopted numerous statements, during the penultimate year under the and other occasional publications. The each, postage paid ($12.50 for nonmem­ resolutions, and guidelines, which Members auspices of a museum, library, or specialty / subgroups-architecture, bers), and can be ordered through the individual and institutional members collection. (One vacancy) books and paper, conservators in private CAA office. All orders must be prepaid. may find useful and informative. To Arthur Kingsley Porter Prize practice, objects, paintings, photo­ request any of them, send a self­ Only artists who are CAA members are included presented for a distinguished article graphic materials, textiles, and wooden addressed stamped envelope to the in this listing. When submitting infonnation, published in the Art Bulletin during the artifacts-provide a technical focus for CAAoffice. include name of artist, gallery or museum name, CAA Receives Grants city, dates of exhibition, medium. Please indicate by educational exchanges through pro­ Art Bulletin: Notes for Contributors and penultimate calendar year a scholar The College Art Association has been CAA membership. who has received the doctorate not more grams and publications. The AIC also awarded two grants in support of the Style Sheet Photographs are welcome but will be used only if than ten years before acceptance of the sponsors occasional courses and 1992 annual conference. We are grateful Art Journal: Guidelines for Contributors space allows. Photographs cannot be returned. article for publication. (One vacancy) seminars on technical subjects. The to the John D. and Catherine T. and Guest Editors Frank Jewett Mather Award Conservation Services Referral System, a MacArthur Foundation for underwrit­ A Code of Ethics for Art Historians and presented for published art criticism roster drawn from the AIC membership, ing Laurie Anderson's performance at for the Professional Practice of Art that has appeared in whole or in part is operated by the Foundation of the History (adopted 11/3/73; revised JamesCuno the Valentine's Day celebration and during the preceding year beginning PHOTO: RICK STAFFORD American Institute for Conservation of benefit (see page 1), and to the Samuel 1/23/74,11/1/75) September 1 and ending August 31. Historic and Artistic Works (FAlC). The H. Kress Foundation for its support of Fair Use of Visual Materials: Reproduction James Cuno, director of the Harvard ABROAD/ Attention is paid to the range of foundation helps museums, libraries, CAA's Foreign/Interdisciplinary Travel Rights in Scholarly Publishing University Art Museums, will serve as a Cheri Gaulke. "Burning the Flag?" American criticism that appears throughout the and other cultural institutions as well as Grants. (adopted 10/25/86) board member until 1994. Cuno replaces Live Art and Censorship Conference, Newcastle­ country. (One vacancy) individuals locate and select appropriate Grievance Procedures (adopted 1/25/78) upon-Tyne, England, October 1991. Perform­ former board member Thomas Crow, Distinguished Teaching of Art conservation services. Executive A Guide to the New York Print and ance. who resigned because of his work Award presented to an artist of distinc­ Director: Sarah Z. Rosenberg, AlC, 1400 Photograph Law (1977) Annelise Jarvis Hansen. Culturel Center, schedule and transfer to the University Staff Addition tion who has developed a philosophy or 16th St., NW, Suite 340, Washington, DC Theresa diPierno has been appointed Guidelines for Part-Time Employment Baltoppen-Ballerup, Copenhagen, Denmark, technique of instruction based on his or of Sussex, England. 20036; 202/232-6636; fax 202/232-6630. (adopted 2/1 /76) November-December 1991. Cuno received his Ph.D. in fine arts development/ special projects associate her experience as an artist and has CAA welcomes as affiliated for CAA. Previously, she assisted in all Millard Meiss Publication Fund Guidelines from Harvard in 1985 and has taught at societies groups of artists or scholars encouraged his or her students to aspects of management, production, and and Application MID-ATLANTIC/ develop their own individual abilities. Vassar College, UCLA, and Dartmouth whose goals are generally consonant Printmakers' Contracts (adopted College. He was director of the educational programming at the Agnes Hahn Brodie. Friendship Gallery, Chevy (Two vacancies) with those of CAA, with a view to 10/28/78) Chase, Md., November 4-30, 1991. Wall reliefs. Grunwald Center for the Graphic Arts at Foundation of the Dramatists Guild's Distinguished Teaching of Art facilitating enhanced intercommunica­ Young Playwrights Festival in New Professional Practices for Artists (adopted Touchstone Gallery, Washington, D.C., History Award presented to an indi­ UCLA from 1986 to 1989 and of the tion and mutual enrichment. It is 10/22/77) November 5--24, 1991. Maquettes with Hood Museum at Dartmouth for the York. She received a B.A. in 1989 from photographs. vidual who has been actively engaged in assumed that a substantial number of the State University of New York at Public Art Works (adopted 10/31/87) following year and a half. He became the members of such groups will Glenn M. Corey. Western Maryland College, teaching for most of his or her career Binghamton with a major in literature A Quick Guide to Artists' Rights under the Elizabeth and John Moors Cabot already be members of CAA. Westminster, November 17-December 6, 1991. and has been, among other things, an and rhetoric and a concentration in New Copyright Law (1977) Director of the Harvard University Art To be recognized by CAA as an Paintings. inspiration to a broad range of students anthropology. Resolution Concerning the Acquisition of in the pursuit of humanistic studies. Museums in June 1991. affiliated society, a group must be Cultural Properties Originating in (Two vacancies) national in scope and must present Foreign Countries (adopted 4/28/73) MlDWEST/ Artist Award for a Distinguished evidence that it is primarily, or in large Resolution Concerning the Sale and Les Barta. Photo Gallery 20, Prairie State Body of Work, Exhibition, Presenta­ New Affiliated Society part, committed to the serious practice Millard Meiss Grants Exchange of Works of Art by Museums College, Chicago Heights, Ill., December 1-22, tion, or Performance, a peer award Joins CAA and advancement of the visual arts, or to Two recent Millard Meiss publication (adopted 11/3/73) 1991. Photographic constructions. given for work mounted in the CAA welcomes the American Institute the study of some broad, major area of subventions have been granted: Standards for the B.A. and B.F.A. Degrees Phyllis Bramson. Dart Gallery, Chicago. penultimate year. (Three vacancies) for Conservation of Historic and Artistic the history of art; and it must possess a Dorothy Gillerman, School of the in Studio Art (adopted 1/31/79) "Vicissitude," paintings. Distinguished Artist Award for Works (AIC) as an affiliated society of formal organizational structure, i.e., Museum of Fine Arts, Boston, for A Standards for Professional Placement Jeffery Byrd. Icebox, Minneapolis, November Lifetime Achievement, a peer award the College Art Association. elected officers, an identifiable member­ Contract for Paradise: Enguerran de (adopted 10/22/77) 16, 1991-January 11, 1992. "Silence." celebrating the career of an artist. (Two AIC, founded in 1958 as the ship, and such signs of ongoing activity Marigny and the Church of Notre-Dame at Standards for the M.F.A. Degree in Visual Cynthia Manning Crosby. Artemisia Gallery, vacancies) International Institute for Conservation as a newsletter, periodical, exhibition Ecouis, Penn State Press. Arts (adopted 4/16/77, revised Chicago, January 2-30, 1992. Paintings. Sally M. Promey, University of Mary­ CAA/National Institute for (lIC) American Group, was incorporated record, or other documentation. 1991) and Standards for Studio Art Martha Desposito. Kent Shtdent Center Gallery, Conservation Award for Distinction in as AIC in 1972. Membership: 2,700. For further information and applica­ land, College Park, for Spiritual Spec­ Faculty (adopted 1/30/70) Kent State University, Kent, Ohio, February 19- Scholarship and Conservation pre­ Aunual dues: $85 individual, $30 tions, call or write to the CAA office. tacles: Vision and Image in Mid­ A Statement on Standards for Sculptural March 20,1992. "M's Guardian Angels," mixed­ sented for an outstanding contribution students and retirees, $130 institutional Nineteenth-Century Shakerism, Indiana Reproduction and Preventive Measures media paintings. by one or more persons who, individu­ and business affiliates. Purpose: to University Press. to Combat Unethical Casting in Bronze Benita Goldman. Cottey College, Nevada, Mo., ally or jointly, have enhanced under­ promote the importance of the conserva­ Millard Meiss Publication Fund (adopted 4/27/74) November 19-December 16, 1991. Paintings and standing of art through the application tion of cultural property and advance Directories to Be Grants are awarded twice annually for Status of Women in Ph.D. Granting collages. of knowledge and experience in knowledge and improve methods of Published book-length scholarly manuscripts that Institutions (report of the Committee Suzanne Hellmuth and J ode Reynolds. Kansas conservation, art history, and art. (One conservation needed to protect, pre­ The two new directories compiled by have been accepted by a publisher but on the Status of Women, 1980) City Art Institute, Kansas City, Mo., October 19- November 17, 1991. "Conundrums of Memory- vacancy) serve, and maintain the condition and the College Art Association, Directory of that cannot be published without a

10 CAANEWS JANUARY/FEBRUARY 1992 CAA NEWS JANUARY/FEBRUARY 1992 11 Shards from a State of Union, Speculation, in Carrie Notari. Carlson Tower Gallery, North October 2&--December 19, 1991. Dartmouth Marilyn Lanfear. Lynn Goode Gallery, Houston, Memory ... A Bird in the Hand, and a Table of Park College, Chicago, November 4-27,1991. College, Hanover, N.H., March 9-April19, 1992. February 1991. "The Wardrobe of Destiny." "Women of Atlantis," photographs. Benjamin S. Rosenthal Library, Queens College Contents," installations. Sheila Pitt. Gallery Route One, Point Reyes, Art Center, Flushing, N.Y., Jllile 8-July 15, 1992. Nicholas Hill. Denison University Art Gallery, Dale Ostede. Franklin Square Gallery, Chicago, ~XII '---/---t------r--t-----r Calif., November 1-25, 1991. Monotypes and Paintings. Granville, Ohio, February 2B-March 29, 1992. November 29, 1991-January 3, 1992. "America: woodcuts. Landscapes and Portraits," hand-colored Stephen Davis. Ariel Gallery, New York, Paintings and prints. Rose Marie Prins. Center for Contemporary Martha Jackson. Rosewood Arts Centre Gallery, etchings. December 21, 1991-January 11, 1992. Paintings Arts, Santa Fe, November 1-30, 1991. and drawings. Kettering, Ohio, October 29-December 13, 1991. Joan Truckenbrod. Artemisia Gallery, Chicago, "Aphrodite and the Kundalini," mixed media. January 3-February 1, 1992. Computer imaging. Johanna Drucker. Barnard Annex Gallery, New Paintings. Susan Rankaitis. Center for Creative Photogra­ York, October 14-25, 1991. "News History" and Margaret Keller. Bonsack Gallery, John phy, University of Arizona, Tucson, October 20- "Wittgenstein's Gallery," mixed media. Burroughs School, St. Louis, Odober 4- December B, 1991. "Encollilters." Chris Duncan and Peter Dudek. No B.I.AS., November 7, 1991. NORTHEAST/ Roland Reiss. Barnsdall Art Park, Los Angeles, Lisa Bateman. West Bth Street Subway Station, North Bennington, Vt., October 7-November 27, Cynthia Kukla. Market Street Gallery, Rockford, November 19, 1991-January 19, 1992. New York. "Aqua Regia," paintings. 1991. Drawings and sculpture. Ill., October 4-N ovember 30, 1991. "The Geneva David Rosten. University Art Gallery, Janet Goldner. SoHo 20, New York, November Series," paintings and drawings. Graham Cantieni. Chandler Gallery, Wellfleet, University of California, Riverside, February 23- Mass., August 31-September 21,1991. Le Grave, 12-December 7, 1991. "Portraits of the Spirit," Karen Kunc. Atrium Gallery, St. Louis, March 29, 1992. Photographs. masks and vases. November 22-December 2B, 1991. Woodcuts and Victoriaville, Canada, September IS-October 14, 1991. Sarah Thompson. Merlino Art Center, Tacoma, drawings. Tobi Kahn. Mary Ryan Gallery, New York, Wash., December 1-12,1991. Paintings. Rob Carioscia. Home Grown Gallery, Cold October 16-November 16, 1991. Paintings on Joseph Mannino. Dunlap Gallery, Battelle Fine Arts Center, Otterbein College, Westerville, Spring Harbor, N.Y., January 1-21, 1992. paper. Ohio, October 6-November 1, 1991. Ceramic Elizabeth (Sue) Collier. Douglass College, G. Roy Levin. Vermont College Library, sculpture. Rutgers University, New Brunswick, N.J., Montpelier, AprilS-May 19, 1991; and Michael Aurbach, Final Portrait: Craftsbury Rooms, Royall Tyler Theatre, Vanitas, 1991, mixed medi~, University of Vermont, Burlington, April 12-30, 8' x 10' X 14' 1991. "Halt! Remembering the Holocaust," paintings. Patricia Malarcher. Newark Museum, Newark, N.J., November 16, 1991-January 5,1992. Works People in SOUTH/ in Mylar and fabric. Michael Aurbach. University of Alabama, Catherine Murray. Fleisher Art Memorial, Huntsville, January 6-February B, 1992. the News Philadelphia, November 19-December 19, 1991. Winthrop College, Rock Hill, S.c., February 24- Sculpture. April 5, 1992. Sculpture. Ann Elizabeth P. Nash. Photography Gallery, Caren Cunningham. Schneider Hall, Allen R. Roy H Park School of Communications, Ithaca Bite Art Institute, University of Louisville, College, Ithaca, N.Y., November 17-December Louisville, Ky., October 9-30, 1991. Sculpture 13,1991. "Second Room," photographs. installation. John Jerry-Anthony Parente. lona College, New Nat Dean. Frances Wolfson Art Gallery, Miami­ In Memoriam York, November 24,1991. Watercolors and Dade Community College, Miami, November 7- drawings. December 13,1991. David Budd died October 9, 1991, at the age of 64. An abstract painter, he was best known for Gaetano Pesce. Peter Joseph Gallery, New York, Alfred Durante. Tyler Museum of Art, Tyler, large-scale, monochromatic works. Budd October 3D-November 30, 1991. Tex., November 17, 1991-January 12, 1992; and studied at the Ringling School of Art and Design Photography Gallery, Arkansas State University, Lucio Pozzi. Dia Center for the Arts, New York, in the late 1940s. He had his first solo exhibition Jonesboro, January 13-February 7, 1992. "Images October 19, 1991. "Paperswim," performance. in 195B at the Betty Parsons Gallery in New of East Texas," photographs. Marrin Hibbard Robinson. Hopkins Center, York. In the 1970s and 19BOs, he exhibited at the Upper Jewett Exhibition Corridor, Dartmouth Ross Horrocks. Alliance Frant;aise d'Atlanta, Tibor de Nagy Gallery, the Max Hutchinson College, Hanover, N.H., November 12- Atlanta, November 4-21,1991. Paintings. Gallery, and the Susan Caldwell Gallery, all in December 29,1991. New York. His works are now in the collections Norman Lundin. Wellington B. Gray Gallery, Kathy Kauffman, Runner II, Miriam Schapiro. Bernice Steinbaum Gallery, East Carolina University, GreenVille, N.C., charcoal, 62" x 441/2" of the Metropolitan Museum of Art, the Museum of Modern Art, and the Solomon R. New York, December 7, 1991-January 11, 1992. November 19-December 13, 1991. Paintings and Guggenheim Museum. "Collaboration Series: Frida Kahlo and Me," drawings. paintings and works on paper. J. L. Schuller. Coppini Gallery, San Antonio, Frederick Hartt, an expert on the work of Tex., November 20-December 13,1991. Paul Shore. Condeso Lawler Gallery, New York, Dayton Claudio. Chico Museum, Chico, Calif., Michelangelo, died October 31,1992. He was 77 November 26-December 21,1991. Paintings and Alex Wilhite. Arts Council of Montgomery, May 31-September 1, 1991. "The Name of the years old. After graduating from Columbia drawings. Montgomery, Ala., November 23, 1991-January Rose," mixed media. College in 1935, he did graduate work at 4,1992. Princeton University and earned a doctorate Katharine White. Art Gallery, Center for Mark Gordon. Artspace, Junior College of from the Institute of Fine Arts, New York Financial Studies, Fairfield University, Fairfield, Southern Nevada, North Las Vegas, October 26- University. Hartt taught at Washington Conn., November 3, 1991-January B, 1992. November 26,1991. Birke Gallery, Marshall WEST/ University in St. Louis; the University of "Seasons of Color." University, Huntington, W.Va., February 1-21, Lisa Adams. Glendale College, Glendale, Calif., Pennsylvania, where he was chair of the art Greg Wulf. Blue MOlliltain Gallery, New York, 1992. February 9-March 21, 1992. Newspace Gallery, department, 1960-65; and the University of November 29-December IB, 1991. Paintings. Los Angeles, February IB-March 21, 1992. Kathy Kauffman. Sierra Arts Foundation Art Miriam Schapiro, Love's Labor, Virginia, where he headed the art department, Century Gallery, Sylmar, Calif., March 29-April Gallery, Reno, September 3-27,1991. 'Time/ 1991, acrylic and fabric on Ellen Zweig. Broadway Windows, New York 1967-76. He was the author of 14 books; most canvas, 80" x 72" University, New York, October 25-December 1, 25,1992. Paintings. Time," paintings and drawings. recently published is The Sistine Chapel. COURTESY BERNICE STEINBAUM GALLERY, NEW YORK 1991. "Monstrous Wonder."

12 CM NEWS JANUARY/FEBRUARY 1992 CAA NEWS JANUARY/FEBRUARY 1992 13 J 1

John B. Ravena! has been appointed assistant Winners received cash awards and had works Art History Endowment Fund, Meadows School Louis J. Kaep, a watercolorist and art director, Academe curator of 20th-century art at the Philadelphia included in a traveling exhibition. died October 5, 1991, at age 88. Kaep studied at of the Arts, Southern Methodist University, Museum of Art. Ravenal is currently a doctoral the Art Institute of Chicago and the Academie Dallas, TX 75275. Robert Guy is senior research fellow in classical candidate in art history at Columbia University. The Inventory of American Paintings before Julian in Paris, and he specialized in famous art and archaeology at Corpus Christi College, 1914 and the Inventory of American Sculpture Valiant is not a word one hears much anymore, American landscapes. He received numerous Oxford University, Oxford, England. He was have been established by the National Museum public commissions and was a member of the but it describes Eleanor Tufts's spirit this past formerly associate curator at the Art MUseum, of American Art to gather information on year. It wasn't that she denied her illness, but Organizations National Academy of Design and the American Princeton University. American works of art that might otherwise Watercolor Society. she carried on; she continued to teach and live Deidre Corcoran Starn is president elect of the remain hidden in private collections or littJe­ her life with generosity and courage. Part of her G. Roy Levin has been appointed director of the known repositories. The Inventory of American generosity came from her warm and supportive Art Libraries Society of North America. Madeleine Martin, artist and founder of the M.F.A. program in visual art at Vermont College Paintings is a national census of works from Peter and Madeleine Martin Foundation for the interest in others, her friends, colleagues, of Norwich UniverSity, a program that he earliest Colonial days to the present century and Creative Arts, died November 30, 1991, at age students, and former students. She had a gift for Regina Stewart has been named president of originated. New York Artists Equity Association. is available for research use. Information is in list 69. She attended the California School of Fine turning a compliment around, deflecting it from and photographicforms. The Inventory of Arts, where she studied under Hassell Smith. In herself with her wonderful smile. Nancy Macko has been promoted to associate American Sculpture is intended to be a 1990 she started the art foundation to recognize We thought of Eleanor as a scholar of rare Ilana Vardy has been appointed director of the professor with tenure in the art department at Chicago International Art Exposition. She was a comprehensive listing of works from earliest and reward artists. accomplishment. I think she thought of herself Scripps College, Claremont, Cali£. private dealer and independent curator. Colonial days to the present. Along with as rescuing art and artists from undeserved sculpture in public and private collections, the Davis Pratt, the associate curator of photographs neglect or obscurity. Once, at the Museum of William S. Rodner has been named editor of Ellen W. Lee inventory includes outdoor monuments, and it Fine Arts, Boston, Alessandra Comini, Eleanor, PHOTO: ROB BENAYOTE at the Fogg Art Museum of Harvard Universi ty Scotia-Interdisciplinary Journal of Scottish Studies, is maintained as an on-line, interactive database. and a senior lecturer on fine arts at the and I stood in front of two Luis Melendez at Old Dominion University, Norfolk, Va. To contribute an entry or use the inventories, paintings as Eleanor wove a mesmerizing university, died October 14, 1991. He was 68. He Karol Ann Peard Lawson has been appointed contact: Inventories of American Paintings and had been at the museum since 1971 and was discourse around them. I have never looked at Rutgers, State University of New Jersey, has curator of art at the Columbus Museum of Art, Sculpture, Office of Research Support, National inshumental in the development of its stilllifes quite the same way since. Even their announced the follOWing positions: Archer St. Columbus, Ga. She was formerly curatorial Museum of American Art, Smithsonian photography collection. Pratt had worked under presence in the museum probably owes a great Clair Harvey is director of graduate studies; associate for the National Museum of American Institution, Washington, DC 20560; 202/357- Edward Steichen at the Museum of Modern Art, deal to her ground-breaking work on Melendez John Kenfield is undergraduate advisor; and Art, Smithsonian Institution, Washington, D.C. 2941 or 1626. New York, doing research. He was the author of and 18th-century Spanish painting. She was also James Smalls has joined the faculty. The Photographic Eye of Ben Shahn. one of the fust art historians to publish on Jack L. Lindsey is curator of American Programs, Save Outdoor Sculpture! (50S!), a project women artists; again her enthusiasm and insight Mary N. Woods has been appointed associate decorative arts at the Philadelphia Museum of sponsored jointly by the National Institute for Stephen Rubin, a research associate and special­ opened a whole field of inquiry for those of us professor in the architectural history program, Art, where he had been associate curator. the Conservation of Cultural Property and the ist in American watercolors and drawings at the who followed her. Department of Architecture, Cornell University, National Museum of American Art, Smithsonian What animates the long list of academic New & Metropolitan Museum of Art, died October 31, Ithaca, N.Y. Elizabeth Wright Millard is executive director Institution, seeks to save artworks that are 1991, of a heart attack. He was 53 years old. honors, professional accomplishments, and of the Forum, Saint Louis. She was previously suffering from environmental decay. Volunteers Rubin received his undergraduate degree from service to the field are our memories of the assistant curator of contemporary art at the Saint are needed to conduct on-site inventories of Dartmouth College in 1960, and after two pleasure of Eleanor's company, her keen mind, Revised Museums and Galleries Louis Art Museum. their town's sculpture, to research details of decades as a businessman and collector, he got her sense of both fun and fair play. Eugene sculptures, or to sponsor treatment and his master's in art history in 1987 from the Bonelli, dean of the Meadows School at SMU, maintenance. The information collected will be Katherine B. Crum has been named director of Institute of Fine Arts, New York University. said, "Her publications will continue to added to the Inventory of American Sculpture. the Art Galleries at Mills College, Oakland, enlighten future generations, and her influence For information: 202/625-1495 or 800/421-1381. Eleanor Tufts, professor of art history at the will flourish in the lives of all the students who Cali£. She was formerly director of Baruch Meadows School of the Arts at Southern were privileged to study with her," to which one College Art Gallery, New York. Methodist University, died December 2, 1991, of could add the special place she will always have Donna De Salvo is the Robert Lehman Curator cancer. Tufts joined the faculty of the Meadows in the hearts of her friends and colleagues. The Arad Arts Project provides young artists at the Parrish Art Museum, Southampton, N.Y. School in 1974 to head the division of art, which -Ruth Weisberg with the opportunity to spend a year in IsraeL She has served as adjunct curator to the Andy added graduate degrees in art history under her Participants meet with Israeli counterparts and Warhol Museum. leadership. Among the many awards she key figures in the world of art in Israel, learn received were SMU's Alumni Association Hebrew, and take part in seminars. Each artist Grants, Ivan GaskeII has been appointed Margaret S. Award for Faculty Excellence, its M Service has acceSs to art facilities, studios, art museums, Winthrop Curator of Paintings at the Fogg Art Award, and its Panhellenic and Intrafraternity and galleries, among others. The program is for Museum, Harvard University Art Museums, Council Excellence in Teaching Award; the one year, with the first half spent in Arad, and Awards, & Cambridge, Mass. He was formerly with the Alurrmae Achievement Award, Simmons the second half spent working at various sites Department of the History of Art, Cambridge College; the Award for Outstanding Achieve­ throughout Israel. Artists between the ages of 21 UniverSity, where he taught for 8 years. ment in Art History, Women's Caucus for Art; and 35 are eligible and selected by a jury on the Honors and the Women Helping Women Award, Dallas basis of artistic ability and accomplishment. The J. Richard Gruber is co-director of the Peter Women's Center. Before joining the farulty of program is open to artists working in various Joseph Gallery, New York. He was formerly SMU, she taught at Boston University, the media including painting, graphics, sculpture, director of the Wichita Art Museum. University of Bridgeport, and Southern photography, and film. The first session of the Publication policy: Only grants, alVards, or honors Connecticut State University. She received a program opens April 27, 1992. For further received by individual or institutional members of the Bruce Guenther has been named chief curator of bachelor's from Simmons College, a master's information and applications, contact: Gerry College Art Association are listed. The grant/award/ the Newport Harbor Art Museum, Newport from Harvard University, and a doctorate from Showstack, Arad Arts Project, WUJS Institute, honor amount is not included. Please note Beach, Calif. He had been chief curator at the the Institute of Fine Arts, New York University. Arad 80700, Israel; 57-957446 or 957668; fax 57- the following format: She was also the author of 5 books. Tufts joined Museum of Contemporary Art in Chicago. Individual members: cite name, institutional Elizabeth Wright Millard 955472; or Julie Pavlovsky, AZYF Offices, 110 E. CAA in 1963 and waS an active member her 59th St., New York, NY 10022; 212/339-6933 or affiliation, and title of the grant, alVard, or honor. The Indianapolis Museum of Art has whole career; she served on the Board of 6916; fax 212/755-4781. Institutional members: cite name of organization, announced the following promotions: Ellen W. title of the grant, award, or /tonor, and (optional) Directors 1979-1983; the 1976 Nominating Milo M. Naeve retired as curator at the Art Lee is chief curator; she will continue as curator use or purpose of grant. Please indicate that you Committee; the 1988 Distinguished Teaching of Institute of Chicago and was named Field­ The Awards in the Visual Arts Program, of European and American painting and Art History Award Committee; and she chaired McCormick Curator Emeritus of American Arts. sponsored by the Southeastern Center for are a CM member. sculpture 1800--1945. Martin J. Radecki is or spoke at numerous sessions throughout the Contemporary Art, has been suspended due to curatorial service division administrator; he will years. Contributions can be made to: Eleanor Laughlin Phillips announced his retirement as funding problems. The program was founded in Edna Andrade, painter and professor emerita at Eleanor Tufts, 1927-1991 continue as chief conservator. Tufts Distinguished Visiting Professorship in director of the Phillips Collection, Washington, 1980 to recognize artists from across the United the University of the Arts, is the recipient of the D.C., but he will continue as chair of the board. States for outstanding merit and achievement. 1991 Mayor's Arts and Culture Award for Visual

CAA NEWS JANUARY (FEBRUARY 1992 15 14 CAA NEWS JANUARY (FEBRUARY 1992 I Ken Stout of the University of Arkansas has Arts, Philadelphia, for which she received a received a MacDowell Colony Fellowship for $5,000 honorarium. Conferences Hermon Dunlap Smith Center for the History of residency June-July 1991. Cartography at the Newberry Library in Karen Baldner has received a grant from the collaboration with the International Society for Maureen O'Hara Ure, visiting assistant Ludwig Vogelstein Fotmdation, New York. & Symposia the History of Cartography. Areas of discussion professor at the University of Utah, has been include: mapping the Americas; commercial awarded a development grant from the Salt Cynthia Manning Crosby has been selected as mapmaking; cartography and mathematics; the Lake City Arts Council for a collaboration with an artist-in-residence at both the Millay Colony, aesthetics of cartography; cartography and poet Katherine Coles. Austerlitz, N.Y., and Altos De Chavon, statecraft; and cartography and religion. The conference will be in English, French, and Dominican Republic, for spring 1992. East Carolina University has honored the Spanish, but there will not be simultaneous following faculty members in the School of Art: Benita Goldman was selected to be a resident translation. For information on submitting Donald R. Sexauer has been named Outstand­ Calls for Papers associate artist at the Atlantic Center for the papers: Hermon Dunlap Smith Center for the ing Teacher of the Year 1990--91; Richard Spiller History of Cartography, Newberry Library, 60 Arts, New Smyrna Beach, Fla., January 5-25, is Outstanding Teacher in the School of Art; and The Whitney Museum of American Art is 1992; she will be a resident fellow at the W. Walton St., Chicago, IL 60610. Michael Ehlbeck received the Outstanding soliciting papers from graduate students and Vermont Studio Center, Johnson, Vt., March 2- Service Award in the School of Art 1990-91. scholars at the beginning of their careers for the 30,1992. arumal Whitney Symposium to take place on The Mid Atlantic Arts Foundation Visual Arts May 9, 1992. This year's theme is Femininity and To Attend Jeffrey Hambtuger, associate professor at ------_._-- Residency Program has announced grant Masculinity: The Construction of Gender and tlIe Oberlin College, has received the Gustave O. awards for 1991-92 and the following CAA Transgression of Boundaries in 20th-Century . Imaging the Self in Renaissance Italy is the ArIt Award in the Humanities for 1991, members have been honored: Nancy Corwin, American Art and Culture. Papers may deal With topic of the Isabella Stewart Gardner Interdisci­ presented by the Council of Graduate Schools, critic, Piedmont Virginia Community College; any area of 20th-century American s~lpture, plinary Symposium to be held February 1, 1992. for his book Tile Rothschild Canticles: Art and Elaine A. King,. critic, Delaware Center for painting, installation, photography, vl~eo, Scholars will address the traditions and Mysticism in Flanders and the R1lineland circa 1300. Contemporary Art; and Jerilea Zempel, artist, cinema, and/ or popular culture. SubmIt constraints that shaped images of the self and Point Breeze Federation. abstracts of up to 1,000 words with a current will investigate the motives that have made the Barbara Jaffe has been awarded a grant from the resume for talks of approx. 20 minutes. Travel notion of individualism important to the period. Kodak Corporation for her work with large-scale subsidies are available. For information: Along with art historians, speakers come from negative prints. Constance Wolf, Whitney Museum of American the fields of religion, the social sciences, history, Art, 945 Madison Ave., New York, NY 10021. and the history of medicine. For information: Kathy Kauffman, associate professor of art at Deadline: Februal1) 7, 1992. Symposium Administrator, Isabella Stewart Sierra Nevada College, received a Professional Gardner Museum, 2 Palace Rd., Boston, MA Development Grant to deliver a paper titled Victorian Literature and Victorian Visual 02115; 617/566-1401. Women Artists Deconstruct the Male Avant-Garde Imagination is a conference to be held at the at the School of Visual Arts conference, Liberal University of California, Santa Cruz, August 6- Arts and the Education of Artists. 9,1992. Proposals for short, 20-minute papers are sought. Send to: John O. Jordan, Dickens Cynthia Kukla received a 1991 Kentucky Project, 354 Kresge College, University of Foundation for Women Individual Artist Grant California, Santa Cruz, CA 95064; 408/459-2103. Bernd and Hilla Becher, Orchard Coal Co., Koons Hollow, for New Work. She was also awarded a Deadline: February 15, 1992. Sabbatical Grant, a Sununer Fellowship, a Schuylkill County, 1978, photographs, in the exhibition Project Grant, and an International Studies. "Photography in Contemporary German Art" The Byzantine Studies Conference will be h:ld COLLECTION OFTHE ARTISTS Grant, all from Northern Kentucky Universlty at the University of illinois, Urbana-ChampaIgn, for residency in Geneva, Switzerland. Her work October 8--11, 1992. Send one-page abstracts to: was selected for the cover of the University of Alice-Mary Talbot, Dumbarton Oaks, 1703 32nd Beyond Attribution: Rereading Rembrandt in of time and place within an artist's subjective Cincinnati's Women's Studies Quarterly, winter S1., NW, Washington, DC 20007. Deadline: March the 1990s is a symposium to be held February 9, framework; international developments of the issue 1991-92, and for the cover of Spectrum, 15,1992. 1992, at Columbia University. It is intended to period; and Anselm Kiefer's new film in relation Northern Kentucky University's publication of complement the major exhibitions and colloqUia to narrative and trauma. For information: the Office of Research, Grants, and Contracts. The University of Virginia Architectural taking place in Europe. Participants will focus Elizabeth Moon, Walker Art Center, Vineland History Symposium welcomes proposals for on individual works by Rembrandt and Pl., Minneapolis, MN 55403; 612/375-7600; fax G. Roy Levin has received an artist's fellow~hip papers dealing with any aspect of Virginia's conhibute new interpretations. For information: 612/375-7618. from the Vermont Council on the Arts for hlS Milo M. Naeve architecture for a conference to be held Frederick Ilclunan, Dept. of Art History and work on Holocaust paintings. November 13-14, 1992, in conjunction with the Archaeology, 826 Schermerhorn Hall, Columbia Looking Glasses in America, 1725-1850, is a exhibition "The Making of Virginia Architec­ University, New York, NY 10027. symposium to be held February 29,1992, at the Kerry Vander Meer has received a 1991 ture" at the Virginia Museum of Fine Arts. For Yale University Art Gallery. Topics include: fellowship from the Marin Arts Council's further information or to submit abstracts: Diego Rivera in the United States is the subject studying and collecting looking glasses; the Individual Artists Grant Program for sculpture. Virginia Architecture Symposium, Dept. o~ of a symposium to be held at Northwestern looking glass in England; the looking glass in Architectural History, University of VirginIa, University, February 17, 1992. The topics will America; carvers and gilders in France and Nevin Mercede has received a Senate Commit­ Charlottesville, VA 22903; 804/924-3976. follow up on a related session at the College Art Continental Europe; and American looking tee Research Award for work on the Nimesa Deadline: April 15, 1992. Association's annual conference in Chicago the glasses in Rococo style. For information: 203/ Project Installation from Indiana University of preceding week. For information: Dept. of Art 432-0615. Pennsylvania. The Barnard College Conference on Medieval History, Northwestern University, Evanston, IL and Renaissance Shtdies will be held December Benvenuto Cellini, Bust of 60208; 708/491-3230; fax 708/467-1035. The University of Arizona Art History Gradu­ Milo M. Naeve received an Inaugural Lifetime 5,1992. For information: Catharine R. Coats, Binda Altaviti, ca. 1550, bronze, ate Student Symposium will be held March 7, Achievement Award in the arts from the Illinois Dept. of French, or Lydia Lenaghan, Dept. of 41 1/2" x 27" x 16" Photography in Contemporary German Art is 1992, at the Center for Creative Photography in Academy of Fine Arts. Classics, Barnard College, New York, NY 10027. ISABELLA STEWART GARDNER MUSEUM, BOSTON an international symposium at the Walker Art Tucson. Papers will cover a variety of art­ Deadline: May 30, 1992. Center, February 28--29, 1992. Topics include: the historical topics. The symposium provides stu­ Whatever Happened to Beauty: Aesthetics in a Christopher B. Steiner, assistant curator of relationship between photography and painting; dents with a critical and scholarly atmosphere in Culhtre of Signs is the subject of a symposium anthropology at the Natural History Museum of The International Conference on the History of the pictorial tradition in 20th-century German which to present their research and encourages to be held February 7-8, 1992, at the University Los Angeles County, has been awarded a grant­ Cartography will be held in Chicago and photography; the staging of photographic the discussion of new ideas in the field of art of Texas at Austin. For information: Texas Fine in-aid from the American Council of Learned Milwaukee, June 21-25, 1992, organized by the images; the photography of architecture; the history. For information: Toby Sydney, 1992 Art Arts Association, 3809-B W. 35th St., Austin, TX Societies. photographic work of Sigmar Polke; the History Graduate Student Symposium, 78703; 512/453-5312. relationship between the photograph as an index University of Arizona, Tucson, AZ 85721.

16 eAA NEWS JANUARY/FEBRUARY 1992 CAA NEWS JANUARY/FEBRUARY 1992 17 sions of surveys; maintenance strategies for Mid-Atlantic states. All artists 18 years or older SASE for information: Karen Schroeder, Nora Dept. of Ed. Policy Studies, 360 Education Bldg., Gallery of Art, the Delaware Art Museum, and metal and stone sculpture; and considerations who currently reside in the Mid-Atlantic region Eccles Harrison Museum of Art, Utah State 1310 S. 6th St., Champaign, IL 61820. the Department of Art History, University of for selecting and training technical support and whose primary medium is photography are University, Logan, UT 84322-4020; 801/750-1413. Delaware, April 24-25, 1992. Scholars from persOImel. The goal of the symposium is to eligible. The exhibition runs March 17-April11, Deadline: February 21, 1992. Invention in the Landscape: The Modem Europe and North America will present papers develop collaborative, cost-effective strategies 1992. For information: Corinne McMullan, New Garden and Its Contexts will take place April3-- on a variety of topics relating to the career and for managing the care of outdoor sculpture Image Gallery, 703/568-6216. Deadline: January Utopia: Envisioning a Dream is an exhibition to 5,1992, at Scripps College and the Huntington influence of this Bolognese Baroque painter/ collections at museums and in a wide range of 15,1992. be held at the Forum Gallery, Jamestown, N.Y., Library, Art Collections, and Botanical Gardens. draftsman. The symposium is organized in public spaces. For infonnation: American that will attempt to generate a broad level of For infonnation: Eric T. Haskell, Humanities conjunction with 2 Guerdno exhibitions at the Institute for Conservation, 1400 16th St., NW, Exhibition '51 will be held April2-May 1, 1992, discussion on the components of an ideal Institute, Scripps College, 1030 Columbia Ave., National Gallery and a show of Italian Baroque Suite 340, Washington, DC 20036; 202/232-6636. at Braithwaite Art Gallery. The exhibition is sociopolitical reality. Work can be in any Claremont, CA 91711-3948. paintings and drawings from the Carlo M. Croce nationwide, open to print media only­ medium. To the extent possible, all work collection at the Delaware Art Museum. For serigraphs, lithographs, etchings, and other print received will be displayed. For information: Portraits and Prospects: BritishlIrish Drawings information: David M. Stone, Education Dept., techniques. Max. 3 slides. Fee: $10 for 1 or 2 716/665-9107. Deadline: February 21, 1992. and Watercolors from the Ulster Museum, Delaware Art Museum, 2301 Kentmere Pkwy., slides; $15 for 3 slides. For information, send Belfast, is an exhibition at the Sterling and Wilmington, DE 19086; 302/571-9590; fax 302/ SASE: Cedar City Art Committee, c/o The Bowery Gallery will host 2 solo exhibitions Francine Clark Art Institute. A symposium is 571-0220. Braithwaite Art Gallery, Southern Utah in May and June 1992. Applicants must live scheduled for April 4, 1992, in conjunction with University, 351 W. Center, Cedar City, UT 84720. outside the New York metropolitan region. Send the exhibition. Speakers will address selected The Buell Talks on American Architecture, Deadline: January 28, 1992. SASE for information: Invitationals, Bowery topics in British and Irish watercolors from the sponsored by the Temple Hoyne Buell Center Gallery. Deadline: February 25, 1992. 18th to the 20th century. For infonnation: J. for the Study of American Architecture, will be Opportunities The New England Film and Video Festival will The gallery is also hosting a national furied Dustin Wees, Sterling and Francine Clark Art held April 25, 1992, at Columbia University. The take place in Boston, May 21-23, 1992. It is open competition, July 3--22, 1992. All artists working Institute, 225 South St., Box 8, Williamstown, program is structured to strengthen the to independent and student film and video in 2-dimensional media are eligible. Send SASE MA 01267; 413/458-9545. intellectual and academic qualifications of makers. Works must have been completed in the for infonnation: Bowery Gallery, Dept. P, 121 doctoral students working in American past 2 years. Media works of all lengths are Wooster St., New York, NY 10012. Deadline: April The Visual Arts in a Technological Age: A architectural hi~tory by providing a forum for Thomas Eakins, The Cello Player. 1896, eligible. No more than 2 works per artist maybe 10,1992. Centennial Rereading of Walter Benjamin is collegial discussion of their work, as well as by oil on canvas, 641/4" x 481/8", in the entered. Awards of up to $5,000 are made in the theme of a colloquium to be held April 4, associating collectively and individually with exhibition "Thomas Eakins Rediscovered" independent and student categories. Formats The Crocker-Kingsley Exhibition will be held PENNSYLVANIA ACADEMY OF THE FINE ARTS, PHILADELPHIA; 1992, at Wayne State University. The program leading scholars in the field. For information: Awards can be 16 mm, Super 8, or video; and they can be at the Crocker Art Museum, April 25-June 4, JOSEPH E. TEMPLE FUND PURCHASE will consider applications of Benjamin's critical Gwendolyn Wright, Temple Hoyne Buell Center narrative, documentary, animated, and/or 1992. TIle exhibition is open to any artist insights to 20th-century visual studies, mass for the Shtdy of American Architecture, The Basil H. Alkazzi Award provides $5,000 for experimental genres. Fees: $35 for independents, residing in the Northern California area. Each Prints and the Mainstream: Paperboat or Flag­ culture, and audience formation. For informa­ Columbia University, 400 Avery Hall, New the best artist and/or art student's seriously $25 for students. For information: NEFVF, Arts artist may submit one entry (3 slides for 2- ship? is the theme of the 20th Annual Southern tion: Jeffrey Abt, Dept. of Art and Art History, York,NY 10027. proposed application, and one work of the Extension Service, Div. of Continuing Education, dimensional; 4 slides for sculpture). Fee: $15. No Graphics Council Conference to be held in Wayne State University, 150 Art Bldg., Detroit, winner will be acquired for a collection. The 604 Goodell Bldg., University of Massachusetts, crafts accepted. For information: Crocker Art Knoxville, Tenn., March 19-21, 1992. Conference MI 48202; 313/577-2980. Reconsidering Impressionism is a symposium award money may be used to travel and study, Amherst,:MA 01003; 413/545-2360; fax 413/545- Museum, 216 0 St., Sacramento, CA 95814; 916/ sessions, demonstrations, and exhibitions will to be held at the Museum of Fine Arts, Boston, to set up a studio and further a career, or to 3351. Deadlines: January 31, 1992, for independents; 264-5423. Deadline: March 2, 1992. address social, political, aesthetic, and pedagogi­ Subversions' Objects is the theme of the annual April 25, 1992, in conjunction with a major continue an art-based education. The award is February 7, 1992, for students. cal issues in contemporary printmaking. For conference of the Association of Art Historians, exhibition of European and American Impres­ open only to painters who must be U.s. citizens The Lion and the Lamb Peace Arts Center is information: Beauvais Lyons, Dept. of Art, 1715 April 10-13, 1992, Leeds, England. The sionist paintings from the museum's extensive aged 18-34. Applicants must send 6 transparen­ 1708 East Main, a nonprofit gallery, invites accepting entries for an outdoor peace sculpture Volunteer Blvd., University of Tennessee, conference aims to draw attention to practices, collection. The symposium will challenge cies and 4 color or black-and-white prints of professional artists to submit proposals for the national juried competition. Participants must Knoxville, TN 37996-2410; 615/974-3407. processes, and discourses within art and art familiar assumptions about Impressionism and their work, a full resume including date of birth, 1992-93 season. Artists receive small honoraria. have experience with outdoor sculpture. Send history that have been ignored, marginalized, or offer new perspectives. For information: Gillan a head and shoulder photograph, and a hand­ Painting, sculpture, photography, installations, slides of up to 3 works (no more than 10 slides). Decorative Arts: Renaissance through Modem occluded. A special emphasis on sculpture will Wohlauer, Dept. of Education, Museum of Fine written statement as to why they are applying and mixed media eligible. Send SASE for For information: Elizabeth Hostetler, Lion and is the subject of a symposium sponsored by the be included, as well as a consideration of objects, Arts, 465 Huntington Ave., Boston,:MA 02115. and how they propose using the funds. Nine proposal form: 1708 East Main Gallery, 1708 E. the Lamb Peace Arts Center, Bluffton College, Cooper-Hewitt Museum and Parsons School of popular culture, and fonns of electronic cultural international reply coupons must be enclosed to Main St., Richmond, VA 23223; 804/643-7829. Bluffton, OH 45817; 419/358-3207. Deadline: Design, March 20-21, 1992. Graduate students production. Sessions include'. fantasy~ censor­ Vision and Reality is the theme of the annual cover return postage. Send entry to: Basil H Deadline: January 31, 1992. March 2, 1992. from a number of American universities will ship and permissibility; deconstruction: art and conference of the American Association of Alkazzi Award (USA), BCM Box 6314, London present their latest research on Renaissance and propriety; television and video; design; the Museums, April 25-29, 1992, in Baltimore. The WCIN 3XX, England. Deadline: March, 1, 1992, The Old Church Cultural Center School of Art Illuminance '92 is a national competition open later decorative arts of Europe and the United social history of art; art criticism/theory and conference will address the contending forces of and August 31,1992. is accepting submissions for its small works to all U.s.-resident artists utilizing photographic States. For information: 212/860-6344 or 6345. practice; printmaking before 1900; disfigure­ the mission of the museum field and the show, open to artists who live and/or work in processes. The exhibition will be held at the ment; Renaissance sculpture; classification and uncertainty of potential resources. For informa­ The American Association of Museums is New Jersey. Fee: $15 for up to 3 slides. Include a Lubbock Fine Arts Center, April20-May 23, New Perspectives on Thomas Eakins is a its costs; tombs, monuments, and memorials; a tion: American Association of Museums, 1225 seeking entrants for the 1992 Museum Publica­ resume and statement. For information: School 1992. Fee: $15 for up to 3 enmes, $5 for each symposium to be held March 28, 1992, at the feminist critique of the practice of sculpture; the Eye St., NW, Washington, DC 20005; 202/289- tions Competition honoring excellence in of Art, 561 Piermont Rd., Demarest, NJ 07627; or additional entry. Send SASE for prospectus: Pennsylvania Academy of the Fine Arts in New Sculpture movement; art-historical 1818; fax 202/289-6578. museum publication design. Awards of call Karen Shalom at 201/767-7160. Deadline: Lubbock Fine Arts Center, 2600 Ave. P, conjunction with the exhibition "Thomas Eakins subversions in the United States; patronage and distinction and awards of merit will be awarded February 3, 1992. Lubbock, TX 79405; 806/767-2686. Deadline: Rediscovered," which doses April 5. Leading collecting in the decorative arts; cultural Premodern Islamic Palace Architecture is the in 15 categories. For information: Publications March 6, 1992. scholars will interpret Eakins's work based on colonization; beyond art history; discourseS of subject of a symposium at the Harvard Competition, American Association of Mu­ Confluence is a national juried exhibition open analysis of the academy's Charles Bregler labor; and sculpture in the public realm. For University Graduate School of Design, May 15- seums, 1225 Eye St., NW, Suite 200, Washington, to original sculpture or painting executed within The Print Club of Albany is sponsoring an Collection. For information: Pennsylvania infonnation: Tony Hughes, Dept. of Fine Art, 16,1992, sponsored by the Aga Khan Program DC 20005; or call Susannah Cassedy at 202/289- the last 2 years. Fee: $22 for up to 3 slides; $5 for open, competitive print exhibition to be held at Academy of the Fine Arts, 118 N. Broad St., Leeds University, Leeds LS2 9}T, England; (0532) for Islamic Architecture at Harvard and the 9122. Deadline: March 16, 1992. . each additional slide. For information: Hill the Schenectady Museum, September 8-October Philadelphia, PA 19102; 215/972-7600. 431751; or Jonathan Harris, 3 Side Copse, Otley Massachusetts Institute of Technology. Scholars Country Arts Foundation, PO Box 176, Ingram, 10,1992. The exhibition is open to artists across LS21 IJE, England; (0943) 463721. from the United States and abroad will present TX 78025; 512/367-5121. Deadline: February 10, the United States. For information: Print Club of Making It Perfectly Queer is the 2nd National papers on a broad spectrum of topics. For Calls for Entries 1992. Albany, PO Box 6578, Albany, NY 12206. Graduate Student Conference on Lesbian and The Totalitarian Art Symposium will be held at information: Gtilru Necipoglu, 617/495-0782 or Deadline: July 1, 1992. Northwestern University, April 23--25, 1992, and 2355. Gay Studies, April 2-4, 1992, University of Listings have not been screened, so artists should Drawn West is an exhibition of drawings to be Illinois at Urbana-Champaign. The conference will cover diverse issues in the arts during the consider making inquiries before submitting held at the Nora Eccles Harrison Museum of The Foundation of the American Institute for will focus on diversity within the lesbian and 1930s in Italy, Germany, and the Soviet Union. materials, particularly when a farge fee is required. Art, April 22-June 14, 1992, and is open to artists Grants and Fellowships gay community, particularly the various For information: Dept. of Art History, North­ Conservation will conduct a symposium on the Due to limited space, the names of jurors have not currently residing in Arizona, California, discourses of difference that permeate these western University, Evanston, IL 60208; 708/ maintenance of outdoor sculpture, June 2-3, been listed. Colorado, Idaho, Montana, Nevada, New The Samuel H. Kress Publication Fellowship is communities-issues of race, class, etlmicity, 491-3230; fax 708/467-1035. 1992, to provide conservators, museum Mexico, Oregon, Utah, Texas, Washington, and administered by the Architectural History professionals, and public art administrators with and gender. For information: Robert McRuer, The New Images Exhibition is having its 3rd Wyoming. Submissions of up to 3 slides or Foundation for scholars engaged in preparing a Guerdno: Nature and Idea-A Quadricenten­ the opportunity to exchange experiences and Dept. of English, 208 English Bldg., 608 S. annual juried photograph competition for the black-and-white photographs. Fee: $20. Send completed doctoral dissertation on architectural Wright St., Urbana, IL 61801; or Cris Mayo, nial Symposium will be hosted by the National points of view. Presentations include: discus-

CAA NEWS JANUARY/FEBRUARY 1992 19 18 CAA NEWS JANUARY/FEBRUARY 1992 history or a related field for publication. The Century Studies Fellowships (2); the Eleanor M. related fields. The fund offers one graduate-level Arts describing the support available from the British Architectural Library, 66 Portland Pl., The National Endowment for the Humanities $10,000 fellowship can be used for any purpose Garvey Fellowship in Printing and Graphic Arts; fellowship to continue studies at the school in NEA for arts-related activities in rural and London WIN 4AD, England; or RIBA Publica­ announces its NEH Summer Seminars and NEH cmmected with the project. Preference will be and the Houghton-Mifflin Fellowship in which the awardee is currently enrolled or at underserved communities. It also describes tions, Finsbury Mission, Morland St., London Summer Institutes to be held in the United States given to subjects that are international or Publishing History. Applications must include: a another qualified institution. To be eligible, an grants awarded to state and regional arts EC1 V 8VB, England. and abroad in the summer of 1992. For a intercultural in treatment. The foundation statement (3 pages max.) describing the research applicant must have completed at least one year agencies. complete list of institutes and seminars offered: welcomes the opportunity to consider the project and the importance of the library's of credit in a graduate program in art history or The 1992-93 Guide to the National Sponsored Research in the History of Art is National Endowment for the Humanities, 1100 completed manuscript for publication. Eight collection to the work; a current c.v.; and 2 a related field such as museum work, conserva­ Endowment for the Arts is also available from published by the Center for Advanced Study in Pennsylvania Ave., NW, Washington, DC 20506; duplicate copies of the following are required: letters of recommendation from scholars familiar tion, or restoration; or have completed one year the NEA. For copies of these pUblications: Public the Visual Arts, National Gallery of Art, as a 202/786-0380 for institutes; 202/786-0463 for synopsis of the manuscript (in English); with the applicant's work. For information: by June 1992 of an internship program at a Information Office, Rm. 803, National Endow­ directory of advanced projects in the history of seminars. The following is a list of seminars and statement of how the grant money will be used; Richard Wendorf, Houghton Library, Harvard qualified museum of art. Applicants must be ment for the Arts, 1100 Pennsylvania Ave., NW, art, archaeology, and allied fields in the institutes that may be of interest to CAA date of completion for manuscript and University, Cambridge, MA 02138. Deadline: able to demonstrate achievement on the basis of Washington, DC 20506. humanities and social sciences, recording 1,500 members. Deadlines: March 2, 1992, for most illustrations; letters of support from 3 qualified Februanj 3, 1992. scholarship, and they must be U.S. citizens. For projects on the pre- and postdoctoral levels sessions. individuals; a c.v. including past and present information: Pittsburgh Foundation, 30 CNG Critical Vision: The Role of the Critic in the supported during 1990-91. In archaeology grants; a stamped, self-addressed postcard, The Art Conservation Department of Buffalo Tower, 625 Liberty Ave., Pittsburgh, PA 15222; "New" Art of the Eighties contains the entries are arranged under major geographical The Picturesque Movement. For information: which will be returned to the applicant to verify State College has a Getty Senior Fellowship 412/338-2661. Deadline: March 1, 1992. proceedings of a symposium sponsored by the subheadings. In the history of art listings include Alistair Duckwurth, Dept. of English, University receipt of the complete application. The finished available for a minimum of 4 months, August Center for the Study of Modernism, Department geographic areas and historical periods in of Florida, Gainesville, FL 32611. manuscript can be in any language, but the 1992-June 1993. The fellowship will enable an The Peter Krueger/Christie'S Fellowship is for a of Art, University of Texas at Austin, and the addition to media and themes. Among the application must be in English. For information: established conservator, conservation scientist, scholar with an M.A. degree to do a research Texas Fine Arts Association. Edited by John R. subjects covered are theory, criticism, and Architecture and Urbanism in Rome, 1500- Architectural History Foundation, 350 Madison or allied professional to join the department. The project for a field in which the Cooper-Hewitt Clarke and Katy Siegel, it includes essays by historiography; patronage and collections; and 1750. For information: John Pinto, Dept. of Art Ave., New York, NY 10017; 212/557-8441; fax fellowship entails a special project or research of Museum collects: drawings and prints, textiles, Kenneth Baker, Suzi Gablik, Donald Kuspit, Kim research resources. Each entry lists the and Archaeology, Princeton University, 212/682-5969. Deadline: January 31,1992. significance to the conservation profession, as wall coverings, and European and American Levin, and Carter Ratcliff, with discussants Dave recipient's name; institutional affiliation and Princeton, NJ 08544. well as involvement in some form of instruction. decorative arts. The fellow will work with the Hickey, Christopher Knight, Ingrid Sischy, and location; funding institution; and dates of the The AAM Curators' Committee Travel Stipend To apply, send a current resume and a proposal museum's staff on the project, be assigned to a Roberta Smith. $4.95 unbound; $6.50 bound; award. Indexes by grantee and sponsoring Portraiture: Biography, Portrait Painting, and Award is available to provide partial support for outlining activities during the fellowship, curatorial department, and will assist in daily $2.90 shipping. Order from: Kinko's Copies, organization provide access to the information. the Representation of Historical Character. For a curator to attend the American Association of including desired starting date and length of curatorial dUties. There is a $15,000 stipend for 2901~C Medical Arts St., Austin, TX 78705; 512/ $25 plus $2.50 shipping in U.S. and Canada information: Richard Wendorf, Houghton Museums' annual meeting in Baltimore, April fellowship. For infonnation: Director, Art 12 months max.-and $2,000 for travel. For 476-3242; fax 512/476-2371. ($5 for other destinations). Order from: Library, Harvard UniverSity, Cambridge, MA 1992. To qualify, an applicant must be beginning Conservation Dept., Buffalo State College, information: Caroline Mortimer, Cooper-Hewitt National Gallery of Art, Mail Order Dept., 02138. a professional curatorial Career, work in a Rockwell Hall 230, 1300 Elmwood Ave., Buffalo, Museum, 2 E. 91st St., New York, NY 10128. The Museum Handbook, Part I, Museum 2000 Club Dr., Landover, MD 20785; fax 301/ museum as a curator, and be a first-time NY 14222-1095; 716/878-5025. Deadline: February Deadline: March 15, 1992. Collections, is a useful source of information for 322-1578. Inventing the New World: Texts, Contexts, participant at the annual meeting. Submit a 15,1992. institutions responsible for collecting, preserv­ Approaches. For information: Steven Mullaney, letter (2 pages max.) discussing current The Multi-Site Collaborations Program: Visual ing, studying, and interpreting natural and Dept. of English, University of Michigan, Ann curatorial responsibilities, profeSSional activities, The International Projects Initiative, under the Arts is administered by the National Association cultural museum collections. The book covers all Residencies Arbor, MI 48109. and professional goals, as well as a statement of auspices of the National Endowment for the of Artists' Organizations to culturally broaden disciplines and includes such topics as professional ethics; storage; environmental purpose in attending the meeting. A current Arts, offers grants to U.s. cultural organizations and geographically increase the audience for The Archie Bray Foundation is accepting City Scenes: Culture and Society in 17th­ monitoring and control; conservation treatment; resume, a letter of support from the applicant's (either private nonprofit organizations or units important new work typically supported by applications for the 1992 residency program. Century London and Paris. For information: security; fire protection; curatorial health and institution, and a letter of support from a of state or local government) in support of artists' organizations. The program encourages Residencies for ceramic artists are available for 3 Karen Newman, Dept. of Comparative safety; emergency planning; and pest manage­ curatorial sponsor who is not from the exemplary international arts projects. The and supports contemporary work by visual months in the summer and up to 2 years. Send Literature, Brown University, Providence, RI ment. It also contains sections on the Care of applicant's institution should be included. Send program supports international cultural artists through collaborative visual-arts projects SASE for infonnation: Carol Roorbach, Archie 02912. ceramics, glass, stone, paintings, and cellulose 3 copies of material to: Gloria Kittleson, interchange; innovative partnerships to increase betvveen artists' organizations and other cultural Bray Foundation, 2915 Country Club Ave., nitrate film as well as archaeologicaL paper, Minnesota Museum of Art, Landmark Center­ access to international arts activities; and institutions and arts groups throughout the Helena, MT 59601; 406/443-3502. Modernity and the City: Film, Literature, and Fifth and Market, St. Paul, MN 55102-1486. community interaction with artists in this United States. Proposals must be submitted on textile, wood, and metal objects. Send prepay­ Urban Culture in the Weimar Republic. For ment of $36 to: Superintendent of Documents, Deadline: February 1, 1992. country and abroad. For information: Interna­ behalf of 2 or more arts organizations located in Cummington Community of the Arts offers information: Anton Kaes, Dept. of German, PO Box 371954, Pittsburgh, PA 15250-7954. To tional Office, Rm. 528, National Endowment for different regions of the country, one of which private living and studio space for 20 artists per University of California, Berkeley, CA 94720. order by phone: 202/783-3238. The Vincent Scully, Jr., Research Grant of the Arts, Nancy Hanks Center, 1100 Pennsylva­ must be an artists' organization and a full month. Residencies are 2 weeks to 3 months $5,000 is offered by the Architectural History nia Ave., NW, Washington, DC 20506; 202/682- NAAO member. Grants are $5,000-$25,000. For long. Artists are selected solely on the quality of The Art of India: Sacred and Secular. For Preserving Libraries for Medieval Studies: Foundation to stimulate the publication of a 5422, or 5496 for voice/telecommunications information: NAAO, 918 F St., NW, Washington, their work. For information: Cummington information: Vidya J. Dehejia, Dept. of Art Colloquium on Preservation Issues in book on an American architect or group device for people who are hearing impaired. DC 20004; 202/347~6350. Deadline: April 20, 1992. Community of the Arts, RR 1, PO Box 145, History and Archaeology, Columbia University, Medieval Studies, March 25-26, 1990, papers deserving scholarly investigation. Six copies of Deadline: February 21,1992. Cummington, MA 01026; 413/634-2172. New York, NY 10027. are available through the University Libraries of the follo-wing are required: a brief book Deadlines: the first of the month, 2 months prior to Notre Dame for $10. This cost is redirected into proposal, 1-3 pages, including projected date of The Asian Cultural Council, with assistance Internship desired month of residency, for September-June; Mexican Colonial Art 1521-1821: Culture in ongoing preservation efforts at the University manuscript completion; a I-page outline of how from the Henry Luce Foundation, has estab­ April 1 for residency in July and August. Context. For information: Mary F. Grizzard, the award would be put to use; a writing sample lished a fellowship program for American Libraries. To order, send checks made payable to Peter Krueger Summer Internships are Dept. of Art and Art History, University of New (10 typed pages max.); a c.v. including past and scholars, curators, and conservators of Asian art University Libraries of Notre Dame: Sophia K. available at the Cooper-Hewitt Museum for Mexico, Albuquerque, NM 87131. present grants; 3 letters of recommendation from to conduct research and travel in East and Jordan, 219 Hesburgh Library, University of college students and graduate students who recognized scholars. To acknowledge receipt of Southeast Asia, including Bunna, Cambodia, Notre Dame, Notre Dame, IN 46556. Workshops and Schools have not yet completed the M.A. Interns -will be Russian History and Culture through Art and materials, enclose a self-addressed, stamped China, Hong Kong, Indonesia, Korea, Laos, assigned to a curatorial. education, or adminis­ Artifact. For information: George E. Munro, postcard. For information: Architectural History Malaysia, the Philippines, Singapore, Thailand, The RIBA List of Recommended Books 1991- trative department where they will assist on The Triangle Artists' Workshop for painters Dept. of History and Geography, Virginia Foundation, 350 Madison Ave., New York, NY and Vietnam. Eligible for support are individual 92 is a general list of titles on architecture and and sculptors will be held in July 1992 in Upstate special projects and participate in daily museum Commonwealth University, Richmond, VA 10017; 212/557-8441; fax 212/682-5969. Deadline: research projects; visits to Asian institutions in building with over 720 entries. The book list New York. Studios are open to encourage 23284-2001. activities. Special visits to other museums will Februanj 1, 1992. connection with proposed exhibitions of Asian provides a general guide for practitioners, exchange and experimentation among also be arranged. There is a $2,500 stipend, and art in the United States; and observation tours to students of architecture, and librarians. It covers participants. There is a critic-in-residence during the internship runs June 8-August 14, 1992. For The Vermont Studio Center has a National The Houghton Library at Harvard University collections, sites, and conservation facilities in the best titles available on a wide range of the session, along with visiting artists and critics information: Internship Coordinator, Cooper­ Artists' /Teachers' Program offered for 3 one­ has several short-term fellowships to assist Asia. Grants provide for travel, research, and subjects: management and practice; computers; Hewitt Museum, 2 E. 91st St., New York, NY who tour the studios and offer lectures and week increments in April 1992. Each artist-will scholars who wish to work in the library's related costs and range 1-3 months. For draftsmanship; contracts; building regulations; 10128. Deadline: March 31, 1992. presentations. To apply, send 6 labeled 35-mm be given room, board, and studio space. collections. Each fellow must be in residence at infonnation: Asian Cultural Council, 1290 Ave. legal matters; construction; building materials slides in full slide sheet, a numbered slide list, an Academic credit is available through the Harvard for at least one month any time from of the Americas, Rm. 3450, New York, NY 10104. and types; environmental engineering; education and exhibition resume, a brief University of the Arts. Teachers may apply for July 1992 to June 1993. The stipend for each Deadline: March 1, 1992. conservation; landscape; planning; architectural statement of work plans for the 2-week session, one or more weeks. Fellowships are available fellowship is $1,500. Fellows are expected to Publications history; and major architects and designers. The and SASE. For information: Triangle Artists' based on need. For infonnation: Vermont Studio present informal talks on their work during the The Walter Read Hovey Memorial Fund list is compiled annually by distinguished Workshop, 55 Fifth Ave., 15th Fl., New York, Center, Artists' /Teachers' Program, Box 613, time of the fellowship. Among the fellowships to Award has been established to help to advance The Arts in Rural America is a brochure architects, architectural historians, and NY 10003; 212/206-6195. Deadline: March 1, Johnson, VT 05656; 802/635-2727. Deadline: be awarded are: the American Society for 18th- careers of graduate students in art history or published by the National Endowment for the educators. Single copies are free. Order from: 1992. Marcil 15, 1992.

20 CAANEWS JANUARY/FEBRUARY1992 CAA NEWS JANUARY/FEBRUARY 1992 21 The Coupeville Arts Center has Photo Focus Information Research, Waldmannstrasse 6-8, CH 8001 Classified Ads humanities. No theses, dissertations. 1992. This program will be directed by Workshops on Whidbey Island, April-June 1992. Zurich, Switzerland; 01/2512486; fax 01/262 28 ------Experienced, references. Call: 919/929- Gino Casagrande and offer courses such For information: Coupeville Arts Center, Box Wanted 17; or Museum zu Allerheiligen, Klosterplatz 1, 7130. as Renaissance art with Gail Gaiger, 171C, Coupeville, WA 98239; 206/678-3396. CH-8200 Schaffhausen; 053/25 43 08. The CAA newsletter accepts classified ads of drawing and watercolor with Mignon­ a professional or semiprofessional nature Exhibition Announcements. Full-color ette Cheng, architecture and urban The University of Michigan, through its John Henry Twachtman is to be the subject of a (sales of libraries, summer rental or reproduction-12 pt., coated stock, 200- development with Kingsbury Marzolf, Department of the History of Art and Office of catalogue raisonne. Works, unpublished letters, exchange of homes, etc.!: 75¢/word ($1.25/ International Programs, is planning a workshop papers, diaries, and photographs regarding line separations-varnished. Write for and Early Florentine Mannerism with Wanda Gag (American, 1893--1946), artist and $15 for art librarians and slide and photograph Twachhnan are sought. Lisa Peters or Ira word for nonmembers); minimum. All samples: Images for Artist, 2543 Graham Smith. Students and facully illustrator, is the subject of current research. She ads must be prepaid. curators in Florence, Italy, May 1992. The one­ was famous as a printmaker in the 1920s, 1930s, Spanierman, Spanierman Gallery, 50 E. 78th St., Cleinview, Cincinnati, OH 45206. will live and study at the villa for either week workshop is intended for librarians and and 1940s. The Weyhe Gallery in New York New York, NY 10021; 212/879-7085; fax 212/ 6 or 8 weeks and earn 6-10 undergradu­ curators with an interest in or responsibility for handled her work. If you have any information, 249-5227. Fantastic Studio Space! One 30' x 40' x ate credits depending on the classes collections related to Italian painting, sculpture, published or unpublished, write: George L. 12' and 16' x 24' x 8' and deck, and one chosen. All courses are taught in and architecture. Participants will have the Glotzbach, 6 Sedgefield Ct., Lutherville, MD Art Bulletins, Society of Architectural opportunity to visit major research libraries and 21093. 20' x 40' x 10' and 15' x 8' x 7'. Both fully English. Italian language is offered, but collections of photographs, as well as principal Riston; Journals. 1959-91. Available as winterized, electric, gas heat, water, not required. Please contact the Univer­ gifts to nonprofits. Dr. C. E. Meyer, 139 monuments and museums. The $1,300 fee Luigi Luciani (American, 1900-1988) will be the phone. Charming 2-3 bedroom con­ sity of Michigan Office of International includes room, board, admissions on organized subject of a 1994 retrospective and catalogue. Merriweather, Kalamazoo, MI 49007. verted dairy barn, 2 full baths, fireplace, Programs at 313/764-4311; or 5208 visits, transportation to sites, a day excursion, Information is sought on the current location of gas/hot-water heat, 2-car garage. Angell Hall, Ann Arbor, MI 48109, for and speciallechtres. For information: Joy Blouin, paintings, drawings, etchings, correspondence, Artist-Teacher. Seeks long-term living/ Borders 100'-wide creek, 61/2 acres further information. Collection of Slides and Photographs, Dept. of photographs, and other archival material. Datebook.=-=-c='- ______work space downtown NYc. Reason­ the History of Art, 20A Tappan Hall, University rolling pastures, 1 1/2 hours to Manhat­ Gloria C. Kittleson, Minnesota Museum of Art, able rent. 212/786-4905. of Michigan, Ann Arbor, Nll48109-1357; 313/ 305 St. Peter St., St. Paul, MN 55102; 612/292- tan. $205,000. 914/626-2334. University of Cambridge, England. 763-6114. 4351. Summer school in art history, June 28- Art Workshop Assisi, Italy. August 4- For Rent. Florence, Italy. Spacious, 2- july 18, 1992. Specialist program January 24 The Intermuseum Laboratory will host a 3-day Frederick William MacMonnies, American 31,1992. Live and work in a 12th­ Deadline for Careers supplementary issue bedroom apartment in historic center­ focusing on British art and architecture. workshop on the care and conservation of sculptor. Information about unpublished century hill town surrounded by the submissions, to be distributed at the 1992 CAA adjacent to Via Tornabuoni. Modernized Participants select 2 courses, each 15+ historic photographs titled "Here, There, and works, commissions, students, associates, and Umbrian landscape. Instructional Everywhere: Addressing Issues Surrounding the annual conference and renovated, 1991. 1-2 persons. contact hours plus 18 hours of visits to private correspondence is sought. E. A Gordon, courses in painting and drawing for all Preservation of Historic Photographic Materi­ 130 Tekening Dr., Tenafly, NJ 07670; Interested professors and graduate builclings and galleries. (Optional) February 5 levels in all media, art history, creative als," to be held June 24-26, 1992. The course will 201/567-8334. students contact Dr. Heidi J. Hornik, assessment accepted as credit in many address the structure and deterioration of a Deadline for proxies for 1992 members' annual writing, and the Italian language. Baylor University, PO Box 97263, Waco, U.s. universities. Details: International business meeting (see page 6) variety of photographic processes. Discussions Oranges by Grace Hartigan is a series by the Independent program for those wishing TX 76798-7263; 817/755-1867. Division, University of Cambridge, of proper housing of "difficult" formats and artist that incorporates the text of poems by to work without instruction. Housing, February 12-15 Maclingley Hall, CB3 8AQ, England. Fax guidelines for handling, exhibition, and Frank O'Hara. Information that might help to most meals, studio space, critiques, and CAA annual conference Fresco Painting Workshop. Ceri, Italy, 44954 210677. duplication will accompany examination of determine the present location of 2 paintings in lectures. Art Workshop, 463 West St., achtal objects. For information: Jeannine Love, the series, exhibited at the Tibor de Nagy 40 kilometers north of Rome, August February 24 1028H, New York, NY 10014; 212/691- Intermuseum Laboratory, Allen Art Bldg., Gallery in New York in 1953, is sought: #2~Is It 1992. Intensive 3-week workshop Venice. Apartment for rent, semester or Deadline for submitting material for the March/ 1159. Oberlin, OH 44074. the Truth That She Will Finally Conquer?; and offered in an unusua116th-century year, 7/1/92-5/31/93. Kitchen, bath, April newsletter, to be published March 23 #lO-What Furious and Accepted Monster Is This? palazzo. All aspects of fresco painting soggiorno, study /guestroom, bedroom in Terence Diggory, Dept. of English, Skidmore Blue Mountain Gallery, 121 Wooster February 28 will be covered. Write or call for further loft. Modernized, fully furnished, Miscellaneous College, Saratoga Springs, NY 12866; Internet: St., New York, NY 10012, is offering Deadline for Careers submissions, to be details. Fresco Associates of Ceri, 133 luminoso; 10-min. walk from station, on [email protected]. published March 26 exhibition slots for summer 1992. Fee Greene St., New York, NY 10012; tel. several vaporetto lines. Suitable for 1-2 City without Walls, a nonprofit, alternative $3,000. SASE for prospectus. Deadline for gallery, is accepting proposals from potential Claude-Emile Schuffenecker (French, 1851~ and fax 212/473-5657. adults. $600/mo. (not including MarchI submission of slides: February 17, 1992. curators for thematic group exhibitions 1934) is to be the subject of an exhibition and utilities). Anne Schutte, Cannaregio Deadline for Millard Meiss Publication Fund consisting of 6-20 artists. For information: catalogue raisonne. Individuals in possession of Hydra, Greece. 3-bedroom, furnished 1544,30121 Venice; 011-39-41/715779. applications (see page 11) 201/622-1188. drawings, pastels, or paintings by the artist are Books on the Fine Arts. We wish to house, spectacular views Aegean, invited to forward photographs and descriptions purchase scholarly out-of-print books on March 2 mountams. Monthly April, May, Your Sabbatical: large artist's studio. The Underground Library for Collaborative for inclusion in the catalogue to: Jill-Elyse Western European art and architecture, Deadline for nominations to CAA awards September, October: $1,250; March, Separate furnished apartment. Every Art is soliciting material from artists of all Grossvogel, 247 Valley Rd., Ithaca, NY 14850. committees (see page 9) also library duplicates and review November $950; june, july, August convenience: A/C; carport; courtyard; disciplines who seek to do collaborative work. copies. Please contact: Andrew Washton Work included in this file will serve as a Sexual Harassment and Gender Discrimination $1,750. Daytime: 212/861-9270. rooftop; skylights! Quiet Greenpoint. March 15 Books, 411 E. 83rd St., New York, NY resource for other artists as well as presenters are the subjects of an upcoming book. Those One subway stop to Manhattan-2 Deadline for nominations to CAA Board of seeking to produce collaborative ventures for who have had such experiences within the 10028; 212/751-7027; fax 212/861-0588. Spacious Country Home. On 9 wooded blocks away. $1,200. Chris: 718/782- Directors (see page 7) public spaces, performance, or exhibition. To be context of a gallery, museum, or university art Catalogues available upon request. acres. Rondout Reservoir area. Very 3208. included: Wickham Boyle or Kathleen department are asked to relate their experiences April 6 private. 4 bedrooms, large kitchen, MacQueen, 212/219-1166; or write (include for inclusion in the book. Include signed Deadline for submitting material for the May / Collectors, Museums, Galleries. dining room, living room, family room. SASE) Underground, c/o Under One Roof, 428 permission to publish the account. It is possible June newsletter, to be published May 1 GreenwichSt., New York,NY 10013. to request anonymity. Send to: Kathy Kauffman, Consult us to edit art and art-related 2 stone fireplaces, in-ground pool, PO Box 4269, Incline, NV 89451. projects. The Association of Freelance decks. Must see. Asking $259,000. April 30 Art Editors, 352 Beaver Dam Rd., 914/647-3706. Deadline for Careers submissions, to be Alexander Trippel (1744-93) was a Swiss published May 24 Brookhaven, NY 11719; 516/286-1196. sculptor of early classicism. Information and Summer in Florence. The University of documentation concerning his sculpture, July 1 Editing, Rewriting_ Papers, transcrip­ Michigan and the University of Wiscon­ drawings, and correspondence is requested from Deadline for petitions for nominations to CAA art dealers and private and public collections for tions, proceedings, proposals, mono­ sin will offer a summer program at the Board of Directors (see page 7) a catalogue misonne. Swiss Instihtte for Art ---- graphs, and book mss. in arts and Villa Corsi-Salviati beginning June 1,

22 CAA NEWS JANUARY!FEBRUARY 1992 CAA NEWS JANUARY!FEBRUARY 1992 23 The First Amendment protects your right to --v-- think, to see, to read, AMERICAN AnillNEs Is PRoun1b BE to say, to sing, to print, 1lrn OFFICIALAnlliNE to sculpt, to film, to FOR1lrn 80mANNuAL paint or to embody CoNFERENCE OF your ideas graphically 1lrn CollEGE or symbolically. AlIT AsSOCIATION IN A Public Service message from OnCAGO,lwNoIS. (this organization) and FEBRUARY 10-19,1992. For your transportation needs, callAmericanAirlines Meeting SeIYices~ Desk at 1-80Q.433-1790 and ask for STAR #S03Z2BD [osee ifyou qualifY for AMERICAN' COUNCIL' FOR' THE· ARTS speclal tmvel discounts. The Thomas Jefferson Center for AmericanAirlines· the Protection of FreeExpression Something special in the air." Charlottesville, Virginia

s

CoIIege Art Association 275 Seventh Avenue New York, New York 10001

College Art Association Board of Directors

Ruth Weisberg, President Larry Silver, Vice-President Judith K. Brodsky, Secretary John W. Hyland, Jr., Honorary Treasurer Barhara Hoffman, Honorary Counsel Susan Ball, Executive Director

Suzanne Preston Blier Samella Lewis Phyllis Bramson Catherine Lord Whitney Chadwick Patricia Mainardi Jo1m Clarke James Melchert Van Deren Coke Keith Maxey JamesCuno Debra Pincus Murry DePillars MariCarmen Sam Edgerton Ramirez-Garda Ruth Fine Danielle Rice Audrey Flack Emily J. Sana Marcia Hall Kermeth E. Silver Leslie King- Jaune Quick-To-See Hammond Smith