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The Ghanaian Open Market As Resource for Textile Designs THE GHANAIAN OPEN MARKET AS RESOURCE FOR TEXTILE DESIGNS BY AMA FREMA ADONTENG KWAME NKRUMAH UNIVERSITY OF SCIENCE AND TECHNOLOGY, KUMASI, GHANA February, 2009 THE GHANAIAN OPEN MARKET AS RESOURCE FOR TEXTILE DESIGNS BY AMA FREMA ADONTENG B A. ART (Textiles) A Thesis submitted to the Department of Industrial Art, Kwame Nkrumah University of Science and Technology in partial fulfillment of the requirements for the degree of MASTER OF FINE ARTS IN TEXTILE DESIGN Faculty of Industrial Art, College of Art and Social Sciences KWAME NKRUMAH UNIVERSITY OF SCIENCE AND TECHNOLOGY, KUMASI, GHANA February 2009 ©2009, Department of Industrial Art ii CERTIFICATION I hereby declare that this submission is my own work towards the MFA and that, to the best of my knowledge, it contains no material previously published by another person nor material which has been accepted for the award of any other degree of the University, except where due acknowledgement has been made in the text. …………………………… ……………………………… ………………………. Student`s Name Signature Date Certified by: …………………………… …………………………….. ……………………….. Supervisor`s Name Signature Date Certified by: …………………………. ……………………………. ………………………… Head of Department`s name Signature Date i DEDICATION This project is dedicated to God, My Parents, My Husband and all Family Members ii ACKNOWLEDGEMENT I am most indebted to the Almighty God for whose help, blessings and guidance I have come this far. I say a big thank you and like Oliver Twist I continue to humbly ask for more of your favour upon my life as the years ahead unfold. I particularly appreciate the counsel and direction I received from my supervisor, Mrs E.V Ulzen- Appiah. God bless you for your support, insightful criticisms which led me to the success of this project. My appreciation is extended to all the staff and lecturers of Industrial Art Department, especially Mr. S. Adu - Akwaboa, Mr. E.K Howard, Mr B.K Asinyo, Mr. I. Aboagye, Mr Jeremiah Takyi-Tawiah and not forgetting all my course mates. This work would not have been successful if it was not for the great help you all gave me. May God replenish whatever you have lost and grant your heart desires. Notwithstanding, I appreciate the intuitive suggestions that Dr. Amenuke and other lecturers of the Department of General Art Studies offered to me. I wish to express my sincere gratitude to my family especially my father Mr. F.L. Adonteng for his support in diverse ways throughout my study. May God shower His unceasing blessings on the Adonteng family. I am also grateful to my loving husband Lucas Nana Wiredu Damoah who typed, edited and offered beneficial suggestions to complete this work, I say "Ayekoo"!! and may God bless you. Finally, to my friends and well-wishers who helped to make this project a reality, I say God bless you all. Thank you. AFA iii TABLE OF CONTENTS Page CERTIFICATION........................................................................................................................................................i DEDICATION………………………………………………………………………………………………………..ii ACKNOWLEDGEMENT ................................................................................................................................... iii TABLE OF CONTENTS .................................................................................................................................... iv LIST OF FIGURES ............................................................................................................................................ vii LIST OF PLATES ............................................................................................................................................. viii LIST OF TABLES................................................................................................................................................ x ABSTRACT ......................................................................................................................................................... xi INTRODUCTION ................................................................................................................................................ 1 CHAPTER ONE ................................................................................................................................................... 3 1.1 Background of the study………………………………………………………………………………………….3 1.2 Statement of the problem………………………………………………………………………………………...4 1.3 Objectives of the study……………………………………………………………………………………………5 1.4 Delimitations (scope of the study)………………………………………………………………………………..6 1.5 Limitation…………………………………………………………………………………………………………6 1.6 Importance of the study…………………………………………………………………………………………..6 1.7 Definition of terms………………………………………………………………………………………………..7 1.7.1 Textiles…………………………………………………………………………………………………………..7 1.7.2 Textile fibers…………………………………………………………………………………………………….9 1.7.3 Motif ........................................................................................................................................................... 11 1.7.6 A market .................................................................................................................................................... 13 1.7.7 Open market .............................................................................................................................................. 13 CHAPTER TWO................................................................................................................................................ 14 REVIEW OF RELATED LITERATURE ......................................................................................................... 14 2.1 Introduction .................................................................................................................................................. 14 iv 2.2 Designing a fabric ......................................................................................................................................... 14 2.3 Design in art .................................................................................................................................................. 15 2.4 The elements of design .................................................................................................................................. 16 2.4.1 Point ............................................................................................................................................................... 17 2.4.2 Line ................................................................................................................................................................. 17 2.4.3 Form (shape) .................................................................................................................................................. 18 2.4.4 Texture ........................................................................................................................................................... 19 2.4.5 Colour ............................................................................................................................................................. 20 2.4.6 The Colour Wheel ........................................................................................................................................... 23 2.4.6.1 The primary colours ............................................................................................................................... 24 2.4.6.2 The secondary colours ........................................................................................................................... 24 2.4.6.3 Intermediate colours .............................................................................................................................. 24 2.4.6.4 Tertiary colours ...................................................................................................................................... 24 2.4.7 Compositional effects of colour ..................................................................................................................... 25 2.4.8 Cultural symbolism of colours ........................................................................................................................ 25 2.4.9 Colour behaviour ............................................................................................................................................ 29 2.5 Principles of design ....................................................................................................................................... 30 2.5.1 Balance or harmony ....................................................................................................................................... 30 2.5.2 Contrast or discord ......................................................................................................................................... 30 2.5.3 Emphasis or focal point .................................................................................................................................. 31 2.5.4 Movement or rhythm or pattern .................................................................................................................... 31 2.5.5 Perspective ..................................................................................................................................................... 31 2.5.6 Proportion .....................................................................................................................................................
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