Burslem Building Improvement Scheme (THI 3) Progress of Works
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Keele Research Repository
Keele~ UNIVERSITY This work is protected by copyright and other intellectual property rights and duplication or sale of all or part is not permitted, except that material may be duplicated by you for research, private study, criticism/review or educational purposes. Electronic or print copies are for your own personal, non-commercial use and shall not be passed to any other individual. No quotation may be published without proper acknowledgement. For any other use, or to quote extensively from the work, permission must be obtained from the copyright holder/s. - I - URB.Ai.~ ADMINISTRATION AND HEALTH: A CASE S'fUDY OF HANLEY IN THE MID 19th CENTURY · Thesis submitted for the degree of M.A. by WILLIAM EDWARD TOWNLEY 1969 - II - CONTENTS Page ABSTRACT IV CHAPI'ER I The Town of Hanley 1 CHAPI'ER II Public Health and Local Government circa 1850 74 CHAPTER III The Struggle f'or a Local Board of Health. 1849-1854 164 CHAPT3R IV Incorporation 238 CP.:.API'ER V Hanley Town Council. 1857-1870 277 CHAPT&"t VI Reform in Retrospect 343 BIBLIOGRAPHY 366 - III - The Six Tot,J11s facing page I Hanley 1832 facing page 3 Hanley 1857 facing page 9~ Hanley Township Boundaries facing page 143 The Stoke Glebeland facing page 26I - IV - ABSTRACT The central theme of this study is the struggle, under the pressure of a deteriorating sanitary situation to reform the local government structure of Hanley, the largest of the six towns of the North Staffordshire potteries. The first chapter describes the location of the town and considers its economic basis and social structure in the mid nineteenth century, with particular emphasis on the public role of the different social classes. -
Stoke on Trent and the Potteries from Stone | UK Canal Boating
UK Canal Boating Telephone : 01395 443545 UK Canal Boating Email : [email protected] Escape with a canal boating holiday! Booking Office : PO Box 57, Budleigh Salterton. Devon. EX9 7ZN. England. Stoke on Trent and the Potteries from Stone Cruise this route from : Stone View the latest version of this pdf Stoke-on-Trent-and-the-Potteries-from-Stone-Cruising-Route.html Cruising Days : 4.00 to 0.00 Cruising Time : 11.50 Total Distance : 18.00 Number of Locks : 24 Number of Tunnels : 0 Number of Aqueducts : 0 The Staffordshire Potteries is the industrial area encompassing the six towns, Tunstall, Burslem, Hanley, Stoke, Fenton and Longton that now make up the city of Stoke-on-Trent in Staffordshire, England. With an unrivalled heritage and very bright future, Stoke-on-Trent (affectionately known as The Potteries), is officially recognised as the World Capital of Ceramics. Visit award winning museums and visitor centres, see world renowned collections, go on a factory tour and meet the skilled workers or have a go yourself at creating your own masterpiece! Come and buy from the home of ceramics where quality products are designed and manufactured. Wedgwood, Portmeirion, Aynsley, Emma Bridgewater, Burleigh and Moorcroft are just a few of the leading brands you will find here. Search for a bargain in over 20 pottery factory shops in Stoke-on-Trent or it it's something other than pottery that you want, then why not visit intu Potteries? Cruising Notes Day 1 As you are on the outskirts of Stone, you may like to stay moored up and visit the town before leaving. -
PRESS RELEASE New Lease of Life for Burslem School Of
PRESS RELEASE New lease of life for Burslem School of Art Burslem School of Art, in the heart of the Mothertown, will soon be embarking on a new chapter in its illustrious history. From September 2016, 200 students from Haywood Sixth Form Academy will move into the newly refurbished grade II listed building to enjoy purpose-built facilities. A state-of-the-art design enterprise suite will be used for engineering product design and textiles. A specialist photography suite will house its own dark room and Apple Macs to enable students to learn digital photography skills. An ICT ‘window on the world’ room and specialist computing laboratory will provide students with leading-edge computer equipment and there will also be a specialist science lab and language lab. Students will develop their artistic talents in the magnificent art room, with its huge windows and perfect lighting for artwork, following in the footsteps of the Burslem School of Art’s prestigious alumni, including Clarice Cliff, Susie Cooper and William Moorcroft. The Burslem School of Art Trust carried out a refurbishment of the building in 2000 and has developed and delivered many arts events, projects and activities over the past fifteen years, working with diverse communities and artists. Now, Haywood Sixth Form Academy is working closely with the Trust to form a partnership that will build on its fantastic work and secure the future of this beautiful building. Carl Ward, Executive Headteacher, said: “Haywood Sixth Form Academy is becoming as popular as I had hoped when many parents and students asked if we would consider opening, just a few years ago. -
The Trent & Mersey Canal Conservation Area Review
The Trent & Mersey Canal Conservation Area Review March 2011 stoke.gov.uk CONTENTS 1. The Purpose of the Conservation Area 1 2. Appraisal Approach 1 3. Consultation 1 4. References 2 5. Legislative & Planning Context 3 6. The Study Area 5 7. Historic Significant & Patronage 6 8. Chatterley Valley Character Area 8 9. Westport Lake Character Area 19 10. Longport Wharf & Middleport Character Area 28 11. Festival Park Character Area 49 12. Etruria Junction Character Area 59 13. A500 (North) Character Area 71 14. Stoke Wharf Character Area 78 15. A500 (South) Character Area 87 16. Sideway Character Area 97 17. Trentham Character Area 101 APPENDICES Appendix A: Maps 1 – 19 to show revisions to the conservation area boundary Appendix B: Historic Maps LIST OF FIGURES Fig. 1: Interior of the Harecastle Tunnels, as viewed from the southern entrance Fig. 2: View on approach to the Harecastle Tunnels Fig. 3: Cast iron mile post Fig. 4: Double casement windows to small building at Harecastle Tunnels, with Staffordshire blue clay paviours in the foreground Fig. 5: Header bond and stone copers to brickwork in Bridge 130, with traditionally designed stone setts and metal railings Fig. 6: Slag walling adjacent to the Ravensdale Playing Pitch Fig. 7: Interplay of light and shadow formed by iron lattice work Fig. 8: Bespoke industrial architecture adds visual interest and activity Fig. 9: View of Westport Lake from the Visitor Centre Fig. 10: Repeated gable and roof pitch details facing towards the canal, south of Westport Lake Road Fig. 11: Industrial building with painted window frames with segmental arches Fig. -
A Local Study of Canals Year 3
Canal A canal is a man-made waterway. Caldon Primary source Information about the past Man-made A canal or aqueduct. Canal that has first –hand or direct experience. waterway Secondary source Information created after the event by Locks A device used to raise or lower boats someone who was not there. between different levels of water on Navigation Finding a way from one place to another. canals. The Tunnel A route that goes through or under a Trent Transport To take or carry (people or goods) from mountain or hill. and one place to another. Bridge A structure carrying a road, path, railway, Mersey Industry An industry is a group of factories or etc. across a river, road, or other obstacle. Canal businesses that produce the same (or River A large, natural channel of water that similar) goods. flows to the sea. Industrial The changes in manufacturing and revolution transportation that began with fewer Canals things being made by hand but instead made using machines in larger-scale Canals are man- made waterways. They were built to A Local Study of Canals carry goods by boat from one place to another. factories. Year 3 - Spring 2 Potteries Stoke-on-Trent is the home of the pottery A river is a large, natural stream of water. They are industry in England and is commonly formed when rain falls in the hills and flows down to known as the Potteries. This includes the sea. Burslem, Tunstall, Longton and Fenton. Significant People There are two canals that run through Stoke-on-Trent: The Trent and Mersey Canal and the Caldon Canal. -
Memorials of Old Staffordshire, Beresford, W
M emorials o f the C ounties of E ngland General Editor: R e v . P. H. D i t c h f i e l d , M.A., F.S.A., F.R.S.L., F.R.Hist.S. M em orials of O ld S taffordshire B e r e s f o r d D a l e . M em orials o f O ld Staffordshire EDITED BY REV. W. BERESFORD, R.D. AU THOft OF A History of the Diocese of Lichfield A History of the Manor of Beresford, &c. , E d i t o r o f North's .Church Bells of England, &■V. One of the Editorial Committee of the William Salt Archaeological Society, &c. Y v, * W ith many Illustrations LONDON GEORGE ALLEN & SONS, 44 & 45 RATHBONE PLACE, W. 1909 [All Rights Reserved] T O T H E RIGHT REVEREND THE HONOURABLE AUGUSTUS LEGGE, D.D. LORD BISHOP OF LICHFIELD THESE MEMORIALS OF HIS NATIVE COUNTY ARE BY PERMISSION DEDICATED PREFACE H ILST not professing to be a complete survey of Staffordshire this volume, we hope, will W afford Memorials both of some interesting people and of some venerable and distinctive institutions; and as most of its contributors are either genealogically linked with those persons or are officially connected with the institutions, the book ought to give forth some gleams of light which have not previously been made public. Staffordshire is supposed to have but little actual history. It has even been called the playground of great people who lived elsewhere. But this reproach will not bear investigation. -
Strategic Flood Risk Assessment Executive Summary
North Staffordshire Strategic Flood Risk Assessment for Local Development Framework Level 1 Executive Summary July 2008 Halcrow Group Limited North Staffordshire Strategic Flood Risk Assessment for Local Development Framework Level 1 Executive Summary July 2008 Halcrow Group Limited Halcrow Group Limited Lyndon House 62 Hagley Road Edgbaston Birmingham B16 8PE Tel +44 (0)121 456 2345 Fax +44 (0)121 456 1569 www.halcrow.com Halcrow Group Limited has prepared this report in accordance with the brief from Gloucestershire County Council, for their sole and specific use. Any other persons who use any information contained herein do so at their own risk. © Halcrow Group Limited 2008 North Staffordshire Strategic Flood Risk Assessment for Local Development Framework Level 1 Executive Summary Contents Amendment Record This report has been issued and amended as follows: Issue Revision Description Date Signed 1 0 Executive Summary 08/07/2008 RD Prepared by: Caroline Mills Final: 08/07/08 Checked by: Beccy Dunn Final: 08/07/08 Approved by: John Parkin Final: 08/07/08 Level 1 Strategic Flood Risk Assessment: Executive Summary Gloucestershire County Council This page is left intentionally blank Level 1 Strategic Flood Risk Assessment: Executive Summary Gloucestershire County Council 1 Executive Summary 1.1 Background In September 2007 Stoke-on-Trent City Council and Newcastle-under-Lyme Borough Council commissioned Halcrow to produce a Level 1 Strategic Flood Risk Assessment (SFRA). Figure 1: North Staffordshire SFRA Study Area The SFRA has been prepared to support the application of the Sequential Test (by the Councils) outlined in Planning Policy Statement 25: Development and Flood Risk (PPS25), and to provide information and advice in relation to land allocations and development control. -
Potteries-Appreciation-Vol-2-Master
1 The Potteries and Surrounding Areas Part 2: Appreciating The Region Barry J Bridgwood and Ingval Maxwell Information Box: Structured Approach Supplementing the COTAC Regional Study The Potteries and Surrounding Areas Part 1: Understanding the Region, the following approach considers key aspects that created The Potteries and sets out to construct a deeper appreciation of them through short statements, Information Boxes and related illustrations, whilst raising some pertinent questions Reading Part 1: Understanding the Region along with this Part 2: Appreciating the Region will provide guidance and information to help suggest answers to the questions Various summary Information Boxes [in grey tinted inserts] are offered in each of the five sections alongside Summary Questions [in coloured inserts], whilst suggested answers are offered as an Annex to the volume Council on Training in Architectural Conservation (COTAC) COTAC originated in 1959 in response to the need for training resources for practitioners so they could properly specify and oversee work involved in repairing and conserving historic buildings and churches. Since its inception the Charity has persistently and influentially worked to lift standards, develop training qualifications and build networks across the UK’s conservation, repair and maintenance (CRM) sector, estimated at over 40% of all construction industry activities. This has involved working partnerships with national agencies, professional and standard setting bodies, educational establishments and training interests. This study is directed towards a general audience and those wishing to increase their knowledge of The Potteries area, and its specific form and type of buildings in addition to assisting in providing a framework for carrying out similar regional studies. -
The Ancestry of William Clowes
The Ancestry of William Clowes Transcription of Sketch in the Primitive Methodist Magazine by A.A. Birchenough Part 2 In his autobiography William Clowes states that he was apprenticed to his uncle, Joseph Wedgwood, whose pottery was near Burslem Churchyard. “In his service I was taught to make small plates, and soon grew expert in my new employment. To encourage diligence, the task of making twenty-one dozen a day was allotted to me, which I performed with ease. Occasionally, however, my fondness for youthful diversions drew me into negligence, and my fear of punishment was such, that when only part of my work was done I entered it as completed, thus making my uncle the dupe of my trick- ery-” The “Churchyard Works” were situated on the North- Eastern side of Burslem Churchyard. In the days of William Clowes there was an open pathway leading through the extensive churchyard, and it was connected with one of the entrances leading direct to the works. In the seventeenth century the historical Churchyard Works were held by one of the cousins of William Clowes’ grandfather. After passing through many changes, they were rented by Mr. Joseph Wedgwood, one of the five brothers of William Clowes’ mother, who made jasper articles and other fine earthenware under the supervision and for the great Josiah Wedgwood. 1 There is a tendency on the part of some writers to belittle Josiah Wedgwood’s parentage by speaking of him “as a coarse, ignorant, diseased, impoverished workman, whose father was a poor potter at Burslem, barely able to make a living at his trade.” The father of Josiah was an earthenware manufacturer, and was forty-four years of age at the time of his son’s birth. -
Staffordshire Pottery and Its History
Digitized by the Internet Archive in 2012 with funding from University of Toronto http://archive.org/details/staffordshirepotOOwedg STAFFORDSHIRE POTTERY AND ITS HISTORY STAFFORDSHIRE POTTERY AND ITS HISTORY By JOSIAH C. WEDGWOOD, M.P., C.C. Hon. Sec. of the William Salt Archaeological Society. LONDON SAMPSON LOW, MARSTON & CO. LTD. kon Si 710620 DEDICATED TO MY CONSTITUENTS, WHO DO THE WORK CONTENTS Chapter I. The Creation of the Potteries. II. A Peasant Industry. III. Elersand Art. IV. The Salt Glaze Potters. V. The Beginning of the Factory. VI. Wedgwood and Cream Colour. VII. The End of the Eighteenth Century. VIII. Spode and Blue Printing. IX. Methodism and the Capitalists. X. Steam Power and Strikes. XI. Minton Tiles and China. XII. Modern Men and Methods. vy PREFACE THIS account of the potting industry in North Staffordshire will be of interest chiefly to the people of North Stafford- shire. They and their fathers before them have grown up with, lived with, made and developed the English pottery trade. The pot-bank and the shard ruck are, to them, as familiar, and as full of old associations, as the cowshed to the countryman or the nets along the links to the fishing popula- tion. To them any history of the development of their industry will be welcome. But potting is such a specialized industry, so confined to and associated with North Stafford- shire, that it is possible to study very clearly in the case of this industry the cause of its localization, and its gradual change from a home to a factory business. -
Burslem Conservation Area, Whose Original Boundary Was Designated in October 1972 and the Most Recent Extension to the Boundary Was Made in December 2007
0 1 Contents LIST OF FIGURES & MAPS 3 1. APPRAISAL CONTEXT 4 2. THE STUDY AREA 6 3. HISTORY AND ARCHAEOLOGY 8 4. SPATIAL ANALYSIS AND APPRAISAL OF VIEWS 13 4.1 TOWNSCAPE FORM 14 4.2 USE 24 4.3 VIEWS 24 4.4 OPEN SPACES & PUBLIC REALM 29 5. BUILT FORM 5.1 THE INFLUENCE OF USE PATTERNS AND PATRONAGE 33 5.2 ARCHITECTURAL CHARACTER, MATERIALS, COLOURS AND TEXTURES 33 5.21 Style 33 5.22 Plan, Form and Massing 34 5.23 External Walls and Façade Finishes 35 5.24 Roofs 36 5.25 Windows 37 5.26 Porches 37 5.27 Doors 37 5.28 Enclosure 38 5.29 Shop Fronts 39 5.210 Details and Features 40 5.211 Groundscape and Public Realm 41 5.3 LISTED AND UNLISTED BUILDINGS OF IMPORTANCE 44 5.31 Buildings on the Statutory List 44 5.32 Locally Listed Buildings 45 5.4 TREES, GREEN SPACES, EDGES AND ECOLOGY 48 5.5 DETRACTORS, NEUTRAL AREAS AND GAP SITES 50 – ENHANCEMENT AND DEVELOPMENT OPPORTUNITIES 6. PRESSURES AND THREATS 55 7. SUMMARY OF SPECIAL INTEREST 56 8 . RECOMMENDATIONS AND PROPOSALS 57 9. SOURCES 60 APPENDICES Appendix A: Statutory Listed buildings Appendix B: Locally Listed buildings Appendix C: Article 4 Direction 2 List of Figures FIG 1: Burslem in the City Context FIG 2: Old Yates map FIG 3: Swan Bank Methodist Church (circa 1890-1895) FIG 4: Burslem’s first Town Hall (1843) FIG 5: Historic photo of Burslem Station (1955) FIG 6: Old Town Hall FIG 7: View into Conservation Area on Westport Road FIG 8: View along Moorland Road to the town centre FIG 9: View within the Conservation Area of the Old Town Hall FIG 10: William Clowes Street FIG 11: St John’s -
Susie Cooper
Ceramics Susie Cooper RDI - An Undervalued Legacy? by Roland Head ore than 100 years after her birth, Susie Cooper remains the only Mwoman potter to be awarded the prestigious RSA Royal Designer for Industry (RDI) award. Her career was longer than both the other two notable women, Clarice Cliff and Charlotte Rhead. Unlike them, she not only designed but founded and ran a successful pottery business on an industrial scale for many decades. Susie Cooper was one of the most important ceramic designers of the twentieth century, yet her work has less financial value and collectable A small plate in the Cubist pattern, dating from appeal than that of her contemporary, Clarice Cliff. Here I’ll explore her career Susie Cooper’s time at Gray’s. and work. I’ll also examine current prices and suggest how collectors should Image courtesy of www.decodance.com approach the market. Susie Cooper - The Art Deco Years used: she was not able to design her own shapes and simply Born in 1902, Susie Cooper was the youngest of seven decorated what she was given. Driven by a desire for greater children in a prosperous middle-class family. Her parents creative freedom and the belief she could do better herself, in owned several local businesses and her early experience of 1929 she resigned and founded the Susie Cooper Pottery. This work was gained in these establishments. Despite this, she was was to mark the beginning of a long and successful journey never tempted to make a career in the family businesses, and that would survive the depression of the 1930s, the Second by the age of sixteen had gained admission to the Burslem World War, two factory fires and multiple other setbacks.