FIRST and Formost July August,2017
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
UNIVERSITY of CALIFORNIA Los Angeles Byzantine Liturgy and The
UNIVERSITY OF CALIFORNIA Los Angeles Byzantine Liturgy and the Primary Chronicle A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Slavic Languages and Literatures by Sean Delaine Griffin 2014 ABSTRACT OF THE DISSERTATION Byzantine Liturgy and the Primary Chronicle by Sean Delaine Griffin Doctor of Philosophy in Slavic Languages and Literatures University of California, Los Angeles, 2014 Professor Gail Lenhoff, Chair The monastic chroniclers of medieval Rus’ lived in a liturgical world. Morning, evening and night they prayed the “divine services” of the Byzantine Church, and this study is the first to examine how these rituals shaped the way they wrote and compiled the Povest’ vremennykh let (Primary Chronicle, ca. 12th century), the earliest surviving East Slavic historical record. My principal argument is that several foundational accounts of East Slavic history—including the tales of the baptism of Princess Ol’ga and her burial, Prince Vladimir’s conversion, the mass baptism of Rus’, and the martyrdom of Princes Boris and Gleb—have their source in the feasts of the liturgical year. The liturgy of the Eastern Church proclaimed a distinctively Byzantine myth of Christian origins: a sacred narrative about the conversion of the Roman Empire, the glorification of the emperor Constantine and empress Helen, and the victory of Christianity over paganism. In the decades following the conversion of Rus’, the chroniclers in Kiev learned these narratives from the church services and patterned their own tales of Christianization after them. The ii result was a myth of Christian origins for Rus’—a myth promulgated even today by the Russian Orthodox Church—that reproduced the myth of Christian origins for the Eastern Roman Empire articulated in the Byzantine rite. -
The Viking Age
Laval University From the SelectedWorks of Fathi Habashi March, 2020 The iV king Age Fathi Habashi Available at: https://works.bepress.com/fathi_habashi/615/ The Viking Age INTRODUCTION The Viking Age (793-1066) is a period in history during which the Scandinavians expanded and built settlements throughout Europe. They are sometimes referred to as Norsemen and known to the Greek as Varangians. They took two routes: the East - - the present-day Ukraine and Russia, and the West mainly in the present-day Iceland, Greenland, Newfoundland, Normandy, Italy, and the British Isles. The Viking were competent sailors, adept in land warfare as well as at sea. Their ships were light enough to be carried over land from one river system to another. Viking ships The motivation of the Viking to invade East and West is a problem to historians. Many theories were given none was the answer. For example, retaliation against forced conversion to Christianity by Charlemagne by killing any who refused to become baptized, seeking centers of wealth, kidnapping slaves, and a decline in the profitability of old trade routes. Viking ship in Oslo Museum The Vikings raids in the East and the West of Europe VIKINGS IN THE EAST The Dnieber The Vikings of Scandinavia came by way of the Gulf of Finland and sailed up the Dvina River as far as they could go, and then carried their ships across land to the Dnieper River, which flows south to the Black Sea. They raided villages then they became interested in trading with the Slavs. Using the Dnieper, they carried shiploads of furs, honey, and wax south to markets on the Black Sea, or sailed across that sea trade in Constantinople. -
The Role of the Bible in the Formation of Philosophical Thought in Kievan Rus’ (As Exemplified by Ilarion of Kiev, Kliment Smolatič, and Kirill of Turov)
Studia Ceranea 6, 2016, p. 61–74 ISSN: 2084-140X DOI: 10.18778/2084-140X.06.04 e-ISSN: 2449-8378 Justyna Kroczak (Zielona Góra) The Role of the Bible in the Formation of Philosophical Thought in Kievan Rus’ (as Exemplified by Ilarion of Kiev, Kliment Smolatič, and Kirill of Turov) he existence of philosophy in Kievan Rus’ (10th–13th centuries) is a contro- Tversial issue. We do not find there a philosophy in a sense of theoretical and rational reflection with abstract notions and schemes about the world and Man but we do find a philosophy understood as a love of wisdom (любомудрие). Wis- dom at that time meant a great knowledge of the Bible, proficiency in allegorical interpretation of it, a certain worldview and an ethical attitude that enabled to set intellectual standards, to teach, to guide society and to create popular ideas. The concept of “книжность” partly covers the semantic field encompassing these activities and virtues. The Eastern and Southern Slavonic “книжник” was a schol- ar, (bookman) either a monk or a priest whose work laid foundations for the cul- tural development of the country. The work of Ilarion of Kiev (ca. 990–1055), Kliment Smolatič († ca. 1164), and Kirill of Turov (1130–1182) fits within the concept of “книжность” only partially and does not exhaust it. These men are the most representative though not the only figures in the theological (and thus philosophical) life of Kievan Rus’1. The period of their activity bears the name of the Golden Age due to enterprises extreme- ly important for the nascent Rus’ identity, such as the erection of St. -
The Russian Five Austin M
Masthead Logo Cedarville University DigitalCommons@Cedarville The Research and Scholarship Symposium The 2019 yS mposium Apr 3rd, 1:30 PM - 2:00 PM The Russian Five Austin M. Doub Cedarville University, [email protected] Follow this and additional works at: https://digitalcommons.cedarville.edu/ research_scholarship_symposium Part of the Art Practice Commons, Audio Arts and Acoustics Commons, and the Other Classics Commons Doub, Austin M., "The Russian Five" (2019). The Research and Scholarship Symposium. 7. https://digitalcommons.cedarville.edu/research_scholarship_symposium/2019/podium_presentations/7 This Podium Presentation is brought to you for free and open access by Footer Logo DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in The Research and Scholarship Symposium by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. Austin Doub December 11, 2018 Senior Seminar Dr. Yang Abstract: This paper will explore Russian culture beginning in the mid nineteenth-century as the leading group of composers and musicians known as the Moguchaya Kuchka, or The Russian Five, sought to influence Russian culture and develop a pure school of Russian music. Comprised of César Cui, Aleksandr Borodin, Mily Balakirev, Modest Mussorgsky, and Nikolay Rimksy-Korsakov, this group of inspired musicians, steeped in Russian society, worked to remove outside cultural influences and create a uniquely Russian sound in their compositions. As their nation became saturated with French and German cultures and other outside musical influences, these musicians composed with the intent of eradicating ideologies outside of Russia. In particular, German music, under the influence of Richard Wagner, Robert Schumann, and Johannes Brahms, reflected the pan-Western-European style and revolutionized the genre of opera. -
Volodymyr the Great Spiritual Reflection July 30,Final
In Memory of Vladimir the Great Father Deacon Howard On July 15th we celebrated the feast day of St. Vladimir the Great. Vladimir was Grand Prince of Kiev, ruler of Kievan Rus’ from 980 to 1015 and first Christian ruler in Kievan Rus. His military conquests consolidated the provinces of Kiev and Novgorod into a single state, and whose Byzantine baptism determined the course of Christianity in the region. On the death of his father Sviatoslav in 972, a struggle for power broke out among his sons and in 976 Vladimir who was then prince of Novgorod was forced to flee to Scandinavia. In Sweden he enlisted help from an uncle to assemble an army to reconquer Novgorod. By 980 he had consolidated the Kievan realm from modern-day Belarus, Russia and Ukraine to the Baltic Sea and had solidified the frontiers against the Baltic tribes and Eastern nomads making Kyivan Rus’ one of the most powerful states in Eastern Europe. Although Christianity in Kiev existed before Vladimir’s time he remained a follower of Slavic paganism, attributing his victories to the support he received from pagan forces. He established heathen temples, and, it is said, took part in idolatrous rites involving human sacrifice. Vladimir converted to Christianity in 988 as part of a pact to give military aid to Emperor Basil II. Vladimir offered military aid only if he was allowed to marry Basil’s sister Anna. Basil agreed to the marriage only if Vladimir promised to convert himself and his subjects to Christianity. At his command, the people of Kiev and the whole nation were baptized, as were his 7 young sons and two daughters. -
St. John the Baptist Byzantine Catholic Church
SCHEDULE OF DIVINE SERVICES PRAYER LIST – Janet, Mark, Trish, Audrey, Cathy, Kay, Arlene, Bill, Amelia, Butch, Barb, Dolores, Ida, Patty, Beatrice, Alice, Dorothy, Fred, Elmer, Tillie, Janet, Carl, Mary, Louis, Norma Jean, Dan, Pauline, Ted, Patty, Jack, Monica, Margie, Rita, Jamie, Sunday, July 14 SUNDAY OF THE FATHERS OF THE Jeff, Sr. Josetta, Shirley, Sharlene, Zackery, Margaret, George, John, Dave, Bertie, 9:00 a.m. SIX ECUMENICAL COUNCILS (Church) For Vocations Rose, Aubrey, PJ, Cil, Nadine, Robert, Mickie, Loren, Sharen, Rita, Bernard, Janet, Req. by Vincent A. Semachko Clara, Josephine, Charlene, Troy, Traci, Trevor, Tanner, Kyle, Carter, Riley, Tammy, James, Ashley, Chris, Patrick, Michelle, Olivia, Barbara, Cindy, Charlene, Joe, Emily, Monday, July 15 Vladimir the Great (Equal to the Apostles) Gabriel, Gina, George, Erica, Janet, George Jr., Diana, Emil, Margie, George, Dorothy, 8:00 a.m. +Janet Meyers Hannah, Michelle, Curtis, Stephanie, James, Delores, Debbie, Dan, Marcia, Tammy, (Church) Req. by Mr. & Mrs. Larry Shinsky Vicki, David, Damon, Shane, Ryan, Nathan, David Jr., Rita, Johnathon, Joseph, Charles, Laura, Roger, Cindy, Brian, Nancy, Robin, Lee, Buzzy, Elaine, Kathy, Lee, Tuesday, July 16 Athenogenes (Bishop – Martyr) 8:00 a.m. Intention of Anthony Rocchi Joe, Dewayne, Dave, Jamie, Chris, Mike, Cindy, Dianne, Helen, Riley, Don, Jenn, Dolly, (Church) Vic, Rita, Marla, William, Joyce, John, Joann, Jeean, Melvin, Melanie, Mason, Deloris, Toby, Elaine, Brian, Adam, Max, Sam, Midge, Sam, Vicki, Sam, Riley, Tina. Wednesday, July 17 Marina (Great Martyr), Bl. Paul Gojdick No Liturgy FINANCIAL INFORMATION FOR 7/7/19 Offering Candles Holy Day Peter’s Pence Loose Cash Cemetery Thursday, July 18 Hyacinth and Emilian (Martyrs) 8:00 a.m. -
Russian Arts on the Rise
Arts and Humanities Open Access Journal Proceeding Open Access Russian arts on the rise Proceeding Volume 2 Issue 1 - 2018 The fifth Graduate Workshop of the Russian Art and Culture Miriam Leimer Group (RACG) once again proofed how vivid the art and culture of Free University of Berlin, Germany Russia and its neighbours are discussed among young researchers. th Though still little represented in the curricula of German universities Correspondence: Miriam Leimer, 5 Graduate Workshop of the Russian Art and Culture Group (RACG), Free University of the art of Eastern Europe is the topic of many PhD theses. But also in Berlin, Germany, Email [email protected] a broader international context-both in the East and the West-Russian art has gained importance in the discipline of art history. Received: December 22, 2017 | Published: February 02, 2018 The Russian Art and Culture Group that was founded in 2014 by Isabel Wünsche at Jacobs University Bremen provides an international platform for scholars and younger researchers in this The second panel “Intergenerational Tensions and Commonalities” field. At least once a year members of the group organize a workshop focused on the relation between the representatives of the different to bring together recent research-mostly by PhD candidates as well as succeeding art movements at the turn of the century. Using the by already well-established academics. example of Martiros Saryan, an Armenian artist, Mane Mkrtchyan from the Institute of Arts at the National Academy of Sciences of For the first time the workshop did not take place in Bremen the Republic of Armenia shed light on Russia’s Symbolism. -
Black Sea-Caspian Steppe: Natural Conditions 20 1.1 the Great Steppe
The Pechenegs: Nomads in the Political and Cultural Landscape of Medieval Europe East Central and Eastern Europe in the Middle Ages, 450–1450 General Editors Florin Curta and Dušan Zupka volume 74 The titles published in this series are listed at brill.com/ecee The Pechenegs: Nomads in the Political and Cultural Landscape of Medieval Europe By Aleksander Paroń Translated by Thomas Anessi LEIDEN | BOSTON This is an open access title distributed under the terms of the CC BY-NC-ND 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc-nd/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Publication of the presented monograph has been subsidized by the Polish Ministry of Science and Higher Education within the National Programme for the Development of Humanities, Modul Universalia 2.1. Research grant no. 0046/NPRH/H21/84/2017. National Programme for the Development of Humanities Cover illustration: Pechenegs slaughter prince Sviatoslav Igorevich and his “Scythians”. The Madrid manuscript of the Synopsis of Histories by John Skylitzes. Miniature 445, 175r, top. From Wikimedia Commons, the free media repository. Proofreading by Philip E. Steele The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov LC record available at http://catalog.loc.gov/2021015848 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. -
International Scholarly Conference the PEREDVIZHNIKI ASSOCIATION of ART EXHIBITIONS. on the 150TH ANNIVERSARY of the FOUNDATION
International scholarly conference THE PEREDVIZHNIKI ASSOCIATION OF ART EXHIBITIONS. ON THE 150TH ANNIVERSARY OF THE FOUNDATION ABSTRACTS 19th May, Wednesday, morning session Tatyana YUDENKOVA State Tretyakov Gallery; Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow Peredvizhniki: Between Creative Freedom and Commercial Benefit The fate of Russian art in the second half of the 19th century was inevitably associated with an outstanding artistic phenomenon that went down in the history of Russian culture under the name of Peredvizhniki movement. As the movement took shape and matured, the Peredvizhniki became undisputed leaders in the development of art. They quickly gained the public’s affection and took an important place in Russia’s cultural life. Russian art is deeply indebted to the Peredvizhniki for discovering new themes and subjects, developing critical genre painting, and for their achievements in psychological portrait painting. The Peredvizhniki changed people’s attitude to Russian national landscape, and made them take a fresh look at the course of Russian history. Their critical insight in contemporary events acquired a completely new quality. Touching on painful and challenging top-of-the agenda issues, they did not forget about eternal values, guessing the existential meaning behind everyday details, and seeing archetypal importance in current-day matters. Their best paintings made up the national art school and in many ways contributed to shaping the national identity. The Peredvizhniki -
“Zhili-Byli…”: Russian Folklore in the Intermediate Language Classroom
“Zhili-byli…”: Russian Folklore in the Intermediate Language Classroom BLC Project, Fall 2019 Kit Pribble (GSR, Slavic Dept.) Textual features of the fairytale ◦ Formulaic, often cyclical narrative structure ◦ Combination of vivid imagery + concrete plot ◦ Repetition and the rule of 3 ◦ Orality (alliteration, rhyme, & mnemonic devices) Project Goals 1) To gradually build students’ comfort level with reading narrative texts in Russian 2) To introduce students to a foundational aspect of Russian culture, while also engaging students in a critical consideration of how national cultures are conceived or constructed Focus: Traditional Magic Tales and their 20th Century Adaptations 1) Recorded textual variants • Alexander Afanasyev’s collection of Russian fairytales, 1860s 2) 20th century revisions and adaptations • Ballets (Modernist and Soviet) • Modernist paintings and illustrations • Soviet rock music • Animated films (Soviet and Post-Soviet) • Advertisements • Political emblems and political cartoons Project Goals 1) To gradually build students’ comfort level with reading narrative texts in Russian 2) To introduce students to a foundational aspect of Russian culture, while also engaging students in a critical consideration of how national cultures are conceived or constructed Cluster 1: The 3 Bogatyrs Learning goals: 1) Introduce students to the genre of the bylina (East Slavic heroic epic), as well as later re-castings of the bogatyrs (Slavic epic heroes) in Modernist and Post-Soviet art 2) Increase students’ sensitivity to register and -
Russian Viking and Royal Ancestry
GRANHOLM GENEALOGY RUSSIAN/VIKING ANCESTRY Direct Lineage from: Rurik Ruler of Kievan Rus to: Lars Erik Granholm 1 Rurik Ruler of Kievan Rus b. 830 d. 879 m. Efenda (Edvina) Novgorod m. ABT 876 b. ABT 850 2 Igor Grand Prince of Kiev b. ABT 835 Kiev,Ukraine,Russia d. 945 Kiev,Ukraine,Russia m. Olga Prekrasa of Kiev b. ABT 890 d. 11 Jul 969 Kiev 3 Sviatoslav I Grand Prince of Kiev b. ABT 942 d. MAR 972 m. Malusha of Lybeck b. ABT 944 4 Vladimir I the Great Grand Prince of Kiev b. 960 Kiev, Ukraine d. 15 Jul 1015 Berestovo, Kiev m. Rogneda Princess of Polotsk b. 962 Polotsk, Byelorussia d. 1002 [daughter of Ragnvald Olafsson Count of Polatsk] m. Kunosdotter Countess of Oehningen [Child of Vladimir I the Great Grand Prince of Kiev and Rogneda Princess of Polotsk] 5 Yaroslav I the Wise Grand Duke of Kiew b. 978 Kiev d. 20 Feb 1054 Kiev m. Ingegerd Olofsdotter Princess of Sweden m. 1019 Russia b. 1001 Sigtuna, Sweden d. 10 Feb 1050 [daughter of Olof Skötkonung King of Sweden and Estrid (Ingerid) Princess of Sweden] 6 Vsevolod I Yaroslavich Grand Prince of Kiev b. 1030 d. 13 Apr 1093 m. Irene Maria Princess of Byzantium b. ABT 1032 Konstantinopel, Turkey d. NOV 1067 [daughter of Constantine IX Emperor of Byzantium and Sclerina Empress of Byzantium] 7 Vladimir II "Monomach" Grand Duke of Kiev b. 1053 d. 19 May 1125 m. Gytha Haraldsdotter Princess of England m. 1074 b. ABT 1053 d. 1 May 1107 [daughter of Harold II Godwinson King of England and Ealdgyth Swan-neck] m. -
The Ritualisation of Political Power in Early Rus' (10Th-12Th Centuries)
The Ritualisation of Political Power in Early Rus’ (10th-12th centuries) Alexandra Vukovic University of Cambridge Jesus College June 2015 This dissertation is submitted for the degree of Doctor of Philosophy Preface Declaration This dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration where specifically indicated in the text. No parts of this dissertation have been submitted for any other qualification. Statement of Length This dissertation does not exceed the word limit of 80,000 words set by the Degree Committee of the Faculty of Modern and Medieval Languages. Word count: 79, 991 words Alexandra Vukovic Abstract The Ritualisation of Political Power in Early Rus’ (10th-12th centuries) Alexandra Vukovic This dissertation examines the ceremonies and rituals involving the princes of early Rus’ and their entourage, how these ceremonies and rituals are represented in the literature and artefacts of early Rus’, the possible cultural influences on ceremony and ritual in this emergent society, and the role of ceremony and ritual as representative of political structures and in shaping the political culture of the principalities of early Rus’. The process begins by introducing key concepts and historiographic considerations for the study of ceremony and ritual and their application to the medieval world. The textological survey that follows focusses on the chronicles of Rus’, due to their compilatory nature, and discusses the philological, linguistic, and contextual factors governing the use of chronicles in this study. This examination of the ceremonies and rituals of early Rus’, the first comprehensive study of its kind for this region in the early period, engages with other studies of ceremony and ritual for the medieval period to inform our understanding of the political culture of early Rus’ and its influences.