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Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd. -
Indian Classical Dance Is a Relatively New Umbrella Term for Various Codified Art Forms Rooted in Natya, the Sacred Hindu Musica
CLASSICAL AND FOLK DANCES IN INDIAN CULTURE Palkalai Chemmal Dr ANANDA BALAYOGI BHAVANANI Chairman: Yoganjali Natyalayam, Pondicherry. INTRODUCTION: Dance in India comprises the varied styles of dances and as with other aspects of Indian culture, different forms of dances originated in different parts of India, developed according to the local traditions and also imbibed elements from other parts of the country. These dance forms emerged from Indian traditions, epics and mythology. Sangeet Natak Akademi, the national academy for performing arts, recognizes eight distinctive traditional dances as Indian classical dances, which might have origin in religious activities of distant past. These are: Bharatanatyam- Tamil Nadu Kathak- Uttar Pradesh Kathakali- Kerala Kuchipudi- Andhra Pradesh Manipuri-Manipur Mohiniyattam-Kerala Odissi-Odisha Sattriya-Assam Folk dances are numerous in number and style, and vary according to the local tradition of the respective state, ethnic or geographic regions. Contemporary dances include refined and experimental fusions of classical, folk and Western forms. Dancing traditions of India have influence not only over the dances in the whole of South Asia, but on the dancing forms of South East Asia as well. In modern times, the presentation of Indian dance styles in films (Bollywood dancing) has exposed the range of dance in India to a global audience. In ancient India, dance was usually a functional activity dedicated to worship, entertainment or leisure. Dancers usually performed in temples, on festive occasions and seasonal harvests. Dance was performed on a regular basis before deities as a form of worship. Even in modern India, deities are invoked through religious folk dance forms from ancient times. -
Famous Indian Classical Musicians and Vocalists Free Static GK E-Book
oliveboard FREE eBooks FAMOUS INDIAN CLASSICAL MUSICIANS & VOCALISTS For All Banking and Government Exams Famous Indian Classical Musicians and Vocalists Free static GK e-book Current Affairs and General Awareness section is one of the most important and high scoring sections of any competitive exam like SBI PO, SSC-CGL, IBPS Clerk, IBPS SO, etc. Therefore, we regularly provide you with Free Static GK and Current Affairs related E-books for your preparation. In this section, questions related to Famous Indian Classical Musicians and Vocalists have been asked. Hence it becomes very important for all the candidates to be aware about all the Famous Indian Classical Musicians and Vocalists. In all the Bank and Government exams, every mark counts and even 1 mark can be the difference between success and failure. Therefore, to help you get these important marks we have created a Free E-book on Famous Indian Classical Musicians and Vocalists. The list of all the Famous Indian Classical Musicians and Vocalists is given in the following pages of this Free E-book on Famous Indian Classical Musicians and Vocalists. Sample Questions - Q. Ustad Allah Rakha played which of the following Musical Instrument? (a) Sitar (b) Sarod (c) Surbahar (d) Tabla Answer: Option D – Tabla Q. L. Subramaniam is famous for playing _________. (a) Saxophone (b) Violin (c) Mridangam (d) Flute Answer: Option B – Violin Famous Indian Classical Musicians and Vocalists Free static GK e-book Famous Indian Classical Musicians and Vocalists. Name Instrument Music Style Hindustani -
How Modern India Reinvented Classical Dance
ESSAY espite considerable material progress, they have had to dispense with many aspects of the the world still views India as an glorious tradition that had been built up over several ancient land steeped in spirituality, centuries. The arrival of the Western proscenium stage with a culture that stretches back to in India and the setting up of modern auditoria altered a hoary, unfathomable past. Indians, the landscape of the performing arts so radically that too, subscribe to this glorification of all forms had to revamp their presentation protocols to its timelessness and have been encouraged, especially survive. The stone or tiled floor of temples and palaces Din the last few years, to take an obsessive pride in this was, for instance, replaced by the wooden floor of tryst with eternity. Thus, we can hardly be faulted in the proscenium stage, and those that had an element subscribing to very marketable propositions, like the of cushioning gave an ‘extra bounce’, which dancers one that claims our classical dance forms represent learnt to utilise. Dancers also had to reorient their steps an unbroken tradition for several millennia and all of and postures as their audience was no more seated all them go back to the venerable sage, Bharata Muni, who around them, as in temples or palaces of the past, but in composed Natyashastra. No one, however, is sure when front, in much larger numbers than ever before. Similarly, he lived or wrote this treatise on dance and theatre. while microphones and better acoustics management, Estimates range from 500 BC to 500 AD, which is a coupled with new lighting technologies, did help rather long stretch of time, though pragmatists often classical music and dance a lot, they also demanded re- settle for a shorter time band, 200 BC to 200 AD. -
List of Candidates Who Have Not Submitted Their Neet Ug 2017 Roll Number
LIST OF CANDIDATES WHO HAVE NOT SUBMITTED THEIR NEET UG 2017 ROLL NUMBER Sl. Application Candidate's Name Father's Name Mother's Name DOB No. No. 1 100249 SACHIN KUMAR PAWAN KUMAR ANITA SHARMA 15.Nov.93 2 100808 ANUSHEEL NAGAR OMBIR SINGH GEETA DEVI 07/Oct/1998 3 101222 AKSHITA DAAGAR SUSHIL KUMAR SEEMA 24/May/1999 4 101469 ANKITA YADAV SANJAY YADAV CHANCHAL YADAV 31/Dec/1999 5 101593 ZEWA NAWAB KHAN NOOR JAHAN 10/Feb/1999 6 101814 SHAGUN SHARMA GAGAN SHARMA RACHNA SHARMA 13/Oct/1998 7 102087 MOHD FAISAL SHAHABUDDIN JANNATUL FIRDOUS 14/Aug/1998 8 102121 SNEHA SOBODH KUMAR RAJENDRI 20/Jul/1998 9 102256 ABUZAR MD SHAHZAMAN SHABNAM SABA 25/Mar/1999 10 102397 ANJALI DESWAL JAGBIR SINGH RAJ RANI 05/Sep/1998 11 102402 RASMEET KAUR SURINDER PAL SINGH GURVINDER KAUR 11/Sep/1997 12 102474 ABU TALHA MD SHAHZAMAN SHABNAM SABA 25/Mar/1999 13 102515 SHIVANI SHARMA RAKESH KUMAR SHARMA KRISHNA SHARMA 01/Aug/2000 14 102529 POONAM SHARMA GOVIND SHARMA RAJESH SHARMA 04/Nov/1998 15 102532 SHAISTA BANO MD SHAHZAMAN SHABNAM SABA 09/Nov/1997 KARUNA KUMARI 16 102711 ANUSHKA RAJ SINGH RAJ KUMAR SINGH 12/Mar/2000 SINGH 17 102841 AAMIR SUHAIL MALIK NASIMUDDIN SHANNO 26/May/1996 18 102971 ABLE MOGHA MANOJ KUMAR MOGHA SARITA MOGHA 19/Aug/1998 19 103053 HARSHITA AGRAWAL MOHIT AGRAWAL MEERA AGRAWAL 07/Sep/1999 20 103245 HIMANSHI GUPTA VIJAY KUMAR GUPTA INDU GUPTA 09/May/2000 NGULLIENTHANG 21 103428 PAOKHUP HAOKIP VANKHOMOI HAOKIP 03/Oct/1998 HAOKIP 22 103433 APOORVA SINHA GAUTAM BIRENDRA ALPANA DEVA 12/Sep/1999 23 103518 TANYA GUPTA RAJIV GUPTA VANDANA GUPTA 29/Apr/1999 -
Giddha Folk Dance: an Embodiment of Healing Through Creative Artistic Punjabi Dance Culture and Connection with Somatic Dance Therapy & Practice
GIDDHA FOLK DANCE: AN EMBODIMENT OF HEALING THROUGH CREATIVE ARTISTIC PUNJABI DANCE CULTURE AND CONNECTION WITH SOMATIC DANCE THERAPY & PRACTICE Giddha is a form of folk dance from the land of five rivers called Punjab in North- Western part of India. So many rivers in one place signifying fertility and precious land for cultivation and farming. Punjabi culture is filled with vibrancy and fun loving loud people. They believe in expressing themselves with full power and intensity. Punjabi dances are based around energy and happiness. This form has freedom, expression, dramatic voice, facial and body dialoguing. It is a kinaesthetic, preoperceptive and muscular activity with elements of clapping and voicing emotions. It is an act of body, mind and emotions. Clapping helps to release toxins and also can be related to acupressure, as this triggers the points that effect major inner body organs. This form of movement exploration is therapeutic and has the ability to heal from a holistic perspective. Healing here is not when one goes into hospital and finds external source of therapy but from this perspective it simply means uniting the wholeness of being. This supports body, mind and spirit energy, bringing many people together to perform in a sacred circle; thus helping socialising to become artistic and motivational. It allows women of small knit family structures, villages and controlled environment societies to voice their inner feelings and releasing painful toxins through singing, dancing and bodily expression. It gives time to people to release everything in a joking fun loving manner and especially in a non- judgmental circle. -
Odisha Review
ODISHA REVIEW VOL. LXXI NO. 2-3 SEPTEMBER-OCTOBER - 2014 MADHUSUDAN PADHI, I.A.S. Commissioner-cum-Secretary BHAGABAN NANDA, O.A.S, ( SAG) Special Secretary DR. LENIN MOHANTY Editor Editorial Assistance Production Assistance Bibhu Chandra Mishra Debasis Pattnaik Bikram Maharana Sadhana Mishra Cover Design & Illustration D.T.P. & Design Manas Ranjan Nayak Hemanta Kumar Sahoo Photo Raju Singh Manoranjan Mohanty The Odisha Review aims at disseminating knowledge and information concerning Odisha’s socio-economic development, art and culture. Views, records, statistics and information published in the Odisha Review are not necessarily those of the Government of Odisha. Published by Information & Public Relations Department, Government of Odisha, Bhubaneswar - 751001 and Printed at Odisha Government Press, Cuttack - 753010. For subscription and trade inquiry, please contact : Manager, Publications, Information & Public Relations Department, Loksampark Bhawan, Bhubaneswar - 751001. Five Rupees / Copy E-mail : [email protected] Visit : http://odisha.gov.in Contact : 9937057528(M) CONTENTS Nabakalebar Bhagaban Mahapatra ... 1 Good Governance ... 5 The Concept of Sakti and Its Appearance in Odisha Sanjaya Kumar Mahapatra ... 8 Siva and Shakti Cult in Parlakhemundi : Some Reflections Dr. N.P. Panigrahi ... 11 Durga Temple at Ambapara : A Study on Art and Architecture Dr. Ratnakar Mohapatra ... 20 Perspective of a Teacher as Nation Builder Dr. Manoranjan Pradhan ... 22 A Macroscopic View of Indian Education System Lopamudra Pradhan ... 27 Abhaya Kumar Panda The Immortal Star of Suando Parikshit Mishra ... 42 Consumer is the King Under the Consumer Protection Law Prof. Hrudaya Ballav Das ... 45 Paradigm of Socio-Economic-Cultural Notion in Colonial Odisha : Contemplation of Gopabandhu Das Snigdha Acharya ... 48 Raghunath Panigrahy : The Genius Bhaskar Parichha .. -
Research Paper Impact Factor
Research Paper IJBARR Impact Factor: 3.072 E- ISSN -2347-856X Peer Reviewed, Listed & Indexed ISSN -2348-0653 HISTORY OF INDIAN CINEMA Dr. B.P.Mahesh Chandra Guru * Dr.M.S.Sapna** M.Prabhudev*** Mr.M.Dileep Kumar**** * Professor, Dept. of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. **Assistant Professor, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***RGNF Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangothri, Mysore-570006, Karnataka, India. Abstract The Lumiere brothers came over to India in 1896 and exhibited some films for the benefit of publics. D.G.Phalke is known as the founding father of Indian film industry. The first Indian talkie film Alam Ara was produced in 1931 by Ardeshir Irani. In the age of mooki films, about 1000 films were made in India. A new age of talkie films began in India in 1929. The decade of 1940s witnessed remarkable growth of Indian film industry. The Indian films grew well statistically and qualitatively in the post-independence period. In the decade of 1960s, Bollywood and regional films grew very well in the country because of the technological advancements and creative ventures. In the decade of 1970s, new experiments were conducted by the progressive film makers in India. In the decade of 1980s, the commercial films were produced in large number in order to entertain the masses and generate income. Television also gave a tough challenge to the film industry in the decade of 1990s. -
CSR-Vision-December-2018.Pdf
India’s 1st monthly Magazine on CSR DECEMBER 2018 VOLUME-7 ISSUE-08 `100/- www.csrvision.in Promoting Responsibility for Sustainability TRRAINTrust for Retailers and Retail Employees of India INTERVIEW OF THE MONTH DR. RAJIV KUMAR Vice Chairman, NITI Aayog GUEST COLUMN DR. SRIKANT SHARMA MBBS, MD B.S. NAGESH Founder, TRRAIN Trusts, Chairman, Shopper’s Stop DECEMBER 2018 NEW DELHI TRRAIN is a seed just sprouting, miles to go... 1 2 NEW DELHI DECEMBER 2018 From the Desk of Editor-in-Chief Dear Readers rulers to destroy the local culture and belief systems and impose the Islamic culture by constructing a mosque. The Merry Christmas! act of converting the name of Prayagraj to Allahabad by the Mughals is also similar to that of construction of masjid in India has already entered into the nearing phase of place of Ram temple. 2019 election season. The BJP came to power through a Secondly, if a hooligan or gunda, from another community historic win in 2014 after giving a hope to Indian electorate like ISLAM or Christianity, occupies your house, forcing you that Ram temple will be built to honor the long standing to live in a corner and leaves the house after years, obviously, demand of majority of Hindu people.After BJP came into ransacking your place of worship and leaving imprints of the power in 2014, BJP also won in UP, which increased their long stay through their names and markings. What the hope of hindus that temple will be built, more so with a will be the first thing you do when you get the house back? Hindu oriented CM candidate Yogi Aadityanath, a former Obviously, one will clean the house, specifically the markings Mahant of Gorakhnath temple, Gorakhpur, UP. -
List of Successful Candidates
11 - LIST OF SUCCESSFUL CANDIDATES CONSTITUENCY WINNER PARTY Andhra Pradesh 1 Nagarkurnool Dr. Manda Jagannath INC 2 Nalgonda Gutha Sukender Reddy INC 3 Bhongir Komatireddy Raj Gopal Reddy INC 4 Warangal Rajaiah Siricilla INC 5 Mahabubabad P. Balram INC 6 Khammam Nama Nageswara Rao TDP 7 Aruku Kishore Chandra Suryanarayana INC Deo Vyricherla 8 Srikakulam Killi Krupa Rani INC 9 Vizianagaram Jhansi Lakshmi Botcha INC 10 Visakhapatnam Daggubati Purandeswari INC 11 Anakapalli Sabbam Hari INC 12 Kakinada M.M.Pallamraju INC 13 Amalapuram G.V.Harsha Kumar INC 14 Rajahmundry Aruna Kumar Vundavalli INC 15 Narsapuram Bapiraju Kanumuru INC 16 Eluru Kavuri Sambasiva Rao INC 17 Machilipatnam Konakalla Narayana Rao TDP 18 Vijayawada Lagadapati Raja Gopal INC 19 Guntur Rayapati Sambasiva Rao INC 20 Narasaraopet Modugula Venugopala Reddy TDP 21 Bapatla Panabaka Lakshmi INC 22 Ongole Magunta Srinivasulu Reddy INC 23 Nandyal S.P.Y.Reddy INC 24 Kurnool Kotla Jaya Surya Prakash Reddy INC 25 Anantapur Anantha Venkata Rami Reddy INC 26 Hindupur Kristappa Nimmala TDP 27 Kadapa Y.S. Jagan Mohan Reddy INC 28 Nellore Mekapati Rajamohan Reddy INC 29 Tirupati Chinta Mohan INC 30 Rajampet Annayyagari Sai Prathap INC 31 Chittoor Naramalli Sivaprasad TDP 32 Adilabad Rathod Ramesh TDP 33 Peddapalle Dr.G.Vivekanand INC 34 Karimnagar Ponnam Prabhakar INC 35 Nizamabad Madhu Yaskhi Goud INC 36 Zahirabad Suresh Kumar Shetkar INC 37 Medak Vijaya Shanthi .M TRS 38 Malkajgiri Sarvey Sathyanarayana INC 39 Secundrabad Anjan Kumar Yadav M INC 40 Hyderabad Asaduddin Owaisi AIMIM 41 Chelvella Jaipal Reddy Sudini INC 1 GENERAL ELECTIONS,INDIA 2009 LIST OF SUCCESSFUL CANDIDATE CONSTITUENCY WINNER PARTY Andhra Pradesh 42 Mahbubnagar K. -
4 Broadcast Sector
MINISTRY OF INFORMATION AND BROADCASTING Annual Report 2006-2007 CONTENTS Highlights 1. Overview 1 2. Administration 3 3. Information Sector 12 4. Broadcast Sector 53 5. Films Sector 110 6. International Co-operation 169 7. Plan and Non-Plan Programmes 171 8. New Initiatives 184 Appendices I. Organisation Chart of the Ministry 190 II. Media-wise Budget for 2006-2007 and 2007-2008 192 Published by the Director, Publications Division, Ministry of Information and Broadcasting, Government of India Typeset at : Quick Prints, C-111/1, Naraina, Phase - I, New Delhi. Printed at : Overview 3 HIGHLIGHTS OF THE YEAR The 37th Edition of International Film Festival of India-2006 was organized in Goa from 23rd November to 3rd December 2006 in collaboration with State Government of Goa. Shri Shashi Kapoor was the Chief Guest for the inaugural function. Indian Film Festivals were organized under CEPs/Special Festivals abroad at Israel, Beijing, Shanghai, South Africa, Brussels and Germany. Indian films also participated in different International Film Festivals in 18 countries during the year till December, 2006. The film RAAM bagged two awards - one for the best actor and the other for the best music in the 1st Cyprus International Film Festival. The film ‘MEENAXI – A Tale of Three Cities’ also bagged two prizes—one for best cinematography and the other for best production design. Films Division participated in 6 International Film Festivals with 60 films, 4 National Film Festivals with 28 films and 21 State level film festivals with 270 films, during the period 1-04-06 to 30-11-06. Films Division Released 9791 prints of 39 films, in the theatrical circuits, from 1-4-06 to 30-11-06. -
Small Loans, Big Dreams How Nobel Prize Winner Muhammad
Small Loans, Big Dreams How Nobel Prize Winner Muhammad Yunus and Microfi nance Are Changing the World Alex Counts John Wiley & Sons, Inc. ffirs.indd iii 2/26/08 11:37:56 AM ffirs.indd ii 2/26/08 11:37:55 AM Additional Praise for Small Loans, Big Dreams “Alex Counts has spent his career building a movement to expand access to fi nance for the world’s poorest citizens. He describes the power of simple ideas to bring banks to Bangladeshi villages, and how those ideas have traveled across continents. It’s an improbable story of global proportions, told by a gifted story-teller with inside access.” —Jonathan Morduch, Professor of Public Policy and Economics, Wagner Graduate School of Public Service, New York University, and Co-Author, The Economics of Microfi nance “Resist the temptation to dismiss Small Loans, Big Dreams as a mere second edition of Alex Counts’ earlier Give Us Credit. This is far more than a warmed-up paean to Muhammad Yunus, though Alex continues in his role as the leading apostle and chronicler of a truly remarkable prophetic voice for the poor everywhere in the world. Alex adds his own com- pelling voice to show us that the success of microfi nance is founded on the capacities of the poor themselves—the power of the individual human spirit and the social capital of women’s groups that gives them the resil- ience and resourcefulness to borrow, invest, save, and learn to value them- selves and their futures.” —Christopher Dunford, President, Freedom from Hunger “Counts has stretched my thinking around social investment models of possibility through the compelling stories, and his dedication, evidenced in this book.