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OHIO I ST.\TE the I • QUE E R'l ,,,\ LIMITof ,, BLACI< MEMORY BLACK LESBIAN LITERATURE AND IRRESOLUTION MATT RICHARDSO J. II I : CONTENTS Acknowledgments ix INTRODUCTION Listening to the Archives: Black Lesbian Literature and Queer Memory 1 CHAPTER 1 Desirous Mistresses and Unruly Slaves: Neo-Slave Narratives, Property, Power, and Desire 21 CHAPTER 2 Small Movements: Queer Blues Epistemologies in Cherry Muhanji's Her 57 CHAPTER 3 "Mens Womens Some that is Both Some That is Neither": Spiritual Epistemology and Queering the Black Rural South in, the Work of Sharon Bridgforth 83 CHAPTER 4 "Make It Up and Trace It Back": Remembering Black Trans Subjectivity in Jackie Kay's Trumpet 107 CHAPTER 5 What Grace Was: Erotic Epistemologies and Diasporic Belonging in Dionne Brand's In Another Place, Not Here 136 EPILOGUE Grieving the Queer: Anti-Black Violence and Black Collective Memory 159 169 Notes 199 Index INTRODUCTION Listening to the Archives Black Lesbian Literature and Queer Memory he Museum of the African Diaspora (MoAD) is a recent structure that has emerged as a monument to Black mem- ory. Opened in San Francisco in December of 2005, the museum is literally positioned between archives. Located near Union Square, the museum stands across the street from the Cali- fornia Historical Society, and a few doors down from, the San Francisco Gay, Lesbian, Bisexual, Transgender (GLBT) Archives. Each one of these institutions holds pieces of Black history, but there is no single structure that houses a satisfactory story. For a Black queer subject like me, standing between these institutions brings into stark relief the fractured and incomplete nature of the archives.
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