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The Savage Worlds of Land of Light
The Savage Worlds of Land of Light An Ultraman Adventure By Mohd Syafiq bin Ibrahim 1 THIS MODULE REQUIRES THE SAVAGE WORLDS DELUXE EDITION TO PLAY! 1ST Edition – July 2013 More information can be found on author’s DeviantArt and Tumblr page at http://openlor.deviantart.com/ http://openlor.tumblr.com/ This game references the Savage Worlds game system. Available from and copyrighted to Pinnacle Entertainment Group at http://www.peginc.com/ Ultraman Tiga, Tiga universe, the rest of it’s known characters and designs are sole property of Eiji Tsuburaya from Tsuburaya Productions 2 CONTENTS Introduction.........................................................4 Setting Rule.........................................................5 Creating a Character.................................................6 Skills..............................................................13 Hindrances..........................................................14 Edges...............................................................15 Gears...............................................................16 Allies..............................................................22 Powers..............................................................22 Bestiary............................................................40 Playin Non-Ultra Characters.........................................61 Character sheet.....................................................63 Non-Playable Character Sheet........................................64 3 INTRODUCTIONS The Story take place million -
Anime/Games/J-Pop/J-Rock/Vocaloid
Anime/Games/J-Pop/J-Rock/Vocaloid Deutsch Alice Im Wunderland Opening Anne mit den roten Haaren Opening Attack On Titans So Ist Es Immer Beyblade Opening Biene Maja Opening Catpain Harlock Opening Card Captor Sakura Ending Chibi Maruko-Chan Opening Cutie Honey Opening Detektiv Conan OP 7 - Die Zeit steht still Detektiv Conan OP 8 - Ich Kann Nichts Dagegen Tun Detektiv Conan Opening 1 - 100 Jahre Geh'n Vorbei Detektiv Conan Opening 2 - Laufe Durch Die Zeit Detektiv Conan Opening 3 - Mit Aller Kraft Detektiv Conan Opening 4 - Mein Geheimnis Detektiv Conan Opening 5 - Die Liebe Kann Nicht Warten Die Tollen Fussball-Stars (Tsubasa) Opening Digimon Adventure Opening - Leb' Deinen Traum Digimon Adventure Opening - Leb' Deinen Traum (Instrumental) Digimon Adventure Wir Werden Siegen (Instrumental) Digimon Adventure 02 Opening - Ich Werde Da Sein Digimon Adventure 02 Opening - Ich Werde Da Sein (Insttrumental) Digimon Frontier Die Hyper Spirit Digitation (Instrumental) Digimon Frontier Opening - Wenn das Feuer In Dir Brennt Digimon Frontier Opening - Wenn das Feuer In Dir Brennt (Instrumental) (Lange Version) Digimon Frontier Wenn Du Willst (Instrumental) Digimon Tamers Eine Vision (Instrumental) Digimon Tamers Ending - Neuer Morgen Digimon Tamers Neuer Morgen (Instrumental) Digimon Tamers Opening - Der Grösste Träumer Digimon Tamers Opening - Der Grösste Träumer (Instrumental) Digimon Tamers Regenbogen Digimon Tamers Regenbogen (Instrumental) Digimon Tamers Sei Frei (Instrumental) Digimon Tamers Spiel Dein Spiel (Instrumental) DoReMi Ending Doremi -
Gesamtkatalog Japan DVD Zum Download
DVD Japan (Kurzübersicht) Nr. 33 Juli 2004 Best.Nr. Titel Termin Preis** Animation 50009604 .Hack // Sign (DD & PCM) 25.08.2002 109,90 € 50011539 .Hack//Legend Of Twilight Bracelet Vol. 1 25.04.2003 94,90 € 50010369 .Hack//Sign Vol. 5 (PCM) 25.11.2002 109,90 € 50010725 .Hack//Sign Vol. 6 (PCM) 21.12.2002 109,90 € 50011314 .Hack//Sign Vol. 9 (PCM) 28.03.2003 109,90 € 50002669 1001 Nights 25.08.2000 60,90 € 50001721 1001 Nights (1998) 18.12.1999 154,90 € 50003015 101 Dalmatians 18.10.2000 78,90 € 50010612 101 Dalmatians 2: Patch's London Adventure 06.12.2002 64,90 € 50008214 11 Nin Iru! 22.03.2002 79,90 € 50010894 12 Kokuki 8-10 Vol. 4 (DD) 16.01.2003 79,90 € 50007134 24 Hours TV Special Animation 1978-1981 22.11.2001 281,90 € 50009578 3chome No Tama Onegai! Momochan Wo Sagashite! (DD) 21.08.2002 49,90 € 50011428 3x3 Eyes DVD Box (DD) 21.05.2003 263,90 € 50008995 7 Nin Me No Nana 4 Jikanme 03.07.2002 105,90 € 50008431 7 Nin No Nana 2jikanme 01.05.2002 89,90 € 50008430 7 Nin No Nana 4jikanme 03.07.2002 127,90 € 50008190 7 Nin No Nana Question 1 03.04.2002 89,90 € 50001393 A.D. Police 25.07.1999 94,90 € 50001719 Aardman Collection (1989-96) 24.12.1999 64,90 € 50015065 Abaranger Vs Hurricanger 21.03.2004 75,90 € 50009732 Abenobasi Maho Syotengai Vol. 4 (DD) 02.10.2002 89,90 € 50007135 Ace Wo Nerae - Theater Version (DD) 25.11.2001 94,90 € 50005931 Ace Wo Nerae Vol. -
Der Japanische Monsterfilm (Daikaijū -, Kaijū -, Daimajin - Und Kaijin Eiga) – Filmographie Und Bibliographie Von Ludger Kaczmarek & Hans J
Repositorium für die Medienwissenschaft Ludger Kaczmarek; Hans Jürgen Wulff Der japanische Monsterfilm (daikaijū -, kaijū -, daimajin - und kaijin eiga). Filmographie und Bibliographie 2018 https://doi.org/10.25969/mediarep/12780 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Kaczmarek, Ludger; Wulff, Hans Jürgen: Der japanische Monsterfilm (daikaijū -, kaijū -, daimajin - und kaijin eiga). Filmographie und Bibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2018 (Medienwissenschaft: Berichte und Papiere 147). DOI: https://doi.org/10.25969/mediarep/12780. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0147_18.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 147, 2018: Japanischer Monsterfilm Redaktion und Copyright dieser Ausgabe: Ludger Kaczmarek u. Hans J. Wulf. ISSN 1613-7477. URL: htp://berichte.derwulf.de/0147_18.pdf. Letzte Änderung: 25.09.2018. Der japanische Monsterfilm (daikaijū -, kaijū -, daimajin - und kaijin eiga) – Filmographie und Bibliographie von Ludger Kaczmarek & Hans J. Wulf Inhalt: 1. Vom Horror zum Trash – der japanische Monsterflm / Oliver Miller [1] 1.1 Die Wurzeln des Monsterflms [1] 1.2 Der Ursprung des japanischen Monsterflms: oodzilla [2] 1.3 Die Monster sind los – auf dem Weg in die Kommerzialisierung [3] 1.4 Der japanische Monsterflm als eigenstänndiges oenre [4] 1.5 Die Rückkehr oodzillas und ein Blick in die ZukunF [4] 1.6 Fazit [5] Anmerkungen [5] 2. -
Ultraman at TYO Create a Powerful Ultramanwith the New Knowledge Tag
4 In the Vanguard of Creativity Ultraman at TYO Create a Powerful Ultramanwith the new knowledge tag TYO Inc. 2-21-7 Kami-Osaki, Shinagawa-ku, Tokyo 141-0021, Japan http://group.tyo.jp/ New Face JASDAQ Stock Code: 4358 ● TSUBURAYA PRODUCTIONS CO., LTD. ● ZEO Corporation In the vanguard of creativity ● Light Work Co., Ltd. ● Great Works AB ● dwarf Inc. ● LUDENS CO., LTD. The world of craftsmanship ● TYO Productions Inc. ©Tsuburaya Productions that brings happiness to creator and viewer alike A Transformed Management Strategy Interview 2008 New Face ● Theoria Communications Inc. TYO Creative Business City ● COM Co., Ltd. ● 1st Avenue Inc. ● Haxen International Inc. Motivating the spirit of ● DOGA KOBO Inc. creativity for the next TYO Management Strategy Interview 2007 ―Interview with new directors― TYO Fifteen talented men that the next generation requires Creative Business City Town Block Planning Management Strategy Interview 2008 Know-how that capitalizes on change and operational capability with originality otivating the spirit of creativity for the next TYO Providing an “environment” where tal- business of rights management. ented creators can work at the highest TYO also is involved in new enterprises, level, TYO continues to produce excep- too, such establishing a game software tional content for every sector of the video sales company and becoming involved business. TYO has now established an with the Tsuburaya Productions. There are overseas presence in China and the West, 43 distinctive companies at present in this so there has been no change in its consis- group, which rang up consolidated sales of tent approach of responding to challenges. 18.9 billion yen in the year ended July 2007 TYO also has reorganized its corporate (a shortened 10-month accounting period). -
The Master of Special Effects – the Legacy of Tsuburaya Eiji ― in Conversation with Ooka Shinichi, President of Tsuburaya Productions
CULTURE The Master of Special Effects – The Legacy of Tsuburaya Eiji ― In conversation with Ooka Shinichi, President of Tsuburaya Productions Explosions crash and bang as Godzilla or another monster destroys the city… Ultraman shoots Spacium Rays to take down another monster… The best thing about watching special effects movies is that they always shock and surprise you. Tsuburaya Eiji was known as the master of special effects, but in what ways is his DNA being kept alive today? We take a look back and share in the recollections of Ooka Shinichi, former cameraman and current President of Tsuburaya Productions. Shiraishi Masahiko, movie researcher, screenwriter and director There is one man in particular who was known as the master of special effects. In 1936, he developed the screen process (rear projection, a system involving positioning a screen behind the actors then projecting scenery onto the screen from behind) for the first time in the movie industry on the set of a German co-production called Atarashiki Tsuchi (The Daughter of the Samurai ). He later recreated the aerial attack on Pearl Harbor on a miniature set for the movie Hawaii Mare Oki Kaisen (The War at Sea from Hawaii to Malaya ) in 1942, before bringing to life a 50-meter tall monster and laying waste to Tokyo in the 1954 movie Godzilla . That man was Shiraishi Masahiko, movie Tsuburaya Eiji. researcher, screenwriter and director After Godzilla , movies on which Tsuburaya handled special effects technology became a gold mine for Toho and ended up supporting the entire company. Although Tsuburaya’s special effects movies covered a wide range of areas, including science fiction, war and fantasy, the genre in which they proved most popular was kaiju (monster) movies. -
Microsoft Visual Basic
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4KOM02292.Pdf
BAB IV PENUTUP A. KESIMPULAN 1. Interaksi yang terjadi di dalam Komunitas Tokusatsu Yogyakarta tidak akan dapat berlangsung tanpa melibatkan komponen – komponen komunikasinya, seperti pengirim pesan; konten pesannya; saluran pesan; penerima pesan; umpan balik yang dihasilkan; dan juga bauran pengalaman yang dimiliki oleh para pelaku komunikasinya. 2. Peran yang muncul dalam kelompok untuk membentuk sebuah konsep pengetahuan produk (product knowledge) terjadi di dalam interaksi tatap muka dan melibatkan komponen – komponen komunikasinya secara keseluruhan. Berbagai peran yang muncul untuk membentuk pengetahuan produk tersebut antara lain peran tugas (task roles) dan peran pemeliharaan (maintenance roles). Peran Tugas yang muncul di dalam interaksi tatap muka antar anggota Komunitas Toksusatsu Yogyakarta antara lain : peran Pencarian Informasi (information seeking); pemberian informasi (information giving); pengembangan (elaborating); klarifikasi (clarifying); pemberian pendapat (opinion giving); dan juga evaluasi (evaluating). Sedangkan peran Pemeliharaan yang muncul di dalam interaksi tatap muka antar anggota Komunitas Toksusatsu Yogyakarta antara lain : peran Gatekeeping; dukungan (supporting); pelepas tegangan (tension relieving); dan juga mendramatisir (dramatizing) 220 3. Interaksi yang terjadi di dalam kelompok dapat berupa interaksi secara tatap muka dan juga secara tidak tatap muka. Interaksi tatap muka memiliki kelebihan dalam proses pembentukan pengetahuan produk bagi kelompok, dikarenakan adanya peran kelompok yang dapat dilakukan -
Chikyū O Sukuu Baiotekunorojī
- < Chikyū o sukuu baiotekunorojī ~ eBook Chikyū o sukuu baiotekunorojī Ōmusha - Ultraman Tiga, Ultraman Dyna, & Ultraman Gaia: The Decisive Battle in Hyperspace Description: - - Africa -- Colonial influence. Africa -- Politics and government -- 1960- Africa -- Politics and government -- 1945-1960. Austria -- Ethnic relations. Germany -- Ethnic relations. Antisemitism -- Austria -- History. Antisemitism -- Germany -- History. Racism -- Europe -- History. Reasoning -- Congresses. Reason -- Congresses. Rationalism -- Congresses. Gandhi, M. K. -- 1869-1948. Sex -- Early works to 1800 Love -- Early works to 1800 Man -- Influence of envionment. Ecology. Environmental protection -- Biotechnology. Biotechnology -- Environmental aspects.Chikyū o sukuu baiotekunorojī -Chikyū o sukuu baiotekunorojī Notes: Includes bibliographical references. This edition was published in 1991 Tags: #Summon #chants #in #Yu Manhattan Love Story Filesize: 48.53 MB Truy cập April 4, 2018. The Asia-Pacific Journal: Japan Focus 16: 1. Karera wa monogoto ga hōshin, hatsumei ni yotte dōsa sa seru koto ga dekimasu kangaete iruga, ningen wa kami no nai kono wakusei ni sunde iru koto wa arimasen! King of Mons Tsutomu tries to take the red sphere from Yu, then King of Mons fires his climate beam at the school, send the boys flying. Ebben a szócikkben a japán nevek és szerepelnek. Freezer Transforms a 3rd time! Here it comes, the most unbearable monster you've ever seen! A rendezvény fő helyszíne a Nippon Budókan sportcsarnoka Tokió , azonban számos más helyszínen is fogadják az adományokat. Manhattan Love Story I Fusion Summon the mighty! Yajū no manako hikarishi dōmōnaru ryū! Hebihimesama no Omotenashi 15 Sztorm Dueling Piccolos Pikkoro kara no Dasshutsu! Kare ga watashi no tame ni, dare no tame ni kurushinda. Matthew Emblidge lives in Maryland with his collection of 4,873 items and growing! Truy cập 24 January 2018. -
News Release
News Release July 9, 2014 SKY Perfect JSAT Corporation ULTRAMAN COSMOS and ULTRAMAN NEXUS gain great popularity in Indonesia. Tsuburaya Productions, Tokyo Otaku Mode, and WAKUWAKU JAPAN launch WAKUWAKU JAPAN's original ULTRAMAN COSMOS and ULTRAMAN NEXUS T-shirts on ULTRAMAN Day, July 10, 2014 (Thursday). SKY Perfect JSAT Corporation (Head Office: Minato-ku, Tokyo; Representative Director, President & Chief Executive Officer: Shinji Takada) will be producing an original Ultraman T-shirt. This shirt will be a cooperative effort between SKY Perfect JSAT, which is offering the popular ULTRAMAN television series on WA KUWA KU JAPAN channel, and Tsuburaya Productions Co., Ltd. (Head Office: Shibuya-ku, Tokyo; President: Shinichi Ooka). The T-shirts will be put on sale on the Tokyo Otaku Mode (hereinafter “TOM”; Head Office: Delaware, USA; President & CEO: Tomohide Kamei) Website on Ultraman Day (July 10, Thursday). On February 22, 2014, SKY Perfect JSAT launched WAKUWAKU JAPAN in Indonesia, a 24-hour channel offering selected Japanese content in local languages. In March, WAKUWAKU JAPAN conducted channel and program acceptability surveys in order to gain an understanding of the actual situation of TV program viewing in Indonesia and foster a channel appreciated by its viewers. The results showed that one of the most popular programs with high TV rate was ULTRAMAN COSMOS. Based on these findings, WAKUWAKU JAPAN teamed up with Tsuburaya Productions to produce original T-shirts based on ULTRAMAN COSMOS and the currently running ULTRAMAN NEXUS. The T-shirts are to be sold through Tokyo Otaku Mode's Website, targeting Indonesia and Myanmar, the countries where WAKUWAKU JAPAN is broadcast. -
Ultraman- Compassion, Family, and Perseverance Represented in A
Ultraman- Compassion, Family, and Perseverance Represented in a Popular Science-Fiction Television Series (1966~2009) by JOE YAMAMOTO A THESIS Presented to the Department of East Asian Languages and Literature in fulfilment of the requirements for Honors Japanese June 2011 Table of Contents Thesis Introduction- Ultraman, A Hero for the Ages....................................................3 What is an Ultraman?...............................................................................................5 Monster/Alien Terminology within Tokusatsu.....................................................10 Chapter One: Compassion in Ultras............................................................................ 12 The Ultras's Compassion Towards Humans...................................................... 12 Symbol of Hope.......................................................................................................14 Sacrifice as a Cost of Compassion...................................................................... 17 Departing Words as Acts of Compassion........................................................... 20 Compassion Towards Kaijû.................................................................................. 23 Kaijû as a Consequence of Suburban Development........................................ 29 Compassion towards "Benevolent Kaijû "...........................................................31 Chaiyo Production's Hypocrisy of the Ultraman Legacy...................................34 CHAPTER TWO: THE THEME OF -
Ultraman Jumpchain in the Year 1966, Earth Is Plagued by Mysterious Phenomenon, Alien Invaders, Ancient Evils, and All Other Forms of Weirdness
Ultraman Jumpchain In the year 1966, earth is plagued by mysterious phenomenon, alien invaders, ancient evils, and all other forms of weirdness. To combat this threat Humanity relies on the “Science Special Search Party”, also called the Science Patrol or SSSP. This special worldwide police force is equipped with high-tech weapons and vehicles, as well as extensive scientific and engineering facilities. The japanese branch, led by Captain “Cap” Toshio Muramatsu, have encountered a strange glowing orb. Shin Hayata, the Japanese SSSP branch’s most capable member, is sent out to investigate but crashes when he collides with a strange entity of light. This entity is revealed to be a member of the Space Garrison, a galactic-level military organization that seeks universal peace and justice, in search of a criminal who fled to earth. The collision has left Shin Hayata nearly dead, and so the entity grants Shin his lifeforce. Now revitalized Shin has access to the Beta-Capsule, through which he can become the hero Ultraman! Far across the galaxy there exists a strange clear, green planet fueled by a artificial sun called the Plasma Spark within it’s core. This planet, called the Land of Light, is the home of the race from which the heroes earth call Ultramen come from and the base of the Space Garrison. Governed by a monarchy (The ruler is called the King of the Land of Light, not Ultraman King; that’s someone else) and a prime minister like position called the president, a position taken by Father Ultra, leader of the Space Garrison.