The Top Performer's Field Guide
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The Victor Black Label Discography
The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black -
2020 Spring Adult Rights Guide
Incorporating Gregory & company Highlights London Book Fair 2020 Highlights Welcome to our 2020 International Book Rights Highlights For more information please go to our website to browse our shelves and find out more about what we do and who we represent. Contents Fiction Literary Fiction 4 to 11 Upmarket Fiction 12 to 17 Commercial Fiction 18 to 19 Crime and Thriller 20 to 31 Non-Fiction Politics, Current Affairs, International Relations 32 to 39 History and Philosophy 40 to 43 Nature and Science 44 to 47 Biography and Memoir 48 to 54 Practical, How-To and Self-Care 55 to 57 Upcoming Publications 58 to 59 Recent Highlights 60 Prizes 61 Film and TV News 62 to 64 DHA Co-Agents 65 Primary Agents US Rights: Veronique Baxter; Jemima Forrester; Georgia Glover; Anthony Goff (AG); Andrew Gordon (AMG); Jane Gregory; Lizzy Kremer; Harriet Moore; Caroline Walsh; Laura West; Jessica Woollard Film & TV Rights: Clare Israel; Penelope Killick; Nicky Lund; Georgina Ruffhead Translation Rights Alice Howe: [email protected] Direct: France; Germany Margaux Vialleron: [email protected] Direct: Denmark; Finland; Iceland; Italy, the Netherlands; Norway; Sweden Emma Jamison: [email protected] Direct: Brazil; Portugal; Spain and Latin America Co-agented: Poland Lucy Talbot: [email protected] Direct: Croatia; Estonia; Latvia; Lithuania; Slovenia Co-agented: China; Hungary, Japan; Korea; Russia; Taiwan; Turkey; Ukraine Imogen Bovill: [email protected] Direct: Arabic; Albania; Bulgaria; Greece; Israel; Italy; Macedonia, Vietnam, all other markets. Co-agented: Czech Republic; Indonesia; Romania; Serbia; Slovakia; Thailand Contact t: +44 (0)20 7434 5900 f: +44 (0)20 7437 1072 www.davidhigham.co.uk General translation rights enquiries: Sam Norman: [email protected] THE PALE WITNESS Patricia Duncker A tour de force of historical fiction from the acclaimed novelist Patricia Duncker According to the Gospel of Matthew, the wife of Pontius Pilate interceded on Jesus’ behalf as Pilate was contemplating the prophet’s fate. -
Reimagining TV Viewing Jack Davison, Executive Vice President, 3Vision
Reimagining TV Viewing Jack Davison, Executive Vice President, 3Vision CTAM Europe OTT Symposium 2019 CTAM Europe OTT Symposium 2019 Growing complexities Media Direct to SVOD Short Form & Content AVOD Consolidation Consumer Growth Social Market 2 CTAM Europe OTT Symposium 2019 Media Consolidation AT&T Walt Disney Discovery Comcast & Time Warner & 21st Century Fox & Scripps & Sky $85 billion $72 billion $15 billion $39 billion Mergers March 2019 March 2019 March 2018 October 2018 Discovery, ProSieben TF1, M6 BBC Studios TBS, TV Tokyo, & additional partners & France Television & ITV WOWOW & others 7TV Salto Britbox Paravi Alliances Launched but rebuilding Launch date tbc UK launch date tbc Launched April 2018 3 CTAM Europe OTT Symposium 2019 Direct to Consumer Disney+ Unnamed Shudder Disney NBCU AMC Launching globally US & UK & others tbc US, Canada, UK & Germany SVOD AVOD on Pay TV, SVOD OTT SVOD HBO Hayu Crackle WarnerMedia NBC Universal Sony US, ESP, Nordics & others UK, Nordics, US only SVOD Australia & Canada AVOD Starz Play Hulu Eurosport Starz/Lionsgate Disney, Comcast/NBCU, Discovery US, Canada, UK & Germany WarnerMedia Europe SVOD US SVOD & VMVPD SVOD Britbox Epix Now Zee5 BBC & ITV MGM Zee Ent. Enterprises US with UK coming US Global SVOD SVOD SVOD & linear channels 4 CTAM Europe OTT Symposium 2019 SVOD Global Growth Global SVOD Growth 600 50 546 520 490 451 450 38 405 Subscribers (Millions) Subscribers 344 (US$ Billions) Revenues 300 262 25 Revenues (US$B) 179 Subscribers (M) 150 121 13 82 54 27 35 '- 0 0 2010 2011 2012 2013 2014 -
DIGITAL ORIGINAL SERIES Global Demand Report
DIGITAL ORIGINAL SERIES Global Demand Report Trends in 2016 Copyright © 2017 Parrot Analytics. All rights reserved. Digital Original Series — Global Demand Report | Trends in 2016 Executive Summary } This year saw the release of several new, popular digital } The release of popular titles such as The Grand Tour originals. Three first-season titles — Stranger Things, and The Man in the High Castle caused demand Marvel’s Luke Cage, and Gilmore Girls: A Year in the for Amazon Video to grow by over six times in some Life — had the highest peak demand in 2016 in seven markets, such as the UK, Sweden, and Japan, in Q4 of out of the ten markets. All three ranked within the 2016, illustrating the importance of hit titles for SVOD top ten titles by peak demand in nine out of the ten platforms. markets. } Drama series had the most total demand over the } As a percentage of all demand for digital original series year in these markets, indicating both the number and this year, Netflix had the highest share in Brazil and popularity of titles in this genre. third-highest share in Mexico, suggesting that the other platforms have yet to appeal to Latin American } However, some markets had preferences for other markets. genres. Science fiction was especially popular in Brazil, while France, Mexico, and Sweden had strong } Non-Netflix platforms had the highest share in Japan, demand for comedy-dramas. where Hulu and Amazon Video (as well as Netflix) have been available since 2015. Digital Original Series with Highest Peak Demand in 2016 Orange Is Marvels Stranger Things Gilmore Girls Club De Cuervos The New Black Luke Cage United Kingdom France United States Germany Mexico Brazil Sweden Russia Australia Japan 2 Copyright © 2017 Parrot Analytics. -
TV Shows (VOD)
TV Shows (VOD) 11.22.63 12 Monkeys 13 Reasons Why 2 Broke Girls 24 24 Legacy 3% 30 Rock 8 Simple Rules 9-1-1 90210 A Discovery of Witches A Million Little Things A Place To Call Home A Series of Unfortunate Events... APB Absentia Adventure Time Africa Eye to Eye with the Unk... Aftermath (2016) Agatha Christies Poirot Alex, Inc. Alexa and Katie Alias Alias Grace All American (2018) All or Nothing: Manchester Cit... Altered Carbon American Crime American Crime Story American Dad! American Gods American Horror Story American Housewife American Playboy The Hugh Hefn...American Vandal Americas Got Talent Americas Next Top Model Anachnu BaMapa Ananda Ancient Aliens And Then There Were None Angels in America Anger Management Animal Kingdom (2016) Anne with an E Anthony Bourdain Parts Unknown...Apple Tree Yard Aquarius (2015) Archer (2009) Arrested Development Arrow Ascension Ash vs Evil Dead Atlanta Atypical Avatar The Last Airbender Awkward. Baby Daddy Babylon Berlin Bad Blood (2017) Bad Education Ballers Band of Brothers Banshee Barbarians Rising Barry Bates Motel Battlestar Galactica (2003) Beauty and the Beast (2012) Being Human Berlin Station Better Call Saul Better Things Beyond Big Brother Big Little Lies Big Love Big Mouth Bill Nye Saves the World Billions Bitten Black Lightning Black Mirror Black Sails Blindspot Blood Drive Bloodline Blue Bloods Blue Mountain State Blue Natalie Blue Planet II BoJack Horseman Boardwalk Empire Bobs Burgers Bodyguard (2018) Bones Borgen Bosch BrainDead Breaking Bad Brickleberry Britannia Broad City Broadchurch Broken (2017) Brooklyn Nine-Nine Bull (2016) Bulletproof Burn Notice CSI Crime Scene Investigation CSI Miami CSI NY Cable Girls Californication Call the Midwife Cardinal Carl Webers The Family Busines.. -
Sit Down and Shut up Sit Down and Shut Up
Sit Down and Shut Up Sit Down and Shut Up Punk Rock Commentaries on Buddha, God, Truth, Sex, Death,and Dogen’s Treasury of the Right Dharma Eye Brad Warner New World Library Novato, California New World Library 14 Pamaron Way Novato, California 94949 Copyright © 2007 by Brad Warner All rights reserved. This book may not be reproduced in whole or in part, stored in a retrieval system, or transmitted in any form or by any means — electronic, mechanical, or other — without written permission from the publisher, except by a reviewer, who may quote brief passages in a review. Grateful acknowledgment to Alfred Publishing and Hal Leonard Publishing for use of the lyrics to “Hell Hole” by Spinal Tap on pages 155–56. Text design and typography by Tona Pearce Myers Library of Congress Cataloging-in-Publication Data Warner, Brad. Sit down and shut up : punk rock commentaries on Buddha, god, truth, sex, death, and Dogen’s Treasury of the right dharma eye / Brad Warner. p. cm. ISBN 978-1-57731-559-9 (pbk. : alk. paper) 1. Meditation—Zen Buddhism. 2. Dogen, 1200–1253. I. Title. BQ9288.W377 2007 294.3'85—dc22 2007002802 First printing, May 2007 ISBN-10: 1-57731-559-6 ISBN-13: 978-1-57731-559-9 Printed in Canada on acid-free, recycled paper New World Library is a proud member of the Green Press Initiative. 10 9 8 7 6 5 4 3 2 1 Dedicated to my mother, Sandra Sue Warner Contents 1. Why Dogen Matters 2. “Genjo Koan” 3. Proper Posture Required 4. -
Ken Kesey One Flew Over the Cuckoo's Nest 1
Ken Kesey one flew over the cuckoo’s nest “YOU FEEL THIS BOOK ALONG YOUR SPINE. ...” —Kansas City Star Tired of weeding peas at a penal farm, the tough, freewheeling McMurphy feigns insanity for a chance at the softer life of a mental institution. But he gets more than he’s bargained for, much more. He is committed to the care of Big Nurse—a full-breasted, stiff-gaited tyrant who rules over her charges with chilling authority. Her ward is a citadel of discipline. Strong-arm orderlies stand ready to quell even the feeblest insurrection. Her patients long ago gave up the struggle to assert themselves. Cowed, docile, they have surrendered completely to her unbridled authority. Now, into their ranks charges McMurphy. The gambling Irishman sees at once what Big Nurse’s game is. Appalled by the timidity of his fellow patients, he begins his one man campaign to render her powerless. First in fun, and then in dire earnestness, he sets out to create havoc on her well-run ward ... to make the gray halls ring with laughter, and anger, and life. 1 Ken Kesey one flew over the cuckoo’s nest one flew over the cuckoo’s nest by KEN KESEY 2 Ken Kesey one flew over the cuckoo’s nest To Vik Lovell who told me dragons did not exist, then led me to their lairs 3 Ken Kesey one flew over the cuckoo’s nest COPYRIGHT © 1962 BY KEN KESEY All rights reserved. No part of this book may be reproduced without permission. For information address The Viking Press, Inc., 625 Madison Avenue, New York, New York 10022. -
Content Providers See Brand Recognition Rise After Emmys
question text NBC-name a show World of dance NBC-name a show world of dance NBC-name a show World of Dance NBC-name a show world of dance NBC-name a show world of dance NBC-name a show World of Dance NBC-name a show World of Dance NBC-name a show World of dance NBC-name a show World of Dance NBC-name a show World Of Dance NBC-name a show World of dance NBC-name a show world of dance NBC-name a show World Of Dance NBC-name a show World of dance NBC-name a show World of Dance NBC-name a show World Of Dance NBC-name a show Will and grace NBC-name a show Will and grace NBC-name a show Will and grace NBC-name a show Will and Grace NBC-name a show Will and Grace NBC-name a show Will and grace NBC-name a show Will & Grace NBC-name a show Timeless NBC-name a show This Is Us Returns for Season 4 NBC-name a show This is us NBC-name a show This is us NBC-name a show this is us NBC-name a show This is Us NBC-name a show This is us NBC-name a show This is us NBC-name a show This Is us NBC-name a show This is us NBC-name a show This is Us NBC-name a show This is us NBC-name a show This is us NBC-name a show This is us NBC-name a show this is us NBC-name a show This is us NBC-name a show This is Us NBC-name a show This is Us NBC-name a show This is us NBC-name a show this is us NBC-name a show This is us NBC-name a show this is us NBC-name a show This is us question text NBC-name a show This is us NBC-name a show this is us NBC-name a show this is us NBC-name a show this is us NBC-name a show This is Us NBC-name a show This is Us NBC-name a show This -
Primary & Secondary Sources
Primary & Secondary Sources Brands & Products Agencies & Clients Media & Content Influencers & Licensees Organizations & Associations Government & Education Research & Data Multicultural Media Forecast 2019: Primary & Secondary Sources COPYRIGHT U.S. Multicultural Media Forecast 2019 Exclusive market research & strategic intelligence from PQ Media – Intelligent data for smarter business decisions In partnership with the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers Co-authored at PQM by: Patrick Quinn – President & CEO Leo Kivijarv, PhD – EVP & Research Director Editorial Support at AIMM by: Bill Duggan – Group Executive Vice President, ANA Claudine Waite – Director, Content Marketing, Committees & Conferences, ANA Carlos Santiago – President & Chief Strategist, Santiago Solutions Group Except by express prior written permission from PQ Media LLC or the Association of National Advertisers, no part of this work may be copied or publicly distributed, displayed or disseminated by any means of publication or communication now known or developed hereafter, including in or by any: (i) directory or compilation or other printed publication; (ii) information storage or retrieval system; (iii) electronic device, including any analog or digital visual or audiovisual device or product. PQ Media and the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers will protect and defend their copyright and all their other rights in this publication, including under the laws of copyright, misappropriation, trade secrets and unfair competition. All information and data contained in this report is obtained by PQ Media from sources that PQ Media believes to be accurate and reliable. However, errors and omissions in this report may result from human error and malfunctions in electronic conversion and transmission of textual and numeric data. -
Nnelimitst MR1%110411 ED 030 632 TE 000 406 by -Evertts
4 nnelimitst MR1%110411 ED 030 632 TE 000 406 By -Evertts. Eldonna L.. Ed. Dimensions of Dialect. National Council of Teachers.of English. Champaign. III. Pub Date 67 Note-78p. Available from-National Council of Teachers ofE4ish; 508 S. Sixth St., Champaign. Ill: 618200(Stock No. 24903. HC $1.25) .EDRS Price MF -S0.50 HC Not Available from EDRS. Descriptors--*Culturally Disadvantaged. Curriculum Development.Dialects, Disadvantaited Youth, Educationally Disadvantaged. Elementary Education,*EnglishInstruction. Language. Negro Dialects. *Nonstandard Dialects. Reading Instruction. *Social Dialects, Teacher Education.Teaching Methods This collection of 'articles .discusses social dialects, theproblems tht dialects cuse thedisadvantaged, and how these problems. can be overcome incurriculum planning and classroom practice. Articles are (I)'English. New Dimensions and New Demands" by Muriel Crosby. (2) "A Checklist ofSignificant Features for Dikriminating Social Dialects" by Raven I. McDavid. Jr., (3) 'Poverty.Early. Language Deprivation. and Learning Ability" by F. Elizabeth Metz, (4) "A HeadStart in Language" by Rose Mukerfi theCulturally . and Helen F.Robison.(5):UnderstandingtheLanguage of Disadvantaged Child" by Eddie G. Ponder, (6)'Vocabulary Deprivation of the Underprivileged Child" by Edgar Dale, (7) 'DialectBarriers to Reading Comprehension" .by Kenneth S. Goodman. (8) 'Using Poetry toHelp Educationally Depriyed Children Learn Inductively" by June Byers. (9) "TalkWritten Down" by Lila Sheppard.(10) °Teaching Language and Reading to Disadvantaged -
The End of Mind Reading* Edward James Dean University of Cork
The End of Mind Reading* Edward James Dean University of Cork ABSTRACT Advances in neuroscience have formally debunked Cartesian mind/body dualism, ending, in the process, the possibility of mind reading as it has long been depicted in popular culture (Moulton, 2008, pp. 182-192). Gone, now, are the tantalizing possibilities of mental radio waves, psychic vibrations, and disembodied minds, frequently brandished by the mediums, mind readers, and mesmerists of decades past. It is my contention that contemporary mentalists are reacting – both intentionally and unintentionally – not only to these anti-dualist realities, but also to the post-truth condition. This in turn, is giving rise to a new meta paradigm of wink-eye mentalism in which – in contrast to classical mentalism – the lies are less interesting than the lying. In this paper, I explore the relationship between mentalism and two theories advanced by Performance Studies: dark play and make-belief. I further examine the curious relationships between mentalists, professional wrestlers, rock stars, politicians, and method actors; paying specific attention to what is known in the sports entertainment industry as kayfabe. KEYWORDS mentalism, metamentalism, wink-eye mentalism, post-truth mentalism, kayfabe, dark play, make-belief, trickster, anti-character, anti-magic * I would like to dedicate this work to Lesley Piddington (1925-2016), Bob Cassidy (1949- 2017), and Eugene Burger (1939-2017), all of whom passed away during the time in which this paper was written. The ideas in this paper would not be possible without them. THE END OF MIND READING Advances in contemporary neuroscience have formally debunked Cartesian mind/body dualism, ending, in the process, the possibility of mind reading as it has long been imagined by the public and depicted in popular culture (Moulton, 2008, pp. -
The 2020 Streaming Wars by Steve Sternberg
January 2020 #81 __________________________________________________________________________________________ _____ The 2020 Streaming Wars By Steve Sternberg It’s hard to believe that it was just seven years ago, in February 2013, that Netflix released the first streaming hit, House of Cards (Its first original series, Lilyhammer, debuted a year earlier). It was the first streaming series to receive major Emmy nominations (56 over its six-year run). Since then, Netflix has dropped a string of successful new series every year on its way to drawing about 160 million subscribers worldwide (roughly 67 million in the U.S.). Being first out of the gate with spending levels that rose from about $3 billion to $15 billion per year (projected to be $17 billion in 2020) helped give Netflix a lead in the streaming wars it may never relinquish. Some of Netflix’s more notable original series successes include, Orange is the New Black, BoJack Horseman (2014); The Unbreakable Kimmy Schmidt, Grace & Frankie, Narcos, Bloodline, Marvel’s Daredevil and Jessica Jones, Sense8, Master of None (2015); Fuller House, The Ranch, Stranger Things, Black Mirror, The Crown, The OA (2016); Dear White People, GLOW, Ozark, Mindhunter, 13 Reasons Why, Marvel’s The Punisher (2017); Altered Carbon, Lost in Space, The Chilling Adventures of Sabrina, Narcos: Mexico (2018); The Umbrella Academy, Russian Doll, Dead to Me, When They See Us, The Politician, Unbelievable, and The Witcher (2019). A Sternberg Report Sponsored Message Advertise here to reach thousands of media and advertising decision makers. Contact [email protected] The Sternberg Report ©2020 January 2020 #81 __________________________________________________________________________________________ _____ In addition to its high volume of original scripted series, Netflix plans to release around 90 original movies per year (it had 50 in 2017).