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Fantasy Gamer #1
Publisher: Steve Jackson Premier Issue Editor: Aaron Allston Assistant Editor: Chris Frink AUGUST/SEPTEMBER 1983 Art Directors: Denis Loubet Pat Mueller Advertising Manager: Tonya Cross Contributing Editors: W.G. Armintrout COMPLETE GAME William A. Barton Ronald Pehr Slasher Flick * Donald Saxman Nick Schuessler The designer of Superhero: 2044 takes a stab at cinema slaughter. 15 Business Manager: Elton Fewell Circulation Manager: Shirley Miri Production Manager: Scott Haring ARTICLES Production: Liana Brumley Detroit Origins * Diverse Hands J. David George New releases and awards nominations for the Origins '83 show . 2 Elisabeth B. Zakes Alternate Uses for Experience * Henry Woodbury How to make your AD&D characters more versatile. 10 ART IN THIS ISSUE Useless Table Contest Results Cover: "Ogre My Dead Body" by Winners of one of our more popular fantasy contests 31 Denis Loubet. Line Art: Steve Crompton, 10. J. David George: 22, 23. Denis Loubet: REVIEWS 32. Paul McCall: 15, 16, 17, 18, 19, 25, 26, 27, 28. Bob Schochet — mailer Rolemaster * Ronald Pehr 6 cover. George Webber: 6, Questworld * Steve List 11 Photographs: Courtesy Chaosium: Earthwood * David Ladyman 13 11. Courtesy Grenadier: 40, Courtesy Capsule Reviews 35 Iron Crown Enterprises: 7, 8, 9. Cour- tesy Palladium Press: 2. Courtesy Tri- SUPPLEMENTS: Against the Cult of the Reptile God, Beyond the Crystal Caves, Tac: 2. Blizzard Pass, Daredevil Adventures Vol. 2 No. 1, Treasure of the Unicorn Gold, The Warrior-Lords of Darok. COMPUTER GAMES: Dungeon! PLAY-BY-MAIL: Arena Combat. MINIATURES: Call of Cthulhu Adventurers and Creatures, Fantasy Trademark Notice Lords, Steam Cannon, Traps and Treasures. Most game names are trademarks of the companies publishing those games. -
1 Plaintiff's Opposition to Defendants' Motion To
Electronically FILED by Superior Court of California, County of Los Angeles on 07/29/2021 04:43 PM Sherri R. Carter, Executive Officer/Clerk of Court, by C. Coleman,Deputy Clerk 1 Neville L. Johnson (SBN 66329) Aleeza L. Marashlian (SBN 332751) 2 JOHNSON & JOHNSON LLP 3 439 North Canon Drive, Suite 200 Beverly Hills, California 90210 4 Telephone: (310) 975-1080 Facsimile: (310) 975-1095 5 Email: [email protected] 6 [email protected] 7 Attorneys for Plaintiff 8 Christopher Avellone 9 SUPERIOR COURT FOR THE STATE OF CALIFORNIA 10 COUNTY OF LOS ANGELES 11 Case No. 21STCV22573 12 CHRISTOPHER AVELLONE, an individual, Assigned to the Hon. Theresa M. Traber 13 Plaintiff, PLAINTIFF CHRISTOPHER AVELLONE’S OPPOSITION TO DEFENDANTS KARISSA 14 vs. BARROWS AND KELLY BRISTOL’S MOTION TO QUASH, SPECIAL MOTION 15 TO STRIKE, AND MOTION TO DISMISS; KARISSA BARROWS, an individual; DECLARATIONS OF JEFFREY DANIEL 16 KELLY BRISTOL, an individual; and DOES JOHNSON, DAUNA L. BARTLEY, AND 1-100, CHRISTOPHER AVELLONE 17 Defendants. [Requests for Judicial Notice and Notice of 18 Lodging Filed Concurrently] 19 Date: August 11, 2021 Time: 10:00 a.m. 20 Dept.: 47 21 Action filed: June 16, 2021 22 23 24 25 26 27 28 1 PLAINTIFF’S OPPOSITION TO DEFENDANTS’ MOTION TO QUASH, SPECIAL MOTION TO STRIKE, AND MOTION TO DISMISS; DECLARATIONS 1 TABLE OF CONTENTS 2 TABLE OF AUTHORITIES ........................................................................................................... 3 3 APPENDIX ...................................................................................................................................... 6 4 Transcript of cited selections from Koobisimo interview raw audio (Decl. Johnson, Exh. 1.) ..... 10 MEMORANDUM OF POINTS AND AUTHORITIES ............................................................... 12 5 I. INTRODUCTION ............................................................................................................. 12 6 II. -
Star Wars and the History of Transmedia Storytelling
13. Chasing Wild Space Narrative Outsides and World-Building Frontiers in Knights of the Old Republic and The Old Republic Cody Mejeur As introduced in the iconic line that precedes the first film’s opening crawl, Star Wars’s galaxy far, far away is the foundation for the franchise’s world- building efforts. It is the backdrop and context for the story told by any Star Wars film, novel, game, or other text,1 and as such it functions as a narrative world or storyworld. David Herman describes a storyworld as the “mental model” of the larger world of a text, one that audiences construct from “textual cues and the inferences that they make possible.”2 In other words, the Star Wars galaxy is only partially represented by any particular text, and audiences use that partial representation to imagine how the rest of the galaxy works. However, it seems strange to call the Star Wars galaxy, itself an agglomeration of inconsistent and contested narratives, characters, and worlds, a singular storyworld. Marie-Laure Ryan’s recent conception of the narrative universe as an accumulation of storyworlds seems more apt.3 This chapter therefore explores the space of the Star Wars galaxy as a narrative universe, arguing that it renews itself and its transmedial franchise through the mystery of outside spaces. The use of these outside spaces in Star Wars suggests a new modification or addition to existing theories of narrative world-building, and draws critical attention to the ethical and political dimensions of world-building processes. A narrative universe relies on the creation of narrative space, including a dynamic process of expanding and exploring that space. -
Champions Complete
Champions Complete Writing and Design Derek’s Special Thanks Derek Hiemforth To the gamers with whom I first discovered Champions and fell in love with the game: Doug Alger, Andy Broer, Indispensable Contributions Daniel Cole, Dan Connor, Dave Croyle, Guy Pilgrim, and Nelson Rodriguez. Without you guys, my college grades Champions 6th Edition: Aaron Allston and might have been better, but my life would have been much, Steven S. Long much worse. HERO System 6th Edition: Steven S. Long To Gary Denney, Robert Dorf, Chris Goodwin, James HERO System 4th Edition: George MacDonald, Jandebeur, Hugh Neilson, and John Taber, who generously offered insightful commentary and suggestions. Steve Peterson, and Rob Bell And, above all, to my beloved wife Lara, who loves her Original HERO System: George MacDonald and fuzzy hubby unconditionally despite his odd hobby, even Steve Peterson when writing leaves him sleepless or cranky. Layout and Graphic Design HERO System™®. is DOJ, Inc.’s trademark for its roleplaying Ruben Smith-Zempel system. HERO System Copyright © 1984, 1989, 2002, 2009, 2012 by DOJ, Development Inc. d/b/a Hero Games. All rights reserved. Champions, Dark Champions, and all associated characters Jason Walters © 1981-2009 by Cryptic Studios, Inc. All rights reserved. “Champions” and “Dark Champions” are trademarks of Cryptic Cover Art Studios, Inc. “Champions” and “Dark Champions” are used under license from Cryptic Studios, Inc. Sam R. Kennedy Fantasy Hero © 2003, 2010 by DOJ, Inc. d/b/a Hero Games. All rights reserved. Interior Art Star Hero © 2003, 2011 by DOJ, Inc. d/b/a Hero Games. All rights Peter Bergting, Storn Cook, Keith Curtis, reserved. -
Mchenry Colostate 0053N 164
THESIS WONDER WOMEN IN THE VIRTUAL WORLD: HOW FEMALE SHEPARD REDEFINED THE FEMALE HERO ARCHETYPE IN VIDEO GAMES Submitted by Chelsea McHenry Department of Communication Studies In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Spring 2021 Master’s Committee: Advisor: David Scott Diffrient Nicholas Marx Rosa Mikeal Martey Copyright by Chelsea Rebecca McHenry 2021 All Rights Reserved ABSTRACT WONDER WOMEN IN THE VIRTUAL WORLD: HOW FEMALE SHEPARD REDEFINED THE FEMALE HERO ARCHETYPE IN VIDEO GAMES AAA video game protagonists typically represent the white, heterosexual male. While standards are changing, there remains a considerable discrepancy between the number of male and female protagonists available. This study intends to examine how video game producers can move forward with creating resonant AAA protagonists by examining one of the first protagonists who presented unforeseen equality. This thesis explores the character of female Shepard from BioWare’s video game series Mass Effect (2007-2012) and what elements made her a fan favorite and marketable. Using Jim Bizzochi’s video game narrative framework and Shunsuke Nozawa’s concept of ensoulment related to voice work, this thesis argues that FemShep redefined the video game landscape. She served to create her own space as a character and not merely a gender-flipped construct of her male counterpart. By examining how she is constructed and handled in-game, the conclusion suggests that when the developmental focus is on creating the character, there is a market for strong heroes who are also female. ii TABLE OF CONTENTS ABSTRACT …………………………………………………………………………….………...ii CHAPTER I – INTRODUCTION………………………….………….…………………………1 CHAPTER II – MOLDING THE HERO FROM CODE...………………………………………22 CHAPTER III – THE MOST PERFECT INSTRUMENT…...………………………………….54 CHAPTER IV – AN END OF A JOURNEY IS A BEGINNING OF ANOTHER ………...…...84 BIBLIOGRAPHY………………………………………………………………………………..94 iii CHAPTER I: INTRODUCTION – LEGACIES OF HEROES I will always remember June 9, 2014. -
Oriental Adventures James Wyatt
620_T12015 OrientalAdvCh1b.qxd 8/9/01 10:44 AM Page 2 ® ORIENTAL ADVENTURES JAMES WYATT EDITORS: GWENDOLYN F. M. KESTREL PLAYTESTERS: BILL E. ANDERSON, FRANK ARMENANTE, RICHARD BAKER, EIRIK BULL-HANSEN, ERIC CAGLE, BRAIN MICHELE CARTER CAMPBELL, JASON CARL, MICHELE CARTER, MAC CHAMBERS, TOM KRISTENSEN JENNIFER CLARKE WILKES, MONTE COOK , DANIEL COOPER, BRUCE R. CORDELL, LILY A. DOUGLAS, CHRISTIAN DUUS, TROY ADDITIONAL EDITING: DUANE MAXWELL D. ELLIS, ROBERT N. EMERSON, ANDREW FINCH , LEWIS A. FLEAK, HELGE FURUSETH, ROB HEINSOO, CORY J. HERNDON, MANAGING EDITOR: KIM MOHAN WILLIAM H. HEZELTINE, ROBERT HOBART, STEVE HORVATH, OLAV B. HOVET, TYLER T. HURST, RHONDA L. HUTCHESON, CREATIVE DIRECTOR: RICHARD BAKER JEFFREY IBACH, BRIAN JENKINS, GWENDOLYN F.M. KESTREL, TOM KRISTENSEN, CATIE A. MARTOLIN, DUANE MAXWELL, ART DIRECTOR: DAWN MURIN ANGEL LEIGH MCCOY, DANEEN MCDERMOTT, BRANDON H. MCKEE, ROBERT MOORE, DAVID NOONAN, SHERRY L. O’NEAL- GRAPHIC DESIGNER: CYNTHIA FLIEGE HANCOCK, TAMMY R. OVERSTREET, JOHN D. RATELIFF, RICH REDMAN, THOMAS REFSDAL, THOMAS M. REID, SEAN K COVER ARTIST: RAVEN MIMURA REYNOLDS, TIM RHOADES, MIKE SELINKER, JAMES B. SHARKEY, JR., STAN!, ED STARK, CHRISTIAN STENERUD, OWEN K.C. INTERIOR ARTISTS: MATT CAVOTTA STEPHENS, SCOTT B. THOMAS, CHERYL A. VANMATER-MINER, LARRY DIXON PHILIPS R. VANMATER-MINER, ALLEN WILKINS, PENNY WILLIAMS, SKIP WILLIAMS CRIS DORNAUS PRONUNCIATION HELP: DAVID MARTIN RON FOSTER, MOE MURAYAMA, CHRIS PASCUAL, STAN! RAVEN MIMURA ADDITIONAL THANKS: WAYNE REYNOLDS ED BOLME, ANDY HECKT, LUKE PETERSCHMIDT, REE SOESBEE, PAUL TIMM DARRELL RICHE RICHARD SARDINHA Dedication: To the people who have taught me about the cultures of Asia—Knight Biggerstaff, Paula Richman, and my father, RIAN NODDY B S David K. -
Dragon Magazine #158
S PECIAL ATTRACTIONS Issue #158 Vol. XV, No. 1 9 Weve waited for you: DRAGONS! June 1990 A collection of lore about our most favorite monster. The Mightiest of Dragons George Ziets Publisher 10 In the D&D® game, no one fools with the dragon rulers and lives for James M. Ward long. Editor A Spell of Conversation Ed Friedlander Roger E. Moore 18 If youd rather talk with a dragon than fight it, use this spell. The Dragons Bestiary The readers Fiction editor Barbara G. Young 20 The gorynych (very gory) and the (uncommon) common dragonet. Thats Not in the Monstrous Compendium! Aaron McGruder Assistant editor 24 Remember those neutral dragons with gemstone names? Theyre 2nd Dale A. Donovan Edition now! Art director Larry W. Smith O THER FEATURES Production staff The Game Wizards James M. Ward Gaye OKeefe Angelika Lokotz 8 Should we ban the demon? The readers respondand how! Subscriptions Also Known As... the Orc Ethan Ham Janet L. Winters 30 Renaming a monster has more of an effect than you think. U.S. advertising The Rules of the Game Thomas M. Kane Sheila Gailloreto Tammy Volp 36 If you really want more gamers, then create them! The Voyage of the Princess Ark Bruce A. Heard U.K. correspondent 41 Sometimes its better not to know what you are eating. and U.K. advertising Sue Lilley A Role-players Best Friend Michael J. DAlfonsi 45 Give your computer the job of assistant Dungeon Master. The Role of Computers Hartley, Patricia and Kirk Lesser 47 The world of warfare, from the past to the future. -
Gurps: Fallout
GURPS: FALLOUT by VARIOUS AUTHORS compiled, EDITED AND UPDATED BY Nathan Robertson GURPS Fallout by VARIOUS AUTHORS compiled, EDITED AND UPDATED BY Nathan Robertson GURPS © 2008 – Steve Jackson Games Fallout © 2007 Bethesda Softworks LLC, a ZeniMax Media company All Rights Reserved 2 Table of Contents PART 1: CAMPAIGN BACKGROUND 4 Chapter 1: A Record of Things to Come 5 Chapter 2: The Brotherhood of Steel 6 Chapter 3: The Enclave 9 Chapter 4: The Republic of New California 10 Chapter 5: The Vaults 11 Chapter 6: GUPRS Fallout Gazetteer 12 Settlements 12 Ruins 17 Design Your Own Settlement! 18 Chapter 7: Environmental Hazards 20 PART 2: CHARACTER CREATION 22 Chapter 8: Character Creation Guidelines for the GURPS Fallout campaign 23 Chapter 9: Wasteland Advantages, Disadvantages and Skills 27 Chapter 10: GURPS Fallout Racial Templates 29 Chapter 11: GURPS Fallout Occupational Templates 33 Fallout Job Table 34 Chapter 12: Equipment 36 Equipment 36 Vehicles 42 Weapons 44 Armor 52 Chapter 13: A Wasteland Bestiary 53 PART 3: APPENDICES 62 Appendix 1: Random Encounters for GURPS Fallout 63 Appendix 2: Scavenging Tables For GURPS Fallout 66 Appendix 3: Sample Adventure: Gremlins! 69 Appendix 4: Bibliography 73 3 Part 1: Campaign Background 4 CHAPTER 1: A Record of Things to Eventually, though, the Vaults opened, some at pre-appointed times, Come others by apparent mechanical or planning errors, releasing the inhabitants to mix with surface survivors in a much-changed United States, It’s all over and I’m standing pretty, in the dust that was a city. on a much-changed planet Earth: the setting for Fallout Unlimited. -
O SILENCER Please Continue on Back If Needed!) O TERRIFICS 1/1/18
DARK HORSE IMAGE MARVEL CONT. o AMERICAN GODS Neil Gaiman o ANGELIC o MS MARVEL o ANGEL o BEAUTY o OLD MAN HAWKEYE o BPRD o BLACK SCIENCE o OLD MAN LOGAN o BUFFY o CURSE WORDS o PETER PARKER Spectacular Spider o HARROW COUNTY o DEADLY CLASS o PUNISHER o HELLBOY o DESCENDER o RUNAWAYS DC / VERTIGO COMICS o EAST OF WEST o SHE HULK o ACTION o EXTREMITY o SPIDER-GWEN o AQUAMAN o FIX o SPIDER-MAN o ASTRO CITY o GOD COMPLEX o SPIDER-MAN / DEADPOOL o BANE CONQUEST o HIT GIRL o STAR WARS o BATGIRL o I HATE FAIRYLAND o STAR WARS DARTH VADER o BATGIRL & BIRDS OF PREY o KICK ASS o STAR WARS DOCTOR APHRA o BATMAN o KILL OR BE KILLED o STAR WARS POE DAMERON o BATMAN BEYOND o MONSTRESS o TALES OF SUSPENSE o BATWOMAN o MOONSHINE o THANOS o BOMBSHELLS UNITED o MOTOR CRUSH o UNBEATABLE SQUIRREL GIRL o DAMAGE o OBLIVION SONG o VENOM o DEATHSTROKE o OUTCAST o WEAPON H o DETECTIVE COMICS o PAPER GIRLS o WEAPON X o DOOMSDAY CLOCK o PORT OF EARTH o X-MEN BLUE o FLASH o RAT QUEENS o X-MEN GOLD o FUTURE QUEST PRESENTS o REDLANDS o X-MEN RED o GOTHAM CITY GARAGE o REDNECK VALIANT o GREEN ARROW o ROSE o SHADOWMAN o GREEN LANTERNS o ROYAL CITY o ARMSTRONG o HAL JORDAN GREEN LANTERN CORP o RUMBLE o BLOODSHOT o HARLEY QUINN o SAGA o NINJAK o HELLBLAZER o SNOTGIRL o QUANTUM & WOODY o INJUSTICE 2 o SPAWN o X-O MANOWAR o JUSTICE LEAGUE o VS OTHER o JUSTICE LEAGUE OF AMERICA o WALKING DEAD o ADVENTURE TIME o MISTER MIRACLE o WICKED & THE DIVINE o ARCHIE o NEW SUPERMAN & Justice League China o WITCHBLADE o DOCTOR WHO o NIGHTWING o YOUNGBLOOD o GO GO POWER RANGERS o RAGMAN -
UNIVERZITA KARLOVA V PRAZE Diplomová Práce 2013 Petra Št
UNIVERZITA KARLOVA V PRAZE FAKULTA SOCIÁLNÍCH V ĚD Institut komunika čních studií a žurnalistiky Diplomová práce 2013 Petra Št ěpánová UNIVERZITA KARLOVA V PRAZE FAKULTA SOCIÁLNÍCH V ĚD Institut komunika čních studií a žurnalistiky Katedra mediálních studií Petra Št ěpánová Virtuální smrt v po číta čových hrách Diplomová práce Praha 2013 Autor práce: Bc. Petra Št ěpánová Vedoucí práce: Mgr. Jaroslav Švelch Rok obhajoby: 2013 Bibliografický záznam Št ěpánová, Petra. Virtuální smrt v po číta čových hrách. Praha, 2013. 98 s. Diplomová práce (Mgr.) Univerzita Karlova, Fakulta sociálních v ěd, Institut komunika čních studií a žurnalistiky. Katedra mediálních studií. Vedoucí diplomové práce Mgr. Jaroslav Švelch. Abstrakt Tato diplomová práce se zabývá problematikou virtuální smrti v po číta čových hrách. Práce se tedy v teoretické části nutn ě nejprve musí v ěnovat definici avataru (hrá čova zastoupení v herním sv ětě) a jaký vztah si k němu hrá č m ůže vytvá řet. Též jsou pojmenovány hlavní vlastnosti avataru. Teoretickým jádrem práce je pokus o uchopení virtuální smrti, jež se ve hrách objevuje v nejr ůzn ějších podobách, a proto zde lze jen obtížn ě kategorizovat. Virtuální smrt je srovnávána se smrtí skute čnou, je odhalována jako zástupné vyjád ření hrá čova selhání. Nedílnou sou částí pojetí virtuální smrti je pak i znovuoživení avataru nebo zp ůsoby, jak se virtuální smrti vyhnout. Ve výzkumné části práce následuje interpretace po číta čové hry Planescape: Torment , která se zabývá životem, smrtí a nesmrtelností. Na p říb ěhu nesmrtelného hlavního hrdiny, do jehož osudu se hrá č vžívá, je podrobn ěji popsán vztah hrá če a avataru v praxi. -
Subscription Pamplet New 11 01 18
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Pillars of Ethernity
PRODUKCJA GIER WIDEO Trudności w produkcji gier 1 1.GRY SĄ INTERAKTYWNE –Alternatywne wybory ścieżki sterowania –Ustalanie kontekstu przez dobór przedmiotów lub działań 2.TECHNIKA SIĘ ZMIENIA –Konieczność korzystania z najnowszego postępu technicznego dla uzyskania lepszych wizualnie gier 3.NARZĘDZIA NIGDY NIE SĄ TAKIE SAME –Muszą być najnowsze i nigdy nie są idealne Trudności w produkcji gier 2 4.PLANOWANIE JEST NIEMOŻLIWE –Gra to dzieło sztuki –Można przejść dalej gdy gra jest atrakcyjna i dobrze wygląda 5.NIE SPOSÓB POWIEDZIEĆ CZY GRA JEST „FAJNA” DOPÓKI SIĘ W NIĄ NIE ZAGRA –Dopóki nie chwyci się kontrolera nie można stwierdzić jakie to uczucie biegać, skakać, walczyć Kaliforniskie Irvine Jak za to zapłacimy? ●Na początku 2012 Feargus Urquhart, SEO Obsidian Entertainment, nie miał odpowiedzi ●Obsidian było niewielkim studiem developerskim ●Przez ostatni rok praca nad RPG w klimatach fantasy „Stormlands” opłacanym przez Microsoft na Xbox One ●Ze 115 pracowników pracowało nad tym 50 ●Urquhart pracował wcześniej nad „Fallout”, „Baldur's Gate” Jak za to zapłacimy? ●Na początku 2012 Feargus Urquhart, SEO Obsidian Entertainment, nie miał odpowiedzi ●Obsidian było niewielkim studiem developerskim ●Przez ostatni rok praca nad RPG w klimatach fantasy „Stormlands” opłacanym przez Microsoft na Xbox One ●Ze 115 pracowników pracowało nad tym 50 ●Urquhart pracował wcześniej nad „Fallout”, „Baldur's Gate” Na lodzie ●12 marca 2012 złowieszczy SMS z Microsoft ●Microsoft chciał by RPG „Stormlands” „sprzedało” Xbox One, lecz pomysły były wydumane i niepraktyczne ●Wykorzystanie Kinect i przetwarzania w chmurze dla rozbudowanego trybu multiplayer, co nie było takie oczywiste czy się da wcielić ●Koszty 10tys.USD od pracownika, co daje 1/2 mln miesiecznie, a studio pracowano jeszcze tylko nad „South Park:Kijek prawdy” Armageddon ●Rzeczywiście, Microsoft natychmiastowo kasował projekt „Stormlands” ●Zebranie z 4 pozostałymi współwłaścicielami w Starbucks ●Kogo zwolnić? Zwolniono 26 ludzi.