Non-Traditional Ethernet Applications at Disney Theme Parks
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Ethernet Switches and Crossover Cables
Ethernet Switch A switch is something that is used to turn various electronic devices on or off. However, in computernetworking, a switch is used to connect multiple computers with each other. Since it is an external device it becomes part of the hardware peripherals used in the operation of a computer system. This connection is done within an existing Local Area network (LAN) only and is identical to an Ethernet hub in terms of appearance, but with more intelligence. These switches not only receive data packets, but also have the ability to inspect them before passing them on to the next computer. That is, they can figure out the source, the contents of the data, and identify the destination as well. As a result of this uniqueness, it sends the data to the relevant connected system only, thereby using less bandwidth at high performance rates. The first Ethernet network switch was pioneered by Kalpana (computer networking equipmentmanufacturing company in Silicon Valley established by an entrepreneur of Indian origin, Vinod Bharadwaj) in 1990. Switches operate at Layer 2 of the OSI Model; the Data-Link Layer. This is in contrast to routers, which operate at Layer 3 of the OSI Model, the Network Layer. A switch stores the MAC Address of each and every device which is connected to it. The switch will then evaluate every frame that passes through it. The switch will examine the destination MAC Address in each frame. Based upon the destination MAC Address, the switch will then decide which port to copy the frame to. If the switch does not recognize the MAC Address, it will not know which port to copy the frame to. -
Research on Marketing Strategy: Case Study of Disneyland
Advances in Economics, Business and Management Research, volume 33 Second International Conference on Economic and Business Management (FEBM 2017) Research on marketing strategy: case study of Disneyland Jia Yao Nanjing University Of Science &Technology, China *Corresponding author: Jia Yao, Master, [email protected] Abstract: In April 8, 2011, Shanghai Disneyland starts construction, Shanghai Disneyland will be the second Disneyland in China, at the same time, China will be the only country which has two Disneyland in the world besides the Unite States. This shows the economic strength of China is rapidly growing. Firstly, this article briefly analyzes the marketing environment and market position of Shanghai Disneyland, and then analyzes the global marketing strategy of Disney. Shanghai Disneyland takes these marketing strategies and appropriate innovation marketing according to the national conditions, which can lead to foresee the great success and unlimited development prospects of Shanghai Disneyland. Key words: disneyland; marketing environment; marketing position; marketing strategy 1. The brief instruction of Disneyland Disneyland opened in 1955, since then, the United States and overseas also have opened 5 Disney theme parks, they are located in 4 countries and regions. In September 12, 2005, Hong Kong Disneyland became the first Disney theme park in China, and the Disney Group has ensured the plan that building another theme park in the Chuansha town of Shanghai at that time. By the end of March 2010, there are six places having -
The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
The Immersive Theme Park
THE IMMERSIVE THEME PARK Analyzing the Immersive World of the Magic Kingdom Theme Park JOOST TER BEEK (S4155491) MASTERTHESIS CREATIVE INDUSTRIES Radboud University Nijmegen Supervisor: C.C.J. van Eecke 22 July 2018 Summary The aim of this graduation thesis The Immersive Theme Park: Analyzing the Immersive World of the Magic Kingdom Theme Park is to try and understand how the Magic Kingdom theme park works in an immersive sense, using theories and concepts by Lukas (2013) on the immersive world and Ndalianis (2004) on neo-baroque aesthetics as its theoretical framework. While theme parks are a growing sector in the creative industries landscape (as attendance numbers seem to be growing and growing (TEA, 2016)), research on these parks seems to stay underdeveloped in contrast to the somewhat more accepted forms of art, and almost no attention was given to them during the writer’s Master’s courses, making it seem an interesting choice to delve deeper into this subject. Trying to reveal some of the core reasons of why the Disney theme parks are the most visited theme parks in the world, and especially, what makes them so immersive, a profound analysis of the structure, strategies, and design of the Magic Kingdom theme park using concepts associated with the neo-baroque, the immersive world and the theme park is presented through this thesis, written from the perspective of a creative master student who has visited these theme parks frequently over the past few years, using further literature, research, and critical thinking on the subject by others to underly his arguments. -
IR Presentation Material
IR Presentation Material August, 2021 Oriental Land Co., Ltd. This material has been specifically prepared for institutional investors who are not familiar with our company, and is not presentation material for the earnings presentation. Contents I. Business Outline II. Growth Investments beyond FY3/22 I-I. Theme Park Business III. For Long-term Sustainable Growth I-II. Hotel Business IV. Appendix I-III. Overview Cautionary Statement The purpose of this document is to provide information on the operating results and future management strategies of the OLC Group, and not to solicit investment in securities issued by the Company. 2 The data disclosed in this document are based on the judgments and available information as of the date of publication. The OLC Group's business is sensitive to factors such as customer preferences, and social and economic conditions, and therefore the forecasts and outlook presented in this document contain uncertainties. Theme Park attendance figures have been rounded, and financial figures have been truncated. Please refrain from reprinting this document. 2 I. Business Outline Corporate Profile I. Business Outline Corporate Data Stock Information Established July 11, 1960 Tokyo Stock Stock Listing Code Exchange, First No. Total Assets Section 4661 ¥1,040.4 billion [consolidated] Shareholders’ Investment Unit 100 shares Equity ¥759.9 billion [consolidated] Stock Price ¥15,400 JCR : AA [Stable] Aggregate Market Bond Ratings 4 ¥5,600.8 billion R&I : AA- [Stable] Price [As of March 31, 2021] [As of July 28, 2021] Corporate Mission Business Domain Our mission is to create happiness and “We pursue businesses that fill your contentment by offering wonderful heart with energy and happiness” We strive to create new value in a high-value dreams and moving experiences created business for enriching and nourishing people’s hearts with original, imaginative ideas and appealing to abundant humanity and happiness 4 History and Business Description I. -
Downtown Disney District: Fact Sheet
Downtown Disney District: Fact Sheet ANAHEIM, Calif. – (July 8, 2020) The Downtown Disney District at the Disneyland Resort is a one-of-a-kind Disney experience, immersing guests in an exciting mix of family-friendly dining and shopping in a vibrant setting. A phased reopening of this outdoor promenade begins July 9, 2020. The 20-acre, 300,000 square-foot Downtown Disney District features dozens of distinct venues, including Naples Ristorante e Bar, UVA Bar & Cafe, Marceline’s Confectionery, Black Tap Craft Burgers & Shakes, WonderGround Gallery, Disney Home, The LEGO Store, Wetzel’s Pretzels, Jamba and more. As they stroll the district, guests can appreciate the beautiful landscaping and colorful florals that adorn the Downtown Disney District. World of Disney: The flagship World of Disney store in the Downtown Disney District is a dynamic and distinctively Disney retail experience. Guests discover a spacious atmosphere inspired as an animators’ loft, with uniquely themed areas, pixie dust surprises in the decor, nods to the classics from Walt Disney Animation Studios and new merchandise collections. These innovative features reinforce World of Disney’s reputation as a must-visit destination for Disney fans, offering the largest selection of Disney toys, souvenirs, accessories, fashions and collectibles at the Disneyland Resort. Distinctive Dining: There are many food and beverage locations, outdoor patios and distinctive menus at the Downtown Disney District. Guests will find something for every taste—from exquisite meals at open-air cafés to gourmet treats. Recent additions include Salt & Straw, offering handmade ice cream in small batches using local, organic and sustainable ingredients, and Black Tap Craft Burgers & Shakes, serving award- winning burgers and over-the-top CrazyShake milkshakes. -
Disney's Aladdin
Disney’s Aladdin: First Steps Toward Storytelling in Virtual Reality Randy Pausch1, Jon Snoddy2, Robert Taylor2, Scott Watson2, Eric Haseltine2 1University of Virginia 2Walt Disney Imagineering Figure 1: A Guest’s View of the Virtual Environment ABSTRACT Riders filled out an exit survey after the experience, and with select groups we used a number of other data-gathering Disney Imagineering has developed a high-fidelity virtual techniques, including interviews and mechanically logging reality (VR) attraction where guests fly a magic carpet through where guests looked and flew. a virtual world based on the animated film “Aladdin.” Unlike Our major finding is that in a high fidelity VR experience, men most existing work on VR, which has focused on hardware and and women of all ages suspend disbelief and accept the systems software, we assumed high fidelity and focused on illusion that they are in a different place. We have found that using VR as a new medium to tell stories. We fielded our in VR, as in all media, content matters. Novices are system at EPCOT Center for a period of fourteen months and unimpressed with the technology for its own sake; they care conducted controlled experiments, observing the reactions of about what there is to do in the virtual world. We can improve over 45,000 guests. the experience by telling a pre-immersion “background story” and by giving the guest a concrete goal to perform in the contact author: Randy Pausch, Computer Science Department, virtual environment. Our eventual goal is to develop the Thornton Hall, University of Virginia, Charlottesville, VA lexicon for this new storytelling medium: the set of 22903. -
NARRATIVE ENVIRONMENTS from Disneyland to World of Warcraft
Essay Te x t Celia Pearce NARRATIVE ENVIRONMENTS From Disneyland to World of Warcraft In 1955, Walt Disney opened what many regard as the first-ever theme park in Anaheim, California, 28 miles southeast of Los Angeles. In the United States, vari- ous types of attractions had enjoyed varying degrees of success over the preceding 100 years. From the edgy and sometimes scary fun of the seedy seaside boardwalk to the exuberant industrial futurism of the World’s Fair to the “high” culture of the museum, middle class Americans had plenty of amusements. More than the mere celebrations of novelty, technology, entertainment and culture that preceded it, Disneyland was a synthesis of architecture and story (Marling 1997). It was a revival of narrative architecture, which had previously been reserved for secular functions, from the royal tombs of Mesopotamia and Egypt to the temples of the Aztecs to the great cathedrals of Europe. Over the centuries, the creation of narrative space has primarily been the pur- view of those in power; buildings whose purpose is to convey a story are expensive to build and require a high degree of skill and artistry. Ancient “imagineers” shared some of the same skills as Disney’s army of creative technologists: they understood light, space flow, materials and the techniques of illusion; they could make two dimensions appear as three and three dimensions appear as two; they understood the power of scale, and they developed a highly refined vocabulary of expressive techniques in the service of awe and illusion (Klein 2004). Like the creators of Disney- land, they built synthetic worlds, intricately planned citadels often set aside from the day-to-day bustle of emergent, chaotic cities or serving as a centerpiece of es- cape within them. -
XMOS for AVB Ethernet Based Networking for Audio/Video
Only a few years ago, computer networks were complex beasts tended by special acolytes and running on different standards. Today they have become commonplace in many homes and offices, simply plugged together using Ethernet technology. The same revolutionary change is coming for Audio/Video (AV) networking, as AVB (Audio XMOS for AVB: Video Bridging) products that run over the same network, Ethernet based networking begin to enter the market. for Audio/Video Putting together networks of AV equipment for professional and consumer use, or for use in How Ethernet Works vehicles, is about to become simpler while also Within Ethernet, data is transmitted between delivering better quality. No longer will devices (such as a computer and a printer) in specialist connectors and cables be needed to packets. Each packet carries one or more create a rats' nest of connectivity. Instead addresses for its destination. Like a postal packet traversing the postal system, the network has no Audio Video Bridging (AVB), a set of knowledge of what is in the packet, but uses the international standards, will make setting up address to pass the packet to the next point in the and managing networks almost as simple as network. just plugging together the different elements. In an Ethernet based network, each endpoint Sound and video sources will be mixed and (computer, storage element, printer etc.) is distributed to screens and speakers, with high identified by a unique address and has a single quality, low latency and tight synchronization. connection to the network, through an Ethernet Furthermore, the connectors and cables are switch. -
Upholding the Disney Utopia Through American Tragedy: a Study of the Walt Disney Company’S Responses to Pearl Harbor and 9/11
Upholding the Disney Utopia Through American Tragedy: A Study of The Walt Disney Company's Responses to Pearl Harbor and 9/11 Lindsay Goddard Senior Thesis presented to the faculty of the American Studies Department at the University of California, Davis March 2021 Abstract Since its founding in October 1923, The Walt Disney Company has en- dured as an influential preserver of fantasy, traditional American values, and folklore. As a company created to entertain the masses, its films often provide a sense of escapism as well as feelings of nostalgia. The company preserves these sentiments by \Disneyfying" danger in its media to shield viewers from harsh realities. Disneyfication is also utilized in the company's responses to cultural shocks and tragedies as it must carefully navigate maintaining its family-friendly reputation, utopian ideals, and financial interests. This paper addresses The Walt Disney Company's responses to two attacks on US soil: the bombing of Pearl Harbor in 1941 and the attacks on September 11, 200l and examines the similarities and differences between the two. By utilizing interviews from Disney employees, animated film shorts, historical accounts, insignia, government documents, and newspaper articles, this paper analyzes the continuity of Disney's methods of dealing with tragedy by controlling the narrative through Disneyfication, employing patriotic rhetoric, and reiterat- ing the original values that form Disney's utopian image. Disney's respon- siveness to changing social and political climates and use of varying mediums in its reactions to harsh realities contributes to the company's enduring rep- utation and presence in American culture. 1 Introduction A young Walt Disney craftily grabbed some shoe polish and cardboard, donned his father's coat, applied black crepe hair to his chin, and went about his day to his fifth-grade class. -
Street, Usa New Orleans Square
L MAIN STREET, U.S.A. FRONTIERLAND DISNEY DINING MICKEY’S TOONTOWN FANTASYLAND Restrooms 28 The Golden Horseshoe Companion Restroom ATTRACTIONS ATTRACTIONS Chicken, fish, mozzarella strips, chili and ATTRACTIONS ATTRACTIONS Automated External 1 Disneyland® Railroad 22 Big Thunder Mountain Railroad 44 Chip ’n Dale Treehouse 53 Alice in Wonderland tasty ice cream specialties. Defibrillators 2 Main Street Cinema 29 Stage Door Café 45 Disneyland® Railroad 54 Bibbidi Bobbidi Boutique 55 Casey Jr. Circus Train E Information Center Main Street Vehicles* (minimum height 40"/102 cm) Chicken, fish and mozzarella strips. 46 Donald’s Boat Guest Relations presented by National Car Rental. 23 Pirate’s Lair on 30 Rancho del Zocalo Restaurante 47 Gadget’s Go Coaster 56 Dumbo the Flying Elephant (One-way transportation only) 57 Disney Princess Fantasy Faire Tom Sawyer Island* hosted by La Victoria. presented by Sparkle. First Aid (minimum height 35"/89 cm; 3 Fire Engine 24 Frontierland Shootin’ Exposition Mexican favorites and Costeña Grill specialties, 58 “it’s a small world” expectant mothers should not ride) ATM Locations 4 Horse-Drawn Streetcars 25 Mark Twain Riverboat* soft drinks and desserts. 50 52 presented by Sylvania. 49 48 Goofy’s Playhouse 5 Horseless Carriage 26 Sailing Ship Columbia* 31 River Belle Terrace 44 59 King Arthur Carrousel Pay Phones 49 Mickey’s House and Meet Mickey 60 Mad Tea Party 6 Omnibus (Operates weekends and select seasons only) Entrée salads and carved-to-order sandwiches. 48 51 47 50 Minnie’s House 61 Matterhorn Bobsleds Pay Phones with TTY 27 Big Thunder Ranch* 32 Big Thunder Ranch Barbecue 46 7 The Disney Gallery 51 Roger Rabbit’s Car Toon Spin (minimum height 35"/89 cm) hosted by Brawny. -
IED GLOBALCOM Installation Instructions IED Announcement Control System
IED GLOBALCOM Installation Instructions IED Announcement Control System IED1100 / IED1200 REV: 06-13 DOC1201B ©2013, Innovative Electronic Designs, LLC IED GLOBALCOM IED1100 / IED1200 INSTALLATION INSTRUCTIONS Copyright © 2013 Innovative Electronic Designs, LLC. All Rights Reserved If this document is distributed with software that includes an end user agreement, this document, as well as the software described in it, is furnished under license and may be used or copied only in accordance with the terms of such license. Except as permit- ted by any such license, no part of this document may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, storage in an information retrieval system, or otherwise, without the prior written permission of Innovative Electronic Designs, LLC. Please note that the content in this guide is protected under copyright law even if it is not distributed with software that includes an end user license agreement. The content of this document is furnished for informational use only and is subject to change without notice. It should not be con- strued as a commitment by Innovative Electronic Designs, LLC. Innovative Electronic Designs, LLC assumes no responsibility or liability for any errors or inaccuracies that may appear in the informational content contained in this document. Any reference to company names in examples are for demonstration purposes only and are not intended to refer to any actual organization or an endorsement of any kind. Innovative Electronic Designs, IED, 500ACS, 500ACS Announcement Control System, CAS, Courtesy Announcement System, T-CAS, FAS, Flight Announcement System, IED On Call, IED On Call & Design, and LANcom are all registered trademarks or trade- marks of Innovative Electronic Designs, LLC in the United States and/or other countries.